01
Mar

Day 355. Well tomorrow it will be a year since I started this lockdown. I thought it was in mid-March that I started this. Maybe I miscounted the days, though I think I was thorough. Perhaps I didn’t start counting when I first started to stay at home. I can’t remember anymore. It’s been a long time in any case.

Nuevos Hobbies: Discos de Kirlian have a few new releases worth checking out. Let’s start by the 12″ “Monstruoso” by the Spanish band Nuevos Hobbies. The 10 songs in this record are beautiful and jangly, no surprise here, it feels every indiepop band from Pamplona knows how to make good records. This one is very good, and I hope to get a copy soon.

The Death of Pop: another new song on the label’s Bandcamp is “Go Back”. This song is going to be part of the forthcoming album “Seconds” that the label will co-release with the fine French label Hidden Bay. There seems to be no release date yet, but we are looking forward to it.

Always You: and lastly from Discos de Kirlian is the song “Rio de Janeiro” by Always You. This one sounds really good. The band features the twin brothers Christoph and Anton who were in a lineup of the Pains of Being Pure at Heart as well as in the own band Ablebody. The song sounds great and it is announced that Shelflife Records will be involved in a release as well. Again no data for that yet, but we can enjoy this track of course!

The Umbrella Puzzles: well, this is already sold out. So fast. This is making me think that I should change the Cloudberry releases to a limited run of 100 copies. What do you all think? I would have to sell each 7″ for $12 plus shipping though. But the good thing will be that the records will all find a home and not stay in boxes at my place for a long time. I think I should start considering this. Anyways, I missed the CD release of “A Slowly Dawning Realization”. It seems the 100 copies were sold out in a day. Wow. Really wow. But it is not surprise as the music of Ryan Marquez has always been pure quality. In this new album  he includes 10 jangly songs, filled with perfect melodies. The CD was released by Subjangle Records but you can stream the songs on Bandcamp.

The Blue Herons: who isn’t a fan of the music of Gretchen deVault and Andy Jossi by now? The Swiss-American project keeps crafting bright, luminous, indiepop slices of perfection. Their latest track is titled “Endless Rain” and it sounds classic at first listen. Everything is in the right places. Every arrangement, the lyrics, the vocals, it just sounds good to me. As my friend Jessel asked somewhere, when are they releasing something?

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Did this late 80s, early 90s band got their name after a Bee Gees song called “Red Chair, Fade Away”? Would that be the first and only indiepop band to be called after a Bee Gees song? that’s an interesting thread to investigate.

But I think in general I want to know more about the band. I own a few records by them, probably half or so of their releases. So I am missing many parts in the puzzle.

Many know the band because Tim Vass was part of it. Tim Vass had been in the legendary Razorcuts (he was also part of Dandelion Wine, The Forever People and The Cinematics). But he was accompanied by two more musicians, Shirley Souter and Richard Mason. Richard had played in the Razorcuts albums and had been in the band called Shake Appeal. Shirley actually did backing vocals on The Carousel records and was part of Dandelion Wine. She also took photos for the Razorcuts’ “The World Keeps Turning” album. So yeah, all very well-known people within the Oxford scene.

In 1989 the band would release their first record, a 12″ EP titled “Let It Happen” on the Cosmic English Music label (CTA 103). The A side had “Let it Happen” and “Myra”, while the B side had “Dragonfly” and “Grasshopper”. On this record we see that another important name in Oxford scene, Peter Momtchiloff (Heavenly) played bass. Also Struan Robertson (from Saturn V and The Would-Be-Goods) played drums and percussion.

Richard Mason played the acoustic guitar and bells in the record, Tim Vass played guitar, acoustic guitar, tambourine, finger cymbals, flute and organ while Shirley Souter played rhythm guitar. The producers were Tim Vass and Martin Pavey. The record was produced at Silent Studio in London.

There are also etchings on the vinyl, the A side says “No Clothes Don’t Buy My Soul”.

That same year the band released a second 12″. Titled “Mr. Jones”, it was another 4 song EP with “Mr. Jones” and “Chimney Pots” on the A side and “Faraway Lights” and “Out of the Grey” on the B side. Here I start to change the idea of the lineup of the band I had. So on the front cover there is an illustration of 5 members. These are the original three I thought of plus Struan Robertson and Peter Momtchiloff. The back of the sleeve lists them as three band members.

Like in the first record, all songs are credited to Shirley Souter.

In 1991 the band releases a split flexi with the American band Fudge. It was released by Waterbomb! Records (Splat 002). This flexi came alongside the sixth issue of the Waterbomb! fanzine and Red Chair Fadeaway contributed the song “Never Remember”. The red sleeve, on the Red Chair Fadeaway has a photo of a girl. I’ve tried many times to figure out who is she, if someone famous, but not sure. Anyone knows?

In 1991 the band would release their first album on both CD and vinyl. It was titled “Curiouser and Curiouser”. Originally it got released on vinyl by Tangerine Records (MM10). This version had 12 songs, “My Brother’s Room”, “Sleeping in Your Garden”, “Circus i n the Sky”, “Willo”, “All Your Old Tricks” and “Saffron’s Dream” on the A side, and “The Watermill of No Place”, “No Time”, “Rocking Boat”, “Epitaph for a Hare”, “Conjuror Trendle” and “Doasyouwouldbedoneby” on the flipside. The artwork was created by Paulo Baigent and came in a very nice sleeve from what I understand, with extra flap and even included a 10 page lyric booklet. I don’t have this records sadly. It looks really pretty from the photos.

The CD version came out on the English Garden label (ENG1013CD). This CD version included the album plus the two previous 12″s plus the song from the flexi disc, in that order. So in the end it has 21 songs! I think I’d like this version of the album, more songs! even though it probably not as pretty as the vinyl…

In 1993 the band would put out their second album “Mesmerised” released by Aural Records (AUR 102) on vinyl and on English Garden (ENG1012CD) on CD. This time around the tracklist looks the same for both versions. There were twelve songs, “I’m Not Trying”, “Homestead Moat”, “The Plaitman of Bedfordshire”, “Cristatus”, “Hot Rain” and “Happy With Your Lot” on the A side and “Clear, Clear to Me”, “Sweet Way”, “Don’t Close the Door”, “Under Clouds”, “Dream River” and “On Telegraph Hill” on the B side. Here I see there’s a mix when it comes to who wrote the songs. Shirley is still the main songwriter but Mason and Vass contribute more this time.

The artwork is credited to Shirley and we see another guest musician other than Struan Robertson, Raymond Dunthorne. Also on the credits we see that the engineer was Fred Baggs. The album was recorded at Redchurch Studio in London between the summer of 1992 and spring of 1993. Two songs, “Sweet Way” and “Dream River” were recorded at Joe’s Garage in London in autumn 1991.

