26
Oct

Short post today. But as always it is loaded with goodies, old and new.

Tallies: this was a superb recommendation from my friend Vernon. This Toronto outfit are releasing an album on January 11th, 2019, which sounds absolutely brilliant. It will be released on vinyl, CD and cassette. There are two songs right now to stream from the self-titled album and they are called “Mother” and “Beat the Heart”. It will be the debut of the band and I look forward to get a copy as I’m eager to hear the rest of songs!!

The Sweetest Touch: our Chinese friends Boring Productions have a bunch of new releases coming up. First up is a 7″ by this Indonesian band I’ve raved many times in the past. There are three songs by this lovely pop group, “Runaway”, “Too Many Dust, Too Many Haze” and “Last Wishes”. Definitely a must have!

Odd Gesture: another Indonesian band that will be releasing a 7″ on Boring Production is Odd Gesture. Their “Odd Fucking Gesture” EP was released yesterday, October 25th. There are five top songs that remind me a bit of 14 Iced Bears, “Sick of You”, “My Holding Hands”, “Saccharine”, “I H8 Sharesprings” and “You and I (Die Together)”.

Strange Creatures: and that’s not all, there is an album LP plus 7″ by another band I’ve raved in the past, the filipinos Strange Creatures! The 10 song album sounds gorgeous really. Pop perfection. Gosh! Jovi, I need these records!! And I think everyone needs them too. Great stuff, Boring Productions might be one of my favourite indiepop labels of the moment for sure!

Pting: there is just one song to stream from a 4-song EP by the Melbourne band Pting. It is a shame as I’d love to listen to the rest. But, well, “Bus Driver”, is a great song, very catchy! The band is formed by Elsie on vocals and guitar, Yura on vocals and bass, Rhys on vocals and guitar and Ben on drums. Lots of female vocals, that’s always a good thing!

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Crocodile tears: tears or expressions of sorrow that are insincere

I have very little to say about this band, I wish it was the other way around, that I had lots of information about them. I discovered them through The Fanning Sessions blog were three songs are posted: “Goodbye Susie-Ann”, “Tuesday Morning” and “Susie Sweetness”.

These three songs were part of a RTE Fanning Session recorded on November 9th 1987. As far as I know there were no releases by the band and these might be the only songs recorded by them, unless anyone know of any demo tapes put together by them? It would be great to find out!

Also it seems there are no photos online by the band. Even the Fanning Session blog and the superb IrishRock website don’t have one. So I have ended using a crocodile to illustrate this post. Hope the band forgives me.

And what about Susie? It seems they must have liked a Susie a lot, unless they are two different Susies, right? Susie-Ann and Susie Sweetness?

The band was formed by Brendan Tallon (guitar/vocals), Brendan Berry (guitar/vocals), Barry Woodley (bass) and Shane Rafferty (drums). They hailed from Ballinteer in Dublin.

Ballinteer (Irish: Baile an tSaoir, meaning “Town of the Stonemason”) is a small southside suburb of Dublin, located in Dún Laoghaire–Rathdown, Ireland, extensively developed from the late 1960s onwards.

I’m quite excited lately about Dublin I must say. I will be visiting Dublin for a few days late in November. So I’m interested in any second hand record shops people can recommend me. I’m hoping to score a few guitar pop records from the 80s and the early 90s if possible.

Anyways. Crocodile Tears. IrishRock.org has a few more details about them. They were around between 1986 and 1988. We also know that in 1988 when Ian O’Donoghue replaced Barry Woodley on bass they changed names to The Coletranes. The Coletranes did release a 7″ record and appeared on compilations. But that’s not all. Other bands related to Crocodile tears were Saturday Captains (Brendan Tallon), Revelino (Brendan Tallon, Brendan Berry & Shane Rafferty) and Beat Club (Brendan Tallon & Shane Rafferty).

An interesting detail also from IrishRock is that Brendan Tallon was a midfielder for the Bohemian FC football club during the 1984/85 season making several fist team appearances that season. Sadly his career was cut short due to a knee injury. I could find an article on the Herald were they mention him playing for The Bohs.

As I said there is not much written about them, though for other bands they were involved there is much more on the web. I haven’t really checked out the the other bands they were in. I need to do so. Maybe they deserve a post on the blog as well. You know I’m particular about that. They have to have a particular sound.

For now I’d love to know more about Crocodile Tears. Especially if they record any songs properly. I know there were no releases, but maybe there were demos. The three songs from the Fanning Session sound very nice. So any details any of my Irish readers remember would be great! Would love to find out more about them. If they were around for at least two years, 1986 to 1988, they must have played gigs and appeared on fanzines or magazines at least!

Anyone remember them?

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Listen
Crocodile Tears – Tuesday Morning

24
Oct

Not many news, not much happening in indiepopworld this week aside that the superb documentary Teenage Superstars is now available on DVD. If you haven’t seen it or got a copy, do that now. It is available through different sellers on the web. I got it from Wall of Noise.

Finds? Yes there are more than a few:

The Reds, Pinks & Purples: have been following and enjoying every new song Glenn Donaldson has been uploading to his Bandcamp. And no, I’m not friends with him, never met him, never talked to him. I just like these simple jangly songs. His latest is called “Monday is Fine (demo)” and it really is pretty. I also enjoy these photos he uses to illustrate his songs. Where are tehse houses from? This last one looks like a Latin American house.

Foliage / Sound and Fury: it is really cool what the Mexican netlabel Stupid Decisions is putting together in their Bandcamp, most of the stuff is top notch in it. The latest from this label are two songs each by Foliage from the USA (“Don’t Come Back Anymore” and “Dare”) and Sound and Fury from China (“Innocent” and “It’s All Ok”). Two bands I have raved on the blog in the past!

VA – Goodbye Idiots II: the same label, Stupid Decisions, is putting together yet another online compilation. I was recommending a few days ago their “Para Siempre” comp and now there’s this one that includes bands like Andrew Younker, Marble Gods, Perrogato and more. Some of these songs are available to stream, some aren’t. I urge you to have a listen, it’s good!

Unicorns at Heart: the great tape label Hidden Bay Records from Toulouse have a new release coming out on October 29th. It is an album by Unicorn Heart. Only one of the songs is available to stream and it is called “No One Nothing Pt. 1”. Nice lo-fi jangle here. The band hails from Monrovia, California.

The Model School: this Sydney, Australia, band is actually just Brendan Wixted. He has just released an album called “Suburban Cinema” which has 10 poppy guitar pop songs. You can stream the whole album on Bandcamp and no, doesn’t look that there is a physical release for it. Lovely.

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Here’s a band whose record I’ve been tracking down for a long time. Maybe there will be some luck in the future though I don’t hold my hope up.

The double A sided 7″ single released in 1983 by Victorian Picture Show is a mystery to me. I know little about it though I’ve seen it mentioned on some blogs in the past. There were two songs on the record, “Travels of One” and “Love With No Words”, and so far I’ve only have listened the first song.

It was released by No Choice Records. On Discogs only another single is listed under this label, The One Takes’ “Extended Play” 7″ released in 1980. That was the first one in the label’s catalog. Victorian Picture Show’s 7″ was the fourth one (NC 004).

