28
Oct

1987. An obscure demo tape is released in Leeds.

The band who puts it out are called the Midnight Children. They are a four-piece. They are formed by Jarnail Mudhar on guitars, vocals and keyboards, Neil Chadwick on guitar and backing vocals, Andrew Walsh on bass and John Hannan on drums.

One of the tracks from the demo appears on Soundcloud. On the account of a band called Hombre. There’s a photo of the band but there are only three of the band members there. Where’s the fourth?

There are no other tracks from this demo tape. Just the one. The one called “Night and Day”. It sounds really good. Does it remind me a bit to Brighter?

Behind the Soundcloud account is Jarnail. It seems he was in other bands too like HydraTroop and Fidei. The sounds of his other bands are nothing like the track by Midnight Children. They are rockier, darker, heavier. I wonder what happened?

Jarnail these days is the acting CEO at PATH Yorkshire. This is a charity that provides education, training and employment support to communities, rufugees and asylum seekers. Back in the day Jarnail had studied engineering at Leeds Poly. Maybe that’s where the band started? Or was it after his studies?

I want to think Neil Chadwick is the same Neil that plays in a covers band called Maloik these days. Could it be?

There’s an Andrew Walsh that was bassist for a Norfolk band called Cord. Could it be the same? Surely it is not Leeds, but it could still be the same Andrew, right?

About John Hannan I couldn’t find any details.

And that’s all there is. I am curious about other songs the band may have recorded. Would love to listen to them!

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Listen
Midnight Children – Night and Day

22
Oct

Thanks so much to Stuart McArthur for the interview! I wrote about the superb Scottish 80s band Moroccan Coco some time ago on the blog. As it sometimes happen, Stuart got in touch and, even better, he was keen to tell the story behind the band. Also it is worth noting that the band would became the very good Kick Reaction a few years later, and Stuart shares some details about that too. Moroccan Coco only released one single, “One Day”, but it is a great one, totally worth tracking down!

++ Hi Stuart! Thanks so much for being up for this interview! How are you? Are you still involved with music?

All good still involved with music and now recording a new album for release next year, a true homage to quality songwriting.been touring the world and releasing albums and singles since Kick Reaction and also toured with major artists.

++ Let’s go back in time. What are your first music memories? Do you remember what your first instrument was? How did you learn to play it? What sort of music did you listen to at home while growing up?

Started playing guitar and accordion at 8 years of age then moved mainly to guitar and piano, then around 13 moved to bass guitar to which I started playing in garage bands punk was an inspiration especially The Clash, Talking Heads, Blondie.

++ Had you been in other bands before Moroccan Coco? What about the other band members? Are there any songs recorded?

I joined Moroccan Coco after Peter saw my earlier band Adventures in Motion he wanted the rhythm section to form Moroccan Coco.

++ Where were you from originally?

Originally from south Glasgow.

++ How was Glasgow at the time of Moroccan Coco? Were there any bands that you liked? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

Good bands to note were Hipsway, The Big Dish and many others. Listen Records was in Renfield st Glasgow that’s where most vinyl was available.
At the start of Moroccan Coco we played in schools, prisons, even dinner parties, as we had a string quartet and trumpet, and percussion, we had a lot to take on the road. The break happened when we played in Covent Garden in 1983, from then on music press would follow us as the image and music was enigmatic.

++ Were there any other good bands in your area?

As said above, and the best Scottish band The Blue Nile, we recorded along side in the same studio when they were cutting a walk across the rooftops. Secondly The Associates more importantly Billy Mackenzie was a genius, a sad loss.

++ How was the band put together? How was the recruiting process?

How was the band put, we had Aztec Camera’s drummer playing for a while and hired a string and brass section, myself and Peter more or less managed the and chose who was best for the sound. Myself and Peter were intrinsically linked as a partnership.

++ Was there any lineup changes?

Only to session players. We changed drummers at the end before formation of Kick Reaction. Steve barker was a great addition, also did away with the string quartet.

++ What instruments did each of you play in the band?

Guitar, bass guitar, piano, percussion, accordion on “Berwickshire Gazette” by David Mullholland which was featured on a Maida Vale recording session for a radio 1 show (Janice Long sadly not with us anymore).

++ How was the creative process for you? Where did you usually practice?

We used Glasgow based studios for pre-tour rehearsals, and had a warehouse we rehearsed for arrangements.

++ What’s the story behind the band’s name?

Moroccan Coco was peters idea from far flung shores, and sounded semi glamorous, with Kick Reaction, me and Peter sat in my kitchen and he said kick and I said reaction!!!

++ You only released one 7″. But I am curious about the before. Did you record demos prior to the 7″? Were you familiar already with recording studios?

