Day 50. Friday. Not much to add.

New finds.

Grokes: very nice song and video by this new band from the UK. I guess I stumbled upon it as I was told this was Miki Berenyi’s daughter in it. I was curious. But the song, “Lightning”, is very nice and doesn’t need that sort of connection to be good. It is good as it is. It kind of reminds me of Pipas a bit, doesn’t it? I hope it gets released on a physical record soon!

Happypills: the Fukuoka, Japan, band is back with just one song and it is terrific. It is called “Monsoon” and it is a sweet indiepop single! Not much more info about it, but hey, it is good!

Letters to Annika: I’ve been a fan of the great For Tracy Hyde. One of its members, Azusa Suga (also on AprilBlue) has just started this project and has released this new song called “Tidal”. This is also its official video. And that is not all, there is also the news that there will be a self-titled EP this May! Let’s keep an eye on that!

AprilBlue: and I had to admit I knew Azusa’s involvement in For Tracy Hyde. AprilBlue was also a nice surprise when I found their Bandcamp. Their latest song dates from February 29th and is called “Alright”. Well in Japanese it is “オールライト ” and it is also very very good!

Misterfireflies: Lisle, the brain behind Fireflies, and also band member of Tiny Fireflies and Very Truly Yours, has added two new tracks to his Soundcloud. These are “Paper Crane” and a cover of The Field Mice’s “Willow”. Now based in Portland, Lisle, has always had a precious way of making popsongs and this time there is no exception. Lovely.

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There are two songs by the Maghull, Liverpool, band South Parade on Youtube: “I Knew a Girl” and “I See No Ships”. It is a pretty interesting discovery I have to say!

The band was part of the great Liverpool music scene of the early 80s, from 1983 to 85 specifically. They were formed by Ian “Copey” Copestake on vocals and guitar, as well as songwriter, John Hamlin on keyboards, Ian Wadkins on bass, Phil Culshaw on drums, Delia Winstanley on saxophone and clarinet and Andy Marr on rhythm guitar.

We know that the song “I See No Ships” was recorded at Amazon Studios between the 15 and 16 of August in 1984 after winning The Cavern’s band of the month competition. At this point this song had already become a fan favourite at their gigs and also at Radio Meseyside Street Life where presenter Con McConville played it all the time. The song was actually voted number 14 in the Radio Merseyside Festive 15 on December 23rd of 1984. The interesting thing is that this was the only song that wasn’t available on record.

Link2Wales has some more information about them. It seems the band was originally called Rich Get Richer. Then I find that Ian Copestake was the same one that was in Lilac Trumpets. I wrote about Lilac Trumpets in the past but then I always saw his name as Ian Copesteak. So that was tricky. They also mentions that the band reformed in 1991 in London featuring Andy Marr, Terry Jones (bass, ex Blue Forest, Third Man), Phil Culshaw and Justin Welch (drums, later in Elastica). But this reunion didn’t last long. After a few gigs in London, including one at the Falcon, Justin left to join Spitfire and they all called it a day.

All this information takes me to Discogs were I find a demo tape from 1987! Okay, this is interesting. So the band had called it quits in Liverpool in 1985 and reformed in London in 1991. Where were they in 1987?!

This tape included 12 songs. They were on the A side: “What (On Earth) Are You Doing to Me?”. “I’m Not in Love With You”, “You Don’t Get Me”, “December”, “7:30 Riser” and “Down the Line”. While the B side had “Heaven & Hell”, “Would You Ever”, “Maybe Next Time”, “Venetian Blinds”, “Aliens” and”Ellydelic”. All songs were written by Ian but “Maybe Next Time” which was written by Dave Browniee. Who was he? Was he part of the band then? They were all recorded on a portable 4-track studio.

Will we be able, someday, to listen to these songs? And what about earlier demos? Something interesting was that the other song on Youtube, “I Knew a Girl” was actually recorded for a 12″ single intended to promote the band to record companies. But the band split before it could be pressed. What a shame really. So no releases, just tapes.

Edit (May 3rd, 2020): There is a trove of South Parade songs now on Youtube! Check them out: “Raynne“, “Stick It (Where the Sun Don’t Shine)“, “When it Rains“, “Nessie“, “Sad to Go (Two Points to Tonka Remix)“, “You Don’t Get Me“, “December“, “Ellydellic (It Ain’t Right)“, “Will I Hear“, “Out of My Mind“, “This Girl” and “Venetian Blinds“.

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Listen
South Parade – I Knew a Girl

Day 48. Went to the post office on Monday and posted more orders. Still a few more to go and also the ones for Spain. They are not letting me post any records to Spain. I am very sorry about this. I will keep on trying.

Things are a bit quiet at the moment. So some good new music finds would be great, right?

Talulah Gosh: this is quite a surprise. A few weeks ago there was a long lost Chills video surfacing on Youtube. This week it is Talulah Gosh’s turn! The video is for their classic “Steaming Train”!! The quality of the video is not great, but as a document of the band and the time, it is amazing to see this!

Cápsula de Sueños: the latest on Elefant Records is the new project of Paco Tamarit (from the superb Serpentina). The release is a 7″ with three songs part of the New Adventures in Pop series. On this new band, he partners with María Ferrando to craft some precious music!

Gum Country: and finally the “Somewhere” album is available on Bandcamp. You can pre-order the debut record by the Los Angeles based band now on vinyl. It is coming out on June 19th and will include 12 tracks. Again we can only preview the opening track “Somewhere” which is a killer song.

I Like Birds: this Japanese band released a tape on Galaxy Train not too long ago but sadly is now sold out. This tape mini-album was called “Ameiro” and had 7 bright songs. We can at least play them, all of them, on Bandcamp. And that’s what I suggest doing.

Verano del 83: and the Trujillo, Peru, band is back with a new 4 song EP. The band who is quite a rarity, hailing from a place where indiepop must be very rare methinks, craft some pretty upbeat indiepop in the vein of bands like Vacaciones or Las Ligas Menores. Welcome back.

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Tribbles are a fictional alien species in the Star Trek universe. They were conceived by screenwriter David Gerrold, and first appeared in a 1967 episode titled “The Trouble with Tribbles”. They are depicted as a small, furry, gentle, attractive, and slow-moving but rapidly reproducing invasive species. Though they appear infrequently on-screen, they have become a popular feature of the Star Trek universe, featuring in their own eponymous official card game, and even lending their name to a family of proteins which are associated with the biology of the fruit fly.

Do you remember the great US band The Ropers? Well, I’m not going to write about them today. I wrote about them a few weeks ago. But I want to feature a band that shared a 7″ with them many years ago: The Tribbles.

