19
Jul

Day 495

Den Baron: what great news! Our friend Den Baron from Germany is releasing a CD album called “From Now On” on the very good Blue-Very label! Wow! Limited to 200 copies the new album will have 13 songs and you can preview four of them on the label’s Bandcamp. As usual, as you could see in the 7″ we released, this is classic jangle pop of the highest quality!

The Summer Triangle: I recommended a vinyl release for the self-titled mini-album back in April. Now this record will be re-released by Greece’s Melotron Recordings on CD. The edition is very limited, there are 25 copies of the limited art edition and 45 of the standard one. A true boutique label you would say. But yeah, it seems it is the way forward for bands and labels, fewer and fewer copies. One not to miss.

Always You: Discos de Kirlian and Shelflife Records have released the album “Bloom Off the Rose” by the ex-Pains of Being Pure at Heart Anton and Christoph Hochheim. The 11 song album can be previewed in its entirety on Bandcamp and it seems very few copies are available now. Sadly for CD fans like me the album is only available on vinyl.

Harriet Records: fantastic news! Tim Alborn has put together a Bandcamp for his 90s label! Wow! Not all of the releases are up there yet, but I can count 11 so far. In total the label released 45 singles and 10 CDs. Tim has promised to also add actual records to be on sale on the Bandcamp in the near future so keep an eye here!

Gabriel’s Dawn: and lastly a new song from this Midlands band that features Gudg, Fran Feely, Leon Jones and Stuart Gray. Their new track is titled “I Don’t Believe (in the Summer of Love)” and it is a superb bright jangly track.

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The Reinheitsgebot, literally “purity order”, is a series of regulations limiting the ingredients in beer in Germany and the states of the former Holy Roman Empire. The best known version of the law was adopted in Bavaria in 1516, but similar regulations predate the Bavarian order, and modern regulations also significantly differ from the 1516 Bavarian version.

We head to Bangor, Wales today. That’s where the band Reinheitsgebot was from!

I discovered the band last year thanks to the blog Janglepophub.  In November they reviewed the band’s recordings that had popped up on Bandcamp.

Two sets of recordings are available there, “The Complete R.S.C. Recordings – Volume 1: December 1984” and “The Complete R.S.C. Recordings – Volume 2: May 1985“.

The band only lasted 9 months. The 27 songs in these two sessions are their legacy. I wonder if they recorded any other songs or this is it. The R.S.C. on the releases on Bandcamp is actually the name of the music studios in Bath. The producer was Rob Craven.

The first volume was recorded between the 17th-20th December of 1984 for the first 5 songs, while the rest were recorded live on the 21st of that same months. The songs on this volume were: “Winter’s Warmth”, “Sunday Sunday”, “One Apart”, “Linda Says”, “Words Don’t Know”, “Autumn”, “Help Eleanor Come Home”, “Waiting for Daybreak”, “Summer”, “Sunset Sky”, “Cry Again”, “In the Morning”, “Quicksand”, “Still not There”, “Cheer Up”, “It’s Only Fortune’, “Splendid View” and “Sad Angel”.

The 2nd volume was recorded on May 17, 18, 20 and 21st of 1985. 9 songs were recorded this time, “Waiting for Daybreak”, “Winter”, “Linda Says”, “Wrong Side of the River”, ” “In the Morning”, “One Apart”, “Winter’s Warmth”, “1000 Different Things” and “Still Not There”. So many songs. One wonders how come they didn’t release anything. Not even compilation appearances.

The band was formed by Ian McMillan on vocals and harmonica, Maeyc Hewitt on bass, Scott Saunders on guitar, Alan Holmes on guitar and Mark Thomas on drums. This lineup played a live mostly around North Wales, including a support of The Blow Monkeys.

The band’s last gig was on June 15, 1985, in Treborth playing fields in their home, Bangor. After this gig Mark Thomas left the band. The remaining members went to form Third Spain.

But they were actually involved in more bands. Alan Holmes, who is the one running Turquoise Coal Records which has published these songs on Bandcamp, had been in Boreas y Gogledd, Ectogram, Fflaps, Normal Shed Uses, Parking Non-Stop, Spectralate, The Groceries, The Lungs and The Serpents. He was also on The Insects while he was just a kid and then in The Zuggs, The Pinecones and A Silly Tree. So many bands. He also was a session musician on the debut album of Melys and produced records fro Gorky’s Zigotic Mynci.

Maeyc sadly passed away on October 1st, 2015. He had been in Ectogram, Nixon & Jarvis, Radio 23, The Lungs and The Serepents. Scott Saunders was on Normal Shed Uses. And yes, all three of them on Third Spain.

I wish these recordings had been released on CD or vinyl. Would be fantastic. I now need to check the other bands they were on.  This has been a great discovery for sure, there was some info, but not enough… I want to know more details about them!

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Listen
Reinheitsgebot – Winter’s Warmth

16
Jul

Day 492

Dan Dan Dero: been a fan of the Lima, Peru, band for years. The band had released the song “Como Rei Ayanami” some time ago but just this weekend they published a video for it. And as it is a very nice video I had to share it. It is very well made and the song is ace, so do check it out.

Comet Gain: “David Christian sings Comet Gain/Feckbook” is a collection of 12 Comet Gains from the vault. Recorded at home, “3am-style” by David Feck. These superb set of songs include classics like “Footstompers”, “You Can Hide Your Love Forever” or “Say Yes! to International Socialism” among others. Super interesting to hear these songs in this way.

Coffee Garden: two new songs by the guitarist from the lovely Japanese band Milk Film. Coffee Garden is his solo project and his last release are two instrumental tracks, “Nica’s Holiday” and “How Sweet to do Nothing”. The art for this digital songs are by the terribly talented Ma, who did the art for Parcel Post 7″ and The Danny Says mini CD on Cloudberry!

The Biirthday Party: yes, two i on Biirthday here. This band hails from Ubon Ratchathani in Thailand and make some nice jangly dreamy pop. Their only release dates from May 2020 and was titled “stayalonewithmyloveliesfriends”. It has three terrific songs but we don’t know anything else about the band. There is a profile photo which is blurry. Looks like a three-piece. Would be great to know more about this Thai band! Have to thank my friend David for this discovery!

Hovvdy: and we end this week recommending this four-piece from Austin, Texas, who are releasing their album “True Love” on October 1st. The album will have 12 songs and is coming out on vinyl, cassette and CD. Ambitious! Right now we can preview just one song, “True Love”, which won me over, enough to recommend twelve songs and only having heard one. Hope they don’t disappoint!

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Another good discovery I just made through stoneeyedkiller is the Hull band Full Cry. On his Youtube channel, this like-minded pop fan, has uploaded the song “High With You” which immediately made me a fan of the band.

Sadly I haven’t been able to find any other songs by them to listen. But as always I need to find out more about the band. Any details would help.

The band seems to have been around the early 90s and most of their songs appeared on various tapes. The first song I know from them is called “Seashell Michelle” which appeared on a tape called “Tales from the Riverbank”.

In 1992 the band released a self-titled tape with 5 songs. These were “High with You”, “Melted”, “Seashell Michelle”, “None the Wiser” and “Brutal Children”. Maybe this was a demo tape they used to try to get the attention of labels? Or radio? Would be good to know about this release.

That same year they released “Now That’s What we Call Hull”. This is where I think our friend stoneeyedkiller found the wonderful “High With You”. Full Cry appears on this compilation tape on the A side with the eight song.  What is cool is that this compilation is up on Soundcloud and you can check all the songs. I will do the same. As I think there are more pop bands here worth tracking down!

In 1993 the band also contributed to the “Nice 1” compilation tape. The song they had on this tape was “None the Wiser”.

That same year the band releases their second tape, “My Angel Died a Radio Death”. 5 more original songs on this one, “All be the Same”, “Slap Ya Daft”, “Doubt”, “Orgasm Head” and “Suicide’s Kiss”.

