Day 193. Not many news today, but I can tell you a little secret, I’ve started working on a new retrospective compilation! I hope I can let you know which band will be next in our amazing Cloudberry Cake Kitchen series!!

Pop at Summer: the fantastic Bandung band is back again with a new song full of summer vibes called “Summer is Coming!”. It is really really good! The band formed by Givani, Roni Tresnawan and Rifky Rahman is quickly becoming my favourite band from Indonesia that is still going. I really want a release of them to happen!

Dream Suicides: this Riverside, California, band makes bedroom shoegazy songs and they have a new release coming out in October 16 called “Reflections of Ourselves in Scars Within Others”. It doesn’t say if it is an album, an EP or just a song. But what is interesting is that just a few weeks ago they put out an EP called “The Darkness That Follows Me” which is totally worth checking out. Also so great to see Irene Jacob on the top banner.

Peachblood: more shoegaze sounds! this time from the Brighton based label Shore Dive Records. The band Peachblood hailing from East Sussex has just released a 5 song EP titled “Longing Sky” and it is available on CD (though 3 copies were left at the time of writing this post). It sounds quite good, so maybe they should do a second CD pressing?

Victorian Tin: our friends Erik and Christian are releasing a new CD on Everlasting Records, one self-titled EP that will include the songs “Chagall”, “Above Our Heads”, “Silver and Perfume” and “Borders”. This is great stuff.

Misty Coast: and lastly we head to Bergen, Norway. This is a city that gave us three bands that released on Cloudberry, The April Skies, Soda Fountain Rag and Princess Niko, so it has a special place in my heart, I just hope to visit someday! Well, Misty Coast makes some lovely music as I can tell from their latest effort, “In a Million Years”!

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Let’s head to Canada today. That’s where Tara Landry White, aka. Tara S’Appart, is from. As you know I am doing this challenge with songs that have a month in their title. Tara wrote “October Daze”, so I can give October a check mark now. So, back in the 90s she recorded a bunch of songs. Some were released in time, and many more had to wait until  2001 to get released. Let’s find out more about her.

In 2019 a lot of her recordings showed up on Rick White’s Bandcamp. But I’ll come back to this later. I want to do this chronologically.

Tara recorded 50+ songs between 1994 and 1999. According to Discogs in 1994 there was a tape called “Space So Pretty”. Maybe this was her first release ever? It clearly looks self-released and we can see that Rick White recorded and mixed all 9 songs on the tape. The A side had “Space So Pretty”, “I Can’t”, “Blind Hit”, “Notes” and “Universe of Mine”. The B side had “Beautiful Dreamer”, “Untouchable Eyes”, “Grass” and “Night… The Hardest Time for Me Without You”.

OK, so Rick White. Who is he? He is definitely an important figure in Canadian independent music. He was in Eric’s Trip as well as in other bands like Elevator, Moon Socket, The Underdogs and The Unintended among others.

Rick would also record Tara S’Appart first and only vinyl release. It was a 7″ titled “Little 7″” that was released by the Canadian label Homemade Hearts Records (HOM-002) in 1996. I have no clue about this label but they at least released another record that same year for the band Soft Blanket. Tara S’Appart 7″ included four songs, “Mending Time” and “The Land of Where Lost Dreams Go” on the A side and “Trees” and “Pretty” on the B side. Tara wrote the songs as well as playing guitar, bass, keyboards, percussion and sang. Rick played the drums. All four songs were recorded between November 1995 and April 1996 by both of them.

Lastly, the Moncton based Great Beyond Recordings would release in 1999 a CDR with 14 songs called “The Faces of the Moon” (GBR002). This album was recorded by Tara and Rick in Riverview, New Brunswick during the summer and autumn of 1998. The songs on this album were: “Faces of the Moon”, “How I Long to Hear Clearly”, “Phase of the Moon”, “No Good Reason”, “Lights and Shadows Cast”, “Further Past Our Time”, “Faces of the Moon (Part Two)”, “Inhale / Exhale”, “Full Moon Song”, “So Far”, “A New Guitar”, “October Daze”, “Kind of Cruel” and “Faces of the Moon (Part Three)”.

These releases weren’t everything she put out. Actually Tara S’Appart appeared on at least 5 compilations. The first one dates from 1996 and was a cassette (1996) and CD (1997) compilation called “The Stareoscopic Scary Show. An Audiological View of Moncton N.B.”. This was released by Rick White himself and included the song “The Land Where Lose Dreams Go”.

Ramona Records (RAM 003) would include the song “The Light and Shadows Cast” on the 1997 CD compilation “Super Secret Songs: A Benefit for Kitchener’s Korova Cafe”. It does look like that there was a Korova Cafe in Ontario, I am guessing the proceeds of the CD were donated to it?