The year was 1994 when the American label, from Richmond, Brilliant Records (ant-09-si) and the German label, from Krefeld, Giant Pool Balls Records (ball002) released this split 7″. I believe in Germany the record came alongside the summer 1994 issue (#8) of Sunset Magazine. I guess in the US you just ordered directly from Brilliant or through your favourite mailorder, or even better at your record shop.

The Ropers were on the A side with the song “Sweet Lord I Know”. Just one song. The Tribbles had two songs, but on the B side. They were “Mercury” and “Liberty 5-3000”.  I haven’t read Ayn Rand but a quick search lets me know that Liberty 5-3000 is a character on one of her books, “Anthem”.

Aside from these two songs at least another was released. In 1993 the band contributed the song “In the Sun” to the compilation “Something Pretty Beautiful” that Brilliant Records (ant005) put out. Here they appear alongside a bunch of great US bands from that time like Small Factory, Tree Fort Angst, Veronica Lake and more.

The blog Wilfully Obscure wrote about the split 7″ many years ago, in 2019. 10 years before me. How proper. There is an interesting comment though on the blog from Tinsel Heart (is it by the Swedish band?) saying that The Tribbles hailed from Richmond, Virginia.

I can’t seem to find any names of people involved with the band. Nothing at all. It seems like they disappeared into thin air. True that they weren’t one of the biggest bands of the period, but I find their music really lovely. I would like to know more, what happened to them? Where they involved in any other bands? Are there more recordings?

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Listen
The Tribbles – Mercury

Day 46. How’s everyone?

Not much news on my side. Will keep sending records this week,as you know things are a bit slower at the moment. So please be patient to receive your fanzine or any other records you might have ordered from me. I am only going to the post office once a week now.

Also these past few days I’ve written a few more interviews for the blog. Hopefully we’ll get answers soon. That’s going to be great!

New music, yeah, there’s new music.

Candace: the Portland all-girl trio will be releasing their album “Ideal Corners” on May 29. It is going to be out on vinyl and the label releasing it is called Little Cloud Records. Right now we can preview two tracks that appear on the album, “DM-100” and “Still Phase”, both sounding great!

No Suits in Miami: this Lund band is a favourite of mine. I really want a record by them. As far as I know there was a cassette some time ago. But no other physical records. Sure there was some digital ones, but not the same. A band that sounds this good should be releasing something. Maybe I should get in touch? Something to think about. In any case their new song is called “What We Have” and it is a gorgeous track.

Весна Весна: here’s a new track called “Венера” by this St. Petersburg band. I wish I could understand what they are singing of course, but it doesn’t matter, the vocals are terrific and the galloping guitars sound as good. This is their latest digital single though there is a few more to explore in their Bandcamp.

The Proctors: there is some great news from the classic UK band. They are going to be releasing “Summer Lane”, a retrospective album on Sunday Records this year. There is one song they have uploaded to Soundcloud for all of us to preview, “A Part I Never Knew Existed”. The only one thing that worries me is that there seem to be only 12 songs on the album. Is that true? then it is not a proper retrospective? There are songs missing! I can’t read the tracklist, but as soon as I find out what’s happened here I’ll let you know. This is terrorizing the completist in me!

Seazoo: the Welsh band released a new song on their Soundcloud two months ago called “The Pleasure” and it is the first time I’m checking it out. It sounds very good, so I would say you should check it too. It is called “The Pleasure” and it should be included in their forthcoming album.

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This might be a long post. I usually write about obscure bands as you know, and I believe today’s one is. But I do think there is much more information about them on the web than the average obscure band. Also they had appeared on “The Sound of Leamington Spa vol. 4” (FST 06) on Firestation Records, that’s how I discovered them through the superb song “Love House”, and that means there is information about them on the booklet. So maybe, we’ll end up finding out all we need to know about them?

Aside from that compilation the band contributed the same song to another compilation much much earlier. In 1990, Adrian Gibson who was the programmer at the North London’s Powerhaus venue put together a cassette compilation called “What the World Is Waiting For”. The Powerhaus was owned by the Mean Fiddler Group who turned a pub called the Pied Bull into a live music venue for a limited time from 1989 – 1995. The idea behind the compilation is to showcase 10 of the hottest new bands who were coming through the ranks of the venue around that time. All of the songs were mastered from the band’s demo tapes.  This tape is quite special and perhaps expensive, you see this was the first official release by Suede before they changed musical direction. But yeah, Nautical William were on this one with their standout track.

The Leamington Spa compilation booklet tells us quite a lot.

Nautical William formed from the musical partnership of Jim Cemlyn-Jones and Damian Dingley in 1987. Although they had been writing songs together for several years, it was not until meeting David Oliver (drums), and eventually Pete Bray (bass), that the band were able to play live. Jim and Damian grew up in the small Victorian town of Clevend. The band’s early gigs were in nearby Bristol which they eventually made home. Nautical William’s early music was loosely based around traditional English pop with the classic lineup of guitars, bass and drums. They quickly located rehearsal and recording space at PIJ, already occupied by other Bristolian contemporaries such as The Brilliant Corners, The Montgomery Clifts and the legendary Moonflowers.
The first demo, released in 1988, contained four tracks and quickly circulated around the indieclubs in Bristol, including the Thekla and The Tropic, where Nautical William played some of their early live shows. The band was joined by Damian’s younger brother, Corin, on percussion whose own career saw him focus on sound engineering and the formation of his band, Alpha, in 1995, signing to Massive Attack’s label Melancholic. Nautical William released their first single, “Love”, on their own label, Mojo Filter, in the spring fo 1991, and began playing further afield in places such as The Powerhouse, London, Mole’s Club, Bath and the Jericho Tavern, Oxford. A strong local fan-base was building and the band began to pick up positive press reviews and invitations to numerous west country radio stations, even making an occasional TV appearance. Nautical William’s second single, “Love House”, was released on the 16th September 1991, just as the band ventured on their first European tour including gigs in Holland and the UK. Love House was well received nationally with coveted airplay from BBC Radio 1, and attention from Melody Maker and the NME. A video for the single was made and aired on such shows such as MTV’s 120 Minutes. The band were now sharing stage with the likes of Pulp, Suede, Airhead and the Mock Turtles. All was building for chart success but distribution problems with the single hampered availability in the record stores. Coupled with the departure of Pete Bray, the band struggled to capitalize on their musical success. George Shilling, producer for The Soup Dragons and Yazz to name a few, became aware of Nautical William and went to see them at one of their London dates in the spring of 1992. Ian McLaren replaced Bray on bass and the band were in the process of rebuilding. They spent several weeks with Shilling working on an EP in Kent which unfortunately was never released. Both Corin Dingley and dave Oliver decided their interests lay elsewhere and Nautical William were forced to re-think their future. By Autumn of 1992 three new members had joined Nautical William, John Miller (drums), Trevor Francis (percussion) and Diane (vocals) bringing with them new influences and ideas. Damian and Jim embraced this new funky sound and the fresh challenges it brought. They used a new EP, “Tubular Bellbottoms”, to launch the sound, and made a second tour of Holland together with DJ Professor Bays. They gained interest from record labels such as Acid Jazz and toured the UK with Mother Earth and Corduroy making the round of summer music festivals in 1993. A new fan base volved but a heavy touring schedule brought on by new management began to take its toll. By spring 1994 the band called it a day.

