22
Apr

Remember I wrote about some bands that were on the Bandcamp of Blue House Records? I wrote about As Is and the Tender Lugers some weeks or a month or two ago. My memory is a bit frail. But it wasn’t that long ago.

Now I go back to this Bandcamp account to check some other bands they have uploaded. Some have artwork that don’t look very poppy, so I skip those for now. But I do check a band that has a name that sounds like it could be indiepop… and it is… they are called World Service and there are some terrific songs there.

There are 10 songs uploaded, “I’m Sorry”, “Far Away (Dance Mix)”, “End of the Rainbow”, “Empire Song”, “Danny Whitten’s Legacy”, “Far Away (Constable Mix)”, “Teardrop Frown”, “Don’t Send Me Sympathy”, “Danny Whitten’s Legacy (2)” and “Archive & Rhyme”. But sadly that is all there is. There is no information whatsoever about the band.

The sound of the songs tells me these date from the 80s. But that is just an educated guess.

I do a little Googling. I start by Danny Whitten. There’s a song written about him. Danny was an American guitarist who played on Neil Young’s backing band Crazy Horse. He also wrote “I Don’t Want to Talk About It” which was a hit for Rod Stewart and Everything But the Girl.

But then I find something. At last. A promo video!! Wow, what a find!

There’s a video for the song “End of the Rainbow” on Youtube. Can you imagine? And we also learn that the band was a four-piece. And that’s not all. We learn that the song dates from around 1990 and that the band hailed from Ipswich.

And then finally a name, Shane Kirk, vocalist and guitarist. And I believe his latest project was a band called This Much Talent.

But then, who were the other three members of World Service? Did they release anything? Would be great to find out more about this great sounding band. Anyone remember them?

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
World Service – Empire Song

15
Apr

Let’s go back 34 years. To 1990. That year Katiho releases the tape compilation “Heol Daou” (Katiho 02), one of the most important and influential French indiepop cassettes.

On this tape we find a little known band called Candle with the song “She Wants”. The band is in good company as great bands like White Town, Die Blinzelbeeren, Non-Stop Kazoo Organization and more are in the tape.

2 years later, in 1992, the band releases “Beginning Blue”, a CD EP. It comes out on Lithium Records (LICD 04). This Parisian label would become known for releasing Dominique A or Diablogum among others. The EP has four tracks, “No Eyes”, “Beginning Blue”, “Burning Blind” and “Harmony”. They are recorded at Studio de la Madeleine and then mixed at Studio Bastille, both in Paris.

The engineer on the record was Stéphane Calsson while the artwork is credited to Cambell Tollerton. We also get two names, Isabelle and Julien. They are credited for all the songs and instruments. It is Isabelle Andrès and Julien Retaillaud. Both would later be in the band Carmine.

18 years later, in 2020, the band release “Beginning Blue Uncut”. This CDR mini-album includes more songs than the EP. Here we find “No Eyes”, “Burning Blind”, “Tears of Blood”, “Never Thought”, “3 Weeks in a Day”, “See Me Smile”, “Then a Hole” and “She Wants”.

I suppose this release coincided with the band appearing on Bandcamp, in Julian’s Bandcamp.

Other than these releases I notice some more listed on Discogs on the compilation section. But I feel these are wrong. They have to be by another band called Candle.

There is one more thing. There is a live gig on Bandcamp. It dates from May 14, 1992 and was live at La Grande Bouveche in Orsay. This time the band played “Harmony”, “Empty Head”, “Mary, Mary So Contrary”, “No Name”, “Then a Hole”, “Burning Blind”, “Beginning Blue”, “Seaweed Alice” and “No Eyes”. Here we see a photo of a 4-piece band. On Discogs they appear as a duo. What was right?

It seems the project evolved into Carmine afterwards. But that’s another story. Would love to know more about Candle. How long did the band last? Why weren’t there more releases? Was it a duo or a band? Did they play outside of Paris? Who remembers them?

