Day 609

Heavenly: there are two John Peel Sessions being released on double 7″ vinyl by Precious Recordings! This is great great news! The dates from these sessions are from April 14, 1991, and the other one is from September 7, 1994. Needless to say these are essential records, that no one should miss. I believe the records are out on January 14, so pre-order now!

Jetstream Pony: another essential record for 2021 is the new mini-album by these superb indiepoppers from the UK! Their new album “Misplaced Words” is coming out on November 26 on Shelflife Records who seem to be on a roll this year. I wonder if I will miss this record, as it seems very few copies are left, and it doesn’t make any sense for me to order now as I will be out of town when it is released… hopefully when I’m back I’ll find a copy… CD is fine too.

Massage: and another great record coming up is Massage’s “Lane Lines” which is going to be out on black vinyl on December 1. This one is not that difficult to get a copy I think, 1000 copies pressed, which I thank! You can see I am nervous of missing out many records… so this one seems I’ll be able to get it when I am back. 6 songs, and one that we can preview right now, “In Gray & Blue (Single version)”.

Tallies: a new digital single by this Canadian band is out now. It’s been a while since I’ve heard from them so I am happy to see they are still making music. The new single is called “No Dreams of Fayres” and is being released by Hand Drawn Dracula, a Toronto label.

Crabber: three years after the debut album “Bluesbusters” the German band is releasing their second album “Who Let the Ducks Out?” on the fine Jigsaw Records. The album is out now on CD and includes 10 songs of clever pop!

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After writing about Mrs. Kipling I thought it made a lot of sense to look into other not that well known bands that were on Sunday Records, the fine label from Illinois that our friend Albert ran back in the 90s and that he revived a few years ago with some great releases!

Sundress only released one 7″ single. As mentioned it came out Sunday in 1993. It had the catalog number SUNDAY 031. Three songs were on this record. They were “Give Your Heart Another Day” and “Waiting” on the A side and “Gone” on the B side. The band was formed just by Sarah Brown and Mark D. Sarah writing all of the songs.

Sarah of course is well known for indiepop fans having been in classic bands like Sarah Goes Shopping or the Twa Toots. I have to write about both of these bands soon. I am surprised I haven’t written yet about Sarah Goes Shopping especially but I will make up for it. I have to!

Mark David Randall is also well known for indiepop. He was on our beloved The Fat Tulips.

Sundress  recorded at least one more song called “Changing Colours” that appeared on the CD compilations “Sunny Sunday Smile” (SUNDAY 640) from 1993 and on “A Sunday Records Compilation” double CDR (SUNDAY 1004) from 2019.

The other compilation appearance we know of them is on the 2000 CD compilation “Rolling Meadows Songs About Our Past Vol. 2” (SUNDAY 850) with the song “Gone”.

Looking on the web I find that my friend Alex from 7iete Pulgadas has dedicated some words to them. Of course! He always does. He wrote about them many years ago, in 2008. He mentions that I had written about them… but it was on my old blog… I haven’t written about them on this blog. Yeah, now I know why the feeling of deja vu writing these lines.

Other blog that wrote about them is Manolo’s 360 de Separación. Again no details about the band that we don’t know, like if they released unreleased records, but it is good to know he loved this band. I trust his taste 100% as Manolo Soleado knows his indiepop! His post is from 2006. On the comment section I see a linkback from my old blog. Wow. Those were the days! Now I feel like an island when it comes to indiepop blogs.

The last blog I see that wrote about them is also Spanish. This time it is a post from 2006 on Lito Music. What happened to Lito? I haven’t heard or known about him for ages. Again no more details but Lito shows his love for their music.

Sadly this is all I could find about them. I guess it was a one-off collaboration, but one wonders if there were more recordings. What made Mark and Sarah collaborate? Was there plans for more releases? Did they ever play any gigs together? Questions that would be nice to know answers… in the meantime, I want to remember this wonderful single and Sundress. And ask out there, who remembers them? Who has any more info about them?

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Listen
Sundress – Waiting

Day 607. Remember that this is the last week this year that I will be accepting orders on the label. You can surely find the releases in some fine mailorders like Jigsaw Records later on. I’ll be back on February to release a new record. Just need a little vacation and getting re-energized! This Friday will be the last time I’ll be going to the post office. Just heads up!

Makeout Point: so good to hear that the Swedish band is back! And back in style! That’s because their new song “Summerfall” is really good! It does feel a bit like The Funday Mornings or The Tidy Ups in here… and those are bands I love! I really look forward to more songs by them as they were one of my favourite discoveries some years ago. Top song!

The Umbrella Puzzles: very very limited, 50 copies of the CD EP “False Starts & Mishaps” by this superb project of Ryan Marquez. The CDEP is out now on Melotron Recordings, the fine Greek label that makes beautiful releases.  Four songs are included in this record, all of them terrific solid pop songs.

David Christian: David from Comet Gain shares with us 5 new songs in “Sports Anthems for Wimps + Losers EP”. As we know David has been putting out many songs recorded at home or from the vault, timeless treasures that we are lucky to hear. These songs are no exception.

World of Fox: I don’t know who is behind this project, but here is a 7″ that is so limited, 25 copies, with two covers of The Sea Urchins… “Pristine Christine” and “Sullen Eyes”, both from Sarah 001! The limited lathe cut in handprinted sleeve will be out on January 22 on WIAIWYA but pre-orders are up now.

The Reds, Pinks & Purples: it is no surprise that a new album will be released by Glenn Donaldson on January 28. The record is titled “Summer at Land’s End” and so far we can preview one out of 11 songs on Bandcamp. The track available is great, it is called “Don’t Come Home to Soon”. You can pre-order now the vinyl version and the CD version and also some more limited edition versions.

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I should reorder my CD collection. It took me ages to find the compilation “A Chance to Shine” (DORIAN 02) that Dorian Records, the label of Roger Gunnarsson, released back in 1996.

Well, finally found it. It was on the shelves next to the computer I am writing these lines from. So silly.

This compilation has been mentioned in the blog many times before. I have written about some of the bands that have appeared in it like Aquadays, aBLe, Violett and Saliva.

Well, today is the time for The Immediates! Who were they? Let’s try to find out.