The band’s last release was a 1995 7″ on the Candy Floss label (CF006) from the US. The 7″ had three songs. On the A side we find “Kingcup” while on the B side there’s “Kevin Said” and “July (Is a Long Time Coming)”. The song on the A side was recorded and mixed at Redchurch Studio on April 1995, “Kevin Said” was recorded at Joe’s Garage on August 1991 and mixed at Redchurch on April 1995 and the closing track was recorded at La Rocka Studio in London in April 1991 and mixed at Dungeon Studio in Oxfordshire in August 1991. On “Kingcup”, David Goldthorpe played rhythm guitar as backing vocals. He would later contribute in Dandelion Wine.

When it comes tom compilations the band appeared on a few. Interestingly not in their early days, but most of the compilations they’ve been on had been in this century.

The first one dates from 1995 and was called “(Garden of Delights Presents…) Seek Refuge… (From your Intolerable Situation)”. This compilation LP was released by Garden of Delights (Garden 3) and included the song “Limetree Helicopters”. Other known bands in this record include The Blind Bats, Louis Phillipe, Next Time Passions, The Television Personalities or The Pastels among others. The proceeds from this release were donated to the charity Womens Aid who provided refuges for battered women and their children.

Discogs lists a compilation called “Electric Psychedelic Sitar Headswirlers Volume 1-5”. It is a 5 CD boxset but it is listed as unofficial. Here they show Red Chair Fadeaway appearing on the fifth CD with the song “All Your Tricks”. The label was Past & Present Records (PAPRBOX 011) and it dates from 2011. Then in 2015 there is another unofficial CD boxset, a whopping 11 CDs. This one is called “Electric Psychedelic Headswirlers Volumes 1-11”. So yes, it includes CD 5 with Red Chair Fadeaway and the song “All Your Tricks”. The label name has changed though, now it is called Rubble and the catalog number is RUBCDBOX6. This 5th CD of the series was also released unofficially on its own by yet another label, Purple Lantern Records.

In 2018 Cherry Red would include thee song “Let it Happen” on the CD boxset “C89”. Then in 2019 Cherry Red would again include them on another box set called “Losing Touch With My Mind: Psychedelia in Britain 1986-1990” with the song “Myra”.

I google them. I only find blogs that let people download their records. That’s disappointing. I am looking for any other information that I haven’t found yet, perhaps I could find what are they doing these days? Are they still involved with music? That would be a cool thing to find out.

So yes, any information, any details would be appreciated. Anyone saw them playing live? Did the band make t-shirts? I reckon the design for their last 7″, “Kingcup” would have been great on t-shirts….

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Listen
Red Chair Fadeaway – Mr. Jones

26
Feb

Day 352

Pelvic Fins: Augusburg, Germany, has becoming a nice hotspot for indiepop. We have the fantastic Kleine Untergrund Schallplatten label there and today I discovered Gebrauchtemusik, another label from there I believe. Their latest release is a 15 song collection by the band Pelvic Fins. The album is called “Muxik Vorher & Nachher” and is available digitally. This is actually not a new release, this album came out back in 2003 in CDR.

Collapse: this Japanese shoegaze band is a new discovery for me. Their latest song is called “Vertigo feat. Ishikawa”. I believe Ishikawa is in a band called My Dead Girlfriend. There’s not much more info about the band or the release here, just that it is a digital only release. Sounds good though! Should check their previous releases.

The Keep Left Signs: I really like this Swedish band that features two ex-Lost Homeboys, Jimmi and Gustaf. The band released a new EP on December but as it’s only on digital platforms I haven’t been able to share it. The good thing is that on Youtube they’ve made a video for the first song of said EP and as soon as you listen to it you know it is a winner. The song is called “Make it Shine” and the video was filmed in Japan, while Charley was visiting last March. I hope it gets a physical release!

Lentillas de Colores: another new video! This one comes from Spain from the band Lentillas de Colores! The band has just released a 7″ EP and the song they’ve chosen to make a video is called “Arrancacorazones”. Thee video is really nice, with lovely and well thought aesthetics. Very p!o!p!

Haus Plants: and lastly we discover a new band from Lisbon, Portugal. Their latest track is called “Visual Diaries” and it is an upbeat jangly tune. Really enjoying it.

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Back to the CDR days. The year is 2008 and there’s a label that’s been releasing a bunch of good EPs and singles. It is Cosy Recordings from Stockholm, Sweden. At this point in time I believe the label owner is cool with me, and we have sort of a friendship. That will change later on, but that’s not an interesting story. The story today is about the 11th release on that label, Little Big Adventure’s “Saltsjö-Duvnäs” EP.

Back then 100 copies for a CDR was a good idea. I wonder if today too? It was limited and hand-numbered, as was the trend that maybe I started with the Cloudberry mini CDs. It worked well. This EP with catalog number COSY 11 had four songs, the title song “Saltsjö-Duvnäs”, “Son of St Jacobs”, “Saltsjö-Duvnäs (Performed by Erik Halldén)” and “Saltsjö-Duvnäs ’08 (Performed by Erik Halldén and Little Big Adventure)”.

Little Big Adventure was Magnus Lindroos from Sundsvall and we can assume he had a good relationship with Erik Halldén. Erik Halldén perhaps should get an entry on the bog sometime. He was quite representative of the period, releasing albums on Bedroom Recordings as well as EPs on the very fine My Secret Garden Recordings. What’s interesting is that actually Erik Halldén was the one who wrote the song “Saltsjö-Duvnäs”.

Saltsjö-Duvnäs is actually a residential area in Nacka. That’s within Stockholm county boundaries I believe. Perhaps Erik hailed from that area? Or Magnus? That’s something to find out of course.

We also know that the other original song on the EP was written by Henrik Berggren. That means then a cover of the Broder Daniel’s song “Son of St. Jacobs”. Okay. What else do we know about this release? The artwork is credited to Lisa Persson and the layout to Karin Ringvist.

There are two compilation appearances. Both of them is with the same song, “Happiest Times”. The first one dates from 2008, it is on the “Club King Kong: Säsongen 07/08 – Med Musiken i Mitten Volym 3” CDR comp released by Donkeyboys Recordings (DKNYBYS003). I would really like to get all of these club King Kong CDRs… if anyone wants to get rid of them let me know. I am very curious about them.

The other compilation is one called “Stockholm Belong to Us” (PLAB139) that came out on Labrador in 2011. It was a CD and was also published in the Philippines that same year by Universal Records.

To my surprise there is even one more release by the band, a CDEP from 2009 on Labrador! So the band ended up leaving the CDR for a proper CD. The EP was titled “The Hateful Eye EP”. I totally missed it. This EP had four songs, “Happiest Times”, “The Hateful Eye”, “Any Questions?” and “Son of S:t Jacobs”. There was even a video made for “Happiest Times“!