In 1998 the band would appear on “Hypnodia Lost” a 7″ compilation released by Hypnodia (H-06) from Canada. Tara S’Appart would include the song “Further Past Our Time” which was recorded at Xandu Room in October 1997 by Rick White.

Then in 2005 the wonderful song “October Daze” would appear on Kittridge Records compilation “Homemade Hits Vol. 2” (KITT 021). It was through this compilation that I discovered the band.

Lastly there is a compilation called “Hear the Water Freezes Faster: A CHMA FM 106.9 Compilation of Artists from the Trantramar Region and Beyond”. I dont know much about this compilation, but we know that the band appeared with the song “Another Day”.

Now back to the Bandcamp.

So yes, here are all the songs from the “Faces of the Moon” album as well as the “Little 7” and “Space so Pretty cassette plus the song “Another Day” that was in the last compilation I mentioned. We also learn that on “Full Moon Song” and “Kind of Cruel” Joel Plaskett played pedal steel. And that’s it. No further information. I am starting ton be curious about the 50+ songs it was said Tara had recorded. Where are they?

I keep digging and find that actually Tara and Rick married according to a blog post on the blog Songadayforever.com. We also know that Tara was in a bunch of bands including Elevator to Hell, Elevator and Orange Glass.

Not much more about this band. I wonder if they played much live, if at all? I couldn’t find any information about that. So I am hoping to hear from you, do you remember them?

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Listen
Tara S’Appart – October Daze

Day 190. Getting close to 200 days working from home. What day are you all on? Or have you returned to your workplaces?

Puff Punch: so cool to hear this band! I believe it is the first time I am listening to the Jakarta based combo and it is a delight. Their latest release is called “Can We Go Out Now?”, a 4 song EP of catchy punky pop!

Rosehip Teahouse: I have recommending this band from Cardiff in the past, and why not do it again? They have a new song up on their Bandcamp and it sounds quite nice. It is called “I Meant What I Said” and lyrics are posted to sing along.

Still Corners: the classic London band is back with a new song called “The Last Exit”! It is a superb song and there’s even a video for it which you can check right here.

Nah..: as we know our friends Sebastian and Estella are releasing an album on Shelflife Records. It may as well be our favourite new record this year right? Top five? I can’t wait to get my hands on it. In the meantime they have unveiled a new song, not included in the album,  that sounds amazing, “Finger on the Map”!

Pet Dreams: now the bedroom project of Ryan Davis from Seattle, Washington. This is a lo-fi dreampop record, it is called “Time Away”, and it is available now on CD. It includes 6 songs, all written, recorded, mixed and mastered by himself!

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“Autumn, September” is the song by The Maybellines that I am going to choose to clear the month of September in this silly challenge of me. Good times! Do you remember this lovely Denver band?

We can go in chronological order, right?

So first time we hear about them was in 1997 on two compilations according to Discogs but I feel this may be wrong? These two compilations are for Edmonton, Canada, bands. We know the Maybellines hailed from Denver, so I will skip. So I’ll jump to 1998, there’s a compilation called “Today’s Top Girl Groups Vol. 1” with a song called “No Jive” by The Maybellines.

So those years are confusing to me. I don know that the band’s first release came in 1999 for sure. That is the band we know, The Maybellines. The 7″ was called “”Towel Off” EP and had four songs, “Our Midnight” and “What About Me?” on the A side and “Rocky Mountain High” and “Haynes Point” on the B side. We see on the sleeve the cute characteristic illustrations we’d see from the band, this time a ladybug, and we know that the record was recorded and produced by Brian Feutchtinger in 1999 at Uneven Studios in Denver.  The photo on the insert is credited to James Bludworth, Jimmy Gapinski did the drawing and we get the names of the band members, Julie, Mike, Dave and Alice.

The year 2000 would be more prolific. The band would release a split 7″ with the band The Pin Downs. This release was self-released by both bands and came with a fanzine. There is no catalog numbers. The Maybellines appear on the B side with two songs, “Bright Eyes” and “Punker”.

The band would include their song “Low-Fi” to a double CD compilation called “Local Shakedown” released by Smooch Records (SMOOTCH 01). This compilation was sold to promote local Colorado artists and Radio 1190 KCVU from Boulder. But more interestingly the band would release an 8-song album on the great Shelflife Records. It would be self-titled (LIFE 024) and the songs on it were “Sleep Over”, “Watch Out”, “Bomb Pop”, “Space Mission Bible Camp”, “Sally”, “I Hope You Like Me Too”, “One Thousand” and “Happiness Digest”. The album was recorded between January 13 and 18 at Uneven Studios. Brian Feuchtinger was the engineer as well as co-producer. Jon Chaikin did the mastering at Nonstpsound. The artwork was created by Jill from Shelflife.