The song the band contributed to this compilation was called “Pop Girl” and it is a very nice song. Looking at the Scandinavian Indie mailing list from the 90s I find a nice review of the compilation. When talking about The Immediates track they say: The Immediates‘ “Pop Girl” has apparently been played on the national radio a lot lately. Distorted vocals, trumpets and (always present) electric guitars. They win the lyrics award with: “She’s in love with a Britpop star who doesn’t know she exists, giant posters on the wall makes her father pissed, no matter what they say, she’s my pop girl.” The person behind this June 1996 was Erik Söderström.

On the booklet the song is credited to The Immediates. Now… on Discogs there is another release by the band listed. A 7″ actually. I wasn’t aware of it!

This 7″ that was released by Hit It Productions (HIT 005) came out 4 years before, in 1992. It was a Swedish release, so it may as well be the same band. Let’s say it is. The songs on it are “Trying 2 Burn the Sun” on the A side and “New York City Girl” on the B side. I have never heard these tracks. Quite curious about it. Are these songs good?

On the back cover of the sleeve there’s a photo of the band. Four guys, three of them with glasses. The front cover is just white, with the name of the band on the right side. There seems to be some insert with more information.

According to it the band was formed by Anders, Claes, Peffe and Egon. No last names. Though on the labels we find two, Eriksson and Lundberg. Whose last names were these from?

A little detective work and I find that it is Egon Ehom Lundberg (bass). The other band members last names are Anders Eriksson (guitars and vocals), Claes Isacson (drums). Peffe was on keyboards but don’t know his last name. This info is thanks to a video I found on Youtube of the band playing “New York City Girl” maybe from a rehearsal studio?

This same account has more videos. There is a promo video for “Trying to Burn the Sun“! Wow, in the end I know that these songs are good. Especially this one! This is a great single. Great find indeed!

And lastly there’s another video, of the band playing on an onstage contest in Piteå in 1993. There they play the song “It’s Gonna Be Alright“. I think I am pretty confident to say the band hailed from Piteå!

Looking at the videos I can say that Egon was later in many bands like The Shanes, Steel, Blues Moose, Rumble Fish, 7th Sign and Tower of Stone. Not sure about the rest of the members… but we know that Claes drummed on  Tower of Stones though I don’t think he was a full-time member.

And that’s it! Good information. Found more than what I expected! Anyone remember them? I think they must be the first Piteå band I write about, maybe some locals have good anecdotes about those early 90s and them?

EDIT: Turns out that the Dorian compilation The Immediates was a project of Roger Gunnarsson. So yeah, two different bands here. I wrote about two different The Immediates, both from Sweden, both from around the same time. I leave the post as is, but notice this important fact!

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Listen
The Immediates – Pop Girl

Day 604

Seablite: the ace Seablite will be back on Emotional Response Records with a new 7″ that is to be released on January 1st! Happy New Year! The single will include two songs, “Breadcrumbs” and “Ink Bleeds”, and right now we can preview the first one on Bandcamp. And you’ll notice immediately that this one is a goodie. So yeah, this record seems like a good way to start the year!

Boyracer: and checking at other releases I might have missed on Emotional Response I discover the “Bulletproof EP” by the legendary Boyracer. This EP includes “Bulletproof” that was in the “Assuaged” album plus 3 exclusive songs, one of them a cover of Nocturnal Projections. The EP is out now as a cassette. As usual, Boyracer delivers!

Young Guv: “III” is the new album by Young Guv. That was an easy introduction. I had previously recommended the project of Ben Cook and his previous releases. This time around his new record will be out on January 11 on the Hand Drawn Dracula label from Toronto. The record is coming out on vinyl and will include 11 songs. We can preview just one so far, “Lo Lo Lonely”, so we’ll have to be patient to listen to the rest!

Jim Shepherd: wow! The Jasmine Minks member has just put up on his Soundcloud 3 songs he recorded back in 1988 on his own. These are “The Landlord”, “Something Missing” and “Must We?”. These are great. You wonder how many more superb songs waiting to be re-discovered he must have in his cupboard.

Hank Idory: “Sentimental Jamboree”  I am guessing will be a new album on Pretty Olivia Records. There is just one song available to listen on the label’s Bandcamp and is called “Nadie Sabe Nada”. This is a sweet song, really pretty. Sadly there’s no info about the band or the release. I guess that is coming up soon? Maybe we went ahead and recommended this too early?

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Been a while since I checked the Youtube channel of stoneeyedkiller. There are usually some great pop songs there by obscure bands, many that I have never heard about.  The latest discovery for me there is the band Godfish.

The song is called “Pencils” and it seems it was released in 1989. Aside from that there is no other information. There is no photo either. Clearly it has proven difficult to the person behind this Youtube account to find more details. The good thing is that the song is a lovely slice of jangle. Can I find any more details about them?

Well I find the song on another account. The account is by Timothy Groves who was the drummer of Godfish. The other band members were Andy Davies on vocals and guitar and Kevin Hutchins on bass. This particular song seems to date from 1985 according to this account! Also it mentions it was recorded at DTS Studios in Rochester and was written by Kevin Hutchins.

A comment says that the band hailed from Gillingham. I’ve been to Rochester but never to Gillingham.

Gillingham is a large town in the county of Kent in South East England. For local government purposes it is in the unitary authority of Medway. Gillingham means a “homestead of Gylla’s family”, from Old English ham (“village, homestead”) and ingas (“family, followers”), and was first recorded in the 10th century as Gyllingeham. The town’s name is pronounced with a soft ‘g’ (as in ‘ginger’), compared to the hard ‘g’ (as in ‘girl’) used for Gillingham, Dorset and Gillingham, Norfolk.

On his account it is the only song he has uploaded of his old band. But then on Soundcloud he also has an account. There you can find “Pencils” but also another song, “Heaven Calls“.

Now, we do some memory. Right, I know this Soundcloud! I wrote about another of Tim Groves’ bands! I wrote about Yellow Bird some months ago. Why didn’t I check his band Godfish then? I was planning to write about Spinning Belinda and I still haven’t done so. Maybe that should be my next post. On that post I mention many of the bands he had been in like The Ultra Parents, The Gemms, Big Humming Noise, The Direction and Scuz.

Right. He was involved in many nice indiepop bands. How come there were no proper records? How come these songs and bands are this obscure? Would be great to know!

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Listen
Godfish – Pencils

Day 602. Reminder that in a week time I will stop orders for about to month, until February. Please place your orders now if there are any records you’d like. Upon we return next year there will be a new release! More info on it very soon!