Aside from this project, we know that Magnus Lindroos was in a band called Supertuff who released a split tape with the band There is Thunder in Our Hearts on 2014.

One thing that is confusing is that on Labrador’s website there is a bio about the band and that one is penned by Magnus Sätterström. Is it the same Magnus as Magnus Lindroos? That confuses me. Who’d know. The bio doesn’t give us much details about the band. At some point the band had a website and a twitter.

One thing that I figured out is that the band’s name come from the 1994 PC game Little Big Adventure.

Now if it is the same Magnus Lindroos, which I am quite confused by now, I found a Soundcloud with a song called “Vill Du Hälsa På Mig?” from 6 years ago. Sounds nice! And from there we find a Soundcloud for Little Big Adventure!

The songs are as old as 10 years old, but there are more recent ones, the latest from 2 years ago. The songs we find here are: “Lazy Kind of Flirt”, “Moop”, “Lba-Wow”, “Woods”, “20 ft. Until Ground”, “Bureaucrat”, “No Love Or True Affection”, “I Remember Things”, “Olof Broström”, “The Standoff”, “Run and Hide”, “My Last Wurds”, “Friends Wiv Nazis”, “To Whom it may Concern”, “Young People”, “The Further Away the Better I Feel”, “Little Boat”, “Gutted Fish + Bonfire”, “Paleremix”, “Ben and Jerrys”, “Visitoldpeople”, “The Easiest Thing”, “Call of Heart (Tcentralen)”, “Don’t Hurt My Eye”, “Powerpoint” and “Kids”.

And that’s I guess the last music he has published. From the photos it seems he has a family now and perhaps left music a bit on the side. Totally understandable. Still would like to hear any anecdotes, anyone that remembers the band? Maybe they played live? Who remembers them?

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Listen
Little Big Adventure – Happiest Times

24
Feb

Day 350.

Texpack: Anoa Records is a very good label from Jakarta. So it is a good idea to check them out now and then. Their latest is a limited edition 3″ single by the band Texpack. Titled “Early Serenade”, this short EP comes with three songs, “The Early Serenade”, “Between 4 and 10 (Strawberry etc.)” and “My Trumpet”. The last one is a cover of the classic Eggstone song!

The Catenary Wires: what a cool thing to see The Catenary Wires on Shelflife Records! The band is releasing a 7″ with two songs, “Mirrorball” and “I Wish You Were Here Now” and has a very nice sleeve with Amelia Fletcher, a chair, nice typography… I dunno, I was sold even before listening to the very good title song “Mirrorball” that is available to preview! The record is coming out on April 16.

Shiny Times: not too long ago, a few posts ago, I was recommending some new songs by the project from Charleston, South Carolina. Kim Hart Weldin’s Shiny Times have now four new songs on Bandcamp that are maybe not that new? They seem to date from February 2020 to February 2021. Which are the old ones? Which are the new ones? Check out this nice EP titled “Starts with S”.

Orion Lake: let’s cross the Hudson river. Now we are in Elizabeth, New Jersey, and checking out the song “Rabbit” by Oriol Lake. And it does impress at first listen. It is fuzzy and warm track, with upbeat melodies. Happy to meet you Orion Lake.

Genders: and lastly we discover this duo formed by Maggie Morris and Stephen Leisy from Portland, Oregon. Their first single from their second album is called “The World Fades Away” and it is quite good! Jangly, female vocals, and classic indiepop melodies.

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What a lovely discovery! I stumbled on Youtube upon The Grain’s song “A Splendid Day” and was hooked! Very Choo Choo Train, very jangly, great melodies. Everything you want to ask for a pop song!

As it is normal with these discoveries the band ends up being terribly obscure. We can see on Discogs that the band released one tape in 1991, and that’s where this song was released. We also know that the band hailed from Calgary, Alberta, in Canada. That’s some good info already, right?

The tape seems to have been self-released and was titled “A Moment’s insight”. It included 7 songs. The A side had “Will I Be Here”, “Save it for Another Day”, “A Splendid Day” and “Watch You Smile”. The B side featured “Happenings”, “Now and Then” and “People Say”. The songs were recorded and mixed by Frank Slide at ReelRock Studios in Calgary. They were produced by the band and Frank Slide.

Who were the band? That we know too:
Mike Hendrix – bass
Craig Clements – acoustic & electric guitar, vocals
Rob Virdis – acoustic & lead guitar, vocals
Dino Finot – drums

A little more googling lets me know that Rob Virdis had been in a band called Glider afterwards releasing two tapes. I believe he also played in a few songs of Matt Gillespie’s self-titled EP released earlier this year.

Then I find that Dino Finot is a motorcycle enthusiast who attends the Calgary Motorcycle Show every year. Interesting! But what about music?

And that’s it. Not much more information on the web, but some great music here, right? Hopefully we’ll learn more about them soon!

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Listen
The Grain – A Splendid Day

22
Feb

Day 348. Almost a year now. I’m glad the Verandan 7″ is out now, it is a good way to manage the expectations. One year of being mostly stuck at home. One year without gigs. And one wonders when will it end. Don’t know if counting the days is the most sane thing to do.

Beach Youth: coming out in April is the album “Postcard”. It will be available on CD and vinyl. There are 11 songs, and we can preview four of them, “Love Yourself II”, “Two Bedrooms”, “A Changed Man” and “In My Chest”. The release is coming out on two French labels, Music from the Masses and Wewant2Records, and on Shelflife in the US. What I’m hearing is very good. I should talk to Ed soon, I will need a copy of the record!

Fightmilk: another upcoming release is the album “Contender” by the London band Fightmilk. Coming on vinyl and CD on May 14 we get to preview two out of 14 songs on Bandcamp. Yeah, we can check out “I’m Starting to Think You Don’t Even Want to go to Space” and “If You had a Sister…”. I really enjoy the guitars and female vocals on both of them. Definitely we should look forward to the second album by Fightmilk!

The Line Managers: first time I check this Birmingham trio. They seem to be brand new as the two songs on Bandcamp have just been uploaded there. And that’s all, no more songs. “Nothing Seems to Work” and “You Should Know” are how they are introducing themselves to indie fans. They sound fine to me. Only available digitally too.

Creature in the Spiral: we head to Laredo, Texas, to discover this cool shoegaze band. Their latest release is only available digitally it seems, a short EP titled “FEB”. The opening track, “Play”, is probably my favourite, fuzzy and with great melodies.

Juliper Sky: and we end up this roundup with a band I have featured in the past, Juliper Sky from Manchester. They make beautiful guitar-layered music. As they mention it, they do know how to marry shoegaze, dreampop and psychedelia. Their latest song is not exception, “Another Life”. Check it out.