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Candle – Three Weeks in a Day

08
Apr

Here is another band I have no clue about, but the good thing about them is that there are many recordings I can share.

On a Soundcloud account called Alexander1967 there are many songs by this 90s Japanese band.

I want to think that 1967 was the year the person behind the account was born. Would make him 23 years in 1990. That would fit I think, for him to start this band.

It is clear the band had a female vocalist. So maybe it was a duo? In any case there were more members. The songs you will find are “So They all Went Home to Cry”, “The Sky is like Aneddy of Like Purple”, “Nobody Likes Me”, “So Happy in all My Life”, “Bathe in the Starlight on Monday Night”, “Black Cat on my Knee” and “Enchanted Evening” from 1993 and “Why”, “On Monday” and “There’s Still One Thing I’d Like to Know”.

It also seems this person was in other two band previously. He was in Alexander and in Mersey Beat, both in 1987. There are recordings by these two bands as well and they sound really good.

Now for Mersey Beat I could find band members as they released two 7″s (maybe I should dedicate a post to them?). There was Akiko Kanata, Hideo Ohnishi, Kenji Yamamoto and Yasuhito Nakato. I wonder who of these band members was on Taste Butter Cookies… or maybe the question is how many of them? Would be great to find out.

Any other info on Taste Butter Cookies would be great!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Taste Butter Cookies – Nobody Likes Me

01
Apr

I have to give this find to stoneeyedkiller.

I just came back from holidays and noticed that on Youtube there is a 10 song album called “Impossible” by a UK band called The Virgins. Other than that I don’t see any information about it. But somehow stoneeyedkiller has found some.

He has found that the band was formed by Johnny Meehan on lead vocals and guitar, Mart Jowett on guitar and vocals, Chez on bass and vocals and Colin McGlone on drums. They hailed from the UK and they recorded in the early 90s. That’s as much as I can say about the band.

Then we have the 10 songs, which are: “Something True”, “Mahogany Eyes”, “Bewitched”, “The Man Who Would Be King”, “Who’s Happy Now?”, “Just Got Over You”, “Don’t Look Now”, “Marie Celeste”, “Glorylands” and “I’m on Fire”.

One thing I may be able to guess is that the band hailed from Westmoreland. I saw a post on the Westmoreland Gazzette where a drummer called Colin McGlone mentions that he is looking for a double bass player in 2002 for his yet unnamed South Lakes group.

Other than that I can’t seem to find anything. Stoneeyedkiller was even able to find a photo of the band… so I wonder where all this info came from. Anyone remembers them?

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
The Virgins – Something True

25
Mar

Here is a great Bandcamp find!

8 songs from the demo tape by the Perth, Australia, band Wash!

The self-titled demo, released in 1991, included “Spread (Yourself)”, “Orangeboat”, “Greenhouse” and “Fractal” on the A side and “Chlorine”, “Pallid Virtue”, “Pool” and “Drivel” on the B side.

As you head to the Bandcamp you’ll see the artwork of the tape which was made by hand by Jon Scull. You’ll also find a photo of the band showing Rolf Farstad on guitar and vocals, Alan Matthews on bass, Courtney Babb on guitar and Mark Bryceland on drums.

I look for more info about the band and I notice they were on a cassette compilation released by Chapter Music back in 1992. It was the label’s first release, the “Bright Lights Small City” cassette. There the band contributed the song “Klunk”.

I keep looking. Then I find that Rolf Farstad was on a band called Benji around the same time, in 1992.

Then I notice the great Wilfully Obscure had posted about the demo back in 2009! I missed that post. The cool thing is that even though there is little info, the lead singer, Rolf Farstad, commented there (though he didn’t share any details other than that the band was short-lived).

Don’t seem to find more info on the web. Hopefully by Australian friends will be able to shed some light on Wash!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Wash – Chlorine

20
Mar

Zulqar Cheema from London has a Soundcloud account where he has a bunch of recordings by a 80s band called Risque.

Was he part of the band? We’ll find out…. or at least we’ll try to.