Happily someone has scanned the sleeve of the record so I can find more information about them. We know then that the band was formed by:
Brian Gibson (guitar)
Donna McDougall (vocals)
Geordie Taylor (lead guitar)
Billy Wilson (drums)

For this record they also had the help of Arnie Burgoyne who played keyboards. George Cowan produced and arranged the songs. I believe in the inner side of the sleeve the lyrics for both songs were printed and also a photo of the band is included. Everything on the sleeve was printed in red ink. A duotone. Just like I do in the blog with blue, they did it with red.

Something interesting is that the first song, “Travels of One”, is credited to Brian Gibson and someone with the last name White. Who was this White? “Love With No Words” on the other hand is credited to all band members.

No compilation appearances are listed.

I keep digging on the web. Trying to find any information about the band. I don’t know whereabouts in the UK they came from. That makes it harder to pinpoint their names to a location. I think I’m stumbling upon a wall so fast.

I look for them as if they continued making music, on the regular channels, like Soundcloud or older ones like ReverbNation, but can’t find them anywhere. It is strange. They must have continued making songs under another name.

I can’t figure out much about them. Just this superb single. And then they disappeared? They must have played gigs. Someone must remember them!

I wonder, if anyone has any details about the Victorian Picture Show that can be shared with me!

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Listen
Victorian Picture Show – Travels of One

22
Oct

A new week and I have a bunch of cool Bandcamp finds from the weekend. Hope you enjoy them.

Pealds: the label It Takes Time Records from St. Louis, Missouri, will be releasing a tape album by the band Pealds on November 9th. Titled “Melted” the album sounds really promising. The band, who also hails from the same city, have made two songs available to stream from the album, “Melted” and “Secrets”, and I can only say that they sound great!

VA-Para Siempre: this digital only compilation released by the Mexican netlabel Stupid Decisions sounds pretty good. Well, the 4 songs that you can stream sound pretty good. It is a strange setup though. It seems that the compilation will have 16 songs but only 9 are listed and other two have the band names. It seems they are completing the compilation as the days go by. You can now check tracks by La Última Isla, Yr Glow, Noizu and Diana Hutch.

The Seams: the new release on our friends Meritorio Records from Madrid, Spain, is a new album by The Seams. If you like jangle pop, this is definitely for you. There are 9 songs total and it will be available starting October 26 on vinyl LP. At the moment you can preview two songs, “Lemonade” and “on the Shelf”. The band is formed by Kyle Edward Connolly, Jonathan Kennedy Rogers, Jesse Mirsky and Omri Gondor.

The Phospenes: another Melbourne jangly band. It seems every week we discover a new band from there. And they are all usually pretty good! This quartet released earlier this year their album “Finally a Friendly Shore” on CD. There are 13 songs on it, and you can preview all of them on Bandcamp too.

Ghost Thoughts: after leaving the Vancouver band Thee Ahs and moving to Amsterdam, Davina Shell, has been recording songs under the name Ghost Thoughts. A 13 song album is now available on Jigsaw Records. It is a very personal album, packed with bittersweet popsongs. Definitely worth a listen.

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Japanese indiepop has a huge output and at the same time it is not documented enough. And I’m not talking only in English, even in Japanese is not easy to find information about the bands from the past.

With that situation in mind I should try to be more proactive, try to have a Japanese band now and then on the blog. The problem is too that I don’t own many of their records. It is not easy for me to find them. And it is also not that easy to get in touch with their members.

Bobbie’s Rockin’ Chair was a band that was active during the late 90s. Releasing two 7″s on the Left Bank label. A very fine label that for some reason I haven’t heard much about. It is not as popular or well known. But with releases of Photo Jenny, Chain Letter or 101 Dalmatians, it is a proper good label I think. Maybe their records didn’t get much distribution in the west? That might be it.

The second ever release on this label was Bobbie’s Rockin’ Chair first 7″. The “Love Can Make Your Mind” EP (LBRD-02) came out in 1998 and included four songs, two on each side. The A side had “Love Can Make Your Mind” and “It’s Starting Again”. The B side had “Summer in Love” and “Follow the Rainbow”.

At this point we already can tell the love of the band for 60s design, one that reminds me a lot of Siesta Records designs. Vintage photos, heavy fonts and lots of color. That would be the style for every release of the band. I really like when bands are faithful to their aesthetics.

The back of the sleeve gives us some names. The art direction for the record is credited to Atsushi Itoh. The record was produced by Masaki Yamaguchi. And then the band members: Tetsuya Ishiyama, Kazuki Morimoto, Takashi Yoshi, Yumiko Sone, Junya Miyake and Toshihiko Miyawaki.

“Young Friends” was their 2nd EP on Left Bank (LBRD-05). It was released in 1998 too. The A side had “Young Friends” and “What a Happy Day”. The B side had “Morning After Time” and “I Wish You Could Be There”.

The art for this record is credited to Shie Kutsuna. Then there are credits for many musicians that helped in this record. For example Toshihiko Miyawaki played drums on the A side while Yoshihisa Kawaguchi played drums on the B side. Kazumi Mimasu played piano. Naoyuji Tokota played trumpet and flugelhorn. Tetuji Kuriyama played trumpet and flugelhorn too. Nobunori Tsurukawa and Junichi Satour played trumpet. Junji Kawaguchi played trombone and Mayumi Hozaki played flute. Quite a bunch of instruments, it is clear that they loved to have some fancy arrangements in their songs!

Some years after, in 2004, the South Korean label Beatball Records put together a compilation called “… like Nothing Else You Ever Tasted” where all 8 songs of the 7″s plus the song “Here Comes the Sunshine”. So 9 songs in total.

Discogs lists one compilation appearance of the band. On the “Rabid Chords Compilation Vol.1 – Standby for “Action”” released by Victor Entertainment as part of their Rabid Chords series the band contributed the song “Young Friends”. This compilation came out on CD in 1999 and included a bunch of superb Japanese bands like Citrobal, Corniche Camomile, Penelopes and more.

Now, with their name misspelled as “Bobby’s” Rocking Chair they appear on two other compilations for Siesta Records. See? It is no surprise that their style fit nicely in the Spanish label. On the “Sombrero” (Siesta 80) compilation that came out on both CD and LP in 1999, the band appears with the song “Finders Keepers”.  With that same song they appear on “Blanco y Negro Music For Siesta”(RBCS-2024) from 2002, a Rambling Records compilation of Siesta tracks for the Japanese market.

An interesting fact about this song, “Finders Keepers”, is actually an original by Rod McBrien from The Salt Water Taffy and the Goggles.

I keep looking for more information. It seems the band was actually based in Kansai. Thanks to Google Translate I find that their song “Young Friends” was used in a Japanese TV series.

Other interesting fact is that Yumiko, after leaving Bobbie’s Rockin’ Chair has played solo gigs, for example in 2013 in Osaka. Before that I find that the band played a gig on May 9th 1999 with Three Berry Icecream, Trans Alphabet  and Uround Table. Other gig dates from January 8th, 2001, where the band played with Instant Cytron and Potbelly. And that Kazuki Morimoto also used to do DJ sets at pop gigs.