1994 sees them releasing another tape, “Confidence with Asthma”. This time they record 8 songs, “Hand”, “Honey”, “Razorwire”, “Poker Sexy” and “Ming’s Ring” on the A side and “Dolphin Chrome”, “Pressure” and “Headhum” on the B side.

Lastly in 1995 one more tape. “Howard’s End” may have been the last release of the band, and on it they had 7 songs, “Plastic Girl”, “All Day Forever” and “Born in Time for Star Wars” on the A side and “Pedestrian”, “Stalker (improv.)”, “Dreamless Sleep, Lifeless Dream” and “If the Clouds Come” on the B side.

So ok, we know a bunch of their songs. We dont know any of the band members names. We have only heard one song. It is something. The good thing too is that it has allowed me to discover more Hull bands that will be featured on the blog shortly. I hope we find more details about Full Cry, but I think this investigation has gone in the right direction!

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Listen
Full Cry – High with You

15
Jul

Thanks so much to John McMahon for the interview! I wrote about the Walkinstown, Ireland, band The Kendalls on the blog not that long ago. I was of course looking for more information as the details about them were nowhere to be find on the web! Lucky I was that John got in touch and was keen to answer any questions I might have. And even better he answer all my questions quickly, so I didn’t have to be curious for too long. So yeah, join me in learning a bit more about The Kendalls!

++ Hi John! Thanks so much for being up for this interview! How are you?

I’m fine thank you, I’ve had a turbulent year. I’ve changed my job, we have two grandchildren aged 8 and 4 living with myself and my wife, Annemarie.

I’ve also had two major health scares which turned out okay in the end, so it was a good year rather than bad. Ever the optimist!

++ Are you still involved with music?

The night before I went into hospital earlier in the year, I bought myself a Gretsch acoustic guitar. I’ve been practising like a schoolboy and really enjoying it. 

All of a sudden after many doubts and false starts, the songs have started pouring out of me – I’ve got one on the go, with a pal of mine from Liverpool, John McGlone, he played with a band called Western Promise (they’re re-issuing their seminal album on vinyl very shortly). He’s working on a song of mine called ‘Lockdown lullaby’. So it’ll be an argument over whether it’s McGlone/McMahon or vice versa. I’ve got another tune called ‘Time Machine’ which I’m ironing out at the minute. I’ve got a tune in my head with lyrics written for a song called ‘The Revolution WILL be televised’ which is more back to my roots and I have another tune in my head which I have to straighten out. Phew!

++ Let’s go back in time. What are your first music memories? Do you remember what your first instrument was? How did you learn to play it? What sort of music did you listen to at home while growing up?

My musical memories are the sounds of the ’60’s – great pop songs, listening to the music my aunts were playing: The Small Faces, the Monkees, The Kinks, The Byrds, Dylan all that stuff. Then in late ’78 it was almost an epiphany hearing ‘Janie Jones’ the opener on the Clash’s first album. Wow!! That was really the genesis of the band – that was the ‘big bang’ though it did take a while to get instruments and start playing.
I bought a crappy Hondo Strat copy and I bought myself a chord book and started picking up bits and pieces from there and the rest is . . . obscurity. 

++ Had you been in other bands before The Kendalls? If so, how did all of these bands sound? Are there any recordings?

The Kendalls can be traced right back to the first line-up, Paul Barrett (another Clash fan) played Bass, Gabriel Bruton, a very aggressive drummer joined shortly after. (Many years later, Myself and Gabriel worked together in the Newspaper Industry and the first thing he did was throw a pen at me, but not with the same violent intent that he used to throw his drumsticks at me during practice. He’s one of the greats.) The sound would be ‘garage band’, that wasn’t typically garage. We NEVER played covers. And all through the time we were all together, we never even attempted a cover. This went against the ethos, we wanted to keep it pure. If there are copies of the early stuff – feel free to blackmail me!

++ What about the other members?

I mentioned Paul and Gabriel, next in was Ben Rawlins. Ben was playing guitar in a heavier rock band with Paul’s next door neighbour Pat (Huggy) Murphy R.I.P. There was an incident where drink had been taken and an altercation with the local police force and Ben took off to London as many of our peers did at the time, to get work or just hang out in the summer. Ben came back about three months later, with a short, punky haircut, heard what we were trying to do and signed up. When Ben arrived, things started moving, he was technically more proficient than us and he knew we needed lots of practice not lots of gigs. Gabriel got impatient – he really wanted to gig – it wasn’t happening, so he called it a day.
The band petered out without a drummer and that was the end of the original line-up. That would have been ’86.
Next to join was Alan Biggs (Biggsy), our second drummer, he lived down the road from me and was a friend of my younger brother. His older brother was a drummer and I knew he was playing too, so I was keeping tabs on him.
George Murphy (R.I.P.) arrived not too long afterwards and that was the ‘classic’ line-up completed.

++ Where were you from originally?

Myself, Ben, Alan and Paul were from Walkinstown, Gabriel was from nearby Drimnagh and George was from Crumlin, so we all grew up within no more than a mile of each other.

++ How was Walkinstown/Dublin at the time of The Kendalls? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

Walkinstown is a pretty quiet suburb. In Dublin there were two alternative record shops at the time, Freebird and the Sound Cellar. Venues were scarce, the main place was ‘The Underground’ which was an Alt Mecca. Stepping up, there was ‘McGonagles’ which sporadically featured bands and nowhere else of note.

++ How did you all meet? How was the recruiting process?

We all knew each other from growing up in the area, Paul was a big Clash fan, Gabriel was his classmate, Ben grew up around the corner from me and we played football (soccer) against each other a few times. (He was quick and quite skilful – but he’ll deny this). Biggsy was approached when the time was right and George turned up with his best mate John Daly after he heard we were looking for a guitar player on the grapevine. Morgan (Moro) Hughes replaced George much later, I went out with his older sister for a while. 

We always recruited in our local bar, the Submarine. If we asked you for a beer – you were in!

++ How was the creative process for you? Where did you usually practice?

At the start, I was writing all the songs, but Ben came in and he was coming up with really good ideas too, so that was a big gamechanger. Until he arrived, I’d bring a song in or part of one and jam it with Gabriel and Paul and then I’d finish it afterwards or dump it. 

As time passed, he wrote all the music and I wrote the lyrics, which probably didn’t help the dynamic of the band – I really should have kept knocking out the tunes.
We were practicing in a ramshackle place called Furlongs – most poverty-stricken bands started there.
We moved to Litton Lane later on and we shared a room with ‘The Icon Trial’ much later on.

++ Who were the members and what instruments did each of you play?

First line-up: Me (guitar, vocals), Paul (Bass), Gabriel (Drums).
Classic line-up: Me (Bass, acoustic guitar, vocals), Ben (Guitar), George (Bass) and Alan on Drums. 

Moro replaced George much later.

++ What’s the story behind the band’s name?

Ben picked the name ‘The Kendalls’ – I have always hated it – there I said it! (lol).

++ Who would you say were influences in the sound of the band?

Definitely The Byrds, The Clash, garage band stuff, we were trying so many different things, I think we couldn’t pinpoint much more than that!

++ And what about Irish bands? Which are your favourite bands from your country? And if there are any that you would recommend to me as obscure bands that deserve my attention?

The original line-up of Guernica would have been up there. We knew them from having a few beers around the town, nice guys, Ciaran the Bass player was a really thoughtful, melodic player.  I don’t know whether Ben remembers, but we saw ‘Whipping Boy’ in 1989/90 and though they were all over the place, they had a couple of songs that had class written all over them.
When I was 16/17, I was into S.L.F., the Outcasts, Rudi, Ruefrex all the Northern scene, which is weird, because we’re living in Belfast now.

++ From what I understand there was a 1988 demo tape with the song “A Place in the Sun”, is that right? What other songs were on this tape? Where was it recorded?

There were two songs on that demo, the other song was ‘Nearly Girl’ a simpler but catchier tune with chiming guitars. The guitar line burrows its way right into your inner ear. I think we recorded those two at Sun Studios. As usual, we could have done with more time and money to do ourselves justice, but I felt we made our mark with those two songs.