The Legendary Hearts: this is really amazing! A Christmas single by the Scottish legends! “Cold Christmas” is included in a new 7″ that they have just released. This 7″ which is actually a split with The Sacred Angels is among the best I’ve heard this year. Also, I got the 7″ already and I have to say it sounds superb. Released by the band’s own Surfin’ Pict Records, the label that they’ve used to put out classic pop since the 80s, the single is one not to be missed. The Sacred Angels song is very good as well! I think this is a one-off band, but they know how to make a fine song! Best Christmas single so far!

Hits: this is a difficult name for a band. I wonder how can people google for info about Hits? Well, who knows! But their “Cielo Nublado” LP seems to be doing well. Released by Paisley Shirt Records from San Francisco, the Oakland trio released this album back in September. It is a nice mix of post-punk and pop. It works really well here. So check it out!

En Mi Mente: now a dreampop band from Chihuahua, Mexico. This project by Alan Aviles, a 24 year old chavo, has just released their latest digital single “Girasolestelar”. It is a fine jangly upbeat song, with somewhat buried vocals and ace melodies.

Dream Room: another dreampop band. Another digital single. This one seems to be the only song available by this Melbourne based band. From a photo on their Bandcamp it seems to be a 3-piece, one of them wearing a Newcastle United jersey. Not much more info. The single is called “Ride” and it sounds good.

Hidden Pears: as usual my friend David Chalé finds the bestest obscure Swedish pop. Who are Hidden Pears? Who knows. The one thing we know is that their Soundcloud has a bunch of demos that are really nice. Feels like going back in time to the heyday of Swedish bedroom pop circa 2004. Wow! So good, check “Vackrast Som Vän” if you want to start by one of the songs. Really nice!

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Another band I’ve tried to interview with no luck. You know, it happens more often than not. But I still want to recommend this fine Sheffield band that in 1993 released their one and only record, a 7″ on the American label Sunday Records.

“Change EP” came out that year. It had the catalog number Sunday 023 and included 4 songs, two on each side. “Hurts Me to Think” and “Change” on the A side and “Sha La La” and “Rainy Afternoon” on the B side. The sleeve is printed on a tone of purple, it looks like a statue. Perhaps from a cemetery? Who’d know?

This record is probably among the first records I had. I can’t remember when I bought it but it was early on when I started buying records. I always liked their sound.

The four songs were recorded in March of 93 at Epichead Studios in Sheffield. The engineer was Matt Robson from the band Slumber while the songs were mastered by L. Nix.

The band was formed by Julian Arthur on bass, Adam Ash on drums, James Wood on guitar, Kirsty McGee on vocals and guitar and Mark Wainwright on guitar. I have met Mark many times as he was part of the fantastic band The Parallelograms who released a 7″ and a 3″ with Cloudberry. He was also in The Total Rejection.

Kirsty McGee had been in Slumber and Kirsty McGee & the Hobopop Collective. And yeah, speaking of Slumber I should prepare a post about them as well. She has become a renowned folk singer and even has her own Wikipedia page!

Aside from the 7″ songs the band recorded some more for different compilations.

“Take Me Back to Heaven” appeared on the 9″ flexi “Happy Sunday (A Sunday Records Anniversary Single)” (Sunday 021) in 1993. That same year they appeared on the classic compilation “The Sound of Music (An Anti Racist Benefit)” that Bring on Bull Records (C233) released on CD and vinyl. Here they did a version of “Lonely Goatherd” from the movie The Sound of Music of course.

1993 also sees them appear on “Sunny Sunday Smile” (Sunday 640) a Sunday Records compilation on CD that included two of their songs, “She Wasn’t In” and “Bent Backwards”. 7 years later, in 2000, there is a second volume, “Sunny Sunday Smile Volume 2” (Sunday 880) where the band contributes two more songs “Human After All” and “Mrs. Kipling”.

One thing that I wonder is if their name had a period after Mrs or not. I’ve seen it both ways. I wonder what was their preferred way. Also, where does their name come from?

“Rainy Afternoon” appears on “Rolling Meadows Songs About Our Past Vol. 2” (Sunday 850) another CD compilation released by Sunday Records on the year 2000.

Lastly, in 2018, when Sunday Records came back from a long hiatus, their songs “Take Me Back to Heaven” and “Waiting” get included in the compilation “Songs About Our Past Vol. 3” (Sunday 970).

I look for more info about them on the web and the information is scarce. I notice my friend Alex from 7iete Pulgadas recommended the single back in 2011. He doesn’t have any extra details but he does some dead-on comparisons of the band to the likes of Marine Girls, The Carousel, The Popguns or Moving Pictures.

I don’t have much more to say. Maybe one day we’ll learn more about them. Why there weren’t more records? Did they gig a lot? Are there more unreleased tracks? Who knows… maybe some of you remember them?

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Listen
Mrs Kipling – Change

Day 600

Las Infrarrojas: this greeat Madrid four-piece is back with a new record! It is a 7″ titled “Las Infrarrojas & Indy Tumbita” that includes 4 new songs (in English and Spanish) of superb pop! The record is out now on Hurrah! Música.

Fawns of Love: Sunday Records keeps releasing great music. The latest is a CD album by this husband-and-wife duo from California. Jenny and Joseph Andreotti here presents us “Innocence of Protection”, their third album. This time around we can preview the first, self-titled, track on the label’s Bandcamp and it is ace!

Laundromat Chicks: we check back with Vienna popsters Laundromat Chicks. It has been a while since we heard from them and thought it was time to see what news they had on their Bandcamp. I find out that they put out a new song, “It Must Be the Stars”, last month. Oh! and it is good. Great jangly lo-fi pop.

Useless Youth: I will be in Mexico soon and I wonder if I’ll be able to see live this band. Whenever I am there there are no good gigs. Maybe one day I’ll be lucky. Just a few days ago Cariño played in Mexico City. But yeah, I missed them by a few weeks. Anyways, “Verano 2017” is the bands latest song, a dreamy sweet melodic song. Really nice.

Melody Charade: and I end up today’s recommendation from a band from the next county of mine. From Brooklyn comes this duo and their first release “Sky Like This”. 3 songs of dreampop. 3 solid songs. I especially enjoy the eponymous track, “Sky Like This”, with some super vocals and melodies.

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Many remember Moira Margaret Lambert as the vocals on Saint Etienne’s wonderful cover of Neil Young’s “Only Love Can Break Your Heart”. This song ended up in the UK Top 40 and number 1 on the US Hot Dance charts. This was released in 1990 and then well, the story is well known as Sarah Cracknell became the vocalist of Saint Etienne.