Speaking of Yummy (Yumiko) again, there is a compilation called “Boys (& Girls) Wonder” where she guests on a song by Lollipop Song (and Other Candy Pops) called “Speedy Wonder” where she is featured.

I believe the band was featured on the fanzine Beady on its edition of January 27 of 2000. It was the 3rd volume of this Japanese zine.

Kazuki Morimoto has remixed the Smiles song “Love So Fine” that appeared on their album “Strawberry TV Show”.

Nothing else I could find about them. Are they still involved with music? Were they involved in any other bands? I suppose they only recorded those 9 songs as they are the only ones that appear on the Korean CD. But maybe there are more? I would love to think that. Also where in Kansai where they from? Osaka? Most possibly. I would love to get in touch with them, interview them in possible. And of course find copies of their 7″s or at least their CD compilation!

My Japanese friends, do you remember them?

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Listen
Bobbie’s Rockin’ Chair – Young Friends

19
Oct

At last, the week is over! Here are a few recommendations for you to enjoy this Friday!

Alpaca Sports: “I’ll Do Anything You Want” is the chosen song to be released as a digital single from their brilliant “From Paris With Love”. Because of that we have a lovely video for the song that no one should miss! Filmed in Halmstad, Sweden , on the beach where our two heroes seem to have gotten a nice suntan! The digital single has a B side called “In the Sand” which is worth checking it out!

Chorusgirl: another favourite band of mine has a new video. “In Dreams” is taken from their new album “Shimmer and Spin” which will be out on November 16th on Reckless Yes Records. It is one of the albums I’m looking forward the most right now as I loved their previous effort!

The Color Waves: our friends have a new song up on their Soundcloud called “People End Up Everywhere” and what can I say other than it is a beauty? I believe the band is now working on their debut album which if we take the cue from the 7″ they put out with Cloudberry some time ago and the songs that now and then appear on Soundcloud, we know it will be precious!

Wave and So: a new song appeared on Youtube a couple of days ago by the Thai band that we’ve featured more than a couple of times in the blog. The song is called “Davy Jones” and is going to be included in the band’s new album to be released in 2019.

Tennis Club: first time I hear this Joplin, Missouri, band and I’m enjoying quite a bit this lo-fi twee-ish track called “Vodkas”. It seems the band is formed by the duo of Wilson Hernandez and Sean O’Dell. This is their first song since 2017

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As I continue checking out what I call proto-indiepop, meaning guitarpop/indiepop from the early 80s, I decide to check out another single that is missing on my collection, Mad About Sunday’s “The Drunk”.

As it is usual on the blog, I feature bands that I know very little about. About Mad About Sunday, I confess, I hadn’t even heard their single before writing this post. Just now I have heard “The Drunk” for the first time and really enjoyed. Sadly I couldn’t find where to listen to the B side, “Intermission”. Maybe someone can help me with that?

Those two songs were part of the only proper release the band put out. It happened in 1983 on the Backs Recording Company (NCH 006). This label, which was also a record shop and distributor, used to be based in Swan Lane in Norwich. The shop closed in 1990. The label’s last release was in 2003. Many of you may be familiar with the Farmer’s Boys who released many records on this label.

As mentioned, there were two songs on the record, “The Drunk” and “Intermission”. Both were recorded at Vicarage Studio in Chiswick on April 9th 1983 by Tony Cook. It is quite interesting to mention that Cook worked with Björk in the 90s. The art is credited to “accident”.

We also get to learn the band members names on the back sleeve, Hannah Solloway, Katy Solloway, Nick Eldridge and David Cuff.

Discogs also lists a compilation appearance. It was also on Backs Records, on a tape compilation called “Reel Number 3”. There, on the B side, the band appears with “The Drunk (Edit)”. It looks like a very cool compilation including the Vital Disorders, Kamikaze Sex Pilots, The Farmer’s Boys and the Fire Hydrant Men among others.

The only other important information I could find online was about David Cuff, one of the members. He had been a bassist and vocalist. He had played in another Norwich band, The Crabs, who did a Peel Session in 1982 and also played with The Higsons and The Farmer’s Boys at the John Peel evening gala at the Ballroom in the summer of 1982. That was before Mad About Sunday. And before being in The Crabs he had been in The Happy Few who also released records on Backs. It seems then that Backs supported Cuff’s different projects. That is a good thing of course.

Then I lose track of David. What happened to him? And what about the rest of the band members? It is hard to believe they just stopped making music just like that. Does anyone remember them? ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Mad About Sunday – The Drunk

17
Oct

While I wait for the inserts for the BV’s to arrive, and not many other news on my side lets’ get straight to the point, to what you were looking for. Some new music recommendations!

The Catherines: if we liked the previous offering by The Catherines, I think I’m ready to like the newest song by the Hambug-based bedroom indiepop band. Their latest song is available now on their Bandcamp and it has a quirky name as always, “If you don’t have a clue please get out of the line “. The lyrics are available for singing along too if you’d like to start a karaoke party at home!

Girl in Red: 19 years old from Norway. I haven’t listened to the rest of her songs but her latest one, “Forget Her”, that dates from last August, is a lovely slice of dreamy, sweet and melancholic popmusic.

Go Get Mum: just discovered this Melbourne, Australia, band that has a 6 song mini-album called “Cripers” that sounds great! It is now available on CD and includes the songs “Big Mind”, “Little Heart”, “Caroline” (my favourite), “Phone, Keys, Wallet”, “Don’t Start a Riot” and “No Control”. The band is formed by Garry, Izzy, Woody and Sam and I definitely would recommend getting a copy (I should do the same), and keep an eye on them!

Subsonic Eye: the second album by this Singapore band is out and already sold out. Well, the cassette release. Though it does look as if it was the only format the band released it sadly. It is available to stream though, and that is ok I suppose. I would love to have a CD at least. In any case there are 9 songs of hazy and brilliant dream-pop with female vocals.

The Beths: I have recommended the Auckland, New Zealand, band in the past. But I think I forgot to mention that they released their album “Future Me Hates Me” on LP and CD a couple of months ago. It came out on Carpark Records and at the moment they are re-pressing the vinyl for the third time! 10 top indiepop songs that one can’t miss!

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I can’t recall much of the time when I was in touch with Abeja back in 2004. I was compiling a CD for a Peruvian magazine called Revista 69 with indiepop bands from all around the world. That compilation was going to be released the year after in 2005 and was titled “¡Es Pop, Mamá!”. It was the 3rd promo CD that the magazine put out. I can’t recall which number of the magazine it came with. I also wrote an introductory article of what was indiepop on it. On this CD I ended up including a few bands from Mexico. Not too long ago I featured one of them on the blog, Robotril. Today is the turn of Abeja as I go down memory lane.

I’m honest when I say I can’t remember how I got in touch. Maybe it was through friends. Maybe it was through Soulseek. These were the ways I used to contact people involved in music. I don’t remember if Myspace was big then. I think Myspace was going to get huge the year after, 2005. The truth is I asked Abeja to contribute a song and they gave me “La Bufanda”. And I really thought it was great.