I had been recording demos from a very young age, Peter was also experienced, there are many demos out there from both Moroccan Coco and Kick Reaction, in those days we were going all around the country for major labels recording demos, with certain producers to see if it fitted, all pre-dates the release of YTT.

++ The “One Day” 7″ was released in 1983. The Sound of Young Scotland was still a thing then? How did Postcard Records influence or inspire you?

With one day it was recorded in a Railway Arch, the studios were a bit grim, we had to record at night, cost and train noise, I really liked Edwyn Collins and orange juice, as it was also a very fresh sound , and Alan Horn was doing a Phil Spector impersonation.

++ The 7″ was released by your own Steam Radio label. Wondering what’s the story behind the label name. I believe there was a song with the same name, right? Also why did you end up releasing it by yourself?

Back then it was a bit of do it yourself and build it and they will come, the opposite to the industry today, we saw the label as a vehicle, and also to gain more artistic control, as with all labels you do sacrifice your soul in the creativity, so it was mainly control, we had fanzines set up and it was distributed into all record shops and radio stations, we did a huge bill posters campaign, and this was especially effective in other cities in the UK.

++ And at any point of Moroccan Coco’s life as a band, was there interest from any labels to put out your music?

As stated we were in a spiral and rollercoaster of music, and we would play for record companies, producers etc, that’s when Precious Records contacted us.

++ The 7″ has a nice illustration by Kretin and La Rhône. Who were they? Did they come themselves with that imagery or did the band art direct them?

Kretin and la Rhone was David Mullolland’s artwork, he was a great artist and, we chose a spot In Lanarkshire fit the photos.

++ I have to ask about Arch Studios. They are legendary. Wondering how was your experience there? What do you think makes these studios so highly regarded by many musicians?

As said earlier Arch studios was a bit grim, however the artistic environment can lend itself to have a great recording experience, I have since recorded in most major recording studios in U.K. Europe and USA , the feel of the studio is always the comforting factor, and if the music is not good it won’t sound good!

++ One little curious thing about the release is that on the sleeve the songs are both listed as A sides, a double A side single. But then on the labels they are side A and side B. Was that on purpose? Also the label spells Morrocan with two Rs and one C!

That’s a typo however we believed both songs should have been A sides.

++ I read that you had a manager called Jim Mitchell. What did he bring to the band?

As with all managers they are expected to have your interests at heart, and manage an artist career effectively, so in essence not much was brought to the table, we would have grown to more success without management.

++ How come there were no more releases by the band? No compilation appearances either?

There is a compilation of Scottish bands from the time and “Your Favourite Song” is featured. We also toured extensively and at the time were support on The Associates perhaps album tour, which was incredible.

++ Are there more songs recorded by the band? Unreleased ones?

Lots of recordings !! At the last stages we were working with Polydor records, and 3 songs were demoed in 1987 which are my favourites from that period, we were due to go on a European tour, and that fizzled us to the end.

++ My favourite song of yours is “One Day”, wondering if you could tell me what inspired this song? What’s the story behind it?

“One Day” is just and everyday song about life and feeling good about life

++ If you were to choose your favorite Moroccan Coco song, which one would that be and why?

Probably “Friday Away from High Street”, it was the circumstances of how we cut the song late in downtown Edinburgh.

++ What about gigs? Did you play many?

Literally hundreds to thousands, which most bands from that period had to do.

++ And what were the best gigs in general that you remember? Any anecdotes you can share?

Robert cray used to ask for Kick Reaction when he came on tour in the UK, so we had a great respect and loved his music and band. The associates of course, Billy Mackenzie used to ask if we wanted champagne before we played! Kick Reaction were a formidable band musically, with some of the best musicians of that period, we played so much it became our badge of honour, there are many rock and roll stories but they generally stay on the road.

++ And were there any bad ones?

We stayed in Peter O’Tooles country house when recording “Who Wants to be a Millionaire”, on Leamington Spa, and the house staff would let us row on the lake, which was outside Mr O’tooles house, so that was slightly off.

++ When and why did Moroccan Coco stop making music? Then you started Kick Reaction (who I hope we do an interview afterwards). Was that immediately or were there any other projects in between?

Moroccan Coco around November 1984 January 1985 saw Kick Reaction in many back to back rehearsals, in between we were writing and rehearsing.

++ Was there any interest from the radio? TV?

All Scottish TV to start news channels FSD then when we were doing a capital radio session in London and a TV production company contacted us for Saturday night live with Ben Elton, we played stopping to speak, we were told that capital radio had over 5 million listeners that night tuned into Kick Reaction.

++ What about the press? Did they give you any attention?

We were in all major press NME inset page on our London arrival, Record Mirror front page, list magazine feature, Sunday Times magazine, we were called an intellectual rock band, we also featured in many local press Edinburgh Evening News, Glasgow Herald, London Evening Standard, we were even in The Face magazine.