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Time to head to Sweden. The year is 1992. And a maxi-single is released by the band Julia Dream. It comes out on the unknown Yellowmoon Productions (catalog YEL001) and we don’t know nothing more. Did it make a splash within the indie scene in Sweden? That’s something I’ll try to find out.

Yellowmoon Productions seems to have been the band’s own label. There are no other releases listed on this label. We do know though some details about the release and that always makes me hopeful about finding more information about the band.

Three songs were included in the CD single, “Liquid House”, “Angel” and “Seeing Out”. They were produced and mixed at White Room, in Copenhagen. The producer was Lars Paulström.

This makes me think that the band hailed from the south of Sweden, probably from Skåne. Maybe from the city of Malmö? We’ll see…

We know the band members too.
Thomas Lundberg – guitar, vocals and drums on “Angel”
Anders Westerström – bass, vocals
Anders Linén – keyboards
Nicklas Johansson – drums on “Liquid House” and “Seeing Out”

The other credit worth mentioning is that Christina Curman did vocals on “Angel”.

Then I find an address on the sleeve. Yes! Yellowmoon Productions hailed from Malmö. The street is Agnesgatan, about 15 minute walk from Malmö’s central train station. In the old town area. How nice. I remember walking those streets and would love to go back soon.

Discogs doesn’t list any compilation appearances nor other releases by the band. It is a shame. Their songs are great.

But there are good news. There is a Bandcamp! I should have started there, right? Well, I didn’t know it existed! Here they have the three songs of the “Julia Dream” CD-single and two demo cassettes to boot.

The first demo dates from 1990 and has four songs. These are “Angel”, “Insomnia”, “A Multitude of Ladybugs” and “The Madcamp Laughs”.

The 2nd demo is from 1991 and has four songs as well, “Here We Go”, “Like Magic”, “Leafsong” and “Sun”.

This is great, I’ll spend an afternoon listening to the songs. Now it would be great if we get in touch with the band and find more information about them. These are all good and would love to know if there are even more songs! If the band members went to be in other projects and more. There’s always tons of questions to ask!

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Listen
Julia Dream – Liquid House

19
Feb

Day 345. Today I mailed the first batch of Verandan 7″s to those who have preordered! That’s great! Keep supporting the label for more and more releases 😀

Grrrl Gang: an Indonesian band getting a vinyl release? That’s not too common but it is definitely great news! The Yogyakarta band is releasing a 7″ on July 1st with two songs, “Honey, Baby” and “Ghost to You (Live at Teras Belakang Studio)”. The one track we can preview, the first one, is really good! Perfect pop! 300 copies are made of this 7″ and it is selling for 8 pounds by Damnably Records. Definitely one we can’t miss!

Vary Landers: now we head to Detroit to discover this lo-fi bedroom pop project. There is little information here, but we can definitely enjoy the guitar strums on the two songs we can check out, “Amaryllis” and “Uji”.

UJU: and back to Asia, to Cebu City, Philippines. I discover the label Melt Records, and their latest release, “Dream of Better Days” by UJU. This is a 10 song album which already came out on January 29. It sounds great! Dreamy with female vocals and very nice guitar arrangements. The artwork for the album is nice too! I hope they get to release the album in physical format!

OutControlJoys: wow! a shoegaze band from Pokhara, Nepal! This is really exciting. Never knew there was a scene there. Ris Records is a label that started in 2016 and supports bands from their country. Good idea! Here I’ve discovered the “Division” EP which seems to be a demo. In any case it sounds good! It has 5 songs of very exciting shoegaze sounds. Check it out!

John Myrtle: and to end this week of discoveries here is John Myrtle from where else? London! The place that reigns supreme for indiepop? I am not sure anymore… it used to be and probably is still, but I don’t find that many London bands as of late. So good to see this solo project who have just released a great slice of pop, a digital single called “Get Her Off My Mind”.

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This is actually the first post I write since returning to NYC in January. I’ve been a bit slow researching obscure bands. On my defense I can say that I am up to date with everything else. Also I’ve written many interview questions for many interviews that I hope get published someday. If I get the answers that is.

Now I want to focus on The Wishing Well, an American band, I believe from Atlanta, who released one EP and one album in the late 80s.

Information about them is not easy to come by. Discogs tells us that the band was formed by Kib on vocals, Pat Luckett on guitar, Marion Smith on bass and Scott Snyder on drums. That’s something.

Then their first release was a 12″ vinyl EP released by Token Bird Records (catalog WW-0915). I want to assume that this was a self-release. The only two releases by Token Bird listed on Discogs are by The Wishing Well.

This first EP came out in 1987 and included 5 songs, “Paradise”, “Wish You Away” and “Sweet Caroline” on the A side and “Immaculate” and “Market Rain” on the B side.

Their album “Maybe” came out in 1989 on Token Bird (WW0123). It was released on vinyl, CD and cassette. The songs on the LP were: “Maybe”, “Wide Awake”, “Anything” My Girl”, “Drink Myself to Sleep” and “Ransom” on the A side and “Don’t Try to Change Me”, “My Favorite Song”, “Big White House”, “Bsusa”, “Nobody Cry” and “Letter” on the B side. 12 songs total.

On this record they credit Jeff Stanley for playing fiddle, Bill Turpin for playing Harp and Ed Roland, the producer. Ed Roland was in the well known band Collective Soul as well as in The Living Room and The Sweet Tea Project. From what I understand there’s a song by Collective Soul called “Maybe” which was dedicated to the memory of Kib Browning. It seems he died in 1995 of scoliosis complications, being 26 years old.

That’s not the kind of information I want to find. But sadly I can’t seem to find much more details about the band. So hopefully some of you remember them. Know of more songs, more releases. Or what happened to the other members? There are no compilation appearances listed either. So would be good to know more about them and the Atlanta scene. Maybe there were more cool jangly bands down there?

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Listen
The Wishing Wall – Paradise

17
Feb

Day 343. Verandan 7″s are at home and I am terribly happy! These are the moments that are totally worth having a label… it is like Christmas!

The Pleasures Pale: remember that we did a wonderful interview with the Dayton, Ohio, 80s band? Well there are good news! Their self-titled album has been remastered and is now available on a deluxe edition CD! So run and get it! You won’t regret it. 12 great jangle songs including classics like “No, Joy” or “My Town has no Cafés”. It also looks like they have 11 copies of the original vinyl pressing. Again, run!

Biarritz: we head to Murcia, Spain, to discover the 7-song mini-album by this project. Titled “De Paseo”, the mini-album is only available digitally. The sound reminds us of the first decade of this century, where Spanish pop, with bright jangly guitars and female vocals was a thing. It does have a nostalgic feel to hear these songs. It brings a big smile to me.

Sonia Gadhia: new song by this artist written and produced by the fine Castlebeat. The label is Spirit Goth. I have to admit I don’t know much about this scene. I do know though that “Be Mine” is a very nice slice of pop. Simple but well done. Dreamy.