But what happened to Moira? Well, she was in another band that maybe many don’t know about: Faith Over Reason.

This band released two albums and three EPs in the early 90s, all of them on the label Big Cat which was based in London.

According to her Wikipedia page she grew up in Africa (where in Africa it doesn’t say). There she learned to play guitar and later moved to the UK. While in the UK she got into The Smiths and other indie bands of the time. She would then study at the Conservatory of Music and eventually would sign with Big Cat. She would end up touring the UK with Lush and Slowdive, and Europe with Jeff Buckley and Heather Nova (she contributed backing vocals to this band’s first recordings).

Then she would work with Paul Oakenfold in his project Grace, co-wrriting the hit “Skin on Skin”. Afterwards Moira would form Ova, but that would last just one single. Then she would collaborate with some obscure electronica collectives like Freeloader and Data. She worked with the band Tram too doing backing vocals.

In 2002 she moved to Canada, to Victoria (what a lovely town that is, I visited once for a day, and was impressed). There she would release her solo album in 2006 titled “Coming Up Roses”. She would work and write theme music for “Survival of the Fittest: Stories from the West Coast Trail” for Fox.

A second solo album would be released in 2008.

But yeah, Faith Over Reason. Was the band around the same time as Saint Etienne? I think so, the first release from Faith Over Reason date from 1990.

This was the self-titled EP that had four songs, “Believing in Me” and “Northern Sky” on the A side and “Fallen” and “Evangeline” on the AA side. This record had catalog number ABB17 and was produced and recorded by Barry Clempson. It is worth noting that “Northern Sky” was a cover of Nick Drake. The art is credited to Style Bandits and the photography to Patrick Gilbert.

Then came another release. It was the “Billy Blue” EP that was released on both CD and 12″ vinyl. This was catalog number ABB 23. Four songs were included in this record, “Billy Blue” and “Ice Queen” on the A side and “High in the Sun” and “Move Closer” on the B side. The producer was Barry Clempson. The photography on the back of the sleeve is credited to Greg Freeman.

That same year the band appeared on the sampler flexi “Big Cat Records Flexi” (CAT086). On it they contributed the song “Sophia” which was the first song on the B side. This sampler came with the magazine “The Catalogue”, on its 86th issue. The other bands on the flexi were Steroid Maximus, The Beyond and Edith Strategy.

After this release, in 1991, the band went to release a collection of demos that were recorded between 1990 and 1991, “Eyes Wide Smile”. Again released as a CD and vinyl (ABB27), the record had 9 songs. The songs were “Lullaby (Mother Love)”, “Sofya”, “So Free”, “Northern Sky” and “Song for Jessica” on the A side and “Evangeline”, “Not So”, “Eyes Wide Smile” and “Fallen” on the B side. These songs had been recorded by Paul, Pete and Barry at Madhouse and Gooseberry.

Then we have to jump to 1994. Then we see the band release the “Blind EP” on 12″ vinyl and CD. Four songs again, “Blind” and “Easy on Me” on the A side and “Love is Blind” and “Come”. And just after they release the album “Easy” (ABB63). Again on vinyl and CD. You must assume that the label had money to be releasing on these formats and getting Stephen Malkmus to produce the record. The songs here were “Blind”, “Unsure”, “Too Soon”, “Love is Blind”, “Alone Again” and “I’ve Been Told” on the A side and “Let the Sun In”, “Work Hard”, “Half Asleep”, “So Slow”, “My Own Child” and “Some Things”. It is worth noting too that there was a promo video for the song “Blind”

In 1994 the band also contributes the song “Blind” tot a CD compilation called “The Big Cat Five” (RTD 131.1856.2). This was released by Rough Trade in Germany. The same release would be released with a different name, “Various Big Cats – Whisker A Go-Go”, in 1995 by Caroline Records (CARPRO 4) in Spain.

The only other band member name that Discogs gives us is that of Bill Lloyd, on bass and keyboards and is known for his work on Placebo. He was also on Tram. AllMusic has the names of the other band members, on guitar we find Simon Roots and on drums Mark Wilsher. Roots would leave the band and would be replaced by Tebo Steele in 1993. In 1995 Steele and Lloyd left the band but it seems Moira continued with it and even recruited Patch, The Sundays’ drummer, to work on new material. Was this material ever released?

Not much more written on the web about them, but yeah, they left some nice shoegazy, dreamy songs, were on a label that seems had enough means to promote them, but somehow they seem to be forgotten. Who remembers them?

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Listen
Faith Over Reason – So Free

Day 597

Le Pain: we start with a digital single from Los Angeles, California. The band Le Pain has just released “Obvious to You”, a light, sweet, bright, song. The vocals by Olivia Babuka Black are dreamlike and that is one of the biggest strengths of the band. But the guitars and melodies are ace too. This is a good band for sure.

Little Cinema: now here’s an album, “Safety”, by this band that lives between Brooklyn and Austin (even though they list themselves from San Jose, California). This new album of 10 tracks is the sequel to their 2014 album “Adventure”. At the moment we can preview four tracks that I really enjoyed. The album is out digitally on November 5.

The Greengrocers: what caught my attention was the artwork they were using… copying the Shop Assistants! So I had a quick listen to their first release, “Single”, which includes two songs, “Rotten Apple’s” and a cover of the Shoppies’ “Fixed Grin”. Fun pop from Oakland, California!

NewDad: from Galway, Ireland. An easy-going superb pop song here. It is called “Ladybird” and it has that trademark sound of the last few years, with dreamy reverb guitars, some fuzzy guitars thrown there in good measure, female vocals, that work so well. Good stuff.

Casino Garden: and lastly we head to Wuppertal, Germany. There I discover this band  formed by Matthias Wiercinsky and Oliver Kroker who on November 13 will be releasing “Oliver Oliver”, their new album. We can preview two tracks now, “You” and “Never Change”. Both are good, but I like best the latter, a lo-fi pop song with great hooks!

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This is a very obscure one.

So I assume there won’t be much information to find online. But I am hoping some of you may be able to help me.

I think The Boy’s Short Hair is a Japanese band. Probably end of 80s or early 90s. I only know one song, “Around the World”. This song was included in a very rare compilation called “Everything but the Boys and the Girl”.