Something the band doesn’t mention is that they made a video for their first single “Love”. You can watch it here. The video was made in 1990 according to its first frame. Before releasing the 12″ on their own Mojo Filter (NWTS 1). “Love” of course was the A side. On the B side we find two songs, “She’s Been Changing” and “Got to Find a Way”. “Love” was recorded at Loco Studios in South Wales while the B sides were recorded at PIJ by Fat Paul. The producer for all these songs was John Parish of PJ Harvey fame. They even say that PJ almost sang in the song “Love”.

That same year they released “Love House”. I am linking to the video they made for the A side. This time, the B side was “Fourteen Days in May” and the catalog number was NWTS2. The songs were recorded at Loco Studios and produced by Jessica Corcoran. The engineer was Tim Lewis. There was not just a 12″ vinyl release, but also a CD single for these two songs. Both versions’ artwork was created by Alice Harfield.

Lastly, their third release and also third one on Mojo Filter Records (NWTS3) was the “Tubular Bellbottoms” 12″. This record didn’t have a cool sleeve like the previous ones, it is a black sleeve with the songs listed. They were on the A side, “Eye Know” and “Sexy”, while the B side had “Mmmm.” and “Funk it Out”. It is pretty clear that they had changed their style at this point. I haven’t heard the songs but you can tell by what they said on their biography and by the looks of the record and the song titles.

The very good website Bristol Archive Records has more information about them. It mentions that at the earliest period of the band, when it was just Damian and Jim making music, they recorded a two song demo at Foxhole Recording Studios in Hanham, Bristol with Martin Hyler. Two songs were recorded then, “This Sinking Feeling” and “Sea of Sighs”. Would love to hear them.

We also know that their first ever gig happened at Bristol Poly in late 1987. They had already moved to Bristol at this time. While there we know they got a rehearsal space at PIJ. There they recorded another demo cassette with two songs “Go Back and Start Again” and “Railway Track”. Cool! Again, would be great to listen to them!

Then came a third demo, which is the one they mention in their bio on the Leamington Spa booklet. This one included “Love House”, “Backbreaking” and “Splutter”. These were recorded at The White House in Weston-Super-Mare in the spring of 1990.

About the first Netherlands tour, we know now that they played the cities of Amsterdam (along the wonderful Rorschach), Utrecht and Rotterdam.

Damian Dingley moved to the US. At least in 2010 he was living here. Ian is still local in Bristol and was in a band called Sunna. I can’t seem to find any other information of other bands they might have been. Maybe Nautical William was their one and only band?

I did find a TV interview that was aired in 1992 on Music Magazine. Not sure which song they are playing, but it is a bit too rocky for my taste! Not as great as the sublime “Love House”. And then I stumble upon a special edition tape released in June 1992, I believe for their second Netherlands tour. Why? because a user from Almelo, Holland, bought this tape there at a show in the venue Poort van Kleef. It included funkier sounds indeed. The songs on it were “Fight On”, “Funk it Out”, “What do You Know” and “Rollercoaster”. I guess guitar pop, the baggy sounds, were not fashionable anymore.

Well, that’s quite a bit. There are a few early songs that I’d love to listen. And what a song “Love House” really is. A true classic. Who remembers them?!

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Listen
Nautical William – Love House

Day 43. All domestic orders for the fanzine have been shipped. Some international too. Another batch will be posted next week. There are issues with mailing to Spain, the US postal service says that there are some disruptions there, that we could mail at our own risk, that packages may be returned. Should I mail them? What do my Spanish friends think of that? Would be good to know your thoughts.

New music for this upcoming weekend:

Melenas: the amazing Pamplona band has released a new video for their song “Primer Tiempo”. How great it is to have more Melenas songs available! Now I really need a copy of the album at home! The video was shot while the band members have been at home during the Covid-19 quarantine. I have a curious question, what book is the one shown at 0:24 seconds?

Kiwis: another Spanish band that has a new video is Kiwis. It is for their song “Cambiaran las Tornas” which will be part of their album “Vida Exterior” that the very fine Snap Clap! Club will be releasing this year! Great vocals, terrific pop!

Low Key Crush: the Melbourne band is back with a very fine single called “When You Were Leaving”. It was a long time since we featured in the blog, so it is interesting to know what they are up to. Will this song be included in a bigger project? In the meantime we can listen to these duo’s song on repeat.

The Reds, Pinks & Purples: for sure the band that has been featured the most in this section. The California band has two new jangly and poppy songs up on their Bandcamp, “Sex, Lies & Therapy” and “Worst Side of Town”.

The National Honor Society: this Seattle band sounds amazing really. Their latest two songs are “First Among the Last” and a cover of The Stone Roses’ “Mersey Paradise”. Previously, in 2017, they had released an EP called “All Change” which sounds a bit different, much rockier. The new songs are a true surprise then, with a sound that captured me immediately. Not sure if both or just one of these songs will be part of the “To all the Glory We Never Had” album that is to be released on May 29 by Chien Lunatique Records.

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I have been trying to get a copy of The Tainted Children’s sole 7″ for years now. Since my friend Andreas showed it to me last time I visited Hamburg. A few years then. I remember him playing it for me, and me thinking “this is fantastic, I need this one in my collection!”.

Andreas Van Der Wingen on bass and vocals, Matej Havranek on drums and Max Stamm on electric guitar and vocals were The Tainted Children. On these recordings they did have help from Marc Ashmann on backing vocals and Tommy Mayer on guitar and backing vocals. Stamm and Van Der Wingen are credited to both songs on the record.

Which songs? Well, the A side had “Roll My Stone” and the B side had the sublime “If Julia Ever Knows”. This record was released in 1988 by the German label Smarten Up! (START 7), the same label that released fine bands like The Birdy Num Nums, Die Tanzenden Herzen or Die Profis.

The cover art is particular, the front has illustrations of the three members and a naked woman (who is she?) printed in black and white over a blue crayon-like painted background. The back of the sleeve has a band photo as well as a photo for each of the band members. From the sleeve I learn that the songs were recorded at Grundfunk Studio in November 1988. Now, it doesn’t say where the band was from? Who’d know? I’d make a guess, Düsseldorf. Tell me if I am wrong.