Flu Flu: Shore Drive Records from Brighton has now released the mini-album “Mi Mundo Interior” by the Seville band Flu Flu! It is out now on CD and seems that very few copies are left. The band is formed by Fran Lora, Cristina Mohe, Javi Vass and Carlos Díaz, and here, they have 6 terrific songs, some in English and some in Spanish.

Fritz: and let’s end this roundup with the amazing album “Pastel” from the Newcastle, Australia, band. 9 songs which you can ore-order now. I don’t know much more other than the title song is available to stream. It is really really good song, lots of fun. I will definitely want this in my collection.

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Jonas Johnsson was Thehelpmeplease, a Swedish bedroom pop band from the 2000s.

I still recall those days with nostalgia. Even though I would visit Sweden in 2008, and already past the time when the scene was booming, I still have the best of memories of those days. So many creative people releasing records and playing in bands. Those years were amazing and every single day that passes I regret not being able to do a 2nd volume of the “Sound o Starke Adolf” compilations. Maybe one day I will be able to retake that project…

Anyways, Thehelpmeplease. I discovered them around 2004. It was the days of Soulseek and all indiepop kids from Sweden were there. They were sharing lots of great music. There was a cool CDR label called Bedroom Records then and they were the ones that released the first EP by Jonas, it was called “Buzzing like Bumblebees on Speed”. The catalog number was BED004, yeah, an early release in the label.

This EP had four songs, “Buzzing like Bumblebees on Speed”, “Rupert Murdoch”, “Son of a Gun” and “Someone Special”. “Sun of a Gun” was a cover of the classic song by The Vaselines. All songs had been recorded that same year, during autumn, at Jonas’ home. The photo on the front cover, who I assume is Jonas, was taken by Terése Wikström.

In 2005 he would release another CDR. This time it would be on the label Snowbeam Records (003), also from Sweden. Three songs recorded at home that year were part of this CDR, “A Little Love”, “She Said” and “Hesitate in Love”. One thing to note is that here the name of the band appears as The Help Me Please.

At that point in time the band had a website. I remember visiting it, but I can’t remember what sort of info was available. Anyone remembers?

In 2005 the band would contribute a few songs to compilations. The song “Bumblebee (Original Falu Version)” was included in the CDR compilation “Cosy Den Goes Lägenhet Ett År” on Cosy Recordings (COSY 001). Then the song “A Little Love” shows up on the great CDR comp “Popkonst, Love & Understanding” released by Popkonst Recordings (POPK12). And lastly, that year, they have “Buzzing Like Bumblebees on Speed” on the CDR comp “Club King Kong: Med Musiken i Mitten Vol. 2 Säsongen 06-07” released by Donkeyboys Records (DNKYBYS002).

In 2007 the band starts working with the label Series Two. They appear in the compilation CDR “Series Two Records Christmas Special” with the track “Hear the Bells Rings”.

The next year, 2008,  an album is finally released. It is called “You Still Have Summers” and has 9 songs, “A Little Love”, “Louise Dyer”, “Hesitate in Love”, “Someone Special”, “Buzzing Like Bumblebees on Speed”, “1992”, “She Said”, “Hear the Bells Ring” and “Bumblebee”.

Lastly, in 2009, they have the song “A Little Love” in the compilation “Series Two Compilation Vol. 23”.

A good find on the web is a blogspot page from the band dating from 2005. Here I find some setlists were there are some songs that weren’t included in the records. For example The Vaselines song “Lovecraft” and “No Other One” by Weezer used to be covered by Thehelpmeplease.

On the old Myspace I find a song “Lousy Weekend”. There I find a band, among the top friends, called The Johnsson Colors. I want to guess, because of the last name, that it was another band Jonas was in. Who would know?

I also wonder whereabouts in Sweden were Thehelpmeplease based. There is really no information on the web. A shame.

So yeah, who remembers this great bedroom pop band?

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Listen
Thehelpmeplease – A Little Love

15
Feb

Day 341. So yeah, don’t forget that this week I will start shipping Verandan orders!!! Very exciting! Pre-orders will be shipped first of course. The official release date is February 20.

Ski Saigon: “Sees the Albatross”, the debut album by the London based Ski Saigon will be out on the label Too Good to be True. This label, from Brest, France, is actually a new label by the people behind Beko Disques. The album is getting a CD release on March 4 and it will be very limited, just 150 copies. One of the songs is available to preview at the moment, “It’s Already Tomorrow”, and I highly recommend checking it out.

The Lodger: the great Leeds band will be back with a new album called “Cul-De-Sac”. 13 new songs. We can check one of those songs, “Dual Lives”, on Bandcamp. The album will be available through different labels around the world and it seems only in vinyl LP format.

Grids and Dots: the Sydney, Australia, band is back with a new song. It is called “What Happens to Friendships in Winter?”. That’s a good question indeed. Here in the north we are in winter and in a pandemic. So yeah, haven’t seen many friends. Speaking of pandemic, it seems the band actually have some gigs coming up in February and March. Lucky indeed.

CIEL: the Dutch combo also returns with a new song called “Pretty Face”. As with previous songs I’m enjoying this quite a lot. Very nice female vocals and melodies. I just think it’d be great to see a release by them, an album would be nice, right?

Shiny Times: and lastly on today’s quick reviews of indiepop discoveries on the web we find that Kim Weldin has continued making new music! It’s been a while since I last hear from her, probably 7, 8 months? so it is cool to see two new songs on her Bandcamp, “Dark Day” and “Everything is Gray”. Lovely bedroom pop.

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I keep discovering new Australian bands from the 80s and early 90s thanks to that great Youtube channel stoneeyedkiller. It is true he sometimes recommends some bands I’ve posted here but as of late I think I am being inspired more by his posts than him from mine!

The latest discovery is this Sydney post punk/pop band from the 80s called The Call. I already know, by their name, that it will prove difficult to find much information about them. Their name is not a good one for Google.

But there are some good news. There’s a Bandcamp and a Facebook page. So we’ll be able to find songs and some information!

Firstly, on the Bandcamp we find six song: “Winterland”, “Model”, “Andy’s Day”, “Memories” and “Road to Freedom”. We don’t know if these were properly released or not. We do know that they were recorded between 1981 and 1993. That seems a bit odd, six songs recorded in 12 years? There must be more! Anyone would know?

We also know the band members: David Thompson, Michael Pickells, Peter Ciobo and Steve Starr (Thompson). On the Bandcamp photo there are only 3 members though.

It also tells us that the band played in Sydney, Canberra and Newcastle. It also tells us that the band reformed in the year 2020 to play live shows as well as live streams and they plan to record. That’s interesting!

Their Facebook has less information. There are just a few photos of their 2020 rehearsals.