I have a CDR copy of this compilation. As far as I know the compilation was not even available for sale. It was released by the legendary Happy Extreme! who had put two flexis in the late 80s, flexis with legendary Japanese bands. These two flexis had come along the Eigoku Ongaku magazine in 1988 and 1989.

So yeah, whoever compiled this compilation knew what they were doing. It is really excellent and there are lots of obscure bands worth discovering.

It has catalog number SFC 003 and includes some well known bands as well. We find The McTells, Choo Choo Train or The Rain. There is Penny Arcade who I interviewed. There is The Bachelors who had a release not so long ago on Blue-Very and who I’d love to interview. And there is the Philips. I wrote about them too but haven’t been in touch.

The other bands on this compilation are unknown to me. Like Shink Carnation, Somerset Club Boy, Knickerbocker Holiday, Forest Stroll, The London Times and more.

The Boy’s Short Hair caught my attention immediately. It is worth noting that this CD came with the book “1986-1991”. I have a copy of the book that was put out by DU Books in Japan. Sadly my copy didn’t come with CD. But a friend was kind enough to burn it for me!

Anyhow. That’s all I can say about this band. They sound great to me. So yeah, any information that anyone has, let me know!

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Listen
The Boy’s Short Hair – Around the World

Day 595.

Nobody’s Flowers: from Portland, Oregon and they clearly like The Smiths. Their self-titled album will be out on November 19! It will be released on double 12″ vinyl and will include 9 songs. The one song we can preview is ace, with terrific jangly guitars. Check it out, it is called “Mountains out of Broken Men” and it chimes and chimes!

Seventeen Years: now we check a digital single by this Toronto project. The song is called “Long Story” and from the text on Bandcamp it doesn’t seem clear what the intention is with this song, if to include it in a singles compilation or be part of a new album. Well, I guess we’ll have to wait. Nice, mellow indiepop.

Radium Jaw: I watched a few months ago a movie where thanks to radium girls in a clock factory started to lose their jaws or parts of it. Real story. Maybe they took the name after this? “Faded Out” is the name of the Atlanta five-piece new album. It has 6 songs of female-fronted dreampop and it is only available digitally.

Parasouls: I recommended their song “Sunny Beach” in the past. Good news! Here are two more, “Let’s Pretend” and “Can We, Can We”! They will be part of a 6 song EP titled “Drifters, Dream Makers” that Lilystars Records is releasing. The Manila band sounds ace. I really hope there’s a physical version for this release!

Castlebeat: the California band has been recommended time and time again on the blog. The solo project of a guy named Josh knows how to make some great guitar pop. His latest single “We Can Make This Right” is no exception!

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Here is another band I tried to interview with no luck even though I did interview one of their members at some point about the band that he was in afterwards, Rebecca Fishpond.

The members that I interviewed and were in The Kildares were Zack Yusof and Dan Rowlands. When I asked them about The Kildares they told me:

Before the Fishponds, I formed The Kildares with a few pals whilst studying in the UK – in Oswestry, Shropshire, out in the sticks. We were a school band that played all originals, mainly written by me with my repertoire of bad poetry and five or six open guitar chords, really basic stuff. I was inspired to form a band by The Jesus and Mary Chain’s Psychocandy and the C-86 scene that was happening at the time. I was also heavily into David Bowie, The Smiths and Postcard bands like Aztec Camera and Orange Juice but they seemed like musical gods to me, virtuosos that were way out of reach for mere mortals like myself. I had missed out on punk and was slightly too young to get into the post-punk scene so when the C-86 thing came along, it was as if a light turned on in my head. I felt that it was something that I could get myself involved in and I wanted a piece of the action so bad. To travel around making cheap records, playing gigs, drinking beer and meeting girls, that seemed infinitely more preferable than going to college, university or worst, full-time employment. None of us could play our instruments worth a damn but technical expertise didn’t seem to matter that much with bands like The Pastels and The Shop Assistants, or so we thought back then. They sounded as raw and untutored as we did which gave us a real boost, like, if they can make records with stand-up drums and gnarly, out of tune sounding guitars and get on John Peel, so can we. The folly of youth eh?

The Kildares broke up when I left school up in Oswestry and headed down to London to embark on a new musical adventure. My plan was to get a serious band together and really go for it or end up in rehab trying. To that end, I began studying the musician wanted ads in the Melody Maker every week until I eventually met John Sheehy, who looked drop dead cool in a sixties, Velvet Underground kind of way and who had a really nice, gentle way about him. The fact that he could sing, write great lyrics and was thoroughly committed to the cause was a bonus. To make up the rest of the band, I drafted in my old Kildares brothers Dan Rowlands and Andrew Richardson who, to my utter amazement and delight, were just as keen to put higher education on hold indefinitely in order to chase that rock dream of ours. Every band needs a drummer, especially one with a big red van, and when John brought his pal Lar to beat the skins aggressively and drive us around, the Fishponds line up was complete.

The other member, the third member in The Kildares was Andrew Richardson.

Another thing they mentioned to me was that The Kildares tried their luck with Sarah Records, but a rejection letter was all they got.

One thing that caught my attention is that they were from Oswestry. I have never heard of this place so I looked:

Oswestry (Welsh: Croesoswallt) is a market town, civil parish and historic railway town in Shropshire, England, close to the Welsh border. It is at the junction of the A5, A483 and A495 roads.

The town was the administrative headquarters of the Borough of Oswestry until that was abolished under local government reorganisation with effect from 1 April 2009. Oswestry is the third-largest town in Shropshire, following Telford and Shrewsbury. The 2011 Census recorded the population of the civil parish as 17,105 (up almost 10% from 15,613 in 2001) and the urban area as 16,660. The town is five miles (8 km) from the Welsh border and has a mixed English and Welsh heritage.

Oswestry is the largest settlement within the Oswestry Uplands, a designated natural area and national character area.

The way I discovered the band was thanks to a Soundcloud account by Dan Rowlands. He had uploaded two recordings by the band. One is the song “In All Honesty” and the other is a whole gig at The Timebox on December 17, 1987. This last recording was actually from the band’s second appearance at the Timebox which for you that remember was held at the Bull and Gate in Kentish Town, London. The songs on this set are “We Haven’t Got Forever (Take 2)”, “Happy with her Handbag”, “Not Even for You”, “Why Are You So Different?”, “The Feeling’s Gone”, “Never Understand”, “Shimmer”, “Everything’s Different Now”, “A Million Miles”, “Walking in the Sun” and “We Haven’t Got Forever (Take 1)”. I wonder which other bands were on the bill each time they played this classic venue…

Thanks to this account I found another account but someone nicknamed “beautness”. In this account I find many more recordings by the band. I suppose they came from demo tapes the band recorded during their time (what was their time? 80 something to 80 something?).