++ Were there any other recordings by the band? Any other demo tapes? If so, can we do a demography of the band?

We recorded a demo with the original line-up, two songs: ‘From here to history’ myself and Ben’s first collaboration and ‘Sundance’. These were two great songs and I’d love to have the chance to revisit them again. 

At the time of that first demo, Paul and Gabriel were pushing to bring in another singer, which I thought was a bit cheeky, but Ben stood by me and I’ve never really thanked him for that. Thanks Ben! 

Our third demo featured: Westminster Road, Love shouldn’t be like this and Without June.
We were a band in transition then and we were getting a different edge together, but I sounded terrible on the recording – I really sound like I had a heavy cold.

++ Did you work with any producers or did you produce your demos yourselves?

No, we always worked with the house engineers, who decided who they thought we should sound like and smothered the sound in reverb.

++ And what did you do normally with your demo tapes? Were they mostly for promotion? to send to radio and press? Or did you use to sell them at gigs?

You’re not going to believe this, we’d send them to the radio and press, but we never sent any to the record labels. Ben always believed in the ‘next’ demo rather than the one he had in his hands, I think.

++ And how come there were no proper releases by the band? Was there any interest by labels?

Any interest from labels was all third hand, we didn’t have a manager. Also we were quite picky. I don’t think we wanted to sign for someone who’d stoop so low as to have us on their label. (lol).

++ No compilation appearances either, right?

No, we still haven’t popped our cherry!

++ If you’ve had the chance to release something, what would it have been? A single? an album? what songs would you have wanted to include in it?

Definitely the first two demos in that order – I’d love to get a shot at doing them justice.
After that, I’m sure we could knock out at least an album’s worth of songs that would stand up and we could be proud of them.

++ I think my favourite song of yours might as well be “A Place in the Sun”, wondering if you could tell me what inspired this song? What’s the story behind it?

I wrote that song long before it appeared on the second demo, it was only with the arrival of Ben, Alan and George that we had the proficiency to play it well. I wrote the song when I was 19, I was just leaving behind my morose teenage years (listening to too much Joy Division) and the theme of the song was of the realisation that the journey was the important part not the materialism that surrounds us (very profound, eh?).

++ If you were to choose your favorite The Kendalls song, which one would that be and why?

Too many to choose, but I’ll pick ‘Love shouldn’t be like this’ because it’s a great song and it was the song that Kevin (Sully) O’Sullivan R.I.P. always raved about, he really got it. Sully was the bad influence on us he got us into some hairy scrapes – he was the accelerant!

++ What about gigs? Did you play many?

We played quite a few gigs but we never pushed on to headlining, which really pisses me off to this day.
I felt we were more than ready and we were as good as, if not better than the vast majority of our peers.

++ And what were the best gigs you remember? Any anecdotes you can share?

We played McGonagles one Saturday afternoon, the place was packed out. This was a major buzz to be playing there, as it was hallowed ground. I’d seen Echo and the Bunnymen, Teardrop Explodes, The Fall and many more there, so this was special. On both occasions we played there we were ace. I was a little anxious beforehand, I remember worrying if the big, wide stage would show us up, but when we kicked off we sounded great, George and Alan were so big and punchy behind me and Ben’s guitar was glistening across the top. We projected ourselves superbly and there was great interaction with a fairly young crowd who were loving it. 

 We were playing support to ‘A House’ in the Underground – it was a hot, summer evening and after the gig, we had a quick pint and decided to sneak off to a quiet bar to chill. By the time we got to the exit just to the right of the stage, A House’s lead singer Dave Couse was looking on with a horrific, hang-dog look on his face as the vast majority of the audience headed for the exit.  

We were coming back from a double-header with our pals ‘The Drinkwaters’. We had two busloads who travelled 40 miles to see both bands (over 120 souls). The gig was great but the bus driver didn’t want to to stop too often, so one of our friends, Sparks, a big guy opened the emergency door at the back of the bus and was holding our sozzled friends by their belts as they pissed out onto the motorway. I fairly shat myself thinking about that the next day. 

I’m afraid most of our anecdotes are either X-rated or may incriminate people we know.

++ And were there any bad ones?

Oh yeah . . . Our last ever gig in the Baggot Inn the Thursday before easter, 1990. The omens were not good, I found out the pick-up in my guitar wasn’t working and I had to wing it without a guitar. In hindsight, I should have just played with the guitar not plugged in. Anyway, I was bouncing around the stage in uncharted waters and I fell off. I remember getting up and George and Alan thought this was hilarious, I looked over at Ben and he was furious. There were some strong words after that one.

++ When and why did The Kendalls stop making music? Were you involved in any other bands afterwards?

We ceased to exist not too long after the Baggot incident above, at the time I thought it was directly associated with what happened there, but I don’t think that’s the case. Ben left briefly the year before and I kept the band together to push on. He rejoined, but I don’t think his heart was in it, as he was more into becoming a sound engineer. 

I wasn’t happy the way things worked out either, I felt at the time that I was kicked out of my own band that I’d put a lot of time and effort into. To be honest, I was heartbroken and it took be quite a long time to get over losing friends and the death of the band. That’s the way it felt, believe me.
In hindsight too, I handled it grudgingly, but I do regret a stand-up row I had with Alan our drummer.
I was way out of order – but we got in touch quite recently and it was like it was many years before, we talked and all was good. He’s a great guy and a thoughtful, superb drummer.
I haven’t spoken to Ben for over 25 years, we have had indirect communication but little else. It’s a shame really because a good friendship is hard to find.
George’s death rocked me personally, I couldn’t make it to his funeral but it’s such a shame. George was a really sound guy, he was very quiet, but a great musician.

++ What about the rest of the band, had they been in other bands afterwards?

Moro played on with other bands and George joined him in the ‘Songmonsters’ along with Paul Byrne an old pal of ours, playing covers until George’s death. Ben was playing with Sasso for a while there too.

++ Has there been any The Kendalls reunions?

There was one haphazard rehearsal a year after we split, but nothing came of it.

++ Was there any interest from the radio? TV?

Yes and No!

++ What about the press? Did they give you any attention?

We got bits and bobs in the papers, but again, we never really pushed hard enough.

++ What about fanzines?

I don’t think there were any fanzines around in our locality back then. (God I sound old!)

++ Looking back in retrospect, what would you say was the biggest highlight for the band?

Playing live with a great band behind you, there’s nothing better. The sheer adrenaline rush of playing just did it for me. I remember sitting in a pub with some of our mates and we came on the radio, that was a rush, something small really, but it meant a lot to me. 

And the girls . . . it was mostly innocent fun and nobody got hurt. We lived through the time of the Aids epidemic, which would make Covid seem like a walk in the park.

++ Aside from music, what other hobbies do you have?

Football! I loved playing it, love watching it, I met my wife while visiting Glasgow to watch Celtic.
Football filled that gap in my life after the band fell apart and the friendships made are still strong. 

I’m pretty active in the ‘Clash against the Right’ group. It’s an anti-racist, anti-fascist group and there are some truly great people involved. I’ve always been a lefty, I’ve loved the Clash for years so it’s a natural progression. We have an event coming up in London in October and hopefully, the year after, I’ll play it with or without a band with some new material.

++ I once went to Dublin and I really liked it. I hope I return. But I want to ask a local what would you suggest them doing there, like what are the sights one shouldn’t miss? Or the traditional food or drinks that you love that I should try?

As I haven’t lived in Dublin for over six years – a lot of my old haunts are gone or have changed hands, I would recommend the ‘Dublin by Locals’ website for a heads up on where to go and what to see.
We used ‘Paris by Locals’ when we visited there and it turned up some absolute gems and was very informative. 

If you are in Dublin – you have to try the Guinness. If you get a great Guinness – you will know it!

++ Anything else you’d like to add?

This was almost like a therapy session for me, your questions have unleashed many ghosts in my psyche and I’ve tried to be as honest as I can. I’m sure the surviving members of the group will read this . . . so I send you all glad tidings from West Belfast.