++ What about fanzines?

Moroccan Coco were fanzine based and we’re in all local and U.K. fanzines at the time it was the main promotion route for bands.

++ Looking back in retrospect, what would you say was the biggest highlight for the band?

There is always a buzz and a point where you think this is it we are on our way, that would have been the interest at the time on 1985 in London where we sold out goldsmiths college and the borderline club, we were at a pinnacle and with the increased buzz and gigs we are selling out in London we believed we were nearly there.

++ Aside from music, what other hobbies do you have?

I am interested in classic cars, however music is my lifeline, and I have been very fortunate in other business interests, but music is a completion of my life.

++ I’ve been to Glasgow a couple of times and really enjoyed it. But still I’d love to ask a local. What do you  suggest checking out in your town, like what are the sights one shouldn’t miss? Or the traditional food or drinks that you love that I should try?

Ok Glasgow had  a transformation in 1990-2000 and became , dare I say it cosmopolitan, Two Fat Ladies is a great restaurant, Lariosto is the best Italian, and also head for Merchant City where Cafe Gondolier is, and again very cultural place. Go to Kelvin Grove Art Gallery and the People’s Palace,

++ Anything else you’d like to add?

Only that o am forging ahead with a new album, and an audio book is being produced with one of the songs, so I’m in a later in life creative buzz, and the album will feature many known artists, and 12 totally new songs with intricate arrangements, I have been recording in Air Studios and Abbey Road, and RAK studios which I prefer,  the album is called “The Metropolitan” and the music is under Wolf McArthur Wolf music(c). Speak soon.

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Listen
Moroccan Coco – One Day

21
Oct

A Soundcloud account under the name of Urban Paranoia has two tracks of an 80s band called Split in Two. These tracks are “Chameleon Days” and “Falling Down”.

There is no information about the band. Who they were. Where were they from. When were they active. I say 80s, cause the sounds tells me they are from the 80s. But let’s see if I can find any information about them.

I believe the band hailed from the area around Walsall in the UK. And this blog post from Brown Hills Bob confirms the band being from that area and from that time period.

Here the author mentions that he had seen bands in the area including Split in Two.

He has shared a fanzine called “I Just Haven’t Named it Yet, Baby” where bands like The Mighty Lemon Drops or Julian Cope are featured. In this fanzine Split in Two are also featured.

This seems to have the best info I am going to get about the band. Here they mention some songs I didn’t know about called “Another Edge”, “Rosie” or “For a Day.” It is a small interview with the band members, there are no real names but their aliases I suppose. These are Kimbo, Way, Wut and Dez. So at least we know they were a four-piece.

An interesting little detail is that they say their songs had been played in Radio 5 in Durban and Radio Cape in Capetown and also some other radio stations in South Africa. How did their music get there? It seems they had written a song called “Each Day I Die” which is an anti-South Africa song?

Another song is mentioned, one called “Don’t Fall”. Their influences? They mention weird bands like Anthrax but also The Chameleons.

Lastly we get some names. It seems after the interview the band had some changes, guitarist Derek “Camouflage” Glynn left the band and Pelsoll Plucker replaced him.

Another mention here are some gigs the band played including at Knights in Lichfield, were the fanzine writer attended. A few more songs mentioned, “Monday Afternoon” and “Things that Happened Yesterday”. And that’s not all, some forthcoming gigs are posted, at Coach and Horses in West Bromwich,  J.B.’s in Dudley and Barrel Organ in Birmingham.

And that’s what I could find. A bit more than I expected! Anyone remembers them?

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Listen
Split in Two – Falling Down

14
Oct

Philippe Katerine, the well known French musician, and Federico Pellegrini, the lead vocalist of the Little Rabbits (as well as other bands like French Cowboy & The One, Moon Gogo, Western, Dillinger Girl and “Baby Face” Nelson, etc.) had once recorded together under the name Les Deux Nigauds.

Probably took their name after a novel of the same name that was written by La Comtesse de Ségur and first published in 1863. The translation of the name, les deux nigauds, would be the two simpletons in English.

The first time I heard of the band was on the “Heol Daou” compilation tape that Katiho (02) released in 1990. In this classic French compilation, one that I have been looking closely and featuring bands lately, the band contributed 2 songs: “Madame Rose, La Poupée” and “Des Gens Qui Se Couchent Tôt”. But there is also an interesting detail here, the opening track of the tape is by Katerine and Federico Pellegrini and it is called “Dollies’ Collection”. Why did they use their names on the first track and not in the other two tracks?

What other information we could find about this band? I understand the band released a tape in those early 90s according to JetFM 91.2. I haven’t found a tracklist for it though.