Aside from this 7″ the band only appeared on a compilation. It was also on Smarten Up! and was the 1991 LP comp “Smarten-Up Compilation” (BIGSTART 16). On it the band contributes the song “D.O.W.N.” which is credited to Maximilian Stamm. I believe the inner sleeve of the compilation had a small bio of the band, but I don’t own the record, so can’t say what it says. I need your help here.

So I look into bands the band members had been involved. Andreas Van Der Wingen had been in Kiesgroup, Oiro, Subterfuge and the J, Erwin Blues Explosion. Matej Havranek has played on Sally Blue, Orange, Family*5, The Beatlesons and Asmodi Bizarr. Max Stamm played in Bo Hatzfeld & the Headhunters, Kiesgroup, Bo & Bodo, Sonic Dolls, DeCornelius, and more. He has also played with Marc Ashmann who was also on Bo Hatzfeld & the Headhunters. Ashmann was also on The Beathoovers. Lastly Tommy Mayer who helped on the record as well as Marc, had been in Dortmund, Mardi Gras Band and The Digitals.

Not much more info about the band online. Did they record more songs? Why were there no other releases? Did they play live much? Will they be included in the next German version of The Sound Leamington Spa series by Firestation Records? Many questions that I hope get answerd!

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Listen
The Tainted Children – If Julia Ever Knows

Day 41.

This week started with sad news. Don’t know if you are aware but Andy Wake, who ran the legendary label Medium Cool Records passed away. I never met him or talked to him, but I can’t deny that his label has been important to me and to indiepop in general, releasing the likes of The Siddeleys, The Waltones, The Corn Dollies, The Popguns, The Enormous Room and The Raw Herbs. All very influential and important bands in the late 80s and beyond.

I’ve been lucky to interview The Siddeleys and The Raw Herbs in the past. Have written about The Enormous Room. Have seen The Popguns play live. So yeah, I am a fan. And I am sure in the future I’ll be featuring The Corn Dollies and The Waltones. Rest in peace Andy and thanks for the music!

It is hard to change topics after telling this news, so I won’t be recommending any music today. It just doesn’t make any sense. I’ll share the writeup I did for the Swedish band Neil Armstrong, which was written a few months back and was waiting to be posted.

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Neil Alden Armstrong (August 5, 1930 – August 25, 2012) was an American astronaut and aeronautical engineer and the first person to walk on the Moon. He was also a naval aviator, test pilot, and university professor.

Why would a Swedish band call themselves Neil Armstrong? Why not Arne Christer Fuglesang, the first Swedish citizen in space? Well, the band was around before the time Christer was in space (2006). So that may be why. But still it is an interesting choice to call themselves Neil Armstrong, right?

The band was around in the late 90s and early 2000s and only released one CDR single. That was it. But we can try to find out more information about them, right?

The band hailed from Hagersten in Stockholm. They were formed by Levi Orebjörk on vocals, Stefan Eriksson on guitar, Pontus Nilsson on guitar, Fredrik Danielsson on bass and Martin Gustafsson on drums.

The CDR they released came out on Tuff Tuff Musik (TTM001) in the year 2000. Most probably it was a self-release as there are no other records listed on this label? Don’t know, as there is an address for the label locating them in Karlstad, not Stockholm. So it might be someone else other than the band that put them out. It included just two songs, “We All Knew” and “Fleetwood Mac”. A tribute to the ultra famous band? It’d be interesting to know what inspired them.

Sure they didn’t release any other records but they did appear on quite a bunch of compilations.

Starting in 1997 when they had their song “The Swing” on the “True To You. A Dorian Compilation” released by Dorian Records (Dorian04). The year after, 1998, their song “I’m So Happy” appeared on the comp “Hitta Mitten -98” on Absurd Records (ABSURD 5), while their track “Fastest Girl” would appear on the 7″ compilation “A Single Bite” released by Labrador (LAB002). The fine magazine Benno would put them on a 7″ compilation called “Benno Presents Volume 1” (Benno 1) with their song “I’m So Happy” too. Keep in mind that the first two were CD compilations, and the last two were vinyl one of course. And all of them on Swedish labels.

In 1999 the band contributed “Mr. Bus” to the CDR compilation “19 Ways to Get Back Home” released by Jetboy Records (JR002). This is truly a fine compilation I didn’t know about. I see lots of great bands and many I’ve never heard that I should try to discover!

Firestation from Germany would pick them up to include their song “So Long” in the compilation “You Thought it was the End of the World when the Rain Ruined Your Hair” (FST016) in the year 2000, and lastly another German label, Apricot Records, would include them in “Airpop Terminal 2” with two tracks, “Going For Gold” and “We All Knew”, in 2001.

The fine webzine Popviminns compares the band to The Brilliant Corners and The Housemartins. Then on Blaskoteket I find a mention of them again after the first 7″ Benno release where they were included. Here we learn that the band had even more recordings. They mention that there was a demo cassette from 1996 called “Feeling Alright”, and another two from 1997 called “One Crazy Weekend” and “It Is Good”. What about afterwards? Did they continue recording? Would be great to listen to the songs included in these tapes and any other unreleased material.

There’s more. The blog The Finest Kiss wrote about them in 2006. What’s interesting here is the comments section. Stefan Eriksson comments here and mentions that he is/was in a band called Braxen. He says that most of the band members were in this band. Can’t seem to find their music even though there used to be an old Myspace page for this band.

And that’s it really. We know then that there are more songs other than the ones on compilations. That they were involved in at least another band. But can we hear these tracks now? And how come they didn’t release more records? Would be great to find out!

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Listen
Neil Armstrong – Mr. Bus

Day 39. Finally the sleeves for the CD that comes with the fanzine arrived late on Friday. Now I will be able to post all your orders this week. It is very exciting. Honestly, being stuck at home, I needed good news like this one. I really hope you all like them.

Now I did find some interesting new things to share with you this past weekend.

The Catherines: “Bingo!”, that’s the name of the new album by the German duo of Heiko and Sandra from Hamburg. This new album is out now on CD and cassette through their Bandcamp and it includes 10 lovely jingle jangle pop songs with long and smart song titles!

The Chills: you need Facebook to see this one. This is the lost video clip for the classic song from 1982 “Rolling Moon”! The story says that the video was deemed too dark for use and then the film was lost. Only to be discovered 30 years! Amazing story really, terrific video and legendary song!

Skytone: another duo, this one hailing from Ottawa and formed by Rodney and Darius Doddridge. They have a new poppy and dreamy song called “Without You”. That’s all. But it is quite good!

Juliper Sky: a new digital single by this very good Manchester combo is out now on Bandcamp. It is called “Infinite Jets” and it shimmers. Not much more info I can add to it. I could hope that the band is working on an album and that this song will be included. But those are just my wishes.