On Soundcloud we find a few recordings. There are three tracks live from a gig at the Square Harlow Rock Contest 1986 – BBC Essex TRX, “Beyond Belief”, “If You” and “Talking Bout”. Then two studio recordings that have no name, both from 1986, and lastly the great track “Dancing on a Tightrope”.

Zulqar also has a Youtube channel. Here he mentions he is a video director and producer. In his channel there is a video of the band playing at the Harlow Town Park sometime in the mid 80s. He mentions that the singer, Billy, also appears on another video, one of the band Billy Gone West playing “Sweet Home Alabama“.

It is interesting then, we find a good amount of songs, even live footage. But there are no details about the band other that the vocalist was called Billy (and no last name). It would be safe to think the band hailed from Harlow. But other than that, I don’t have more to go on. Was Zulqar part of the band? I can’t say. If he was he probably would know the names of the two 1986 studio recordings he uploaded. But who knows.

Would be great to find out more about them. Who remembers Risque?

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Risque – Dancing on a Tightrope

04
Mar

Kiddo: used as a friendly way of speaking to a child or young person, especially one you know well: Careful kiddo, stay close to me.

I have remembered a band I used to listen quite a bit back in 2004 and that is Cleveland’s, Ohio, Kiddo.

When I played them again I remembered the songs, especially from their first album, the self-titled “Kiddo” from 2003. There you find the superb boy/girl vocals featuring Christian Doble (also on guitar) and Liz Wittman (on bass). Completing the band was Greg Hyland on drums.

As mentioned the first album came out in 2003, released by Drive-In Records (drive59) and included a bunch of super fun songs. The record had 12 songs: “Woodward Avenue”, “To the Moon”, “New Year’s Resolution Haircut”, “You’re Not Who You Said You Were”, “1992”, “The John Song”, “Amy”, “The Greg Song”, “The Makeout Song”, “Surfin’ Thru”, “The Hell Song” and “Still Not My Girl”.

Worth mentioning is “Woodward Avenue”, which is a location in Detroit. Liz was from Detroit, so no wonder she sings about coney islands, the city’s culinary gem.

It is worth noting that this wasn’t the band’s first release. Previously, in 2002, the band had put out a self-titled EP CDR that had what looks like a dinosaur or some reptile on the artwork. This EP had 5 songs that would end up in the album, “Woodward Avenue”, “The John Song”, “You’re Not Who You Said You Were”, “New Year’s Resolution Haircut” and “Still Not My Girl”.

Lastly in 2004 the band would release “Okay Sweetheart” their second and last album. On Discogs it appears that in 2004 a promo version was put out while the proper record came out in 2007 on Microindie Records (microcd8). I wonder if the dates are correct. In any case the album featured 15 songs, “K-N-O-C-K-O-U-T”, “Mr. Virtuoso’, “This Could Take Forever”, “Julia”, “Otherguys”, “Apple Tree”, “Sunday”, “Annie (Can See)”, “Rocketship”, “I’m Still Alone”, “About You”, “I Won’t Try Again”, “Rollerskating Dream”, “Neverday”, “‘Till My Face Turns Blue”.

Then there’s a bunch of compilation appearances. The first one dating from 2002 when “Woodward Avenue” appeared on “Fundraising for the Field Trip #1” compilation on Boy Arm Records (ARM02CD). This same song would be on “Cleveland / Kansas City” a CD compilation released by Pabst Blue Ribbon (yeah, the beer) in 2003.

In 2004 the band had “This Could Take Forever” on “Boompa Volume 1” released by Boompa Records (BOOM 801) and also this song is on “Microindie Records Sampler II”.

2005 saw the band contribute the song “This Could Take Forever” to “Test Tones Volume 05” released by Clairerecords (fern 046) and to “Music from Radio Free Roscoe, Volume 1” on Decode (DEC101).

The other compilation appearance was on the “Free Audio Flyer! – Free Show!”  a CDR comp put together by Microindie Records for a show that happened in Grand Rapids, Michigan at the UICA Film Theatre.