On Les Inrockuptibles, there is a small interview with Federico but he doesn’t mention Les Deux Nigauds, the article writer just mentions the band as one of his earliest projects.

And that’s all there is sadly. I wonder then, who has that tape. What songs were in it. Did the Nantes band play much live? Would be great to find out more details about this early project of two well-known French musicians!

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Listen
Les Deux Nigauds – Des Gens Qui Se Couchent Tôt

07
Oct

A few days ago a New Jersey indiepop fan shared with me his discovery of a little known band from the UK: The Bed Bugs. At first I thought they were The Bedbugs, who I wrote about time ago. But no, these were different. Not only their name was different, with a space between bed and bugs, but they hailed from somewhere else in the UK, York.

The Bed Bugs were active between 1990 and 1995. They were formed by Gordon Doherty on vocals and guitar, Paul Banks on guitar, Dan Broadbent on drums and Nick Cooper on bass. It is mentioned that some slight lineup changes happened over the years, but I don’t have that detail.

Paul would then go to be in Shed Seven.

There is a nice little video with a history of the band here.

There are tons of songs uploaded to Youtube:

Heart Attack“, “Mourning Has Broken” and “Silent Night” were part of the first cassette the band released. This tape was called “Dandelion Daze” and was recorded at IC Studios in Tollerton, York on July 23, 1991.

Break Me“, “Catherine Wheel“, “Fence” and “Bogey Man Parts 1 & 2” were part of the band’s second cassette “Daisy’s Chains” that was recorded at IC Studios on March 1991.

The band’s third cassette was “Why Can’t Monsters Be Pretty?”. That tape that was also recorded at IC Studios, on July 1991, included “Sugar Plum“, “Honeymoon Couple on Drugs“, “Sophie“, “Exorcist“, “Catherine Wheel Spinning“, “Scary Notion” and “You Can’t Call a Monster Arnold“.

Argy Bargy“, “As Large as Life“, “Well to Do“, “Twisting” and “Shooting Stars” were part of the band’s fourth tape called “Shudder” which was recorded also at IC Studios on February 3, 1992.

Fused“, “Exorcist” and “Catherine Wheel” were part of the “Fused EP” that was released on November 2nd, 1992. This EP had the first two songs recorded at Fairview Studios in Hull on August 14th while the third track was recorded at IC Studios in Tollerton on March 21st of that year. This EP was the one and only that was released on vinyl. It came out on T.S.D Records (B.Bug 1) and I should look to track it down!

On top of that there are unreleased tracks that were recorded at IC Studios like “Tongue Tied” that was recorded on March 21, 1992, “Blow” and “Libertine” on February 1st 1993, “Joyriders Manifesto” and “As Large as Life” on March 29, 1993, “Lovebite” on June 18, 1993, a rerecorded version of “Honeymoon Couple” and “Beggars Blanket” from January 25, 1994 and “Bogey Man” re-recorded on May 1st, 1994.

And then there are unreleased 4-track recordings. Here we find “Marbles“, “Falling Star“, “Heart Attack” from April 1, 1990, “Leeches“, “There is No Cure“, “Stand By Your Man” and a cover of The Stone Roses’ “She Bangs the Drums” also from 1990,

There are live tracks too of “Heart Attack“, “Break Me“, “Bogey Man” and “Open Wide (And Let Me In)” at the York Arts Centre from November 30, 1991.

A live gig, at the Bonding Warehouse in York, dating from March 6, 1992, sees the band play “Argy Bargy”, “Well to Do”, “Twisted”, “Break Me”, “Exorcist”, “Sugar & Spice” (which later would be renamed to “Tongue Tied”), “Sugar Plum”, “Thick Skinned”, “Catherine Wheel”, “As Large as Life” and “Bogey Man”.

Then there’s a full gig of the band playing at the York Arts Centre on April 16, 1992. That night the band played the following songs: “As Large as Life”, “Argy Bargy”, “Sugar Plum”, “Honeymoon Couple on Drugs”, “Tongue Tied”, “Thick Skinned”, “Sophie”, “Twisting”, “Exorcist”, “Well to Do”, “Break Me”, “Libertine”, “Vulnerable”, “Heart Attack”, “Shooting Stars”, “Catherine Wheel”, “I Should Be Lucky” and “Bogey Man”.

Then there is an undated live gig again at the Arts Centre in York playing the Indie Rave. That night the band played “Libertine”, “Honeymoon Couple on Drugs”, “Argy Bargy”, “Sugar Plum”, “Sophie”, “Thick Skinned”, “Exorcist”, “Well to Do”, “Vulnerable”, “Catherine Wheel”, “Freedom” (Wham cover), “Fused” and “As Large as Life”.