As a parting shot . . . In the film ‘A Bronx Tale’ Chazz Palminteri’s character, gang boss Sonny gives the main character ‘C’ some advice about a man only having three great loves in his life.
If that’s true then mine are My wife Annemarie, Celtic FC and The Kendalls. (Though I’m sure my better half will dispute the order I have arranged them in!).

Thanks again Roque, I will try and get other material to you as soon as I can.

Your friend,
Johnny

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Listen
The Kendalls – A Place in the Sun

14
Jul

Day 490

Doble Pletina: always a fan of the Spanish band who have written many indiepop hits through the years. Their latest single is called “Esdrújulos Epítetos” and the band has made a lovely video for it. I remember still the day they came and played in NYC. Those days seem so far away. Hoping good times come back.

The Planes: “Eternity on its Edge” is the name of the album this Brooklyn band released on June 11. It came out on tape on the label Totally Real Records and I believe very few copies are still available. The album has 12 songs of classic American indiepop, good hooks and catchy tunes.

Bridge Dog: this sounds amazing! I really enjoy the song “Lemon” by the Sydney two-piece Bridge Dog. The band seems to be quite new, they have released so far three songs, all of them in the past 3 months. Definitely is a band to follow.

Five Beans Chup: I had never heard the band Five Beans Chup that released the album “The First Day of Summer” back in 2000. It turns out the band features 3 members of the legendary B-Flower. How cool. The Japanese band has made available the album on Bandcamp so of course, I am having a good time listening and discovering this little treasure.

93MillionMilesFromTheSun: and we end today’s recommendations with some fine shoegaze from the Doncaster band. They have just released an EP titled “The View from Woodhead” that includes 5 songs and a remix. Punchy. Thumbs up.

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Time for an obscure band a lot of people that are into obscure bands would be familiar with, Hulme’s That Ted.

Hulme is an inner city area and electoral ward of Manchester, England, immediately south of Manchester city centre. It has a significant industrial heritage. Historically in Lancashire, the name Hulme is derived from the Old Norse word for a small island, or land surrounded by water or marsh, indicating that it may have been first settled by Norse invaders in the period of the Danelaw.

Yeah, we have to be in Manchester today. A city that has given us so many fantastic bands and it is no exception with That Ted.

The band was formed by Terry on guitar and Andy singing according to a Soundcloud account that uploaded many songs 8 years ago. But according a paper clipping on the same account we have to add Julian and Tom. These songs as far as I know weren’t released properly so it is fantastic to be able to listen to them. They are: “Beg to Fall”, “Autopsy”, “Concrete Beats Brick 1”, “Mind to Get its Way 2”, “Refridgerator”, “Soylent Green”, “You Snitch and I’ll Blast You”, “The Stricken Hand” and “Dance with the Apple”.

On Discogs the information is lackluster. Just a split flexi that was released in 1986 with the song “Long-Expected One and Twenty”. The other band in the flexi is Vee V.V. with the song “Romance is Over”. This flexi was released to accompany issue number 12 of Debris.

The Manchester Music Archive has a few interesting artifacts related to That Ted. The first is a fanzine called “Made in Manchester”. This was a free fanzine that included a 14 song compilation. Not sure if the band was in the tape, but they were written about on the zine.

Next is a flyer from 1986. There we see that the band opened on Saturday 4th of October The Pastels and Too Much Texas. This was at the mythic venue The Boardwalk.

And lastly, again a Boardwalk gig, this time on June 28th of 1987 they opened to The Wedding Present.

One thinks and wonders why there’s so little info about them. They did have some fantastic songs. Why they didn’t get to release anything back in the day.  And were they in any other Mancunian bands before or after? It’d be great to find out. But yeah, info is hard to come by. So I hope someone may help us find out more about this terrific band!

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Listen
That Ted – Beg to Fall

12
Jul

Day 488

Fortitude Valley: Fika Recordings will be releasing on September 29 the self-titled album by this combo from Durham that has Brisbane’s Laura Kovic on vocals. I believe Fortitude Valley is a place in her home city, right? Anyhow, this new album will be released on CD and vinyl and right now we can preview three tracks, “Baby, I’m Afraid”, “Wreck” and “Cassini”, this last one even has a video!

The Reds, Pinks & Purples: two new songs by the prolific Glenn Donaldson. Check out “I’d Rather Astral Project” and “Work it Out While You Can”, two lovely jangly songs that we hope get releeased someday!

Fenix: I’ve always enjoyed the synthpop by Eskilstuna, Sweden, band Fenix! It took a few months since their previous release, but glad that the band has just released “Sommarregn (Edit)”. Catchy and classy, it is a great new track by the duo formed by Stefan Eriksson and Louise Marchione.

Marinita Precaria: this is the latest discovery from Elefant Records. Behind Marinita Precaria is Marina Gómez Marín who after being laid off in June 2020 started making songs in her bedroom. Two of these songs are now being released as a digital single, “Siento Todavía” and “Tú Pa Qué” and immediately one gets hooked to them. They are beautiful!  We need a proper record now! And Elefant will deliver sometime in 2022 a mini-LP. Great news!

The Halamays: and we finish today’s recommendations with the duo formed by Katie and Patrick from Columbus, Ohio. Their latest track is called “Wasted Time” and it is a classic indiepop song. Just as how we like them, one that could have fitted perfectly in the legendary comp “Pop American Style”!

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Who remembers the indiepop/powerpop band Dorian Mood? I know very little about them, maybe you can help me fill in the blanks?

The band hailed from Ireland, from the town of Drogheda.

Drogheda, meaning “bridge at the ford”) is an industrial and port town in County Louth on the east coast of Ireland, 56 km north of Dublin. It is located on the Dublin–Belfast corridor on the east coast of Ireland

According to the Irishrock.org website the band was active between 1985 and 1990 and was formed by Roland Hoek on vocals and guitar, John White on keyboards, Eamon Foley on bass and Graham Hoek on drums. That was the band’s first lineup.

This lineup would release the “It’s a Funny Thing” 7″ in 1986 on the label One by One (1×3). The songs on this record were the title song and “Brand New Dream” on the B side. The songs were recorded at TMW Studios and were produced by Keith McCormick. They were engineered by Barry and Mike. The design of the sleeve is credited to Micko.

In 1989 the band lineup had changed a bit. Roland and Graham Hoek and John White continued in the band but we see Paul McQuillan joining the band to play guitar and vocals and Gavan Kierans on bass. Kierans had been actually their manager previously. Their new manager became Eoin Holmes.

This lineup released the album “Can’t Stand Still” in 1989 on Big Mood Records (BMR 1). The songs on it were recorded at R’N’R Studios in Drogheda in April 1089. This 7-track record included “The Tide”, “Can’t Stand Still” and “Annie Baby” on A side. The B side had “Didn’t See It”, “Late for a Day”, “Thumbnail Express” and “Just Do it”.

On Discogs we don’t see any other releases nor compilation appearances. So I go back to Irishrock.org. There I learn that the band made their Dublin debut at the Underground on February 15, 1986. That same year they appeared on TV as well.

The band recorded many tracks for the Dave Fanning Show. Songs recorded for this show included “Fallen Deep Inside”, “It’s a Funny Thing”, “What You Want”, “Sleazy Attic”, “Vigilance”.

There is also a 1985 demo tape recorded at Slane Studios that included four songs, “Tomorrow”, “I Will Help”, “Inspiration” and “A.O.?”

Another great find online is that of a live performance at RTE’s “Visual Eyes” in 1986. There they played the song “Tomorrow“.

When it comes to other projects members had been involved there’s little info. Paul McQuillan seems to have worked with Hope Sandoval and the band Accidents and Gavin Kierans was later in the band Sharpesville.

I find some gig mentions like the one from July 25, 1985, at The Dome ifor the Funanza Festival, the April 18, 1987 gig playing with the band In a Lifetime and on April 30, 1988 with the band The Dangerous Brothers.

Then another good find. Three songs on Soundcloud that I have never heard before, “Slowly Sinking”, “In the Morning” and “Thumb Nail Express”. There’s no info about them, but they sound great. It seems they were taken from tapes.