Looking for more information about the band members I find that Michael Pickells played in a band called The Lounge Lizards. And I am pretty sure that Peter Ciobo was in the band Deckchairs Overboard. I had a hard time finding any projects by the other band members.

But yeah, not that much info, but we get to listen to them and hopefully we’ll learn more about The Call in the near future!

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Listen
The Call – Road to Freedom

12
Feb

Day 338

Klaus & Kinski: just a few days ago I was recommending Alexanderplatz, the solo project of one of the Klaus & Kinski members. Well, there’s some news about this band! There is a vinyl reissue of their album “Tierra, Trágalos” for its 10th anniversary coming up on Jabalina! It is coming out on March 1st on vinyl! It includes all songs from the original release plus a cover of “Lalala” by Ataque de Caspa.

The Leontini Vernacular: the latest on Shore Dive Records from Brighton is an EP titled “Anthropause” by The Leontini Vernacular. Here are 6 songs, three labeled as demos and one remix, of psychedelic guitars and shoegazey feel. Out now on CD though it seems it will be sold out soon!

Arrest! Charlie Tipper: the Bristol band will be back with a limited edition 7″! Limited to 120 copies, this new record on the Local Underground label, will have two songs, “Five Aces” and “(I’ve Never Been to) Alaska”, and we can preview the opening track as we speak. The opening track will also be part of the double album “Adventures in Wonderland” that will be released this summer.

А в голове море: I don’t understand nor can read Russian. But I can see “Москва” and now it is Moscow. That’s the name of the latest song by this band. It is a fine slice of new wavy indiepop with female vocals. I don’t know much about the band, but I enjoy this song!

Bad Visuals: and to end this week on a high note let’s check out “So Broken” by the Oakland, California, band Bad Visuals. This four piece formed by John, Geoff, Chris and Josh are new to me. So it was a nice surprise to listen this fuzzy and bright track. The melodies and vocals kind of reminded me a bit of The Ocean Blue, though yeah, the guitars being a bit different. It’s cool!

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Who were The Marnies?

The information seems scarce. Discogs does list the one and only record they put out, a self-released 7″ from 1989 that was titled “Watch the Clock”.

This record had two songs, “Electric Wires” on the A side and “Watch the Clock” on the B side. The information that we gather from the record sleeve and labels is that the band was formed by:
Damian Tesoriero on drums
Patrick McArdle on guitar and vocals
Anthony Camm on bass and vocals
Terrance Vella on guitar

We also know that the two songs were recorded at Apollo Sound Studios in Coburg, on December 12, 1988, and that they were engineered by Maurice Coppola. The photo of the band that appears on the label was taken by Maria Sokratis. We also find an address of the band, North Fitzroy, that’s Melbourne, right?

The sleeve of the record that I’ve seen online looks hand-printed, on purple ink. Discogs lists two compilation appearances, but of much more recent days, so I really doubt it is the same band.

It seems the first blog to write about them was the fine Wilfully Obscure blog. The post actually dates from 2011! 9 years ago. That’s what it took me to discover them. Sadly the details shared are the same as I just mentioned in my post. BUT….

There is a comment by someone called Dr. Keats. He mentions many interesting tidbits about the band.

The band formed in 1987 and their name was taken from the 1964 Hitchcock film “Marnie”.  He mentions too that Patrick McArdle had been in a band called Vacuum Safari Suits, and he, Camm and Vella met at LaTrobe University.

The band played many of the classic venues of Melbourne including Punters Club, Evelyn Hotel, Empress of India, Royal Artillery, Limbo Club and more, playing alongside the Rhythm Pigs, Tyrnaround and a favourite of mine, The Falling Joys at The Tote.

Here we learn too that McArdle was the one who sang “Watch the Clock” while Camm sang “Electric Wires”. That at their gigs teh band used to finish their show with a cover of “Yesterday’s Hero” by John Paul Young. In 1989 Tesoreiro left the band andw as replaced by Maurice Toneatto. Later Tesoreiro would rejoin. In late 1990 or early 1991 the band called it quits.

And then some good information, McArdle and Tesoreiro were later in a band called Power Chime.

Lastly I find a Soundcloud by Patrick McArdle! There are a trove of songs here! I wonder if any of them are by The Marnies!

That was quite some good information. I honestly thought I’d find less info about them. Again, how come I couldn’t put together a compilation of Australian bands, I don’t know. They seemed all so little interested. It would have been so cool.

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Listen
The Marnies – Electric Wires

11
Feb

Thanks so much to Marc Elston for the interview! Some years ago I interviewed Marc about Bulldozer Crash, the band he had with Stephen Maughan, and it now made sense to pick up were we left it and talk about the Liberty Ship which was a band he had afterward and who released fine records on Matinée and Sunday. These days Marc is recording beautiful music solo which you can check on his Bandcamp!  Also do check this unreleased track by The Liberty Ship called “Wooden Man” if you haven’t already!

++ Hi Marc! Thanks so much for being up for this interview! Many years ago we did an interview about Bulldozer Crash so it’s great to do this as sort of a continuation. Or maybe that’s not, right? Was there any other projects in between Bulldozer Crash and The Liberty Ship?

I played in two bands. I played bass in Boyscout in the mid ‘90’s we were a noisy 4 piece, the key influences were alternative US rock like The Pixies and Smashing Pumpkins, very much a rehearsing and live band (the first drummer was Brian from Peru and later The Flatmates) Later I played synths and guitar in Johnny Domino, the band was influenced by Pavement, The Fall, Krautrock etc. I loved playing in both bands but I needed an outlet for my own songwriting. I played in The Liberty Ship at the same time as I was ‘operating’ synths for Johnny Domino.

++ And these days you’ve actually released music just under your own name, Marc Elston. How do you you like that? Compared to releasing music with a band, what differences do you find? Is it easier perhaps?

Actually as MJ Elston now (I have no idea why). I record when I feel I have something worthwhile to make, though the last thing I released was pretty improvised. It’s just a complete labour of love because when I’m in the mood I really enjoy the process of making and recording music. I really miss making music with other people, other commitments and now the pandemic make that difficult.

++ So let’s go back in time. What are your first music memories? Do you remember what was your first instrument? How did you learn to play it? What sort of music did you listen to at home while growing up?

The first album I discovered for myself was ‘Revolver’ by The Beatles and remains one of my favourite records… a really predictable choice but the breadth of imagination and variety on it are incredible. My first instrument was a Roland SH09 monosynth…one note at a time so not a great challenge to get great noises out of it. I only picked up guitar when I was 19. I’m lucky that I was an early teen for the explosion of great imaginative chart pop music coming out of the UK in the early ‘80’s (Japan, Soft Cell, Human League, Depeche) and then as a later teen The Smiths, C86 and getting into earlier guitar bands like Orange Juice, Aztec Camera and The Pale Fountains. I’d grown up with The Beatles and The Byrds as part of my childhood soundtrack.