In 2001 the band appeared on many comps. The song “Big Wheel” is on the “White Shirts = Stains” cassette comp released by Unread. Two songs, “Battleship” and “Oregon” appear on another US comp, the “Amateur Rocket Club” double 7″ released by Amateur Rocket Club. On this one, as in many comps they appear alongside The Breezy Porticos. The other two bands in these 7″s are The Jenni Jensens and Kudzu Towers. In the classic “Picnic Basket (A Shelflife International Pop Compilation)” (LIFE 020) the band appears with “Our Midnight”. Then the song “Oregon” appears on “Joe’s Blue Plate Special Volumes 56-59” a four CD compilation set released by Joe’s Grill. Lastly, “Sprawl Forever” does appear on “One” another Shelflife classic compilation (LIFE 040).

In 2002 the band stops releasing on Shelflife, not sure why, but they join Best Friends Records where they release their second album “Chatfield Holiday” (FR-02). This album which was recorded between September and December 2001, was again recorded by Bryan Feuchtinger and mastered by Jon Chaikin as the same places. The photography again by James Bludworth and the artwork by Jimmy Gapinski. Liner notes by Jason Heller. This CD had 11 songs, “Oregon”, “Wait for You”, “Kid Pop Unite”, “Drama Queen”, “Battleship”, “I Just had the Best Time”, “Until I Met You”, “7 Blocks Away”, “Big Wheel”, “Walking Down the Street” and “Untitled”.

More compilation appearances of course. Their song “Watermelon” gets included in the Planting Seeds Records CD comp “Dreaming Up the Perfect Pop” (PSRCD 12).

In 2003 the band continues contributing songs. “This and That” is on the “You’re Still Young at Heart” (LIFE 050) on Shelflife and “Wish You Dead” is on “I Am A Victim of this Song” CD compilation released by Baka-Poi from France. This one came with a 40 page A5 fanzine!

In 2004 they have “On & On” on the CD compilation “Happy Happy Birthday to Me Vol. 3” and also their song “Our Town” appears on “Radio 1190 Local Shakedown Vol II”.

In 2005 the EP “A La Carte” is released by Best Friends Records (FR-08) including 6 songs, “The Only One”, “Dream Vacation”, “Autumn, September”, “Come On”, “Our Hearts Keep Time” and “Night Ranger”. That same year the video for their song “Wait For You” gets included in two DVD compilations, “2005 Colorado Indie Music Video Competition” and “No Parachute, Volume 1: A Compilation of Indie Music Videos”.

Lastly in 2007 the band released a CDR on a label I don’t like (what can you do?) called “Our Secret Lives”. There are 9 songs that are actually early four-track home recordings. Only 150 copies were available. The songs are “Quietly”, “Chatfield Holiday”, “Ms. Sheriff”, “Froggy”, “Jamaholic”, “HMO”, “Maybelline”, “Stupid Love”, “Low-fi”. The label is the American Happy Happy Birthday To Me Records (HHBTM077A).

I also know that there was a live session of the band at KFJC, where they recorded at least a song that remains unreleased,”Uh Oh”.

The Maybellines video for “Wait For You” is available in Youtube of course. Check it out. Also if you want to check the two released on Best Friends Records, they are on Bandcamp.

Then I start to find articles on the web about them. We know the band played for example a CD release show for “A La Carte” at the Hi-Dive in Denver on August 26, 2005. Another show dates from November 14,  2002, at Meow Meow in Denver alongside Joy Electric and I am the World Trade Center. October 19, 2005, saw them play alongside with Broken Spindles and Porlolo at the Larimer Lounge in Denver. April 30, 2005, they played Benders Tavern with the Breezy Porticos in Denver as well. More gigs, now thanks to the Dressy Bessy gigography page. Dressy Bessy of course also a Denver band. So we know that they played together with Dressy Bessy and Mates of State on July 11th 2000 at Lions Lair, and then again with Dressy Bessy, Breezy Porticos and Kudzu Tower  at the Mike & Johannes house on October 31st, 2000. 2002, June 8th, they played at the Bluebird Theatre with Dressy Bessy and Thank God for Astronauts. Lastly another gig I found dates from October 2nd 2002 at the 15th St. Tavern with The Love Letter Band.

Aside from Denver I know they played in Durango, Colorado, at Thee Olde Shcool House Rocks on July 3rd 2005 with Bunnygrunt.