My last find is a press clipping from Drogheda Magazine in 1985 written by Enda Murray were it mentions another song by the band, “Isolation”.

Not much more on the web. But this was a good introduction for me to the band. I hope to find out more soon!

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Listen
Dorian Mood – It’s a Funny Thing

09
Jul

Day 485

Ducks Ltd.: I still haven’t got around getting the first album by this superb Toronto band. I know, I know. I am a slow listener now. I used to listen many more records per week. Now one or two are about what I can handle. And there are so many (and not that much money!). You might think I get free records from the blog, but in due honesty that is SUPER rare. And I don’t expect any either. I do this for love. Anyhow, that’s a long introduction! Ducks Ltd. is releasing a new album, on vinyl and CD, called “Modern Fiction”. So far we can preview one song, “18 Cigarettes”, which sounds ace. The album will be out on October 1st. One not to miss for sure!

The No-Yeahs: two new songs and this time on a flexi! How cool! There’s even a video for the title song “Catto in the Ghetto”. And yes, there’s a second song in this flexi titled “Let’s Go” and it is as nice. Anna makes wonderful bedroom pop and she is also a great visual artist, so you can expect some nice art with the record!

Love, Burns: it burns. Missing the 7″ burns. now there are three new songs by Phil’s band but this time around they are only available digitally. These are “She Will Leave, Unless”, “Say What You Mean” and “The Push and Pull of the Great Outdoors”. All are terrific as usual. I really hope I can catch him and his band live soon!

The Bunbury: in this blog we like the Yogyakarta band, a lot! A new song, after a year, is good news. Of course I want more, one song is never enough, but “Hide me from the Sun” meets all of my expectations. Great work guys!

Tears to Go: remember the fantastic When Nalda Became Punk? Elena, the Vigo based, indiepop star is back with a new project. It is called Tears to Go and it is a bit different. The punchy pop has been replaced by classy and elegantly arranged introspective pop. And it works! Works fine to me. The first preview we are getting from the upcoming album “Patronizing Self-Help” is an eponymous song which is up now on Bandcamp.

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A fantastic record. That’s the “Your Island” 7″ that was released in 1984 by Final Diners. This record just had two songs, “Your Island” on the A side and “No Windows” on the B side.

I have a copy of the record but just of the vinyl, I don’t have the sleeve. It was my friend Jessel who was kind enough to gift me this record. I hope to find a sleeve someday though. It feels a bit incomplete, not having the sleeve. When that happens to you? That you have the record but no jacket or sleeve, how do you feel?

Many years ago I was actually contacted by one of the band members, Neil was his name. He was the guitar player. He told me that there were only 200 sleeves made as they couldn’t afford making more, that they did them all themselves.

I tried to interview him, he seemed keen on it, saying that Martin, who was the drummer, would also be up for doing the interview. For some reason I never heard from them again. A shame. It would have been fantastic to learn any information about them.

The 7″ was released by a label called Slow Death by Starlight (CAV 019). Discogs doesn’t list any other releases on the label, so I wonder as the catalog number is 19 if there were any other releases. I read that the catalog might have to do with Cavalier Recording Studios in Stockport. The record got some nice distribution thanks to Probe Plus and The Cartel.

The record shows the three band members, Neil, Martin and Alyson, on the front of the sleeve. It is a drawing of them, having picnic. There is a rope hanging too… is it going to hang anyone? This sleeve was designed by Jenny.

No compilation appearances are listed. Were these the only two songs the band recorded? I hope not. Probably just the only two they released. Are there demos?

I do find some more info thanks to a comment on Youtube. There it mentions that the band hailed from Manchester, from the Cheadle/Heald Green area. It also mentions that the vocalist was probably named Alison.

Sadly that’s all I’ve been able to find. I don’t know the last names of the band members and have no clue if they were in other bands afterwards (or before!). Any information would be appreciated, I would love to hear any other songs by the band too!

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Listen
Final Diners – Your Island

08
Jul

Thanks so much to Damien Parsonage for the interview! I wrote about the fantastic and obscure band Crystal Tips & Alistair after discovering them on Youtube with their song “Lesley Cocaina” that appeared on the compilation tape “Blabbermouth” and I wanted to know more details of course! Happily Damien got in touch and shared some more songs with me, and even better he was keen to tell the story of the band! So sit back and discover this great band!

++ Hi Damien! Thanks so much for being up for this interview! How are you? Are you still involved with music?

Hi, and thanks to you! It’s so lovely that someone has ‘found’ our music after all these years.

I’ve always played guitar and been in various bands since the 90s. They’ve mostly been cover bands formed with people from work to play Christmas and summer parties. My latest is The Pharmacist, a band I’ve been in since 2015 with colleagues.  We had a break for about 3 years but we’re getting back together for a birthday party in October.  We’re just choosing songs and booking in some rehearsals now.

++ Let’s go back in time. What are your first music memories? Do you remember what was your first instrument? How did you learn to play it? What sort of music did you listen to at home while growing up?

Music was really important in our house and my Dad, who played Spanish guitar, had an incredibly diverse taste in music – from flamenco to Charlie Parker and Miles Davies, from Country & Western to Northern Soul.

The Beatles were the big pop band for us. My Dad is from Liverpool (he moved down to London in the late ‘60s). He actually went to Quarry Bank School at the same time as John Lennon (although Lennon was 4 years older).

And he always recorded the top 40 chart show every week and made a compilation tape every month or so of the best stuff.

As for instruments, I was picked to play violin at school at about 6 and just hated it for the next 8 years or so. I never learned to read music properly and classical just wasn’t my thing.

My Dad had tried to get me interested in the playing guitar over the years, but I wasn’t really up for it. He gave up, and then suddenly at 13, I decided I really did want to play.  So he gave me a chord book and some song books and told me to teach myself!

++ Had you been in other bands before Crystal Tips & Alistair? If so, how did all of these bands sound? Are there any recordings? 

No, Crystal Tips was my first band.  We were all so young!

When I was about 14, I used to get together with a friend from school, who was learning guitar at the same time as me. Another friend joined us on bass (using a normal guitar).

Of course we weren’t actually a band, we were just three mates playing around, trying to show off who knew the coolest riff etc.

We eventually entered a local battle of the bands competition and we performed as a two piece (bass player was away) as Black Pearl. (What were we thinking? Sounds like some awful metal band).

We quickly dumped that name and became Crystal Tips & Alistair.

++ What about the other members?

My two friends at the start were Chris Coombes (guitar and backing vocals), and Steven Pepper (Bass Guitar). It was their first band too.

Our drummer, Paul Harris, joined later (he was a friend of a friend at school) and it was his first band. In 1985, Steven Pepper left to join the Royal Air Force and he was replaced by Martin Young, who had been in another Medway band, The Drunken Popes, who also had a track on the Blabbermouth tapes.

++ Where were you from originally?

I was born in North West London (Willesden Green) and my parents moved down to Medway when I was 2.

++ How was Medway at the time of Crystal Tips & Alistair? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

Medway had such a thriving music scene.  It was a great place to be young and in a band in the 80s. A few UK garage bands had made a name for themselves in the early 80s – including The Prisoners and Thee Milkshakes, which was Billy Childish’s first band.  The Prisoners featured James Taylor on Hammond Organ, and he went on to form The James Taylor Quartet who had some good commercial success.

https://en.wikipedia.org/wiki/Medway_scene

So there was a lot of buzz and a lot of places that had live bands on. And so many good bands.  It was mostly pubs, but they generally welcomed and encouraged young bands. Churchill’s in Chatham, the Woodlands Tavern in Gillingham and the White Hart in Rochester were three places that had regular live local bands.

++ And what about Medway bands? Which are your favourite bands from your area? And if there are any that you would recommend me as obscure bands that deserve my attention?

So many good bands.

The Dentists were the big Medway band in the mid-80s and beyond. They were a “proper” band who had records out and got played on Radio One (Janet Long was a big fan, I think) and did big gigs.