Among these songs we find: “In All Honesty (normal Speed)“.  Some others are tagged as been recorded on a 4-track cassette between 1986 and 1988 like “We Haven’t Got Forever“, “Happy with Her Handbag“, “Happy with Her Handbag (no overdubs) 2“, ‘The Feeling’s Gone“, “The Feeling’s Gone (instrumental)“,”Why Are You So Different?“, “Why Are You So Different? (instrumental) take 1“, “Why Are You So Different? (instrumental) take 2“, “Walking in the Sun“, “Walking in the Sun (pan right)“, “A Million Miles (original)“, “A Million Miles (instrumental)“, “In all Honesty (helium version)“, “I Held the Summer“, “Not Happy Alone (no overdubs) take 2“, “Look Like It’s Going to Rain Forever“, “Not Even For You“, “Never Understand“, “Everything’s Different Now“, “Hypercritical“, “Joyce“, “Stone Cold Stella” and “Shimmer“.

Wow! Quite a trove of recordings indeed.

There’s nothing else about them on the web, hence why I wanted to interview them. But at least this way I can share with you all these recordings and maybe you can find a new favourite song! Anyone remember them?

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Listen
The Kildares – Happy With Her Handbag

Day 593. Just wanted to give a heads up that Cloudberry will be going on vacation for about two months and a half. Starting November 13 to February 4th. Any orders placed during this time will be shipped on February 5th 2022. So yeah, if you plan to buy any records please do it soon!! Thanks in advance!!

Coming Up Roses: the Singapore dreampop trio is back with a fine new digital single titled “All Our Time”. This song is the first track they release after the departure of the band’s drummer Bruce tan. The band says this song is a new beginning for them. It might as well be, since 2019 “Waters”, we haven’t heard from them. And it is good to see them back in good form!

Torres Satélite: this duo formed by María de la Vega and Santiago Pérez has just released a digital single with the superb Discos de Kirlian label from Barcelona. The song is titled “La Noche Americana” which translates as The American Night. Now, this is very nice, so yeah, we want more!

Marinita Precaria: I really like this new project from Spain. The songs are sweet, naive, and poppy. They remind me of Niza. The lyrics are whimsical and cute. It is great. They have just released a new single, a new video, for their song “Celosa”. Worth checking it out!

Bridge Dog: now to Sydney. Another digital single. Where are the EPs and albums you wonder? Well maybe they are there! But these are the finds I stumble upon that I think are worth sharing. “Former Life” is the title of the song of this two-piece. And it sounds great to me!

Violentene: ok, you see, now we find an EP! “Otherworld” by Ottawa’s duo formed by Mvrijo and Roland! 5 songs of wavey indiepop that is even released on physical! CDs are available and will start shipping on October 25. Great upbeat pop, and $10 is cheap for such a good record!

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Here’s a record that’s been on my wantlist for a while, The Border Boys’ “Tribute” 12″. As far as I know the band didn’t release any other records and perhaps of one of their members being the mighty Louis Philippe, this record can be a bit hard to come by.

For many of us Louis Philippe is a legend when it comes to indiepop. Having recorded for Él Records, Siesta, Cherry Red, Tapete, Tricatel, and more. So many records. So many classic songs. Philippe Auclair, his real name and the one he uses in The Border Boys, first band was actually The Border Boys as far as I know. At least it is the first band that he released records with. Then came The Arcadians which would make a nice post too I think!

The Border Boys’ record came out on another legendary label, Les Disques Du Crépuscule. “Tribute” (TWI 174) was released by this Belgian label in October of 1983, with that cover art that I find iconic, with what looks like Mickey Mouse surprised listening to an old radio. The illustration was made by A. Pepermans.

Four songs appear on this record, “This Picture is Nailed on My Heart” and “When Will You Be Back?” on the A side and “When the Party is Over” and “Sorry” on the B Side. The songs were produced by Andy Paley who had produced The Ramones and The Modern Lovers.

I know all songs were written by Philippe but not sure if there were other band members. Immediately I find an answer. I find the website of Jean-Francois Champollion. Here it mentions that this French artist from Paris was part of the band. On his bio it says that he meets Louis Philippe in 1983 and then he engineers and plays on The Border Boys first demos. They would be a duo and they would split in 1986. On his bio it mentions that The Border Boys released one posthumous album in 1995 with songs engineered by Champollion, others recorded with a full Border Boys band including Jacques Delorenzi on bass and some others just by Louis Philippe on his own. I don’t know anything about this album!

The band appeared on many compilations through the years.

“Sorry”, that was on the record, appears on the compilation “Coincidence V. Fate” released in 1984 as a double LP by Crépuscule au Japon (SCL-1004-5L) and later as a double CD on Omagatoki (OMCX-1260/1261) in 2014. Both versions of this compilation were released in Japan. “Sorry” would also appear on another Japanese comp, the 3CD and LP “Trattoria Menu 100 – A Musical Souvenir of Trattoria Menu. 100’s Magic Kingdom” released by Trattoria (Menu.100) and Polystar (PSCR-9103/9105) in 1996.

“When Will You Be Back?” appeared on a few comps as well. First on “From Brussels With Love (1983 Edition)” a double LP compilation released by Les Disques du Crépuscule (TWI 008) from 1984. In 1987 the song appears on “Crépuscule Collection 4 – Death Leaves an Echo” (TWI 653) released by the same label on vinyl. Lastly this song appears on the CD compilation “Crépuscule for Café Après-Midi 2” (VICP-61723) released by again the same label in 2002.

The other song that appears on compilations is “When the Party’s Over”. This song is on “Crépuscule for Café Après-Midi” released on CD by Les Disques du Crépuscule (VICP-61558) on 2001. And also on “Anchor (Trattoria Made in Japan)” 3CD comp released by Trattoria (Menu.250) and Polystar (PSCR-6055) in 2002.

It is worth mentioning too the Trattoria (Menu.89) and Polystar (PSCR5465) CD comp “I Still Believe in You” that included all of the songs from the “Tribute” 12″ in 1996.

There’s not much more info about this project on the web. At least this is what I’ve been able to find. One thing that I would love to know is who were in the full band of the Border Boys and most importantly about this 1995 album! I want to know and listen to more songs by them. Please anyone that can share any details let me know!