Dreams of Empire: the London/Brighton indiepop band is back with two new songs, their first after their 2019 debut album “Nothing’s Ever Finished”. These new songs are “Broken Keys” and “Lying Awake” and are as good as the ones in the album. Let’s hope for more to come!

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Super 8, from Badajoz, Spain. I remember them as if it was yesterday. But it isn’t. They were around in the late 90s and early 2000s. And today they seem to be forgotten. I couldn’t even find their records on Discogs. Strange.

They took their name from Los Planetas’ first album. Los Planetas being perhaps the most succesful indie band of Spain of the 90s and beyond. But their sound wasn’t really much influenced by Los Planetas. Today, rediscovering their music, listening for example the track “Lluvia Helada” I feel them closer to La Buena Vida even.

The band was formed by Carmen Estévez on vocals, Alfonso Villalobos on guitar, Carlos Aragonés on guitar, Juan Carlos Nacarino on bass and Antonio Carretero on drums. They hailed from the town of Montijo and before being in Super 8, Antonio, Carlos and Juan Pablo were in a sort of sixties band.

They start to gain some notoriety with their first demo, “Fotogramas”, from 1999. This demo ended up being a finalist in a demo contest organized by the festival Zorrock. Thanks to that the Spanish Radio3 starts playing their songs, especially the song “Lluvia Helada”.  The other songs on this demo were “Asfixiante”, “Nada”, “Tu Lado y el Mío” and “Fotogramas”. This demo would be recorded by Dr. Ecce Homo at their practice space.

They would travel to Barcelona and be part of other contests, winning the one organized by Rockdelux in Barcelona for the BAM festival.  Thanks to that they won a contact with RCA to record an album.

This album started to be recorded at the end of the year 2000, in the Madrid studios Sonoland. RCA stops supporting them in the meantime and lets them know they can sign to any other label they want. The band decides to stay with RCA and get Fino Oyarte to produce them. Fino had been the drummer of the classic band Los Enemigos. These recordings would end up making the album “Guía Para Oler Colores” that would be released in 2001.

This album included the following tracks, “All Despertar”, “Tu Habitación”, “Asfixiante”, “Lluvia Helada”, “La Bahía”, “Pasaje Sideral”, “Cosas Que Nunca te Dije”, “Olalla”, “Abril”, “Asteroide 8612”, “Nada” and “Fotogramas”.

The pressing was of 3000 copies and it barely gets promoted. Just Julio Ruiz and Jesús Ordovás would in their radio shows. The band naturally is disappointed and in 2002 they split.

Carmen would en up moving to Madrid to study percussion at the Escuela Superior de Música Creativa and later to New York where it seems she has a flamenco trio called Flamenkina. Is she still here in the city? Maybe, the latest I found about her is that she was making music in a duo called CaneliBeat a few months ago. The other band members would continue making music first as Panorama 73 and then as Panorama. Antonio Carretero has also played in other bands like Repicantes, The Six Machine, Cajón de Sastre and Bloco Dum Dum.

It is also worth mentioning some other highlights of the band. For example they played twice the festival Contempopránea and recorded a session for Diario Pop. I would love to listen to that session. Is that available somewhere? Other gigs include many in Extremadura, Valladolid, Basauri, Gijón, Madrid (at the famous Sala Maravillas), Barcelona, Tarragona, at the WOMAD 2000 in Cáceres, and the BAM festival.

There is live footage of the track “Lluvia Helada” being played at the Contempopránea festival in 2000. Then at the Nasti Club in Madrid, we find two videos, one for “Lluvia Helada” and another for “La Bahía“.

Something really cool I found on the web is a video from 2001 in Vimeo that is sort of a small documentary of their town, Montijo. On it the band appears and is interviewed too! Really really cool! And then a bigger surprise, a news video by Canal Extremadura for their show “Nada Corriente” This video interviews Carmen in New York.

Quite a bit of information, right? I am sure there are even more things written about Panorama. But that’s another story for another day. Any other info about the band would be great. Like say are there any unreleased tracks? That I’ll like to know!

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Super 8 – Lluvia Helada

Day 36. Continuing the quarantine. There’s been a small delay with the CD sleeves for the fanzine. I am very sorry. I expected to mail all orders today but it seems I will have to do it early next week. I believe they should be arriving today in the evening. The good thing is that I’ll have the weekend to do these things.

Some important finds from the past few days:

Hangman’s Beautiful Daughters: A few weeks ago I got the CD retrospective “Smashed Full of Wonder” from Optic Nerve Records and it is a must. It is also available in LP vinyl. But what I found out the other day was that a video was just put together for the song “Out of My Head”. And maybe you missed that too. So be sure to watch it!

Love, Burns: this is the new project by Phil Sutton from Pale Lights. And on this new project he is going solo. He has just put out on Bandcamp 8 songs for his album (or mini-album?) “Fiftieth and Marlborough”. The songs sound amazing, jangly and classy. I hope there is a release of it, even if it is in limited copies.

The Snogs: out now on tape on the label Discontinuous Innovation out of San Francisco is this lo-fi bedroom pop project. It is totally new for me and I am really charmed by this 13 song album titled “Charmless”. Boy/girl vocals, and catchy hooks  from this Santa Cruz band.

Gula Gången: who are this band from Stockholm?! 10 days ago they uploaded a whole album called “Spela Allt Från Ditt Hjärta” to Soundcloud and since then it has been in heavy rotation at home! I need to find more info by them. They have some superb tunes!

Pash: lastly a two song cassette release called “Demonstration” on Urban Cowboy Records from Sydney. These two songs by the Sydney band Pash are “Shoplifting” and “Double Date”. The label compares them to Pains of Being Pure at Heart and Talulah Gosh, so that must be a good thing. They label them as a crush-pop band. That I don’t know what it is, but sounds good! We can preview just the first song, “Shoplifting”, and with that we know we are on for a treat!

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Returning to the wonderful German tape compilation “Frischer Morgentau”. Why? Because there are many treasures there of course. In the past I’ve written about the band Schade Schokolade, Die Busfahrer, Die Wurzelsepps, Moosblüten, The Almanacs and Friends Ahoi, all of them contributing a track to this comp! So today I wanted to introduce you to a new band, that if you haven’t heard them, Die Kupferschmiede.

Die Kupferschmiede means the coppersmith in English. A strange choice for a name, right? I think it is pretty cool though. The song they contributed was called “Einsames Wochenende”, which translates to lonely weekend. Who hasn’t had one of those?

Aside from this information my knowledge about the band is zero.

We know a bit about the tape though, stuff I’ve mentioned in the past like that it was released by Steinpilz Tonträger (Stein 1), a label run by Uli Hahndorf, the brother of our friend Peter who runs Twee.net and was the person behind Clarendon Records too.