These days when talking to Mexican friends I know that Abeja became well known in the indie scene of that country. It seems they got played a lot on the radio. Everyone seems to remember them. It is quite surprising, these things don’t normally happen in other countries. I do notice on Discogs that the only record the band managed to put out came out on a big label, on EMI. That is also very odd to me. A band with this sort of sound releasing on a big label. Unusual to say the least. Their self-titled “Abeja” EP came out in 2006. After I had asked them for a song. So for sure the band had recordings before this release.

The EP they released included the song they gave me. And 5 more songs, 6 in total. They included “La Bufanda”, “Si te Vas”, “El Desayuno”, “De Mañanitas”, “Dios” and “Música en el Bar”. It is important to mention that the band put together a promo video for the song “El Desayuno“, which I believe is their most popular song. I read some comments saying that every morning they used to play it on radio Reactor as a “breakfast” kind of song.

The band hailed from the city of Monterrey in the Nuevo León state. The north of Mexico. Many bands come from that city. And I think during those mid 2000s there was a healthy pop scene there. They were formed by Leila Ibarra on vocals and bass, Beto Ibarra on guitars and vocals, Ricardo Ramírez on guitars, Juan Serna on violin and Beto Rodríguez on bass. I read that Ricardo was Leila’s boyfriend. And also that Beto Ibarra was Leila’s dad. That is quite unique. You don’t see that often.

Then I find out that the band had put together two demos before the release of the EP. That’s where the recording of “La Bufanda” that they gave me must have come from. These releases were called “Hendersonville Vol. 1” and “Hendersonville Vol. II”. Why Hendersonville? I read that they used to go on vacations to Hendersonville in Nashville, Tennessee. Interesting. But what songs were included in these demos? I do find the tracklists after a bit of searching.

“Hendersonville Vol. I” included the songs “El Bufanda”, “El Desayuno”, “El Cobrador”, “Quizás”, “Sabías” and “Música en el Bar”.

“Hendersonville Vol. II” had “Algunas Veces”, “De Mañanitas”, “Si Te Vas”, “Caí”, “Talismán” and”Dios”.

It is also said that the band was recording a second EP when they split. Two songs of that EP were available on the web somewhere. Maybe Myspace, maybe the long lost website that the band used to have. The songs were called “Caí” and “Si Te Vas”.

The same year they released their EMI EP the band appeared on a promo compilation CD released by this same label with the song “Si Te Vas”. The compilation was called “¿Cuál Es Tu Rock?” and included some up and coming indie bands from Mexico.

I continue their trail. I find that Leila moved to Mexico City around 2011. Then she formed a band called Nada. There are a few releases on their Bandcamp. Their sound has changed. A bit harder, and bassier. It also looks as she is involved in many other creative projects like Nona Limon (where she creates hand-knitted accessories), Transnacional (an online radio) and Comuniday (a sort of blog where she and three other friends share stuff they like).

But no more mentions about the band. I find it odd. Their video has so manny comments. But there are no online interviews with them. Only a few blog entries. Nothing in-depth.

I would like to find myself a copy of their EP. I have loose MP3s of some of their songs. Only a few. I don’t know much more about them. And as I said I forgot about the one time I was in touch. If I was. Maybe a friend was in touch for me and asked them to contribute the song. I wasn’t as good as networking back then. I hadn’t released any records yet. I was only learning how it was the process to put together a record. And Abeja was part of that first project. My Mexican friends, I’m sure you remember them. Do you know where are they now? If they had been involved in any other bands? Are there more recordings by them?

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Listen
Abeja – La Bufanda

15
Oct

The BV’s 7″s arrived this weekend! Just waiting for the inserts to arrive and will start shipping them! The original release date was November 10th. But we’ll probably be moving it to November 1st as things have moved so fast!

Un.Real: never heard this band before but according tot heir Bandcamp this band’s formation in Isabela, Puerto Rico, dates of 1995. Their latest effort though was released a few days ago as a 7″ and includes two songs, “Blue Garden” and “Kids are Astronauts / Drones edit”. What to expect? some very pretty shoegaze, as they also self-define themselves as the first ever shoegaze band in Puerto Rico.

The Hannah Barberas: a new batch of songs from this fantastic UK band. So, “No Mystery”, “Spellbound” and “Time Will Show the Wiser” are now available on the band’s Bandcamp and from what I read the first 50 downloads are free, so why not hurry up and check them out?

Echo Ladies: the Malmö band will be releasing a two song 7″ on November 16. Sadly it seems as if it is already sold out. But at least we can stream the A side, “Overrated (Robin Guthrie version)” which, as the name suggests, was reworked by the Cocteau Twins member. It is a superb song of course. On the B side we find the song “Rebel Rebel”.

Adults: tweepop as I haven’t listened in a while. Adults hail from London and their brand of lo-fi tweepop is available now in their latest cassette album “The Weekend Was Almost Over”. It was supposed to be released in August, but still looks as if it is only available to pre-order. So who knows. You can stream the 9 songs though.

Sueisnine: 5 demo songs by this Japanese band from the Chiba prefecture. Formed by Kana, Hayashi and Kajiya the band released last year the “Lilac EP”, and these 5 demo songs of soft guitar pop are definitely a nice listen. I wonder what will happen to these songs, will they be properly recorded for a new release?

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I was looking at my wishlist. There are some records that I assume I will never find a copy for myself like the one and only 7″ Rapid Dance released back in 1982. That’s life you know. But perhaps, I would be able to get in touch with the band and interview them through this post. That would make my day.

I was aware of the band thanks to the interview I did with Martin Cotter of the Wee Cherubs many many years ago. He mentioned that one of the members of the Wee Cherubs, Christine Gibson, had been in Rapid Dance before joining him. It was at that moment that I googled for the band’s music and found the A side for their 7″, “Fragments of Youth”. It would take some years until I was going to listen the B side, “Hidden So Well”, through the Messthetics compilations.

The 7″, released in 1982 on Resolute Records (RO 1) is a gem. It is this sort of proto indiepop, influenced by Postcard Records, by Orange Juice and Josef K. It is a terrific record. You’ll agree with me.

It seems to me that Resolute Records was perhaps their own record label as there are no other releases listed for this label. The sleeve doesn’t have much information, doesn’t say where the band was based in Glasgow. The labels though have some information. Both songs are credited to Love & RD. It also says that the A side, “Fragments of Youth”, was recorded at Pork Lane during the autumn of 1981. “Hidden So Well” on the other hand was produced by Kenny and Rapid Dance. On this side of the label they thank Ally and Hector.

A person on Discogs has uploaded some photos of extra promo stuff that came with the record he has. Like a letter asking a radio to play their music written by Iain Jenkins. Was he the manager? I can add another band member name though, Willy Bain who was also later in The Bachelor Pad.