Then we can head to Facebook where the band has a profile page with lots of goodies.

We can see that the band played in The Duchess in Leeds, the York Barbican Theatre (twice), the Spotted Cow, The Winning Post, The Garage in London and at the HMV in Coney St in York.

We also learn that the band used a number of rehearsal rooms including the changing rooms at Knavesmire Racecourse.

It also looks like there was some sort of reunion of the band members not too long ago. Would that mean that they are planning a comeback? Would be great to find out!

It looks like the band had a following in York in the early 90s. I am not too familiar with York bands to be honest. I can think of St. Christopher, and not many more! Would be great to hear more about this band, learn their story!

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Listen
The Bed Bugs – Argy Bargy

30
Sep

One more Japanese band to discover: Dida Dida Doo.

I had forgotten about that very good compilation “Wheels Go Round” that had White Town’s track “Anal Sex”. Yeah. Do you know this compilation? It has this lovely, cute, artwork by Megumi Yoshimura and then you read the tracklist and the first track is that one. It is odd to say the least.

A Trumpet Trumpet Records put out this 10 song compilation CD in 1993 (TT501). This Japanese label is a good one if you are not familiar with it. They released the wonderful The Love Mushrooms and also Budgie Jacket. On “”Wheels Go Round” the band Dida Dida Doo appears with the last track, “Love Makes Sweet Music”. And no, don’t think it is a cover of Soft Machine.

This was how I discovered this band. It was a very nice track and always thought it was a good closer to a good compilation that had the likes of The Pearly Gatecrashers, The Rileys, The Acid House Kings and more.

Dida Dida Doo had already worked with this label previously in 1992. On a mini 3″CD compilation called “Television Personalities from Japan” (TT001), that it is not a tribute to the TVPs, the band also had the last song on the comp. It was the fourth track and was called “L’Arrace Coeur”. I have never heard this song, but I would assume the title comes from the Boris Vian novel.

In 1992 the band would also contribute a song to another A Trumpet Trumpet Records compilation. This time around a tape called “The Birth of the Untruth” (TT003). I would think this is a play on the well known compilation “The Birth of the True” from another Japanese label, Sugarfrost Records. On this cassette the band has the opening track on the A side and is titled “Here’s Where You Belong”. This one I’m pretty sure is a cover of the West Coast Pop Art Experimental Band.

I cant seem to track down who were behind this band. But then I found a paper, one called “Dynamics of New Market Category Emergence: The case of Shibuya-Kei Music“. It is in Japanese and it is a PDF, so it is a bit hard to navigate. But I find a mention of Dida Dida Doo. There it mentions that behind the band was Kenji Takeda.

And yes, that’s where I hit a wall.

It is interesting to see that the band is mentioned on some online record stores saying that they covered the West Coast Pop Art Experimental Band. But if they are so little known! How could that comparison help? I wonder.

But perhaps during their time they were well known? Even though they didnt release any records?

Would be good to find out!

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Listen
Dida Dida Doo – Love Makes Sweet Music

24
Sep

Thanks so much to Joe Allen for the interview! I had written about The Jade, a fantastic Bristol band from the heyday of indiepop that for some reason only put out two demo tapes, no proper releases. After discovering them, I was wondering how come the band didn’t put out any records, their songs were really great! Happy to know to learn more details about the band, and also super interested in the new music Joe is making as it is brilliant too.

++ Hi Joe! Thanks so much for being up for this interview! How are you? Are you still involved with music?

My pleasure, I’m very well thanks… yes I still write and record…

++ These days you are recording with a band called The Narrows that sounds great. Can you tell me a bit about this project? When did it start? Who are the members? Where are you based?

Thank you… it’s just me recording in my home studio, playing all the instruments and singing, trying to capture the sound of the 80s indie recordings that I love, it’s been an ongoing thing for a while but I’m just getting it together now… it’s based in my bedroom at home… so kind of full circle there!

++ I’ve listened to two tracks on Soundcloud and I am looking to hear more from The Narrows. Are there plans for more recordings? Maybe a release is coming soon? Gigs

Yeah I’m putting up stuff(and taking it down) all the time… it can be a bit random what stays up and how long depending on my mood! A release would be great but probably not something I would get together… it’s very unlikely I’ll get a band together and gig… I’m a bit lazy these days and kind of just drifting along seeing what happens.

++ Let’s go back in time. What are your first music memories? Do you remember what your first instrument was? How did you learn to play it? What sort of music did you listen to at home while growing up?

My first music memories are listening to my mum and dad playing cassettes in the car, great stuff like early Beatles and Simon and Garfunkel. My first instrument was a classical guitar, all I wanted to do at that stage was be like Jimmy Hendrix so i was a bit baffled by it… I had lessons for a while then switched to bass.