Supposedly the tape came with a 16 page booklet with info about each of the bands. Maybe someone could help me with that. Get some band members names. Where in Germany where they from. That sort of info. Maybe that could help me track them down as I’d love to know if they have more songs. Can’t be just this one, this wonderful jangly upbeat catchy track.

So yes, any help, will be appreciated!

Edit: My friend Mike scanned the booklet from the “Frischer Morgentau” tape. There is not much info there about the band but two interesting details. First the band hailed from Quickborn. Second the contact address is the same for the label. Does this mean that the person behind the band was Uli Hahndorf?

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Die Kupferschmiede – Einsames Wohenende

Day 34. Today is the official release date for the new Cloudberry fanzine! Super exciting times! I believe I will be going to the post office tomorrow to post all your orders. Thanks again very very much!

Now you were looking for new music, of course. I have looked for some good quarantunes for my dear readers.

Blush Response: the Adelaide, Australia, band is back with a collection of demos, outtakes, covers and more called “This Band Will Eat Itselt”. It is now available on Bandcamp and has 14 songs of their trademark shoegazey pop. All the proceeds from this release will be donated to Support Act.

Spring Winds: now another shoegaze band, but this time from Saint Petersburg, Russia. First time I listen to this band and I must say they sound amazing. Their latest track is called “Alpine Vic” and it is a winner!

The Short Story Picture Book: Liam James Marsh, with lyrics by Leah Short, has made a fun and interesting indiepop EP called “These Days”. The Nottingham based musician, which I am guessing will be invited to Indietracks it it takes place this year, makes some bouncy folky pop tracks that would be liked by indiepop lovers and the indie lovers that Indietracks have now as their target audience.

Suburban Living: this Philly band is releasing an album called “How to Be Human” on Egg Hunt Records on August 28th. There are 2 songs available to preview, “Main Street” and “Glow”, and they sound pretty neat. The album has 9 songs and will be available on vinyl!

City Flanker: lastly another shoegaze band, from Shaoxing in China. This is a first time for sure. Shaoxing! The band has an album online called “The Journey to City Flanker” that comes with 8 songs. It looks as if it is available only digitally  so I am hoping some of the cool new Chinese labels do release them in CD or vinyl, or something.

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Another band that caught my attention from the “What’s the Idea” compilation was Christopher.

I wrote a bit about this compilation, all the information I could find about, when I wrote about a band that appeared on it called More Perfect Watchers. I mentioned that this LP comp released by Idea Records was a record put together by bands around the area of St. Helens. With the help of their Community Arts Team they released this comp in 1990  and included bands from nearby places like Halton, Lancaster, Wigan and Bolton. Christopher hailed from Halton for example, and More Perfect Watchers from Wigan and Bolton.

Christopher appears on this compilation of 12 songs, with the track “Touch”. It is the last song on the A side.

When I was looking for more information about More Perfect Watchers I actually stumbled upon a blog post about Christopher. This was quite a surprise because with that name, I thought I wasn’t going to find any info about the band.

From what I understand Christopher was originally Ian Finney. In 1990 when the St. Helens Musicians Collective asked the best local bands he started working on it. Seems at that point the band was not ready, so he ended up recording the entire track on his own. He did so at the Pentagon Studios in Widnes. But that was not the only thing he did for this compilation, he would also produce Jennifer Fever’s track “Near” that also appears in it.

Then Ian tells us what inspired the song, a relationship that went sour with his then girlfriend. Then around October 1990 he got serious about the band and put together the band. They were Ian Finney, Jon Brown, Wayne Booth and Andy Starkey according to a photo I found. But, what did each of them play? Who’d know?

Now something interesting. Ian Finney had been part of a wonderful band before, The Tempest! Oh dear. I didn’t know this connection. I really like The Tempest and until today I don’t understand how there hasn’t been a retrospective compilation for them.

And thanks to that I find out that he has a Wikipedia entry! There it mentions that he continues making music with the band The Coralaines. Before that he had been in the Coal Porters.

This is great! I hope I get the chance to talk to Ian sometime, and find out more about this more obscure project of his, but also about The Tempest! Did anyone catch Christopher live? Did they have more songs? Any info will be appreciated!

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Christopher – Touch

Day 32. This week, on Friday, I should mail the first batch of fanzines to those have pre-ordered. Thanks so so much for that. I hope you like them!

That’s it for news now. Things are a bit quiet, but believe I am working on new releases, like the Macguffins retrospective, to be released as soon as possible!

New finds from the weekend are here of course!

Gum Country: I wrote about Los Angeles band a few posts ago. It came to my attention that their song “Somewhere” had a cool video and so I had to share it! This song is the title track off their debut album that will be released in June 19!

Castro Morfeo: this fun synth-pop project from Chile has just released an EP titled “Amigxs/Niño que Vuela” on the netlabel Gemelo Parásito Records. The EP has 4 songs of introspective and catchy bedroom pop. Very nice.

Las Carreteras: not sure where this band comes from but they are releasing a tape (?) or a digital release on the German label Entes Anomicos. This EP is titled “Panamericana” and it sounds great! There are four songs in total here, and they all very good!

Ciel: there’s also a new EP by the Dutch band Ciel. It is called “Movement” and comes with 4 songs of jangly dreampop. The EP seems to be available only in digital format at the moment, but the good thing is that on Bandcamp all four songs are available to play and hear the very nice vocals and lyrics by Michelle Hindriks, their frontwoman.

My Proper Skin: and to finish this roundup of weekend finds here is a fine Portland, Oregon, band. My Proper Skin make some good shoegaze noise with girl vocals and their latest track, a digital single called “Haunted” is no exception.

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Last post of my “weekdays” challenge, a band now that wrote about Sunday… who else but the superb Washington D.C. band The Ropers who penned “Blue Sunday”. Mind you, this song doesn’t appear on any of their proper releases but on a Slumberland compilation called “Why Popstars Can’t Dance” (SLR 031) that was released on CD and vinyl in 1994. On this compilation they appear alongside other great bands like Boyracer, Stereolab, Rocketship and more. It is not the only song they contributed though, they also had the song “Drive” on it.

But let’s talk first about their releases as there are many. There are many compilation appearances too. This might be a long post! So brace yourselves.

Some introduction about the band won’t hurt too. The band was formed in 1991 by vocalist Doug Bailey and guitarist Mike Hammel while they were students at the University of Maryland. They quit their studies (what were they studying?) after two years in to start making music. They recruited Alex Hacker on drums who they had met after a brief stint in the Lilys and also Greg Pavlovcak on bass. Okay, now we have the basics.

The first release was a 7″ on Slumberland Records (SLR 17) which came out in 1993. It had three songs, “Waiting” and “Lost” on the A side and “Cool Self” on the B side. The songs were recorded by Jim Spellman (from Velocity Girl) and Trip Brock. We also know that there were two different versions of the single, one in regular black vinyl and one in white vinyl (for mail order copies).