Other facts we know is that Christian Doble would be on other bands including Belle Ghoul, Child Bite, Copper Thieves and Fawn. Elizabeth Wittman was on Arc Pelt, Friendly Foes and Lettercamp. Greg Hyland was on Dehumidifier Vs. Humidifier and The Twilight.

I keep searching and then I find some live footage on Youtube. Kiddo playing at the Toledo Indiepop Fest from 2007!

I keep looking. It seems Christian moved to Detroit and that’s where he was in Fawn.

Not much more info about Kiddo. At least I cant find more details. The band used to have a website, and I was able to access it through the Internet Archive but there is very little info too.

Where else to look? I guess fans who remember them would be my best bet. So yeah, if anyone out there remembers this fun sounding band let me know! Any details would be great, even stuff like where did they play? Just Cleveland? What venues?

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Kiddo – New Year’s Resolution Haircut

26
Feb

Described as the most hated guy in Göteborg, Alexander Gustafsson used to lead the band Portrait Painters about 15 years ago. In 2009, when he was 22, we saw the band release two digital singles on Bonjour Recordings and after that they just fizzled out.

“Forgive/Forget” (BJR004) was the first song they put out and then came “A Future Crime” (BJR007). As mentioned both came on Bonjour who was the home of two bands familiar to Cloudberry, Bye Bye Bicycle and Bonnie and Clyde.

On Discogs there are some details about the songs worth checking out. “Forgive/Forget” had Adam Bolméus (from Bad Cash Quartet and Hästpojken) on electric and acoustic guitar, as well as in arrangements and co-producing. Kalle Von Hall (from Bad Cash Quartet) played synths and co-produced while Alexander Sand sang and made the music. I supposed Alexander Sand is Alexander Gustafsson.

On “A Future Crime”, the people on the song changed quite a bit. Now we see Jakob Schroeder (from Bye Bye Bicycle) on acoustic guitar, Nils Bengtsson Blomstrand on bass, Viktor Englund on drums, Samuel Petersson  (from Bye Bye Bicycle) on electric guitar and arrangements, Mattias Glavå as the executive producer and André Vikingsson (from Bye Bye Bicycle) who made the music together with Alexander Sand who also wrote the lyrics.

Also make sure you check out the video that was made for “A Future Crime” which is quite fun. The video was shot in Göteborg and Stockholm during June of 2009.

A good find is this 2008 interview with Alexander on the newspaper Borås Tidning. There it mentions that he used to live in the town of Sätila. Also another interesting bit is that “Forgive/Forget” was a song he had written when he was 16 years old. Another good bit of info is that the band’s name came from a song by The Bear Quartet.

We also learn a little bit more about Alexander. He was self-employed at the time as a graphic designer. He was studying art science.

I notice that the band played a few important places like Pustervik in Göteborg, Musikens Hus, or Underjorden where there is some live footage on the web.

Lastly I believe the band had more songs. I have found on the web two more, one called “Yellow Car (Demo)” and another called “The Game“. Not sure how these got their way on the web, maybe they were on the band’s Myspace at one point?

And then, what happened to Alexander? He seemed quite talented. Hope he continued making songs? Anyone knows?

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Portrait Painters – A Future Crime

20
Feb

Thanks so much to Mark D for the interview! If you love indiepop you most probably know who the Fat Tulips were. A fantastic band that recorded an album and a bunch of singles that sound so fresh still! I am very honoured to have been able to interview Mark D and learn more details from a band I am a big fan! This was amazingly cool!

++ Hi Mark! Thanks so much for being up for this interview! How are you? Are you still involved with music?

Hi and thanks for the interest in my old band –  I haven’t been involved in music for many years now I’m afraid though.

++ I usually have a list of questions I send to bands as I normally know very little or nothing at all about them and I want to cover the basics. I feel, and maybe I am wrong, that I know a bit about the Fat Tulips as I’ve been listening to your music for so long! But I wanted to start with a question, that you already told me the answer, and that’s why the Fat Tulips are not that present on the internet (though you do have a great website)?