++ Had you been in other bands aside from the ones we’ve mentioned so far? If so, how did all of these bands sound? Are there any recordings?

I can’t think of any, a few false starts with local bands etc but no recorded evidence.

++ Where were you from originally?

I’m from Durham in the North East of England…I lived in the same village as Paddy McAloon as a young child.

++ How was Nottingham at the time of The Liberty Ship? Were there any bands that you liked? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

Nottingham was quite vibrant at the time. Sam Metcalf was promoting gigs at a great venue called Junktion 7 and he was really kind to us with support slots, The Rescue Rooms was getting up and running, bands like Airport Girl and The Chemistry Experiment were around, labels like Fortuna Pop, Artists Against Success in Derby and record shops like Selectadisc were all going strong.

++ When and how did the band start? How did you all meet? How was the recruiting process?

I’m a little sketchy, it was c1999/2000. Tim the bass player was already a friend and we started working on my songs with a drum machine. Rachel came to us via an ad in a music shop and Steve was a workmate of Rachel. Tim was a Felt fan but nobody else was a big indiepop fan. Things came together quite quickly mainly due to the enthusiasm and open mindedness of everyone involved.

++ How was the creative process for you? Where did you usually practice?

I always recorded basic ideas on 4 track cassette machines so everyone had something to work from. It was great when Rachel started to contribute songs because she really brought a different perspective and I loved working on the guitar parts for her material. We sometimes rehearsed at Tim’s house but mainly in a rather nice (we were working and we weren’t kids), well equipped rehearsal space in Nottingham.

++ What’s the story behind the band’s name?

It’s a bit ‘precious’ really…as I was in a band already and it was a vehicle for my songs it was a ‘Liberty Ship’…no connection with The Las, though I like them…I am a History fan so I knew about WW2 Liberty Ships.

++ Who would you say were influences in the sound of the band?

The Byrds, West Coast ‘60’s pop generally, Teenage Fanclub, The Go Betweens, East Village but bits of my synthpop youth crept in.

++ Most of your records came out in Matinée, and your brother’s band, Slipslide was also on the same label. I was wondering if this brought any benefit to you both? Perhaps you had gigs together? Or for touring?

We did a couple of gigs together but no ‘touring’. Graeme had already recorded for Matinee and I knew it was a really well organised label with a strong aesthetic and Jimmy was kind enough to release some of our stuff.

++ Speaking of your brother Graeme (Love Parade, Pure, Slipslide), has there ever been a band with both of you together?

Graeme and I grew up with our Dad’s Yacht Rock, and our Mam’s chart pop. We listened to synthpop and jangly guitar bands together and we were introduced to lots of great music by Stephen Maughan and his fanzines. Graeme was up and running as a band leader as a mid teen and I was already at University. We’ve played together a few times but nothing regular or serious. Graeme has always been really encouraging with my music and helps me with recording a lot…not very ‘Gallaghers’ I’m afraid!

++ Another interesting thing when it comes to labels is that you released your records only in American bands. Was there no interest from UK or European based labels? Or other labels in general?

I have never had any expectations in terms of labels taking an interest I have felt incredibly grateful for anyone enthusiastic enough to want to release my songs. The Liberty Ship was a band of people with jobs and commitments so the idea of ‘going for it’ didn’t really figure.

++ So both “Tide” on Matinée and “Small Lives” on Sunday Records came out in 2003. I can’t remember which one came first? And I understand your relationship with Sunday was thanks to Bulldozer Crash but how did you end up working with Matinée?

As I said the connection came through Graeme and I guess that Bulldozer Crash singles were known by some people.

++ Speaking of Matinée, your first release, “I Guess You Didn’t See Here”, has on the cover photo someone with a guitar, I want to guess that it is you. Am I right? Do you still own that guitar? And what about the B side on the 7″, a Gene Clark cover. What other covers did you usually have in your repertoire? (I also remember The Smiths one!)

Haha…not me it’s a picture of a young Pete Townshend with his Rickenbacker and it’s a total rip off of East Villages Sub Aqua singles and their beautiful guitars. I love ‘She Don’t Care About Time’ I think it’s one of Gene Clark’s greatest songs. We’d sometimes play ‘No Matter What’ by Badfinger. We recorded ‘Sweet and Tender Hooligan’ for a Matinee compilation, I can’t listen to it, I rushed the recording and it’s surrounded by great covers by other bands which is always a problem on comps when you know your contribution is sub par.

++ In 2003 you released a CDEP called “Northern Angel”. I’ve seen many photos of the Angel of the North sculpture, just like the one on the sleeve, but wondering what does it feel to see it? Must be impressive?

It’s an impressive thing, maybe not a big as you might expect but a fascinating piece of civic art. I’m quite homesick for the North East at the moment.

++ On Sunday, as mentioned, you released “Small Lives” a nice 6-song mini-album. Why did you stop releasing with them after this release?

No specific reasons, it’s always nice to be asked to do anything for any label. I provided an instrumental piece for a Sunday compilation recently.

++ And just out of curiosity, to make all these lovely jangly songs, what were your favourite guitars to play? Did you use 12-strings on any of the recordings?

In Liberty Ship I was playing a Rickenbacker 360 6 string and Danelectro 12 string a lot. I had a Eko Ranger Acoustic 12 string which I liked too.

++ I think my favourite song of yours might as well be “I Guess You Didn’t See Her”, wondering if you could tell me what inspired this song? What’s the story behind it?

It’s about hurting people you love and knowing that you’re doing it…nice. There’s a lot of The Byrds and ‘Reckoning’ period REM in that song musically…it’s one of the first songs I wrote with the magical musical device…the capo.

++ If you were to choose your favorite The Liberty Ship song, which one would that be and why?

I love “Cabin Fever” of mine, I like the arrangement and the lyrics. I recently recorded an all acoustic version because, well…lockdown. My favourite overall is Rachel’s ‘Final Kick’, I remember her presenting it so modestly as a basic 4 track recording and I loved it straight away.

++ What about gigs? Did you play many?

Quite a few really, we supported The Lucksmiths, one of Amelia Fletcher’s bands (I can’t remember which one) my memory is awful for gigs usually due to the fog of stage fright…I think we supported Camera Obscura but I’d have to check with Tim who kept gig diaries…I’m a terrible archivist. It’s a good job I’ve worked with people like Stephen in B Crash and Steve in Johnny Domino otherwise there’d be no evidence I’d been in bands at all.

++ And what were the best gigs you remember? Any anecdotes you can share?

The gigs out of town were always fun, we played  in Widnes near Liverpool a couple of times, they weren’t ‘indie scene’ gigs and it’s always good to play to a different audience. I’m a school teacher and I thought playing gigs in small obscure venues wasn’t going to be a problem…until I heard ‘Mr Elston!’ being shouted from the back ‘The Rescue Rooms’!