Here’s their first single

https://www.youtube.com/watch?v=9ulObblo7Cc

I also loved The Claim, another band who put some records out and had a decent following:

https://www.youtube.com/watch?v=vIEKtuD6dAQ

And you must have impeccable taste, because the bands you’ve featured from Blabbermouth are the ones who I liked.

The Hyacinth Girls was formed by Andy Webber, who was the driving force behind the Bands Co-op, and who also managed to get two of his songs on the Blabbermouth tapes. On Margate Sands is actually the Hyacinth Girls under a different name. Here’s a track from an album they released:

https://www.youtube.com/watch?v=ICw8tegafvc

And I loved The Strookas, who were from Maidstone a nearby town, so not strictly Medway.   But in the spirit of cooperative love, they were invited to join the Co-Op and we all played lots of gigs with each other.  Here’s my favourite track of theirs:

https://www.youtube.com/watch?v=i1gThPF2dFA

++ You were founding members of the Medway Bands Co-Op. Was wondering what did that entail? And what were the successes of this Co-Op?

There were so many bands in Medway it made sense to try and organize ourselves to ensure we got paid fairly and treated well. It was also a chance to ensure up and coming bands got heard and seen as much as possible.

I think it was Andy Webber’s original idea with Mark Matthews (bass player from The Dentists) and our bass player Martin Young.  All the bands knew each other really, so word got round that we were starting this co-operative and everyone was invited to an inaugural meeting to discuss it.

We met every other Sunday I think in a pub in Chatham or Rochester and discussed band business. We agreed to compile the Blabbermouth tapes and put on Co-op Showcase gigs featuring all the bands playing live in big local venues, and at the Town and Country Club in London.

Over the course of two or three years, the Co-Op released two Blabbermouth tapes, put on numerous gigs and helped bands get some exposure.

++ How did you all meet? How was the recruiting process?

Crystal Tips were all school friends basically.

++ How was the creative process for you? Where did you usually practice?

We practised at each others’ houses a lot – I blew up two sets of my Dad’s speakers as we didn’t have amps for ages.

Then there were lots of studio/rehearsal places you could book for the night – some with a proper set up and some church halls!

Me and Chris Coombes would write the songs on our own and then bring them to rehearsal for the band to play.

++ Who were the members and what instruments did each of you play?

Me – guitar and vocals

Chris Coombes – guitar and vocals

Steve Pepper (bass guitar until 1985/6)

Martin Young (bass guitar from 1986)

Paul Harris (drums)

Andrew Kesby (lead vocals 1986-1988)

++ What’s the story behind the band’s name?

Crystal Tips and Alistair was a children’s TV show in the UK from the late 60s/early 70s.  It was bit of trend to refer back to those beloved programmes and a few bands around that time had names based on old kids’ TV shows. The Soup Dragons, for example, as well as another Medway band The Herbs.

So we were just riding that bandwagon. It was one of my favourite shows and it seemed like a cool name for a band at the time.

++ Who would you say were influences in the sound of the band?

We all loved 60s stuff – The Beatles, The Stones, The Kinks, The Byrds, The Monkees, The Beach Boys etc (Chris even liked Status Quo!).

Also more obscure 60s bands like Love and The Velvet Underground were influencing everyone.

And punk/new wave bands especially The Clash, The Jam, The Fall.

The Smiths were probably the most important band to me at the time – I so wanted to be Johnny Marr (still do).

Obviously C86 was a massive influence on everyone at the time in indie and we were also listening to The Cult, Echo and the Bunnymen, The Wolfhounds, McCarthy, The Mighty Lemon Drops, etc etc

++ You started early in 1984 and it was during this first session that you recorded the song I know, “Lesley Cocaina”. What other songs were recorded then? And where were they recorded?

It was just me and Chris at that stage, with me on bass and a session drummer. We recorded 4 tracks over a weekend at Red Studios, in Wouldham, near Rochester, run by Graham Seamark.

Along with Lesley Cocaina we did songs called Glass Box, This Song and an acoustic track I can’t remember the title of.  I have no copies of the songs left except Lesley Cocaina, because that was put onto Blabbermouth Vol 1.

++ Was this your first time at a recording studio?

Yes we were totally naïve 16 year olds!

++ You mentioned that you did a few more recording sessions afterwards. How many were they? How many (and which) songs were recorded?

We had no money, of course so we only did two more recording studio sessions over the years – all at Red Studios.  After this one, the next two were both in 1988.

We did a live session at Easter 1988, where we basically recorded three of our set with a few added overdubs.  These tracks were Flatful of Wankers, One Step at a Time and Margaret.

We then went back in during the summer of 1988 to record one track – Finished Before it Began which was intended for inclusion on an indie compilation record. That never happened but the track went onto Blabbermouth Volume 2 (and came runner up in a Radio Southampton song/band competition!)

++ Were these recordings released as demo tapes?

We did release them as demos, and tried to sell them, as well as sending them off to radio stations and record labels.

++ You appeared on the “Blabbermouth Volume One” tape with “Lesley Cocaina”. Was wondering what you can tell me about this compilation? 

Blabbermouth Volume 1 was first big thing the Medway Bands Co-op did; to produce a tape cassette with one song from every member, maybe 20-25 bands in all.  Some were bedroom recordings, some live gig recordings and some were polished studios performances. But all had equal weight and the tape was arranged in alphabetical order.

It was reviewed by the local papers, sent to the local radio stations and we put on a gig featuring as many of the bands as feasible.

++ And there was a “Blabbermouth Volume Two” tape too, with another song of yours, right? When was this released and which song of yours was on it?

Volume 2 came out in 1988, and it was the same deal. Reverse alphabetical this time, and with a gig that featured every one of the bands with 10 mins slots.

We chose a track called Finished Before It Began, which we’d recorded for another compilation album that never happened.

++ And how come there were no proper releases? Was there any interest from any labels?

There was always some interest, but most bands ended up releasing their own records, with some then getting picked up by labels.

++ I think my favourite song of yours might as well be “Lesley Cocaina”, wondering if you could tell me what inspired this song? What’s the story behind it?

It’s a song about a girl from a local family who were very religious. She came out as a lesbian and her family and the church rejected her and she ran away.  I thought it was an interesting subject matter for a song – better than “I really love your smile” or other songs I was writing at the time!

++ If you were to choose your favorite Crystal Tips & Alistair song, which one would that be and why?

I really like Flatful of Wankers, it was a great live song and a bit punky for us. I also like Finished Before it Began because it’s so personal.  But Lesley Cocaina was the first decent song I wrote and I was only 15, so I do have a soft spot for that.

  ++ What about gigs? Did you play many?

Lots and lots of local gigs.  And some in London.  From 1986 to1989 I was at university, and from 1987-1990 Martin was, so we had a limited window for gigs, but we crammed them in during the holidays.

++ And what were the best gigs you remember? Any anecdotes you can share?

Best gigs were the Co-Op gigs with lots of bands and lots of support. We played at the old Chatham Town Hall a few times, which was good, including one where we were one of the support acts for McCarthy.

No real rock n roll stories, sadly.

++ When and why did Crystal Tips & Alistair stop making music? Were you involved in any other bands afterwards?

We called it a day in 1990, as Chris was getting a bit frustrated waiting around for us at uni. Also our drummer was leaving to go to Salt Lake City.

So sadly we agreed to call it a day in late 1990.

Chris started a band with the drummer and keyboard player from The Hyacinth Girls.  Martin went on to form a band called Summersault.

I’ve been in various work bands over the years and am currently in The Pharmacist “a funk-punk Dad band”.

++ Has there been any Crystal Tips & Alistair reunions?

I kept in touch with Chris and Steven Pepper. And our drummer Paul contacted me a few years ago to say he had the master tapes from our 1988 sessions. We talked about a reunion but nothing happened.

++ Was there any interest from radio? TV?  ++ What about the press? Did they give you any attention?  ++ What about from fanzines?

Local radio stations and local papers were generally supportive, and there were a few fanzines around.

++ Looking back in retrospective, what would you say was the biggest highlight for the band? 