The Fat Tulips didn’t exist when the internet really started – we split in the early 90’s and mobile phones weren’t even around much then! All our promotions and activities revolved around the underground fanzine scene – we were pretty well accepted on that scene and most of us got involved in putting on gigs by other bands we liked at the time too.

++ So as I said, I won’t ask the obvious questions, but some very specific ones. When exactly did the Fat Tulips start?

I formed the Fat Tulips around 1987 – I had been in a few bands before and had some songs but they weren’t getting used by the bands I was involved in so started Fat Tulips – originally was just me and I asked my friend Sarah to do some vocals – we recorded “You opened up my eyes” for a flexi I released with my fanzine 2 Pint Take home alongside a track by the Rosehips. That and the two other tracks we recorded later got released on Sunday Records as The early years EP.

++ Did you have a different name then perhaps?

No

++ Did you have any other names as options?

Was a last minute decision on the name based on a kids to series Tales from Fat Tulips Garden.

++ Before starting the Fat Tulips, had you been in other bands before? I know you were in The Pleasureheads, right? But that was around the same time, no?

The Pleasureheads I was in from 1984-6. I left them to go to university but they did continue with a replacement guitarist for a few more years. Prior to that I was in a dodgy goth band called Transmission who played a couple of gigs – the keyboard player in them was Jim Abbiss who went on to become a major record producer (he produced Adele!) and produced the first Pleasure Heads single I was on. 

++ From what I understand the band was originally formed in Peterborough but the band was then based in Nottingham. How did this relocation happen? What made you move there?

I simply moved to Nottingham to study at Trent Poly / University

++ Originally, in Peterboro’ it was Sarah and you. As a duo, you recorded the “You Opened Up My Eyes” demo tape that would later be repressed by Sunday Records as the “Early Years” 7″. I was wondering about that demo, how come it ended up being released by a US label, Sunday Records, many years after its recording. Was it your idea? Or maybe it was Albert who came up with the idea?

Albert simply asked us and we said yes – such a lovely guy and supporter of us we couldn’t say no!

++ “You Opened Up Your Eyes” was also a single track on another flexi, the split single with The Rosehips. How did this record come about? Were you friends with The Rosehips at the time? I know later on they would be on your label!

I was a big Rosehips fan but didn’t know them at that time – just wrote to them and asked them and they sent me a tape! Later became good friends with them and followed them around to gigs quite a lot.

++ And was that the only thing that was recorded by that first version of the Fat Tulips?

Yeah just that.

++ And did Sarah continue making music afterwards? No she was a reluctant singer 

I read that she went to Peru on your website, but is that true? No but reality was too boring! She just wasn’t interested in singing

++ How did the new Fat Tulips in Nottingham come to be? 

I was going to the same gigs as the rest of the band – eventually befriended them and started to going to gigs out of town with them. How did you recruit or find the new members? The rest of the band were all friends with each other – I just persuaded them to have a go at a band rehearsal – I had several songs already written. After one rehearsal we agreed to go in the studio the following month and record our debut single.

++ Had they been in other bands previously?

I don’t think so.

++ Having lived in two different British towns, I was wondering what was your take at the time comparing Peterborough and Nottingham, which town had the best bands? The best music scene? Were there any bands in these towns that you liked?

Nottingham always the better musically- I went to University in Nottingham because of  the Garage – legendary music venue in Nottingham.

++ This second version, with Katie in the band, didn’t last that long, just the superb EP “Where’s Clare Grogan Now?” single. It is clear you were big fans of Altered Images then, but what other bands would you say made an impact on you?

I loved loads of types of music but around that time was the classic indie bands like Orange Juice, the Fall, Wedding Present, Pastels C86 scene

++ Speaking of impact, you released a covers single, “The Tulip Explodes!”, with three songs by The Teardrop Explodes. Was that your idea?

Kind of a joint decision between me and Sheggs.

++ If you have had the chance to do another covers single, what other band would you have liked to cover?