+ Had you been in other bands before The Jade? What about the other band members? Are there any songs recorded by these bands? 

No i hadn’t i think Dave the drummer had,I’m not sure about Alex and Mark… somewhere there’s a tape of  me, Alex and Dave playing before mark joined, but its best left where ever it is.

++ Where were you from originally?

We were all from Bristol.

++ How was Bristol at the time of The Jade? Were there any bands that you liked? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

Bristol was incredible at that time, there were so many great local bands I really liked The Chesterfields, The Montgomery Clifts, The Brilliant corners, Rodney Allen, The Blue Aeroplanes, The Flatmates and loads more, there was a lot going on… Rocker from The Flatmates had a great night at the Tropic Club and you could see so great national bands there, though more often than not I’d gone to see a local band who were supporting.. Rival and Revolver record shops were still going then… I remember Revolver being particularly terrifying, if you asked for the wrong thing you get shouted at “what do you want that for it’s shit” very High Fidelity….

++ How was the band put together? How was the recruiting process?

We met through a mutual friend who i was in school with…me, Alex and Fave played instrumentally for a long time, we tried loads of our mates as singers and had some hilarious auditions, but just couldn’t find the right person… it was a very frustrating time we were only about 15 and were desperate to get gigging and it seemed to be hopeless… Mark lived around the corner from Dave’s house where we rehearsed and after a particularly bad audition came round knocked on the door and said I can do better than that!! He was a bit older and could write lyrics and seemed very confident…

++ Was there any lineup changes?

No

++ What instruments did each of you play in the band?

Mark Espiner – vocals, occasional live guitar and cowbell

Alex Lee – guitar

Joe Allen – bass

Dave Francolini – drums

++ How was the creative process for you? Where did you usually practice?

Very good, for a bunch of teenagers we were remarkably disciplined… we came up with new stuff all the time and rehearsed every week, in Dave’s bedroom to begin with, then in a rehearsal room when we got bigger amps! Dave’s mum and dad were very understanding.

++ What’s the story behind the band’s name?

Errm… I’m not sure but i think mark’s dad came up with it… we just couldn’t think of anything and had a gig coming up and something had to go on the poster… it’s our initials.

++ The only recorded material I know from The Jade is a demo tape from 1987. A demo tape that included six tracks. I was wondering if you could tell me more about this demo. For example if it had a name? Where was it recorded? Did you work with a producer?

It’s actually two separate demos, the first one was recorded in Alex’s house on portastudio by a friend called Ade Dowden, he was our age and a very funny person… I remember laughing a lot between the nerves of recording for the first time… the second one (“How many”, “The Man”, “Perpetual Motion”) I think was recorded in a proper studio, where we rehearsed called E-Plus but I’m a little hazy on that one.

++ Also what was the main purpose of the demo? Was it to get gigs? Maybe to promote your music in radio? Or even sell the cassettes at gigs?

It was probably to get gigs, but I’m pretty sure it was just for the sake of it, it was all new to us and any chance to get into a studio would have been taken.

++ The six songs are now on Soundcloud thanks to Matt Barrett from Bristolsound. Was wondering if you know Matt or the people behind Bristolsound? Or was it a surprise to you to see the tracks online

Matt is a friend of mine,we were chatting one day about the demos, I didn’t own a copy, I lost mine along time ago,but he had one he’d made at the time, he said he put it up on Soundcloud so I could have a listen.

++ Was there any other songs recorded by the bands? A 2nd demo tape?

There were some great rehearsal tapes we made so we could practice along at home, Mark or Alex may have some still I’m not sure… there was another demo we made but I think that got lost along the way.

++ Why do you think there were no proper releases by the band? Was there any interest from labels at any point?

We were so young we had no idea who to approach… I think some demos got sent off… and I do recall a hilarious day going round all the major labels in London trying to blag our way in! we got the coach down and just figured some one would see us…. needless to say we never got further than some very amused receptionists.

++ And let’s think you would have had the opportunity to release a record then, what kind of format you would have liked to be your first release? A single? An album? Any songs you would have picked for sure?

I think we would have settled for anything at that point, we were quite ambitious especially for our age, and thought everything we did was great!!

++ I read that many Bristolians think that The Jade is considered the best Bristol band that never made it. Have you heard this before? Any thoughts on that

I hadn’t heard that before no, we were still at school and were just really excited to be doing gigs and be in a band, i don’t think we had any realistic concept of what making it  was… it was just a case of carry on and I’m sure we’ll be as big as U2.

++ Are there more songs recorded by the band? Maybe live recordings?