The year after, 1994, they would release another 7″ on Slumberland (SLR 38). Two songs, “I Don’t Mind” on the A side and “It’s So Strange” on the B side. This time around Geoff Turner recorded the tracks. But something more interesting is that there was a CD version of this 7″ that included 4 more songs! The tracklist for the CD was “I Don’t Mind”, “September’s Rain”, “Lost”, “Waiting”, “It’s So Strange” and “Cool Self”. “I Don’t Mind”, “September’s Rain” and “It’s So Strange” were recorded by Geoff Turner at WGNS Studios in Arlington, Virginia, while the rest were recorded by Jim Spellman and Trip Brock at The Station in Germantown, Maryland. The illustration for the sleeve was created by Khoi Vinh.

In 1994 it seems the band went on tour with Boyracer during the summer. So they prepared a split 7″ for the occasion, to sell them at their merch table. This split 7″ was put together by Slumberland, on their sub label I Wish I Was a Slumberland Record (WISH 005). Boyracer had the A side with the song “One Step Forward” while The Ropers appear on the flipside with “Pretty Quiet Song”. Then that same year the band released yet another split 7″, one that I already talked about on the blog in the past. That is the one they shared with The Tribbles and that was released by Brilliant Records (ant-09-si) in the US and Giant Pool Balls Records (ball002) in Germany. The German version came alongside the summer 1994 issue (which was the 8th issue) of Sunset Magazine. The Ropers appear on the A side with the track “Sweet Lord I know”.

1995 had a bunch of releases for the band. Slumberland would release yet another 7″ (SLR 53), that included their classic song “Revolver” which even has a promo video shot by T. Treyfid and Bill McKenna in 1995. The B side was a cover of the The West Coast Pop Art Experimental Band’s “Transparent Day”. This time the songs were recorded at Zabriskie Point in New York City by Kurt Ralske from Ultra Vivid Scene. The art was once again credited to Koi Vinh and also to Caramel. It is said that some mail order copies came in a color xerox Catwoman sleeve. I’ve never seen those. How did they look like?

Then came their debut album which was titled “All the Time” (SLR 50) once again on Slumberland. All songs were recorded at the same place and also by Kurt Ralske as the “Revolver” single. It was also mixed at Zabriskie Point. Khoi Vinh is once again credited to the design alongside Caramel with The Must Brother. The photography is credited to Nalinee. The album was released on both vinyl and CD with the same running order. The A side had “Revolver”, “Flashlight”, “Rain”, “You Have A Light” and “Drive” while the B side had “Chained”, “Blind”, “Spider Web”, “Tried” and Mystery Girl”. Now the CD had an extra track at the end, “Drive (reprise)”. For this record the band added some cello to the songs thanks to Melora Mather.

Lastly, in 1997 the band would release their sophomore album but this time on a different label, Teenbeat Records. “The World is Fire” (Teenbeat 225) was also released on CD and vinyl (the vinyl version was a co-release with the German A Turntable Friend (TURN 33)). This record only had 7 tracks, the A side had “Drink You Up”,  “Please Understand”, “Take Your Time” and “Home”. The B side had “Paste”, “These Days” and “Dawn”. The tracks were recorded by Treiops Treyfid again. On this album we see that Mike Donovan had replaced Alex Hacker on drums.

I’ve already mentioned one of their compilation appearances but there were more. For example they contributed a version of The Cure’s “Jumping Someone Else’s train” to “Give Me The Cure” a benefit CD for AIDS research released by Radiopaque Recordings (ROPQ01CD) and Corduroy Records (ROPQ01CD) in 1995. The proceeds from this CD were donated to the Whitman-Walker clinic.

Then in 1998 they contributed “You Have a Light” to the “1998 Teenbeat Sampler” CD (TEENBEAT 251). Then 11 years later they had “Pretty Quiet” on the CD compilation “Slumberland Records The First 20 Years” (WISH 12) that was released by I Wish I Was a Slumberland Record in 2009. Then 9 years after they would contribute the song “These Days” to “The Test of Time” a compilation released by A Turntable Friend (TURN50) on vinyl and CD celebrating the comeback of the label.

It is also worth mentioning that the video of “Revolver” was included in the “Munch (Part Two) Another International Independent Music Video Compilation” that Season Records and Drive-In Records put out on VHS!

We know that the band members worked on other bands. For example Alex Hacker played in Air Miami, Treiops Treyfid, The Still and (The Sounds of) Kaleidoscope. Mike Hammel played in Pink Skull, Juniper and The Mondo Crescendo, these two last bands have been interviewed on the blog!, other members though! Greg Pavlovcak played in The Last Wave, The Castaway Stones, The Still and yet another band that has been featured here, The Saturday People! Then Douglas Bailey was on (The Sounds of) Kaleidoscope, Panax, The Still and The Sunshine Feels.

It looks like Douglas is still making music. I found a Bandcamp of his which has recordings from 1998 to 2018! It also looks like he left D.C. and moved to Austin, Texas.

Another question that I have for them is if they took their name from an American TV show called The Ropers…

The Ropers is an American sitcom that aired on ABC from March 13, 1979, to May 22, 1980. It is a spin-off of Three’s Company and loosely based on the British sitcom George and Mildred, which was itself a spin-off of Man About the House, on which Three’s Company was based.It was taped at CBS Television City in Hollywood, California, where its parent series, Three’s Company, was taping at the time, from February to April 1979 (Season 1) and from July 1979 to February 1980 (Season 2).

There are a few blogs that have dedicated some lines to the band, sadly all repeat the same information, adding nothing new. I read that the band disbanded shortly after the Teenbeat release. I wonder why. I also wonder if the band left any other recordings, recordings that remain unreleased to this day.

I’m sure many  of you remember them. They even played not long ago a reunion gig at the Slumberland 20th Anniversary Festival in 2009 at the Bell House in Brooklyn on November 14th 2009. I missed that, I wasn’t living in New York then.

I hope you can fill in the blanks this time around.

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The Ropers – Revolver

Day 29. How is this working out for everyone? The only good news is that I have the fanzine and next week I’ll start mailing them to all of you who have supported this new release! It is very exciting!

For this weekend I will share some new music of course. That’s what we have to do to keep us entertained!

City Rockdown EP: Week III: the third installment of these EPs that Kolibri Rekords from Jakarta is putting together during the pandemic is another top release. The four songs this time are Circarama’s “No Tomorrow”, Low Pink’s “Alien”, Jogn’s “Social Club” and Liminal’s “Muted Chaos”.