I would have loved to have done Orange Juice or the Au Pairs – although did do It’s obvious cover by another band Confetti.

++ Maybe there’s a chance to do a Heaven Records interview later on, but I wanted to know if Heaven Records was originally a vehicle to release the Fat Tulips or was it always thought of as a full-fledged label that was going to help/release other bands?

No was just a vehicle to release our own single at first – just made friends with Vicarage Garden and had some extra cash from our records to allow us to support other bands – never in it for the money but it kind of expanded to allow us to help other bands we liked  – a very much punk rock label of love

++ Maybe it is too obvious, but I want to confirm, the song “Amelia” that was on the Spindly Killer Fish flexi, was it about Amelia Fletcher?!

Of course – is just a list of Amelia Fletcher song titles and references 😂

++ “Four Songs for Simon” and “Albie”. I am terribly curious, were Simon and Albie real persons or not really? What about Sarah from “Sarah”?

Simon was a friend who we used to put bands in with and he used to slag off bands that weren’t in true indie spirit and short changing fans with 2 track singles so we called it 4 songs for Simon to shut him up!

Albie is about Albert at Sunday Records and was written by Sheggs.

Sarah was about my friend Sarah from Twa Toots who I was briefly in a band called Sundress with.

++ I’ve never been to Hull, but my British friends don’t usually have great things to say about Hull (even though I know there are many great bands that came from there). You must have liked it though as the name “Ferensway” from your single was taken from a street from that city. What did you like about it? Just the name?

Sheggs write the lyrics for that and I wrote the music – she would just give me a sheet of lyrics and leave me to write the music- worked well like that as she was a more prolific lyricist than songwriter. Believe she just liked the name Ferensway!

++ I was always curious about the “Nostalgia” 12″. The artwork is totally different from your other releases. Why was that? And also wondering who is the girl that is on the front cover? A friend of the band? A

hnnie was the girl in the cover and was Sheggis sister from Glasgow. Just liked the photo and it got used. Sheggs did that cover – no reason it was different really!

++ And speaking of artwork, was it you who made the cool drawings on your demo tapes of the indiepop girl, 7″s singles, or in the Heaven Records art, or the one I’m using here on my blog? Was there an inspiration at all where you got the idea of how to draw them?

Sheggs and our friend Theo did the artwork between them. I have no idea if the inspiration there but was tongue in cheek piss take of the twee indie pop scene.

++ You seemed to be more of a singles or EPs kind of band, but you did record a wonderful album, “Starfish”. I wonder was it any different for you to make the album compared to all your other records? Was it more difficult? More demanding?

Yeah the album recording pushed the demise of the band – was exhausting for all of us but we had a contract we had to finish it .

+ How did you end up working with and how was the relationship with Vinyl Japan? You had mostly worked with your own label, Heaven Records, and suddenly you were with a biggish indie label from Japan.

I had known Tetsuya at Vinyl Japan for several years before we signed with them – he started out buying 300 advance copies of our singles from Heaven records – they obviously sold in Japan so he signed us up.

++ Was there any chance to play in Japan?

Yes we had a contract to play there but split up before it happened annoyingly.

++ Another thing I have to ask is about the amazing German tour you did alongside another favourite band of mine, Throw That Beat in the Garbagecan. That must have been fantastic! I know you cover a lot of it on your website, but I am curious about your impressions about Germany. Like how would you compare the gigs to the ones in the UK?

Germany was great fun and we loved touring with Throw That Beat. Was a last minute decision to tour but so glad we did – we loved Germany.

++ And what was your favourite gig in Germany and why? Also did you get to do any sight-seeing at all? Was there any city you liked best? Any good foods you tried? What about the beer?

Very little sight seeing as we just turned up did rehearsal, slept and left for next town the next morning. No favourite places .

We did a gig in Belgium that was very strange though and they had very unusual beers there we tried!