Probably supporting McCarthy! And more recently finding out someone had put my song on YouTube!

++ Aside from music, what other hobbies do you have?

I love football – my Dad gave me a life-long love of music and a lifelong love of Liverpool FC.  I spend a lot of time watching, thinking about and arguing about football.

I’m a UEFA licensed football coach and I ran a local youth team until recently.

++ I once went to Rochester but I am not familiar with Medway, so would love to ask a local what would you suggest them doing there, like what are the sights one shouldn’t miss? Or the traditional food or drinks that you love that I should try?

Well, I left Medway in 1990 to work and live in London, and I’ve only really been back to visit my parents now and then.  So I’m not really a local any more!

But Rochester has a lovely quaint high street and a castle, Gillingham has Kent’s only football league team and erm …

++ Anything else you’d like to add?

Just to say thanks again for giving me a lovely trip down memory lane!

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Listen
Crystal Tips & Alistair – Lesley Cocaina

07
Jul

As I’ve been terribly busy with the birth of my song I haven’t had time to digest what happened to my friend Toshiko Matsumoto. Just a few weeks ago she passed away. This was such sad news that I had a hard time understanding how this could happen. Why such a passionate person would leave us so young.

I never met Toshiko in real life. And that is definitely something I regret. Of course she told me many times to visit Tokyo. I would have loved to. It is a place I want to go, but still it is in my bucket list.

Toshiko used to run a store there called Apple Crumble. It carried indiepop records from all around the world. Small labels had the same opportunities there as bigger labels. She was the first one to open the doors to the two labels I had, Plastilina and Cloudberry, when no other store cared for my releases. She even made special sections for the labels thus promoting better my records in Japan. That was truly amazing. And I am very thankful for that. She helped Cloudberry a lot to become a known label within the Japanese fans.

And that wasn’t all she did. She wrote a column on the Cookie Magazine. This cool music magazine featured so many great bands and labels. And again, Toshiko championed Cloudberry dedicating a whole article to the label back in the day when I was putting out 3″ CDs. It was the first time the label was on a magazine and it was thanks to Toshiko.

Another time she translated a text about my time in Berlin and Europe, when I DJed in 2009 with Uwe from Firestation Records. I just found this text. I totally forgot about it. Maybe I will share the English version which I think has never been published before.

Years went by, Toshiko ordering and carrying Cloudberry in her store until the store closed many years ago. The Shibuya-located store is sorely missed today. It was a cultural center you could say.

I interviewed Toshiko too. Hearing from someone so involved in indiepop and to be able to share her passion was what pushed me to ask her to do this for the blog. You can read it here. There you can see she wasn’t just running a store and writing articles, but she also organized indiepop parties as well as running a fine label called Rosemary Records! On that label she released the likes of Sloppy Joe, Labrador, Bananaskin, Mocca and Seaside Stars (who I am sharing one of the songs she released from the album “The Stranded Whale”). She was definitely a true activist for the music we like.

She continued until the last days of her life promoting indiepop, doing a blog with her beloved Fabien which she called of course Apple Crumble. The blog was last updated on May 13. But you can visit and check out the good taste Toshiko had with all her wonderful recommendations. There’s even a small interview she did with me a few months back.

It was fun to chat with her. We didn’t do often lately,  after her store and online mailorder closed, but she was supportive of Cloudberry, always. I would always get nice emoticons from her whenever I shared posts on Facebook. Made me so happy.

Perhaps the biggest collaboration we did was the Apple Crumble EP. This was a 3″ CD I put together in 2007. This EP that featured Zipper, The Atom Miksa Reservation, Princess Niko, The Medalist and Robert Church and the Holy Community was only sold at Toshiko’s store. It was a different time and shipping from Japan was affordable. I wanted to support her store and wanted Cloudberry fans to be aware of what Toshiko was doing. So I wanted to direct people to Apple Crumble and get this CD which was wonderful of course. It sold out needless to say.

But that was not all. I dedicated a 7″ insert text to Toshiko. For those who own the Caucus 7″ they will know what I am talking about. On that insert I celebrated my friend Toshiko and her unending support.

I am sad to know she won’t be around anymore. I considered here a like-minded spirit. She knew how to enjoy music. She knew how to project that passion in so many different activities that brought joy to friends and fans. She will be missed. But what she inspired me and many more will continue alive, we wave the indiepop flag high, the same way she always did!

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Listen
Seaside Stars – Guiding Star

05
Jul

Day 481

Croma Nueve: just discovered the label Sursum Tapes from Granada, Spain. Their latest release, the self-titled Croma Nueve tape is already sold out. But here I am checking it out. It was released last May and included 5 songs. You can check their lo-fi bedroom pop on Bandcamp.

A Days Wait: another nice discovery is this project from Hamilton, Canada. Just a week ago Adam Alfano, the person behind this band, published a punchy pop track called “Lost Anyway”. Previously he had released “Ties that Bind (B-Side)” and “Falling Forward iPhone Demo” on Soundcloud.

Fantasy Postcards: wow! a new song by my friends Johan and Mattias Jonsson from Uppsala, Sweden. This one is called “(Where there was) No Goodbye” and as usual is a superb slice of jangly pop!! Thumbs up! I heard a rumour somewhere that they are releasing something in the near future? I hope it is true!

Evergreen Days: remember I told you that My Secret Garden Recordings are releasing a compilation by the amazing Evergreen Days on November 25? Well, to promote this wonderful release a video has been made for the song “Until Then”. This is one release that is essential this year.

Frown Line: and we end this Monday recommendations with another Canadian band, Frown Line from Ottawa. I’ve been meaning to visit the capital for many years, but I haven’t yet. Would be nice. The one song on Bandcamp have reminded me of those plans. This song is called “September” and was recorded by a girl whose name we don’t know but that she is 19 and played everything on it. Nice!

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Back in 2014 the venerable Jigsaw Records that our friend Chris Mac runs released “Thank You for Nothing!” (PZL064) a retrospective compilation of the band formed by Andy Huscroft on bass, Malcolm (Mala) Reay on vocals and guitar and Steve Minto on drums, in the early 90s.

This compilation is available to listen in its entirety on Bandcamp. It includes a whopping 28 songs! These came from their three singles, one split flexi and many compilations, which we’ll look later on, and some from their never released album. The songs for you completists were “Make it Better”, “Why Does the Sun Fall from the Sky?”, “4 Walls”, “Salt in the Wound”, “Sacred Ground”, “Another Day”, “Wish You Luck”, “St. George’s Way”, “Worldly Wise”, “Come in from the Cold”, “Do You Really Know What’s Going On?”, “Money Talks”, “Make a Big Decision”, “Goodbye to Stephen”, “A World of your Own”, “Pull the Boat in”, “Close to Home”, “Think it Over… And Start Again”, “Happy Again”, “The Devil’s In your Shoes”, “This is Your Life”, “A Suit of Wood”, “Watch the Rain”, “You Live by the Sword… You Die by the Sword”, “Sad”, “Chocolate Rain”, “You Need a Heart of Stone” and “Ever Get the Feeling You’ve Been Cheated?”. If you remember, once upon a time I named a Cloudberry 3″ compilation like the last song.

That last song, “Ever Get the Feeling You’ve Been Cheated?” appeared on the split flexi I mentioned. This flexi, shared with The Lavender Faction, came alongside the This Almighty Pop fanzine, number 3. Catalog number for it was DR002, the label was Dolphin 7. The artwork features The Beatles.

On this flexi we learn too that the band hailed from Gateshead.

Gateshead is a large town in Tyne and Wear, England, on the southern bank of the River Tyne opposite Newcastle upon Tyne. Gateshead and Newcastle are joined by seven bridges across the Tyne, including the Gateshead Millennium Bridge. The town is known for its architecture, including the Sage Gateshead, the Angel of the North and the Baltic Centre for Contemporary Art. Residents of Gateshead, like the rest of Tyneside, are usually referred to as Geordies.