There were some live recordings but I think they’ve all been lost…. gigs were great events very high spirited slightly drunken affairs,where months of practice basically went out the window in a rush of over excitement… everything ended up twice as fast… one gig they left a mic over my side of the stage so having had a few i decided to do some backing vocals…. it came out like someone had trod on a mouse… a strangled squeak… Alex laughed so much he couldn’t play… lots of things like that.

++ Have you ever thought of re-releasing The Jade songs?

Not really,I’m glad that they are up on Soundcloud and am really proud of them, but i think the moment has passed.

++ My favourite song of yours is “Perpetual Motion”, wondering if you could tell me what inspired this song? What’s the story behind it?

That’s a great track as ever with us it was a mix of ideas… I think inspired by “Inbetween Days” by The Cure… the bass line is me trying to rip off the “Headmaster Ritual” and just not having the ability to do it properly… and the lyrics are great.

++ If you were to choose your favorite The Jade song, which one would that be and why?

I think “How Many” is a great song that we didn’t quite have the knowledge at that age to pull off… we did a cover of it years later on a tour with Rodney Allen in-between Blue Aeroplanes tours but that’s a different story.

++ What about gigs? Did you play many?

Quite a lot in the time we were together,i get a bit mixed up now between Jade gigs and Coltraines gigs ,but we were lucky enough to do some great supports to the Chesterfields and The Blue Areoplanes.

We did a couple of gigs in London at the Timebox.

++ And what were the best gigs that you remember? Any anecdotes you can share?

All the gigs were pretty good, because we were still at school and we went to different schools we have a ready made crowd, a hoard of bored teenagers just waiting to go mental, it’s possible that the band was just an excuse for them but most of them seemed to enjoy the music too! we did one supporting The Chesterfields that was really good, I remember getting locked in the dressing room before one gig cause there was no handle on the inside of the door,the main band had to come and let us out… and steam coming off my friend Paul Cook’s head at a gig at the Thekla… he was so  proud.

++ And were there any bad ones?

Not that I remember.

++ When and why did The Jade stop making music?

Mark got a place at university in London, it seemed like a million miles away… also when The Jade formed we were all into The Smiths and The Cure and taking ourselves very seriously… then along came The Housemartins and we’d discovered Orange Juice and Aztec Camera it seemed like time to move on… washed up at 17 haha

++ You were in The Coltraines and Strangelove, how do you compare these bands with The Jade?

you can’t really… The Jade was the first band we were in… it’s like your first girlfriend or your first kiss, it will always be special… The Coltraines was really good fun, and Strangelove wasn’t… am going to  post up some Coltraines demos on Soundcloud at some point

++ What about the other band members? Were they involved in any other projects afterwards?

Yes, me Alex and Dave were in The Coltraines and were all in the original line up of Strangelove… Dave went on to join Levitation with Terry Bickers and was replaced by John Langley from The Blue Aeroplanes… Alex played with them and made a couple of albums and has gone on to do loads of session stuff and TV and film music,mark became a journalist and now lives in Berlin, Dave owns a studio somewhere in Europe I can’t remember where…. and I retired to Cornwall.

++ Was there any interest from the radio? TV?

No, we did make a video in some uni as part of a project but I don’t think anyone ever saw it

++ What about the press? Did they give you any attention?

There was a live review in venue Bristol’s listing magazine but I can’t remember much about it other than a cowbell reference

++ What about fanzines?

I don’t recall any

++ Looking back in retrospect, what would you say was the biggest highlight for the band?

I think just the band it’s self really…to have gone from Dave’s bedroom out into the world and to gig and record was our dream come true, going into a proper studio the first time… the near riot we caused at our first ever pub gig… everything was a first, so it was all pretty cool

++ Aside from music, what other hobbies do you have? Bristol Rovers or Bristol City fan?

Errm just music really,sad but true, though I’m not really into football I’m a rovers fan by geography alone…and have only ever seen city play!! Pretty typical for me.

++ I was once in Bristol for a day, didn’t get to see much so I’d love to ask a local. What do you  suggest checking out in your town, like what are the sights one shouldn’t miss? Or the traditional food or drinks that you love that I should try?

i actually don’t live in Bristol anymore,it’s changed a lot since  i was last there so i wouldn’t know…. though my favorite place on the whole planet is the sportsman pub in Bishopston, but I’m not sure I’d recommend it as such…. its exactly the same as it was in 1986 and that’s fine by me…. the Mayflower Chinese restaurant in the underpass by the bus station is really cool, they do dim sum on Sundays and many an afternoon was spent eating and drinking there

++ Anything else you’d like to add?

I love what your doing with the label and everything, best of luck… thanks for taking an interest, it was all along time ago and I’m sure there’s loads more that could be said it truly was a magical time

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Listen
The Jade – Perpetual Motion

23
Sep

I continue the investigation on obscure French demo-tape bands. Today is the turn of Les Mistons, the mischief makers.