That is the only Rapid Dance record listed on Discogs though of course there is the appearance on the “Messthetics #105” CD compilation that was released by  Hyped to Death in 2007 featuring a bunch of Scottish DIY and Indie band from the late 70s and early 80s. But there is some extra information on the booklet worth checking out:

“Alan Love met Willy Bain through a girlfriend who lived next door -and promptly found himself in the Bain’s living room on Vennard Gardens getting an earful of Taking Tiger Mountain, Sam the Sham and other aural hallucinogens. And as soon as Alan had warbled the Buzzcocks “Breakdown” and a couple others with a late version of the International Spys (with both Brian McNair and Iain Bain), it was time for a group of his own. Mate Colin Watson lived down the road from the Bains and invaluable worked weekends at the Record Exchange; he wanted to be the Drummer (no argument from the others!), and Chrsitine Gibson (who lived at the end of the road) had been learning classical guitar. Colin found the phrase “rapid pips” in the instructions of a Glasgow phone box, but Alan fretted over Gladys Knight associations so they became Rapid Dance instead.
They were committed fans of The Alleged (with Hector Bain) who’d become local stars playing punk hits (their originals on Second City Statik are garagey pop-punk classics) and a Doune Castle support gig duly came their way. Ere long the’d played a spate of shows in Glasgow bars (Christine was underage and was asked to stand out of sight in a couple of occasions -never did) and on the (much louder) Paisley scene, opening for the Fall, the Scars and the Revillos.
Colin’s standout drumming propelled both sides of their 45, recorded at Park Lane Studios in Glasgow. Christine had finally turned 16, but she was still in school when the 45 came out (and broke, to boot), so she left, as did Willy a short while later. Alan and Colin added Hector on guitar and Robbie Stewart on bass and re-christened themselves The Great Divide, who recorded (an as-yet unheard) 1982 demo before drifting away from the scene.
Willy Bain went on to the Oysters, Bachelor Pad, Bain Brothers and Sawney Bean –he now operates www.bicyclerepair.co.uk
Christine switched to bass and joined Martin Cotter’s Wee Cherubs, who became Bachelor Pad. More recently she has toured with Jad Fair and played with Five Piece Horse Theatre with Gordon Goudie (Simple Minds, Primevals, Echo & the Bunnymen) and Leigh Ferguson. She (and Leigh) are now with the Parsonage: www.myspace.comn/parsonagechoir”

That’s quite some information! So the band members were Christine Gibson, Willy Bain, Alan Love and Colin Watson. The myspace for Parsonage doesn’t work. But the Bicycle Repair shop belonging to Willy Bain in Glasgow does. He has been a cycle mechanic for the last 26 years. So cool.

Christine’s latest musical involvement, The Parsonage, actually has a Wikipedia page, where it mentions it is a group of around 40 Glasgow based singers. Their name is in honour of Gram Parsons.

What about Alan Love and Colin Watson? What are they doing?

Do any of you Scottish friends remember the great Rapid Dance?

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Listen
Rapid Dance – Fragments of Youth

12
Oct

So it seems the release for The BV’s will be in around a month. I’m hoping to confirm this in the coming weeks. Aside from that one of our upcoming retrospectives is almost done, it is by a Glasgow band if you are curious. Just waiting for it to be mastered.

Now, what’s new in indiepop world?

Pia Fraus: “Brutal Truth of the World” is the new video the Tallinn based band has put together to promote their latest album “Field Ceremony” that came out last year on their own Seksound label. As it is normal with them, it is brilliant.

Grrrl Gang: a new release from the amazing Yogyakarta indiepop band is out now. “Not Sad, Not Fulfilled” bring us 5 pop songs to sing along. It is out now on Kolibri Records I believe digitally only for the time being. You can download them for free if you like or support them with any amount you’d like. Great band and happy to hear new songs!

The Leave Me Alones: 3 demos by this Oakland band are what await for us on their Bandcamp. These are the first three songs I hear by them. They are called “Nothing Packs a Punch”, “You’re So Much better than me” and “Race to the Bottom”. They sound a bit rough, but they are punchy pop songs indeed.

Alexanderplatz: after the demise of the brilliant Klaus & Kinski, Alejandro Martínez started Alexanderplatz. He just released his first album “Muera Usted Mañana” with the Jabalina label. it is now available on CD and double-LP. There are 18 songs in total, which may sound like a lot, but they are pretty good!

The Tropicanas: I don’t think I’ve heard this Livingston, UK, band before. But it does sound good, even if we can only preview one song from their “A Lovely Coincidence” EP. The song we can listen is the one that gives the EP its name and sounds great. The band is formed by Joe White, Andrew Burns, Ruaridh Macpherson and Joe Murphy.

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Peppelkade is a road in Houten, Netherlands. Was Peppelkade 14 an important address? I have been curious about this band name since I first heard about their existence. No, I don’t own the record sadly. I saw once their name on those lists some collectors put together. And since then I’ve tried to track their songs. So far my luck has only gave me two songs, “Time Flies” and “Uptown”. But I’m hoping that with this post someone can help me listen to the rest of recordings and why not a spare copy? That’d be sweet.

Peppelkade 14 is a band that is truly a mystery. The jacket of their record, with the illustration of what looks like an old soap opera or something, is pretty different to what you see in records from those late 80s. Maybe these illustrations are of the band members? Also the song names appear on the front jacket with a different design for each of them. It is really unique.

There was indeed only one record by Peppelkade 14. A 12″ released in 1988 by the label Top Shelf Records (CAV 031). On Discogs there are no other records listed on this label. That is pretty strange if the catalog is 31, right? Maybe they were playing with the numbers, like in their name? The EP was titled “Time Flies EP”.

It is one of those records and bands I should have covered earlier on the blog. One that many people would love to know more about. I don’t know why it took me long to try to find out about them. It is true I don’t follow any order, but, I should have priorities. And Peppelkade 14 should have been one.

The A side has “Time Flies” and “Springtime”. The B side has “Deep Feeling” and “Hour After Hour”. The four songs were recorded at Cavalier Studio in Stockport, Manchester, in autumn 1988. It was produced and engineered by Lol Cooper. The cool art of the jacket is credited to Albert Pemberton while the photography to Scott MacIntyre.

The band at least appeared on one compilation, on the legendary “Manchester North of England” LP and tape released by Bop Cassettes (BC 001) in 1988. On this record the band appears with the song “Uptown”. This means that at least there were 5 proper recordings by the band. As many of you know, this legendary compilation includes the like of The Man From Delmonte, The Railway Children, Bradford, The Waltones, and more. Very good company. One detail though, the band’s name appears as Pepplekade 14.

All this information confirms that the band  hailed from the Manchester area. As I keep digging I find out the names of the band members, Mick Carroll, John Whittaker, Darren Pemberton, Nicholas Redshaw and Sarah Marion. From a forum I found that one of them is a Manchester City fan and goes by the nickname of Bombo. Who is it?

I thought that with those names I was going to be able to follow a thread. But that is not the case. I can’t seem to find any other music associated to them. There are a few people in Manchester with their names. It is not easy to pinpoint who could have been in the band in the late 80s. I don’t have much more to go with. The mystery will continue it seems.

There is just one more thing, with their name spelled wrongly as Pepplekade 14 there is a flyer on the Manchester Digital Music Archive where it shows that the band was to play on April 19th 1989 at The Venue with support of the Lonestars.

But here is where I ask your help. I’m hoping you can help me. I want to listen to the rest of their songs. I want to know their story. Anyone remembers them?

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Listen
Peppelkade 14 – Time Flies

10
Oct

I had some spare time the other day and I think I’m back on track with the blog. There’s still lots of music to cover, to discover, as well as releases on the label that are coming up. I don’t have many updates today music wise though I’ve been having great conversations about music lately with visitors like German from Univers and Jon from the Mai 68s who have been in town. Hopefully more friends visit in the future and are up for a beer too.