++ And were there any bad ones?

Nothing awful…just some nervy performances

++ When and why did The Liberty Ship stop making music? Were you involved in any other bands afterwards?

Nothing dramatic just run of the mill ‘grown up’ stuff like work relocations. When Rachel left to take a new job we worked as 3 piece for a while but she brought a lot to the band and it sort of fizzled out. I’ve not been in a full band since and then my kids came along. I still make a lot of music and collaborate with people when I’m asked.

++ What about the rest of the band, had they been in other bands afterwards?

Rachel played in a band in London but I don’t think anyone else has done anything musical since.

++ Has there been any The Liberty Ship reunions?

No, but never say never…

++ Was there any interest from radio?

A few plays on some very niche radio stations but nothing noteworthy

++ What about the press? Did they give you any attention? What about from fanzines?

I think Sam wrote about us in one of his ‘zines and a few kind internet reviews. I never felt our recordings were as good as we could have done…which is completely my fault. I’d had fun experience of DIY recording with Johnny Domino and it really worked for the band. The ‘lo-fi’ approach wasn’t right for us and I shouldn’t have been so stubborn about it.

++ Looking back in retrospective, what would you say was the biggest highlight for the band?

Building the band from Tim and I with a drum machine to a full band line up and working on those songs as a harmonious and easy going group of good humoured adults…that sounds a bit dull doesn’t it but making music can be cathartic without being painful.

++ Aside from music, what other hobbies do you have?

Reading, cycling, I love France (sighs), History…

++ Anything else you’d like to add?

I enjoyed doing this, it reminded me of a happy time making music with great people.

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Listen
The Liberty Ship – I Guess You Didn’t See Her

10
Feb

Day 336

Ruth Po!: on Po!’s Bandcamp there are two new tapes from back in the day that have been digitized. That’s fantastic news! These tapes are “Bedroom Tapes 1” from 1989 and “Bedroom Tapes 2” from 1990. They are wonderful, as everything Ruth has been involved with. Yeah, I am still wondering why we haven’t done an interview for the blog yet…

Mister Baby: I discover this band and release a bit late. The cassette mini-album “Sidewalk Pop” is already sold out at the band’s label Paisley Shirt Records from San Francisco. The mini-album is a nice lo-fi pop effort by Katiana Mashikian. Very enjoyable. 8 songs including a cover of “Dr. Jones” by Aqua!

Pleasure Pill: not much info about this project from San Diego, California. They have a few songs on their Soundcloud, the latest called “You Can’t Put Your Arms Around a Memory (But Baby I’ve Tried)” which is great. Lo-fi crashpop like no many do these days. Also surprised to see a cover of “La Tentación” by legendary Spanish band Kaka de Luxe.

Racketgirl!: another band from California that doesn’t tell us anything about them! So little info! This one hails from Chula Vista and in the last few weeks have put out a few demos on Bandcamp, “Flowers for Eyes”, “Broken Glass” and “On the Floor”. They are great popsongs influenced by Tiger Trap, Talulah Gosh, Shop Assistants and on and on!

Alexanderplatz: last January the Spanish label Jabalina Música released a new album by Alexanderplatz. Available in vinyl, the 11 song album is called “Parques Nacionales Españoles”. The band as you know is the project of Alejandro Martínez who once was part of the great combo Klaus & Kinski. Recommended.

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Another discovery on the blog Calgary Cassette Preservation Society is the Edmonton, Canada, band Foes of Respiration. Seems I should dig here more often. But in due honesty the Youtube channel stoneeyedkiller is the one on top of this blog helping me find these bands. So thanks to both!

Anyways, the tape that is shared from this band is called “Avoid Inhaling”. This tape looks like an album, a demo of an album? or maybe a proper release that was sold at gigs. It doesn’t specify. What we know is that the tape had 12 songs, which were “In Place”, “Not the Same”, “I Don’t Understand”, “Extra Body”, “It’s Always Winter” and “Hot Babe” on the A side and “And You Don’t Care”, “The Gift”, “No Longer Young”, “Someplace”, “Promised Land” and “832 Juxtaposition Rifles” on the B side.

One thing that mentions the blog is that this band was the precursor to the Minstrels on Speed. I don’t actually know the Minstrels on Speed, but did find that two of the members were there, Bob Kross and Kelly Service. So that doesn’t help. In any case, right now I am focusing on the Foes of Respiration.

Luckily there are scans of the sleeve of the tape and that way we find the band member’s names:
Ken Hartig – bass, vocals
Bob Kross – guitar, vocals
Scott Lingley – drums
Kelly Service – guitar, vocals, harmonica

Other people that participated in the record were Johwanna Alleyne and Kelly McPhillamey doing vocals on a song.

All the songs were recorded in Bob’s and Kelly’s basements on December of 1988 and were produced by the band. The songs were engineered by Bob and Kelly too. They were mixed by Ian Armostrong and the band on January of 1989. The artwork was made by The Tim Okamura Experience.

Then there’s an address, so the band hailed from Sherwood Park in Alberta, if we want to be more exact.

Sherwood Park was founded as Campbelltown by John Hook Campbell and John Mitchell in 1953 when the Municipal District of Strathcona No. 83 approved their proposed development of a bedroom community east of Edmonton. The first homes within the community were marketed to the public in 1955. Canada Post intervened on the name of Campbelltown due to the existence of several other communities in Canada with the same name, so the community’s name was changed to Sherwood Park in 1956.

On Discogs I found that the band actually had one song properly released. The song was “Take Another Dream” and came out on a compilation LP called “Don’t Let the Fruit Rot on the Tree” that was released by Nine-B South in 1988. This compilation came with a booklet with information about each band on it. Would be great if anyone has it and can share any information. I am not familiar with any of the bands on this record either.

Right, Canadian bands, I don’t know that much. There are great ones, and have covered only a few on the blog. The last ones might have been The Grain and Cannon Heath Down.

I stumble upon an article from January 26, 1990, on the Calgary Herald. Sadly I can’t access it as you need an account. I wonder what it says about the band.

Then I find a cool poster of a gig of the band from October 27, 1989, at The Sunset Club. The band is playing alongside Hambone Headcheese. Then anothe rposter, this time of a gig at The Ambassador on November 11, 1989, with Pop Crisis, Rex Morgan B.C., A-Okay and Things That Wouldn’t Leave.

And that’s it. I did find that Bob Kross had been in another band, The Loved One, releasing a cassette and CD album in the early 90s. I couldn’t find information about the other band members. I think Scott Lingley may be working at the University of Alberta, that backing vocalist Kelly McPhillamey has a hair studio, and the other backing vocalist Johwanna Alleyne has an online store of pickles and preserves. Cool!

Who remembers them?

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Listen
The Foes of Respiration – It’s Always Winter