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Listen
The Border Boys – This Picture is Nailed on My Heart

Day 586

Roller Derby: a few months ago we discovered this pop trio from Hamburg and of course I kept an eye on them. The band has just released a new digital single titled “Something True” that is really nice, with a cool mix of English and French lyrics.

The Royal Landscaping Society: our friends Cris and David from Sevilla have just released a wonderful new song called “Profit and Loss” that will also be in a split 7″ with another friendly band, Fantasy Postards. The song is really good, as it is the norm with them. We need more of their shimmery pop. More often. More and more. This just feels too little!

EEP: now time to head to El Paso, Texas. Why? There’s a cool shoegaze band there called EEP.  Their latest song is titled “Here We Are” and it is a catchy pop tune. The band is formed by Ross Ingram, Rosie Varela, Sebastian Estrada, Serge Carrasco and Lawrence Brown III. Let’s keep an eye on them!

Slack Times: just listened to the song “Can’t Count on Anyone” that is the opening track of the “At the Blue Melon Rendezvous” and thought, this is great. But what about the other 3 songs? Well, can’t listen to them. The band’s EP was released on October 15 and is available in physical format, on CD!

Colatura: and we end this review with a NYC band! Cool. I still wonder when I’ll go to a gig in this city! The latest release by this trio is a song titled “The Met”! Yes, just like the museum! I miss going there too! The song is really really good. You wonder why it is not on a vinyl record, a cd, or even a cassette?

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Time to travel to Ghent, Belgium. That’s where the early 90s quartet The Pink Flowers were based.

It’s been a while since I wrote about a Belgian band. There are many good ones and it is always a good time to discover them.

The Pink Flowers must have started late in the 80s. The first time we hear about them is in 1988 on a compilation LP titled “JP Van Presents The Belgian Garagemania Vol. 4” that was released by Boom! Records (BOOM! 4). ON this compilation the band appears with the song “Long Black Hair”.  The following year their song “Fire to Burn” is included in the next volume of this series, “The Belgian Garagemania 5” (BOOM! 5).

Boom Records would be the band’s place. Their home. In 1990 the label founded in 1987 by Jean-Pol Van Haesendonk (known as JP Van), releases the band’s first album “April Showers” (BOOM! 11). It came out on vinyl and included 12 songs. These were “Big Stone”, “Long Ago”, “As the Night Fades Away”, “Inner Shadow”, “Troubles in Your Hand” and “Death of Greedy Liver” on the A side and “Waiting for a Better Time’, “I Should Have Known”, “I’m a Woman”, “One Thing Missing”, “Your Door” and “Break Away”. These were recorded at TOP Studio in Ghent. The producer was JP Van while the engineer was Fernand Buyls. The songs were recorded during the winter of 1989 and 1990. The art of the record was created by Margot Trofs (logo), Carlo “Rif Raf” Wauters (layout) and Bernaded Dexters (photos).

On the credits we see that Michel Vanneste and Piet de Ceuleneere played guest guitar, Nils de Caster on guest violin, JP Van on guest voacls and bluesharp. Christophe Ysabie played bass and vocals, Piet Vermeulen the drums, Bruno Deneckere on voacls and guitar and Peter Ysabie on guitar.

In 1991 the band contributes the song “South Park Musing” to a CD compilation called “Girls and Guitars Vol. 1” released by Boom! Records (BOOM! 18). That same year the band releases a second album called “Tune In!”. This one came out on CD on Boom! Records (BOOM! 20) and on LP on the German label Smarten-Up! (Big Start 18-1). The CD version had 18 songs while the LP 14. The songs on the CD were “Whales’ Talking Blues”, “Nefertari”, “Falling Angel”, “Lilly”, “Paralysed”, “Don’t Let Me Beg for Another Day”, “So Long (I Knew You Well)”, “11 NY Dancing”, “Here He Comes”, “Wide and Lonely”, “Sing for Me Sandy”, “You Got me Under”, “Swan Song”, “All I Want is You”, “Loose, Losing”, “Tune In” and “Tomorrow”. The LP, with a band photo on the cover, had a totally different tracklist. This time we find “One Thing Missing”, “Paralized”, “Fallen Angel”, “Lilly”, “You’ve Got Me Under”, “Here He Comes” and “Just a Covern” on the A side and “Wide and Lonely”, “Sing for me Sandy”, “11 NY Dancing”, “Cannot Spend my Time”, “Swan Song”, “So Long” and “Nefertari”.

1992 sees the band release two 7″ singles, I suppose to promote the album. The one thing that is interesting is that these come out in a Greek label called Who Stole the Summer? Records. This label was originally from Kavala and later moved to Thessaloniki. The first single was “So Long” (WSTS 7001) with two B sides, “Tomorrow” and “The One I Need”. The second single was “Nefertari” (WSTS 7005) with “All I Want is You” and “Where You Are” on the B side. The illustration of this last single’s artwork is credited to Marx while the layout to Herman & Isabelle.

1993 is another good year for the band. They include their song “Blind Man’s Son” to “Rifraf Volume Two”, a CD comp released by Liquid (2100486). This was a Belgian label of course.  Their last album, “Blind Man’s Son” comes out this year on CD (BOOM! 5). 11 songs are in this album, “Long-Haired Friend of Mine”, “Killing a Crook”, “Three Reasons for Loving”, “Mary Magdalene”, “Blind Man’s Son”, “Shouldn’t She Get a Lotta Love”, “Bad Years Gone”, “Annie”, “Weather”, “Beautiful Morning” and “Another Song”. On the credits we only see one familiar name, Bruno Daneckere on vocals, guitar and harmonica. The other band members had already changed. Jo Liégois on bass and backing vocals, Ivo Tops was on drums, Marc Vranken on guitar, Patrick Riguelle on lapsteel guitar, mandolin and backing vocals, Guy Van Nueten on piano and Nils de Caster on violin and backing vocals. Patrick Riguelle was also the producer. The artwork layout is credited to Herman Verbelen.

1994 is a year where the band appears on three CD compilations and it is always the same song, “Weather”. It appears on “Basta” released by Humo, “Faces Vol. 3” releasd by Face Records (FACE 007) and Elephant Candy? (CANDY? 038) and on “Die Nieuwstraat Van Studio Brussel – Vol. 3” released on Play That Beat! (AMC 54 006). All of these were Belgian compilations but the Face Records one that was from Italy.