There’s some good music to share today.

Blades of Joy: last September this San Francisco band released their self-titled debut album that includes 7 songs. I started listening the record through the song “Let the People Ride” which does sound brilliant, upbeat and catchy with female vocals, just the way I like it. Don’t know much about the band itself other than the members seem to be in bands like Swanox or Dissolve but I urge you to get the record which is out now on vinyl.

Lunar Vacation: here is the video for the song “The Basement” that is included in the second EP called “Artificial Flavors”. It sounds great, reminding me a bit of Alvvays (?). There is not much information about them, not even on their Facebook, but they do hail from Atlanta, Georgia, and are signed to House Cat Records.

The Pirouettes: some catchy and cool sounding electronic pop by this Parisian band formed by Vickie Chérie and Leo Bear Creek is what I found on their Bandcamp. Their latest work is the 11-track “Monopolis” album which was released last month. I’m not sure if it is available in any physical format but you can stream it in its entirety. And for those in France they are touring many cities in their home country.

Crush: the album by this Austrian band starts so good with the song “Giving Up”. I could play this song on repeat. This is the first out of 10 songs on the “Sugarcoat” album that was released last April on CD and vinyl by Numavi Records. The band, based in Graz, is formed by Christina Lessiak, Katrin Borecky, Christian Lach, Varena Borecky and Florian Kolar.

Kill the Moose: another French band today, but this time hailing from Nice. Also sounding different, now there are guitars, wall of sound, shoegaze melodies. Their latest work, “To the Moon and Back”, is a 5 song EP that starts with the song that gives the EP its name, where Elisabeth Massena’s vocals shine bright. The band also has in its ranks Alex Ornonon guitar, bass and synth, Pierre Pizana on drums and Sebastien Gros on tambourine and modular synth.

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Now is the turn for Australia. I love Australian guitar pop, and I’m quite surprise I’ve waited quite a bit to write about an Australian band, right?

A Month of Sundays from Perth, a city that has given us so many fantastic bands. So many that is hard to count. This town during the late 80s and early 90s had a great scene. Many of the bands from there, like The Palisades, Mars Bastards, The Beekepers, Rainyard, etc., have been interviewed on the blog or have been featured or mentioned. I’m a fan, what can I say. And only as of late I’ve added a new band to my long list of Perth bands I need to complete their discography, and that is A Month of Sundays.

It may be that the band took their name from the John Updike novel by the same name. Or perhaps because of the song with that name by the Scottish pop band The Questions? Sounds more like the first option.

One of the band members, Neil Preston, continues making music and has a website where he talks a bit about his band. Here I learn that the band was formed by twin brothers Neil (vocals/guitar) and Terry Preston (drums) with school mates John Dutton (guitar) and Mark Scarparolo (bass) They were originally influenced by The Smiths and the Replacements and have released more records than the ones that appear on Discogs.

Yup, Discogs only lists two. For a long time I thought these were the only two releases. So I ordered one of them some time ago, the “Idiot Star” CD that was released in 1994. I couldn’t find many recordings of it, so I was kind of blindly buying it. Now of course all of their songs are on Spotify. Things change. The world moves. But I must say at this point that their earlier janglier stuff is what I’m most into! Like the other record that it is listed on Discogs, the 7″ single “Faithfully Patient”.

But let’s go in order, should we?

The first release was a tape called “Bell, Book and Candle” that on Spotify has 6 songs. The tape appears with a different art to the one that I could find on Rateyourmusic. It is similar though. The 1989 tape would have included the songs “St. Agnes Eve”, “More Than You Deserve” and “All in Vain” on the A side and “Feel So Old”, “Alone Again” and “Month of Sundays” on the flipside. It sound brilliant and classic.

The “Biggest Fan” tape was released according to Neil’s website in 1990. Rateyourmusic has it as a 1992 release. I’ll go with Neil’s date. This tape was recorded in one 8 hour session with James Hewgill. Five songs were included in this tape, “Breath”, “I Do”, “I’m Your Maybe”, “Insanity Clause” and “Love Deeds”. The song “Breathe” would be later re-recorded in Neil Preston’s solo album “Building Backyard” in an acoustic version.

In 1990 the band also released their superb 7″ that included the songs “Faithfully Patient” and “Times Weren’t Mine”. This record came out on the Amos label (AJS 068). The two songs were produced by Greg Dear with the help of Errol Tout and they were recorded at Planet Studios. It was engineered by John Villani. Both songs on it are terrific and would love to find myself a copy! The cover design is credited to Mark, Bettina Grey and Rob Johnson. For some reason this record is not mentioned on the Neil Preston website. Also something interesting is that on the Spotify version of the record there are three more songs, perhaps recorded in the same session, “More Than You Deserve”, “Coronary” and “Confused”. It had it’s release party at The Ozone.

“Seesaw Child” dates from 1991 and this one was released on CD. It was produced by Greg Dear and John Villani with guest appearances by Errol Tout and the great Dom Mariani. 5 songs were recorded for it, “Seesaw Child”, “Definite Shade of Blue”, “Sort it Out”, “Liberty Bell” and “Thumberlina”.

Next up is the CD I own, “Idiot Star”. This mini-album was released in 1994 on the Idaho Music label (IDAHO 009). It included 7 songs, “Act Up Alone”, “Thump”, “15 Minutes Too Late”, “Upward Glide”, “Idiot Star”, “Moon & Stars” and “From Me to Her”. I notice that for this record the band had replaced John Dutton with Grant Ferstat (who would later be in the band Rollercoaster). It was recorded and mixed at Revolver Studio in Perth by Ben Glatzer with the help of Andy McClelland and Vick Manfrin. It was mastered by Dan Bartlay at 301 Studios in Sydney. We know too that Matt Corcoran played keyboards on two tracks and Lucky Oceans played the pedal steel on one of them too.

Lastly there is the 2008 record “Vital Signs”. Yes, 2008. A comeback I’m sure. What triggered Neil to revive his band? Would be interesting to find out. This album was recorded mainly at his home studio. The songs on their latest record were “Grace”, “Final Act”, “Flesh of You”, “First Fret”, “Buckley’s Friend”, “A Coward’s Wit”, “Sleep Tight”, “Head Down”, “Brother”, “Skiffle Song” and “Easy Free”.

There are a handful of compilation appearances listed. The first one is the legendary tape “Out of the Woodwork”, which was the way I discovered the band. On this tape made by Gangster Promotions that included other classics like The Palisades, Charlotte’s Web or The Stolen Picassos, the band contributes “More Than You Deserve” and “Alone Again”.

The year after their song “More Than You Deserve” appears on a compilation called “The 96FM Homegrown Tapes” that was put out by The Wheatley Organisation (TWOHG 002). This compilation was released as a tape and also on vinyl LP. I must say I don’t know any of the other bands on this record!

That same year, they had their song “Coronary” on the vinyl LP compilation “Across the Nullarbor: Triple J Presents 16 Hot Bands from Perth” released by ABC Records. This one does have some well known names like Great Dear, the Summer Suns or The Neptunes. Then two years later in 1993 the band contributed “Seesaw Child” to the CD comp “Bedtime Beats You Brainless” released by Idaho Music (IDAHO 005).