In 1991 the band released their first proper 7″, the “Make it Better” single (TURN 05). It came out on the German label A Turntable Friend and had three songs. “Make it Better” appears on the A side and “Pull the Boat In” and “Sad” on the B side. The songs had been recorded in June of that year and on the sleeve there seems to be a woman I should know perhaps, but I can’t tell who it is, looks like a movie actress. Who is she?

In 1992 the band releases a tape on Elefant Records called “Happy Hymns” (ER-014). This tape had 15 tracks, can it be considered an album? Maybe not, most probably a collection of demos: “All Fall Down”, “Money Talks”, “The Devils in Your Shoes”, “Chocolate Rain”, “Think it Over, Start Again”, “Good Luck” and “Happy Again” on the A side and “Come in from the Cold”, “Watch the Rain”, “This Could be Heaven”, “Sacred Ground”, “Goodbye Stephen” and “Do You Really Know What’s Going On?”. Impressive as many of these songs don’t appear on the Jigsaw compilation.

1993 sees the band release “St George’s Way” 7″ (TURN 13) again on A Turntable Friend. Two songs on this one, “St George’s Way” and “Why Does the Sun Fall from the Sky?” on the flipside. Again some interesting photos for the artwork, perhaps known images from TV or movies but I can’t pinpoint them. Not much more info other than who wrote the songs, Graham for “St Georges Way” and Huscroft and Reay for the B side. Now, who is Graham? Was he a new member?

Elefant would work again with the band and release “The Route of Evil – 4 Songs” 7″ (ER-128) in 1994. This EP had “Salt in the Wound” and “Another Day” on the A side and “Make a Big Decision” and “Worldly Wise” on the B side. Weirdly in Elefant’s website it says that the band hailed from Australia.

When it comes to compilations the band shines. They were very active during the 90s! I’ll try to do it quickly and chronologically.

On the 1990 legendary tape “Positively Teenage” released by Stephen Maughan’s Dolphin 7 label we find their songs “All Fall Down” and “Devil in Your Shoe”. In 1991 the song “Watch the Rain” is on the Red Roses for Me tape compilation “Honey at the Core”. That same year on the Spanish tapee “Film Fun ‘There’s No Stopping Her!'” released by El Vicio Secreto de Sister Mary to accompany the first number of thee eponymous  band contributed “Come in from the Cold” and “Sacred Ground”.  Lastly that same year the song “Sleep like a Dream” ended up in the tape “123456 Road Runner” by Glidge Records (Glidge001).

1992 was quite prolific as well. On the French Anorak Records tape “Teeny Poppers” (SHOUBIDOUWA 01) they included the songs “Worldly Wise” and “Everything Today”. On another French tape, “Garden Party” released by Aliénor Records (Alien alpha) they had the song “Happy Again”. Elefant included the song “Sad (Demo Version)” on “Positively Dolphin Friendly” (ER-007) tape. Lastly on the classic “C92” released by Rainbow the band had yet another two songs “Come in from the Cold” and “Why Does the Sun Fall from the Sky?”.

In 1993 the songs “Make a Big Decision” and “World of Your Own” ended up on Grapefruit’s “Lime Green” (Grapefruit Four) tape comp. Bliss Aquamarine would also have them on “Peacock Blue” (BLISS 002) compilation with the songs “Chocolate Rain” and “Watch the Rain”.

More recently the band had “Why Does the Sun Fall…” on the “Jigsaw Records 2015 Sampler” a CDR sampler by Jigsaw Records and in 2017 they appeared on “The Test of Time” (TURN50) a CD and vinyl compilation by A Turntable Friend that announced the comeback of the mighty label.

When it comes to other bands they have been involved with, well we know Malcolm Reay had worked with our friend Stephen in Kosmonaut. Very cool indeed. I don’t know much about the other two members. Did they play in any other indiepop bands? I believe Andy Huscroft was on The Hipflasks who I wrote about (but still haven’t been in touch with!)

I look for more info. I find a blog called “…Your Heart Out“. Here the author writes a nice post about Malcolm Reay. This piece dates from November 2010 and teells us that The Gravy Train had great t-shirts. Would love to see one. He mentions too that the Malcolm loved the band Hurrah!

The other blog that wrote about the band is the great 7pulgadas by my friend Alex from Spain. Not much info about the band but always lovely to read the passionate texts of this blog.

Not much info, but hopefully we’ll find out more details about the band soon! I hope the connections between bands that I am friendly with may help with contacting The Gravy Train members!

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Listen
The Gravy Train – Come from the Cold

02
Jul

Day 478

Hotel Artesia: nice to see Mr. Wright, Kevin, back. You have to remember his wonderful music as The Dreamers and Always as well. This new project is called Hotel Artesia and he has already recorded a bunch of songs that are available on his own Youtube channel. He has so far five songs worth checking out, “Stardust”, “Station”, “Seconds”, “South” and “Space”.

Three Berry Icecream/Funny Little Dream: wow! what a nice release Shiny Happy Records from Indonesia is putting out on July 27. A split tape by the legendary Three Berry Icecream (who I interviewed on the blog not too long ago) and Funny Little Dream a band we love and released a 3″ CD back in the day! Each band contributes four songs to this release and you can preview one song each on Bandcamp!

The Oilies: now we have to listen “Free all the Monsters” by The Oilies. It is actually a cover of the classic song by The Bats. Carly Putnam  and Michael O. are the people behind this fine sounding California band that as you know I’ve recommended time and time again. Hoping for a release in the future.

Geddy Laurence/Michael O: and I had to check what was new with Michael Olivares solo, not just in The Oilies. Well there is a split tape with Geddy Laurence (Ged McGurn from Boyracer) out now on Safe Suburban Home Records from York, UK. In this split each of them contribute two fine popsongs.

Galaxy Lodge: what a nice discovery! This Manila band formed by Emeer, Gerard, Ron, and Otits, is now on Lilystars Records. On top of that they have just released a very good single called “Kiss this Goodbye”. Really enjoyable. I feel I don’t stumble upon many filipino bands as often as I want to, but when I do it is usually quality!

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We head to the US today, to discover the self-titled album by The Allisons.

Released by Spindletop Records (SPT 128), who had released Janet Jackson (!), in 1989, I don’t know how much of a success it was. It does look like the label trusted the band and released it on vinyl, CD and cassette. Uncommon those days!

The jangly band had 11 songs on their record. On the A side they had “Sixth Dimension Flower”, “Wild Wild Rain”, “A Second Coming”, “Sherry Goes Round” and “They Pulled My City Down”. The B side had “Roanne”, “Of Speaking my Mind”, “Naivete”, “Waters Rise and Lower”, “Homeward Bound” and “Listen”. All songs were recorded at January Sound Studio in Dallas, Texas, and mixed at Amigo Studios in LA.

The artwork shows us the four band members in the front cover. They were  Adym Roy on vocals and bass guitar, Jim Harville on vocals and guitars, Karl Teten on lead vocals, guitar, harmonica and bass and Kevin Tate on drums.

Other credits include Daniela de Stefanis, Bill Kennedy and Garth Richardson as engineers. The executive producers was W. Barry Wilson. The songs were mastered by Michele Stone, while the producer was Rob Meurer (who also played percussion and organ on the record). Novi Novog played viola. She has played viola in more than 150 records including 10,000 Maniacs or Dolly Parton!

The song “Homeward Bound” is actually a cover of Paul Simon and the first track, “Sixth Flower Dimension” was written by Errol Hughes. Who was he?

There were no compilation appearances for the band nor any other releases. How strange.

I look at any other bands they might have been on. Kevin Tate seems to have drummed for Gorges Borges who released a 12″ in 1985. And that’s it. What about the other members? They must have played music somewhere else, no?

To me it looks clear the label had a lot of hope in the band. I read that their cover of “Homeward Bound” had a video and used to be played in MTV Europe. I haven’t been able to find this video on Youtube.

There is absolutely no more info about the band. I think they hailed from Texas. But that’s what I think. I don’t have prove.

Hopefully we’ll learn more details about them in the future. Anyone remembers them?

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Listen
The Allisons – Sherry Goes Round