In 1996 the band’s song “I Confess” appears on the CD compilation “Kort Gerockt” released by Backline and De Gentenaar. This was a Belgian release of course. Then in 2006 the song “Blind Man’s Son” appears on “Bel 90 – Het Beste Uit de Belpop Van 1993” released by EMI and also on another EMI release, the 10CD boxset “Bel 90 – Het Beste Uit De Belpop Van 1990-1999”. I suppose the first CD was part of the boxset.

The last time we hear from them is in 2013 when their song “You Got Me Under” is included in “Best of Belgian Garage Mania! Volume One” released by Starman Records (SMR006).

There is on Discogs another compilation called “Wild Folk for Hobo Sailors and Pink Ladies” that Boom Records released (Mood 125). There is no date for this release but we see some Pink Flowers songs on it, “Loose, Losing”, “Yune in”, “Hard to Tell”, “Three Reasons for Loving”, “Weather”, “Blind Man’s Song”, “So Long”, “Tomorrow”, “I Confess” and “The Facts”. This compilation is on Bandcamp actually.

On this same Bandcamp by Boom! Records you can find “Tune In” and “Blind Man’s Son” as well. Just missing the first album.

Then my next step is to look at what other bands the members may have been involved with. Ivo Tops had been in a band called Hombres Amplificados. Patrick Riguelle on K 13, Riguelle & Hautekiet, The Groove Quartet, Well Well and Zakformaat XL. Guy Van Nueten was on Chitlin’ Fooks, Mitsoobishy Jacson, Sukilove, The Sands and Zon & Xero. Nils de Caster on Guy Verlinde Trio, Het Gespuis, The Broken Circle Breakdown Bluegrass Band.

Then Christophe Ysabie was in Radio Bangkok who I wrote about, and this was the way I discovered The Pink Flowers. Bruno Deneckere was on Het Gespuis and has had a good solo career as well as releasing an album alongside Nils De Caster.

There is too a website for Bruno Deneckere but there’s not much info about The Pink Flowers.

Not much more info about The Pink Flowers. At least I can’t find more details. There is a bit more about Bruno as a solo artist but not much more. I did find that The Pink Flowers started in 1986 and one wonders of the band did recordings during those early years.

Anyhow, that was cool, getting to know a Belgian band, right? Are there any other Belgian guitar pop bands you like? I admit I don’t know that many. Any recommendations or any information about The Pink Flowers will be appreciated!

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Listen
The Pink Flowers – Big Stone

Day 583

Miseryslims: from Manitoba, Canada, this trio is making a comeback since their releases in 2017. 4 years later they release the digital EP “HELLO”. Four songs of upbeat noisy guitar pop. The band is formed by Brady, Randy and Simon, and we hope to hear more from them and more often!

Power Blush: now to discover this four-piece from Chemnitz, Germany. Is it the first time I recommend a band from that city? It must be! The band has released the EP “Vomiting Emotions” digitally last month. It has 6 songs of sweet pop, with girl vocals and shiny melodies. And they have many gigs coming up. If you are in Germany, maybe try checking them out?

Luster Dust: here is another digital EP, and this one comes again from Canada. From Toronto, to be exact. 5 songs of lo-fi shoegaze are what we find in the band’s latest release “Sunflower”. These songs were recorded back in January but for some reason, Daniel Wilson, the man behind these tracks, has decided to put them out now. It’s nice!

Cathedral Bells: a new single by the Florida band that is quite nice. It is called “I Don’t Care Anymore” and it has some very nice guitars, jingle jangling. Also the band seems to be going on a big US tour this November. Feels good to see that things are coming back to normal, though I still feel not ready for this!

Grazer: and one more time I have to recommend Melbourne’s duo Grazer. This is just a new song, a new single, called “Reunion”, but it is a lovely piece of pop music that Matt and Mollie have put together again. So yeah, have a listen, and enjoy the weekend!

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Back in 2011 I tried to interview The Visitors. I was in touch with Tim Hopkins then and sent him a bunch of questions. Sadly never heard back.

A lot of indiepop fans know The Visitors. They know the split flexi that Sha La La released in 1987 and also the great retrospective compilation Matinée Recordings put out in the year 2000. Aside from that, there is not much info about them, I think?

The band was active in the late 80s, in Somerset. As mentioned the first time we hear from them is in 1987, thanks to the Sha La La flexi. On this flexi, which they shared with The Magic Shop, the band appeared second and contributed the song “Goldmining”. The catalog number for this record was Ba Ba Ba-Ba Ba 008 and as you know the flexi came alongside a variety of fanzines including “Make it Ongar”, “Simply Thrilled” (issue 4), “Hedgehogs & Porcupines” (issue 8) and “5,000 Miles from George Square” (issue 2, copies that were distributed just in Japan).

Many years after, in 2000, Matinée Recordings would surprise us all with an 11 song compilation titled “Miss” (MATCD003). “Goldmining” was the opening track, and we also find “Bliss”, “Flat on My Back”, “Never Has, Never Will”, “Alice Aisgill”, “Waking Up to Nothing”, “Seeing Stars”, “Fridays and Saturdays”, “Housewife’s Choice”, “Age Old” and “I Remember”. On the credits there’s not much. It says that the songs were written and recorded by Stuart Troop, Paul Hooper, Christian Jones, Jon Cleary, Tim Hopkins and David Griffiths at various times between 1986 and 1988.

Of course we know that Stuart Troop would later be in Hope and Telstarr. As you see I’ve written about Hope. David Griffiths was in the wonderful Endless Bob Brown (I need to write about them), Lightspeed, Lightspeed Future Lullaby and Piano Magic.

And we know Tim Hopkins who alongside Joe Brooker were The First Division who released a 3″ CD with Cloudberry.

When it comes to compilations the band appeared on “C188 Papercuts” a CD compilation released by Sheepish Records in the year 2000. the band contributed the song “Waking Up to Nothing”. Many good bands on this record like Jinx, The Foxgloves, The Clientele, Spearmint and The Pines. Later, in 2003, Matinée included their song “Sad Kaleidoscope” on the “Matinée 50!” CD compilation. One thing I notice then is that these songs weren’t in the retrospective and I wonder why? It may be the case that there are even more songs by The Visitors? Who would know?

There’s not much more online written about them. I would love to know more about this project… maybe some of you have more details!?

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Listen
The Visitors – Fridays and Saturdays