++ And you drove there, all the way from the UK, and even took the good ol’ Peter Hahndorf in your car. I wonder, it must have taken so many hours, days to get there. How did you manage these roadtrips? Rented a van? Had to have a bunch of mixtapes or something to make it more bearable? Switch drivers every couple of hours? What were the logistics for this?

Yeah we just rented a van , me and Matt shared the driving so wasn’t too bad. Matt really annoyed everyone playing 2 unlimited tapes 😂.

++ What about gigs in the UK? Did you play all over? What was the farthest from Nottingham you got to play in the UK? And what was the town you always liked to play again?

We rarely played live at all – but we used to play in Deptford a few times for our friend Dave and supported Heavenly a couple of times. Not many folk in the uk liked us at the time!

++ Did the Fat Tulips got the chance to be on TV or radio at all?

No although the track “So Unbelievable” was used on an American kids to show called The adventures of Pete and Pete!

++ Also there are no promo videos from the band, right? Why was that?

No – never had the time or money or opportunity

++ When and why did you decide to call it a day? I know you broke up while still at the top, which is great, but still, don’t you think there was more for the Fat Tulips to say?

I didn’t make the decision to split – was more the rest of the band that felt they had had enough. I would have happily carried on. You can’t force folk to do things they don’t want to do though. I just told them I respected their decision but if we did split I said we would never reform in any circumstances. All accepted the terms and moved on but stayed friends.

++ Are there any unreleased songs by the Fat Tulips? Or has everything being put out?

Only one professional recorded song unreleased “Human Timebomb”. Was planned to be a flexidisc release on Vinyl Japan but never happened. They still have the master tape I believe. Was a great track and recording though so a bit of a shame

++ These days you are most known as an artist, I wonder though how did your time in music, being in many bands and doing fanzines and a label, had helped in any way your artistic career?

Not sure about that – my involvement with band sleeves was limited- just threw them together to be honest without a lot of thought! Sheggs and Theo probably had more involvement with them and I left them to it. Loved doing the fanzines though – done pre-computer age with old school typewriter and blue and scissors! Guess that helped a little!

++ Aside from music and art, are there any other hobbies you have? Maybe a fan of footie? Nottingham Forest or Notts County?

Neither of those two teams – still like football and support Peterborough United – don’t get to matches very often though. Visiting galleries and exhibitions mainly but do love Just the Tonic comedy club

++ Anything else you’d like to add?

Thanks for your interest and support!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Fat Tulips – So Unbelievable

19
Feb

I am not sure how to classify the Mousetrap Conspiracy. I have only heard one song, “The Skies” from 1987. It had appeared on the LP compilation “Underground Resistance Volume 2″ released by Reaction Records (UNREST 2) along a bunch of bands I have never heard before.

The record is categorized on Discogs in the Rock genre and the styles are goth rock and gothic metal. Maybe this is goth? I feel it is more post-punk sounding, as I can see some great pop hooks in the chorus. It is a catchy song though somewhat dark-ish. I found it good and interesting, and thought sharing it.

I have no clue where the band was from. Well, from the UK for sure. The aforementioned compilation is British. But that’s not all. The band released another song in those late 80s. It was on a compilation 7” that was released by Fantastic Records (FAN002) called “Welcome to the West”.

This label hailed from Exeter, Devon. So I wonder if there’s a chance the band also hailed from this area. On this record the band contributed the song “Girls Stroll at 8”. The other bands in the record were Colonial Club, Fairly Perfect People and Jive Turkey.

Then my suppositions prove to be right. There is an address on the back of the sleeve. It says the band hailed from Plymouth in Devon. We also finda. name, that of Dave Martin. Probably a member of the band.

I may be wrong, the name is not uncommon you know, but there is a Dave Martin in the Plymouth area that is in a jazz band these days called Jabbo Five. Could it be the same Dave?

The only other interesting bit is that the band supported Pulp on July 4th of 1986 at the legendary Tropic Club in Bristol.

And that’s it. Would be interesting to find out what happened with them and listen to more songs, wonder how they sounded like!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Mousetrap Conspiracy – The Skies