Lastly there is a compilation CD/DVD called “What if We Talked About Music the Same Way We Talk About Mental Illness?” where the band had the song “Sleep Tight”. I believe the West Australian Music Industry Association with the Department of Health of Western Australia put out this record.

I found a Radio programme on RTR FM 92.1 where Caitlin Nienaber and Ross Chisholm feature A Month of Sundays! Pretty interesting to listen the whole 27.20 minutes! It feels like they wrote the blog but in sound form. I love shows like this, telling the whole story of the band. Why aren’t there more like that?

From there I know that the band formed while in high school and played many classic venues as the The Fitzgerald, The Seaview, The Newport, The Coronado, The Old Mill. Other interesting details: At some point the brothers decided to play live as a duo as the The Fabulous Faux Choir (did I get it right?). They toured with Greg Dear Sydney and Melbourne. During this tour is where Dutton leaves and Caleb Merry (from King Pig) joined the band briefly! This is the point where the band changed their sound to a bit heavier sound.

Then in 1996, after Grant leaving in 1995, they reemerged as a trio called Skinny and they were around until 2003. They only played two dozen gigs.

As mentioned earlier Neil had recorded two solo albums, 2005’s “Daphne and Apollo” and 2010’s “Building Backyard Boats”. We do know that Mark had been in the Mars Bastards who I interviewed not long ago. Terry is now playing in Oats Supply. Grant is playing in the Jayco Brothers. Caleb Merry is playing in Nerve Quakes.

And don’t miss on the radio show when they play a rare live track out from a DAT tape, where A Month of Sundays play live at the Breakfast RTR show semi-acoustically the song “Idiot Star”.

That’s quite a lot of info! I though I would find less to be honest due to Discogs only listing two releases. I’m sure my Perth friends remember them as the many people that called the RTR show that featured them. What do you remember about them?

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Listen
A Month of Sundays – Faithfully Patient

08
Oct

Spent more than a few hours working on Cloudberry stuff. Writing the insert for the BV’s upcoming 7″ and working on the art for two upcoming retrospectives on the Cloudberry Kitchen series. And also I will, after writing this post, get on writing an interview for a classic band from the mid/late 80s. But I’m having a bit of trouble coming up for questions, other than the obvious ones. I need some vacations soon. I’ve been very busy at work. And also have been seeing friends and family visiting New York, so I haven’t had much time in my hands for the past month. Things are moving a bit slower than I want.  But still, the good thing is that things go forward. That’s what’s important.

I have a few finds for this weekend of course.

La Internacional Pesmista / Las Cosas que Dejamos: Stupid Decisions is an online Mexican label and has put up a two song split by La Internacional Pesimista (Mexico) and Las Cosas que Dejamos (Argentina). The songs are “No Hay Pop” and “Playas”. Never heard any of these bands so will need to have a good look at their respective Bandcamps.

San Charbel: another song on this Mexican netlabel is the newest track by San Charbel from Mexico. I have recommended this band in the past so it is no surprise I’m enjoying this new song “Siempre Te Admiré”. The Bandcamp says this is the first single for the new record the band is working on.

Cacao Reading Club: “Sixteen” is the online single this Ukrainian band has put together for the label Dobryi Records from Kiev. Any money out of this song will be going to support social, cultural, ecological projects at Big Idea, Ukraine. That’s a nice thing. And also a good thing is listening this lovely bedroom pop track.

Spiera: some dreamy pop from Canton in Ohio. There are the first four songs that appear by this band on Bandcamp. Sadly there is absolutely no information about who are the people behind it. But there are four songs as I mentioned, “Vertigo”, “Reach”, “Float” and “Changes”. Worth checking them out.

Rémi Parson: the new album by our French friend is out now. It is called “Arrière-Pays” and it is out now on ISOLAA records. I’m sharing a video for the song “Le Petit Jour” as I couldn’t find a Bandcamp or something similar, but there is a link with all of the digital platforms if that’s your thing. In any case, the video is fantastic and I see familiar places in it, making me nostalgic of course of the days of The Sunny Street and concerts in London. Oh. It’s been such a long time since I’ve visited. I’m not sure if the record is available yet in physical format, but as soon as I know I’ll let you know. The good thing is that it is sounding great.

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Let’s take a time warp to 1984. To the United Kingdom. Somewhere in England? Perhaps. That is not clear as I write the first lines of this post. I don’t know anything about Accent. Nor I own the only 7″ they released that year. This will be a proper indiepop archaeology dig.

They put out their record on Motion Records with the catalog Motion 111. It looks, according to Discogs, that this is the only release on this label. It kind of sounds as it was a self-release. There are no other clues there.

We do know that two songs were included in the record, “We Are Lost” on the A side, and “(Intro) Blue & Royal Line” on the B side. I’ve never had the chance to listen to the B side. The A side is brilliant. And that’s what matters. Happily the sleeve offers some more information.

The sleeve has on the front a great purple tinted photo, with a bunch of kids, having fun. The back is blue with what looks like a story (or maybe the lyrics for the B side?) and a drawing of a turnip (or a raddish? I’m not very good with vegetables). But we do find out here that the two songs were recorded at Abbey Road and produced by Tony Clark. The band thanks a Robin Yates and we know the first song was published by Patch Music.

But best of all we find the band members names: Brian Rydell (vocals), Mick Robinson (guitar), Steve Flynn (bass) and Chris Munday (drums). We also know that “We Are Lost” was written by Robinson and Rydell.

A comment on Discogs mentions that the band had a very large following in London. Does this mean they hailed from the capital of England? Or close-by? Let’s keep investigating.

Discogs lists Brian Rydell as a solo artist too, releasing a 7″ single with the songs “The Passage” and “Orchestration” released in 1987 on Aria Records. On the credits for the songs we see again the names Rydell and Robinson. This is going to be a lot of help!

Indeed, my hunch is right. On this same label, Aria, there is a band called Turquoise Blue who released two records. Guess what. Turquoise Blue are Brian and Mick making synth pop! And they even cover “We Are Lost”. First they would release in 1986 the 7″ single “In the End/In the End (Instrumental)” and afterwards the “We Are Lost” 7″ and 12″! The 7″ including “We Are Lost” and “We Are Lost (Instrumental)” while the 12″ had the same tracklist but an extended version of the original on the A side. The song is a bit different to the Accent one, there are more arrangements, like there is a cello now, or female backing vocals! Still it is as enjoyable as the original! There would also be a re-release of the 12″ with two new remixes of the song, a “New Mix” and the “Original Orchestration” mixes.

I start to wonder what happened to Chris Munday and Steve Flynn? Did they also formed a band or went to join one? And how did Turquoise Blue do? It seems that they changed their style and their sound, maybe looking to get signed by a bigger label?

I find a Google profile for Chris Munday where there are a bunch of photos of Accent at Abbey Road studios. I’m using one of them for my post. I also see that Chris gives us some dates. He drummed for Accent between 1982 and 1985. Were these the years the band was active? He also played drums for the punk band Fear in 1981.

I find an odd Wiki where it mentions that the band was based in West London and that they played Chelsea F.C.’s Stamford Bridge ground. That must have been something!