Named after the great François Truffaut movie of 1957, this band is known for their appearance on both Heol tapes. That means on the “Heol” comp cassette released by Karen in 1990 (KAREN02) and on the “Heol Daou” released by Katiho that same year (KATIHO 02).

The sound of this band is lo-fi. Probably there is just one person behind the band. Strumming the guitar in a lovely way. But is there any details we know about them?

The song on the “Heol” tape is called “Scar”. The song on “Heol Daou” is called “She Was too Damn Stupid to see I Wasn’t With Her”. We also know the band hailed from France as Fabien from Anorak Records confirmed it when I interviewed him.

Other than what I’ve mentioned there is no more details about them on the web. I’ve found a few other bands names the same way but sounding terribly different and many times from other time periods.

I wonder if my French friends can help on this one?

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Listen
Les Mistons – Scar

16
Sep

Anyone know about the Japanese band The Cartoon Characters? It seems they didn’t get to release any records but a bunch of their songs found their way on many compilations from the late 90s-early 2000s.

The first notice I have is from a fanzine called SPACE on its 8th issue dating from 1997. A cassette came with this zine that included two songs by the band on the A side: “She’s Good a New Spell” and “Transistor”. The other band on the B side was Momoiro Jenny who is actually an alter-ego of Jenny on the Planet who I’ve written about.

Then there is a gap of 3 years. We see the band back on another compilation tape in the year 2000. On the “Beady Compilation Vol. 2” released by Beady (BDCT-2) the band contributes 3 tracks, “The Marriage”, “The Warmest Room” and “Lovers Town Revisited”. There are some familiar bands on this tape like My Coffee Moment, Chain Letter, Bobbie’s Rockin’ Chair or Trans Alphabet.

The following year, 2001, the band has two songs on “Chaan! Ban! Thank You Ben.” released by Monarch Records (MNRC-001) on a limited to 500 copies CD compilation. The band’s contributions were “They Don’t Know” and “Sound of the Sea”.

The superb Bluebadge label would have them on their compilation tape “Boy Should Go! Bluebadge Compilation Tape Vol. 003” (BBCT 003) in 2001. The band would contribute “Strange World” and “Dark Night”. On the insert there is a name for the band members, but sadly I don’t understand Japanese! At least I know the band was formed by just one musician. I do think the last name is Ohashi though.

Then comes the song “Winter Song” from the “Winter Picnic – My Charm Ornament #3” compilation CD released by My Charm Ornament (MRC 001) in 2002. That same year the band works again with the Bluebadge label. They appear on the label’s first compilation CD “Send My Badge! – Bluebadge Compilation Vol. 1” (BBCD 001). Here they appear with “And Your Smile”.

Lastly in 2003 the band has the track “Spaceman” on “My Charm Ornament #6 Voyage a la Mode” released my My Charm Ornament (MCO 002) as a compilation CD.

So yeah, all of their songs on Japanese compilations. Nothing abroad.

And then I hit the jackpot. I figure out who is behind this project. It is Hirokazu Ohashi, the drummer and percussionist of the great band Dizzy Joghurt.

Now, if only I’d be able to get in touch, could interview him about his band and also about his solo project!

Anyone remember The Cartoon Characters? Did they release any other songs? Ever played live?

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Listen
The Cartoon Characters – And Your Smile

09
Sep

Here’s another band I know barely a thing.

What I know is that they appeared on three compilations and for a long time I confused them with The Imaginary Friend.

I want to say they hailed from the UK. But I am not 100% sure. Their first compilation appearance was in the US compilation “Seahorses”. On this tape that came with the fifth issue of the Red Roses for Me fanzine (RRT03), the band contributed the track “Within You”. The year was 1992.

This compilation is well known, having featured half of the bands on the tape on the blog (and who knows, maybe in the next few years the other half?).

That same year, 1992, the band would contribute three songs to a German compilation tape “Sandcastles in the Sun” (MEL 10) was released by Meller Welle Produkte and included the songs “Funseekers Paradise”, “Some Things Aren’t Meant to Happen” and “Fall”. The first two were on the A side while the last one was on the flipside.

A few tears later, Meller Welle Produkte would include them on another cassette comp, “Ha Ha, Funny Feeling!” (MEL 15). This time two more songs, “Break” and “Untitled”, were the contributions by Imaginary.

So in total there were 6 tracks. Maybe all from the same demo tape? Who would know.

There are no names, no credits, as far as I know for these songs. So it is proven difficult to find more details. The name Imaginary is also not easy to Google. So I hope our readers have a detail or too. Maybe you saw them play live? Or have a tape by them? Anything would be great, please share what you know!

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Listen
Imaginary – Within You