Blessed Isles: Nolan Thies from Brookly and Aaron Closson from Dallas contribute together to make some very pretty music. Their first ever song, at least on Bandcamp, is called “Gone” and sounds amazing. It is catchy, dreamy, and heartfelt. This song should be part of their “The Havoc” EP that will be released this spring.

Control Room: first time I feature a band from the state of Mississippi. Pretty sure of that. This post-punk/shoegaze combo hails from the city of Hattiesburg and their latest release is a CD album called “Scenery” that will be released on April 30th. You can preview 3 of the tracks on Bandcamp now, “I Woke Up and Everything Was Moving”, “Crushed” and “Back to Zero”

The Hidden Shelf: the Philadelphia band is back with a low-key, lo-fi, mini-album called “RE:”. It is bedroom pop at its finest. There are 7 songs on this lovely effort, were my favourite song might be “So Much Better”

Rilev: and lastly a new track from this Mexico City project. The new song is called “Mar” and it is a good, very good, shoegaze song. The lyrics are simple but work in the wall of sound made by Manuel Grados, the person behind this one-man project!

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It’s kind of funny to write about Company of Cowards when I am trying to cover “Saturday” on my challenge. You see the retrospective compilation they released back in 2007 on Firestation Records was called “A Mouthful of Tuesdays” (FST 074). So yeah, I guess Tuesday would have made more sense. But then they didn’t record any songs with Tuesday in their name. But they did write a song called “Saturday Night”. So it is all fair, right?

Interestingly enough this retrospective has very little info about them. There is no proper booklet. But I have to give credit to the Firestation guys that they did include a bio in the compilation “The Sound of Leamington Spa Vol. 6” (FST 075). It was actually through this compilation that I discovered them as they had contributed the song “Summer Story” in it. So yeah what does it say?

The beginning of the end for Company of Cowards arrived when singer Nick Ager announced to a packed Astoria in London’s Charing Cross Road that the next song would be the Cowards’ last of the evening. The unanimous cheer that greeted this news was the first cheer of the evening and was very loud.
The Cowards were the opening act for a Blues Brothers tribute act and it was obvious that the porkpie hatted, sunglassed wearing audience had not been seduced by the Cowards’ gentle musings. After a desultory final song, the Cowards trudged off the stage with their oxblood Dr. Marten shoes feeling heavier than ever. After the gig, the band’s dynamic young management duo were noticeably distant… eye contact was being avoided and backs remained unslapped. This had been a chance for the Cowards to impress on a large stage and to win over a big crowd with their witty couplets and fetching facial hair. The chance was blown, the Cowards never really regained their composure and the management’s post-gig shiftiness soon turned into full scale phone call avoidance. Up to that defining moment, things had gone pretty well for the Cowards.
They formed in 1987 without  too much difficulty – a marriage of convenience between the songwriting duo of Nick Ager (vocals and guitar) and Ian Montague (guitar), and a between-bands rhythm section of Glen Street (bass) and Lisa Newsome (drums). Gigs were aplenty at polythecnic Student Union bar within driving distance from London, an agent and management team were secured, A&R men started appearing at gigs, their “18 Again” EP was receiving airplay, favourable reviews in the music press appeared, their demos were being produced by name-record producers… surely stardom was just a formality, Then the Astoria ‘incident’ happened. Shortly after, the Cowards were playing at the Bull and Gate in London’s glittering Kentish Town. The gig promoter was a large man with a shoulder bag full of cheese filled bread rolls that he steadily worked his way through the course of the evening. Whenever he saw a loitering Coward, he sidled up to them – surprisingly nimbly for a man of his size – and whispered ‘Company of Cowards… great band’. What he meant, it was clear, was ‘Company of Cowards’ are vile and are only playing in my venue because I owe someone a favour. It was another disheartening piece of unpleasantness, this time flecked with stray particles of Red Leicested cheese.
Company of Cowards played their final gig at a little known college in Acton in late 1988., As a farewell it had moments of poignancy although the quiet passages were rendered inaudible by the college rugby team who were having a pre-match bonding session at the bar. Company of Cowards left only their “18 Again” EP for posterity.

That EP, was self-released by the band in 1987. It had four songs. “18 Again” and “Party Talk” on the A side and “What About Me?” and “Thoughts to Flowing Ink” on the B side. The front cover has a photo of a record collection. The back cover has a photo of each one of the members and some details about the record. We know that they had Jeff Easton playing banjo, Downs Thompson on violin and Laurence Diana on keyabords. Laurence Diana would also produce the record. The songs had been recorded at Raven Studios in London.

After that release I find on Discogs a demo tape from 1989 that came with two songs, “Waste of a Skin” and “Stay Where You Are”. There must have been more demo tapes like this. These two songs were produced by Bernie Clark at Ezee Studios in London. I say that because the compilation they would release later on, “A Mouthful of Tuesdays”, had 15 songs!

These 15 songs were “18 Again”, “Party Talk”, “Waste of a Skin”, “Summer Story”, “Crushing Wit”, “From Thoughts to Flowing Ink (acoustic version)”, “What About Me?”, “Undeniably Blue”, “Mouthful of Foot”, “Buzzard Creek”, “Cool to be Miniscule”, “Saturday Night”, “Stay Where You Are”, “From Thoughts to Flowing Ink (elektric version)” and “Let Her Dream”.

The very first recorded songs by the band were “Mouthful of Foot” and “From Thoughts to Flowing Ink (elektric version)”. The band doesnt’ recall where they were recorded.

“Summer Story” and “Saturday Night” were recorded by a guy called Nick at a school in Tottenham in 1988. Gavin Mackillop produced the songs “Crushing Wit”, “Undeniably Blue”, “Buzzard Creek” and “Cool to be Miniscule” at Cold Storage Studios in London in 1988,

Then “Let Her Dream” was recorded by someone called Rob. The interesting bit is that it was recorded by Nick and Ian after the band had already disbanded.

As usual I don’t stop there and look for more info. First thing I find was that Nicky Ager had been in a band in 1980 called Twig and the Kicks. They released a single with the songs “I Won’t Apologize” and “The Boy Who Sold His Dreams”. He would later be in a band called The Whole Wide World and this band would eventually become Company of Cowards. Ian Montague in the other hand had been in the band Thin Yoghurts according to this blog post. I can’t seem to confirm or deny this.

What I did find what that Nicky and his wife had written the original songs and score for the Christmas films “Nativity!”, “Nativity 2 ‘Danger in the Manger'” and “Nativity 3 ‘Dude, Where’s My Donkey?'”. He has worked on many other television shows and commercials.

Sadly no more info about them or the band on the web. I would love to find out more about The Whole Wide World for example. Did they record anything? Released anything? And what happened after Company of Cowards. No more music? No more bands? Any info would be appreciated!

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Company of Cowards – Party Talk