I was going to stumble upon an even better find. An article written by Mick Habeshaw Robinson on the webzine 3am Magazine. He tells the story of the band here, how they convinced Gary Bushell of the Sounds magazine to like them through a fanzine called In The Crowd. Accent had the chance then to grace the cover of the Sounds magazine. Quite a feat! I found a picture of it for the interest. Then they managed to get a deal with Stuarts clothing shop on Uxbridge Rd to get some cool outfits.

They played Fulham Greyhound, Kings Head and they created the Casual Beat club. Pat Nevin also wrote about them. It seems there was a longer article somewhere in the Heavenly Records website. I have yet to find it.

Then I find an interview with Ginger Mick as he was usually called on the Vera Shoes website. He now lives in Brighton and opened the rock n’roll Hotel Pelirocco.

There is an interview with him too at the Vivid Riot blog. Here he mentions that he lived in Fulham, was a follower of Chelsea and used to shop at Stuarts, Aquasctum, Scotch House, Gee2 for his clothes. He mentions that all four members of Accent were friends and had been in different bands. Brian and himself were the original members and wrote the songs. Steve was an old mate from school and Chris came to the band through an advert in a music paper. They played 50 odd gigs.

The Casuals scene seems to be more or less documented, and that helps me find out more about Accent. There is even a DVD Documentary called Casuals were Accent is featured. There is a promo video for Accent in the documentary which I found on Youtube and it is really great. I should try to find myself a DVD copy of it!

Quite a lot found about Accent. I thought they’d be more obscure to be honest. I do wonder though if they recorded more songs other than the two that appeared on the 7″. They must have! At least some demos. And why did they go as a duo afterwards and even re-released “We Are Lost”?  There are many questions still that I hope I get to know the answers soon!

Do you Londoners remember them?

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Listen
Accent – We Are Lost

05
Oct

Hope to be working on new releases this weekend, it’s been quite a busy week for me but I’m trying to get everything in a good spot. I do have a few interviews coming up, and need to write a few more which I hope I can these two days. I still have lots of posts kind of ready which helps, but I’m afraid at some point I may need to slow the pace. We’ll see. In the meantime I’m sharing a few new finds of course.

The Ocean Blue: there is a new song and video by the classic American jangle pop band and it is called “Therein Lies the Problem With My Life”. The song will be included in a compilation called “Korda 4 comp” that will be released by Korda Records on October 12th. More on that on the next item.

Korda 4 comp: so I wanted to share the video of the Ocean Blue but now I want to share the whole compilation which is available to stream on Bandcamp. It is brilliant and it includes so many classic bands like The Hang Ups, The Jim Ruiz Group and of course The Ocean Blue. It looks to be only available digitally at the moment, but hopefully it will get a physical release.

Tracyanne & Danny: saw them a few months back and loved the gig. Their album is superb and now they treat us with a new video for one of the best songs on the album, “Cellophane Girl”. Even better lots of footage of New York on the video, felt very much at home seeing Tracyanne and Danny getting food at the taco truck.

Dukla: some interesting pop from Prague, Czechia by the band Dukla here. The album “Život perfektní” that was released on September 14th is their latest work. I don’t know much about them but it seems that the record is out now on Theremin Records. The band is formed by Lukas Vydra and Josef Hradlek. 8 songs on the album and more releases are available on their Bandcamp.

Los Reyna: “Estaciones” is the name of the album this guitar pop band from Mexico City released last September. There are 9 songs of sweet pop tunes in the vein of late 90s and early 2000s Spanish indiepop. The band was formed in 2010 and have more than a handful of other releases under their belt.

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I think I have mixed feelings with this 90s Gothenburg band. I like a bunch of their songs but I never got used to their band name. Saliva? Sounds like a metal band to me! Doesn’t it? I mean, the band does list hard rock an influence, and many of their songs are not exactly poppy. But still, it is strange, isn’t it?

I know of this band because they were the first band on the catalog of Dorian Records. Dorian Records being the label of one of my heroes, Roger Gunnarsson from Nixon, The Garlands, Cloetta Paris, Dune, etc, etc, etc. So of course I was going to have a listen. And it was the song “Tender Castration” the first one I ever heard. That one appeared on the compilation “A Chance to Shine. A Dorian Records Compilation” (Dorian 002) that was released in 1996. But it is not my favourite song of theirs.

That “prize” goes to “Turn Off the Engine, Dear”, a sort of Orange Juice-y song that appears on their one and only proper record, an EP titled “Hooligan at Heart”. This song I heard for the first time on Youtube, I believe uploaded there by the great Jörg Winzer. The EP, as mentioned, was released on Dorian Records also in 1996 and had the catalog number Dorian 01. It  was released on CD and included 4 songs: “Turn Off the Engine, Dear”, “Whoever You Are, I’m Your Neighbour”, “Polyester Convention, (Des Moines)” and “To Erase You”. The sleeve, showing a guy in a bathing suit on the cover, does have some information on the back.

The band members were Fredrik Berggren on guitar, Henrik Edberg on guitar, Patrik Landgren on vocals, Tobias Mattson on drums and Erik Norinder on bass. For these recordings Jimmi Hardberg played piano and Annika Rolandsson backing vocals. The four songs were recorded at Studio Lare in Gothenburg and were mixed by Stefan Svensson. They were mastered at Digitalfabriken by Kenetth Svensson. And an address letting us know that the band hailed from Gothenburg.

Almost immediately I stumble upon a SoundCloud page for the band put up by Fredrik Berggren. Here there are in total 5 songs put together in a playlist called “the Complete Work 1992-1995”. That is odd because some of the songs from the EP are missing. In any case we can assume that the band only lasted those years. The songs available to stream are “Tender Castration”, “To Erase you”, “Twinsoul Lulu”, “Turn Off the Engine, Dear” and “Coming Home Being Good”.  It’s been 7 years since these were uploaded.

But the band didn’t stop their digital expansion there. They are also on Facebook. Here in the band members section they mention more people like Per Strömberg, Pekka Häkkinen, Erik Jacobsson and Henrik Edberg. At what point were they in the band? I could find a photo of Per Strömberg playing drums in the band in 1994.

There is a photo of a demo tape with “new” songs. On the A side there’s “Turn Off the Engine, Dear”, “In Between Smiles” and “Nothing, Really”. The B side has “Making Annie Glad”, “Twinsoul Lulu” and “Coming Home Being Good”. There are also photos of press clippings, for example one from Göteborgs Posten dating from sometime in 1996 and more.

There is a compilation CD where the band appeared with their two hardest songs, “Twinsoul Lulu” and “Coming Home Being Good”. It is no surprise then that this compilation is “Rockslaget 1994” and it has a bunch of hard rock bands in it. Not for me definitely.

I don’t know what happened to them afterwards. Or if they were involved in any other bands. What are they doing now? And I’m very curious still about the mixed bag of styles they played. They could play some songs very influenced by Morrissey, The Smiths or Orange Juice and then have some songs that sound like a heavy metal band. It is odd. I wonder what sort of crowd they used to have. And how come they didn’t get to do more releases? No other compilation appearances?

I’m sure some Göteborgare readers must remember them!

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Listen
Saliva – Turn Off the Engine, Dear