Another article by Westword mentions that Jason Heller, the one who wrote the liner notes is nowadays a renowned science-fiction writer! Wow, I found his website even.

Last.fm has a biography. I should have started there probably. I see that the band started in 1998, so yeah, those previous compilations appearances were not the same band. It says that Julie Dorough, Al Adams  and Mike Levasseur were the original band members. Actually Al and Mike had started this project and asked Julie to join them to be the singer. Then Dave Reeves was the last to join them. It mentions that for Mike and Julie this was their first band, but Dave and Al had been in previous band, Al for example was in The Hood.

Then a very cool article on the Peace Corps Online. How come? It seems Al Smith met Mike Levasseur on a plane bound for Africa as they were joining the Peace Corps! Al hailed from Virginia, Mike from Maine, and somehow both would end up in Denver. The band’s first show was at Al and Mike’s old house, the crowd were 15 friends.

It seems there used to be a video on PBS were Dave Reeves, the bass player, appears playing. The video was part of a program called Sounds on 29th and in this video they were featuring Kristin Rand & Sara Belle and Friends.

And that’s it. Quite a lot of information. Maybe there’s more online. But still would be great to find more!

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Listen
The Maybellines – Wait for You

Day 188.

Dan Dan Dero: our friends from Lima have just released a new song called “Como Rei Ayanami”. I believe they are writing about Rei from the Japanese series Evangelion, right? If it was a real person I am sure this character would be proud. It is a very nice song!

Star Party: hailing from the state of Washington in the US we find this 4 song demo that is tagged as c86. The sound is a bit noisier and murkier but it is clear they have been listening to a lot to the Shop Assistants!

Swansea Sound: Hue from the Pooh Sticks, Amelia from Heavenly, together. That is the Swansea Sound who have recorded at 2 song single!! The songs are “Corporate Indie Band” and “Angry Girl” and we can preview the first song on Bandcamp. The release is also available on cassette on Lavender Sweep. Very cool! Hopefully there will be more songs in the near future.

Fine.: I really liked the previous song by this band from Boston, UK. So when I noticed they had a brand new one I was very excited! And yes! “One Year On” is great! What is even better is that they have announced an album to be released later this year. Let’s keep an eye on that!

Spool: 4 girls from Japan and a new digital single called “スーサイド・ガール”. I know very little about this band but they seem to like shoegaze music and you can tell by this song. Nice sounds.

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“The Last Days of August” was the name of the sole album Kristian Rosengren, under his Airliner moniker, released. It included a song of the same name. So that ticks the month of August in my challenge. But that wasn’t all he released. And of course, Kristian, was part of another amazing band, Aerospace. So yeah, there’s a lot to talk about here.

His first ever Airliner release was actually a split 7″. And yes, the other band on the 7″, appearing on the B side was Aerospace. Okay, yeah, I promise to do a post for Aerospace in the future. That makes sense. But let’s stick to Airliner. This split 7″ was released by Labrador Records (LAB009) in the year of 1999. The split 7″ had a title, “Summer Wedding”, though not sure why that name. Airliner contributed two songs on the A side, “Before You Went Away” and “Trying to Be Clever”.

Then we don’t hear from him for a few years.In 2002 the band contributed the song “Everything That’s You” to the compilation “Try A Little Happiness” that came along the “Try Happiness” fanzine. This compilation should be legendary in my books. So many good bands on it.

In 2003 Zenith Recordings and Smudgey Records (ZEN004, Smudge-001) released another split 7″ called “Play Imprints of Emotions EP”. Again Airliner would contribute two songs to the A side, “Always Up to You” and “Happiness (Version)”. The B side was for the band Ant (who was also a one-man unit, Antony Harding from the UK).

It is also interesting that this 7″ would be re-released the year after, in 2004, by Fortune & Glory (FOR V7 113) in the UK. The artwork looks about the same. We know that Kristian recorded at home both songs and the street sounds that are included in the song “Happiness (version)” are from the city of New York. The photo that appears of Kristian on the back cover was taken at a photo booth in the Hornstull underground station in Stockholm. Another interesting fact is that this re-release actually used the same sleeves and probably the same records as the Swedish one. It just has a sticker on the back with the Fortune & Glory info. The other labels info appear as well. Also our friend from Fraction Discs, Jörgen Svensson is thanked in the sleeve.

This same year the band also released their album, “The Last Days of August” on Labrador (LAB030) in Sweden and on Art Union Records (ARTD-5512) in Japan. Funny enough it seems both releases have the same tracklist, 10 songs. Funny as Japanese releases usually have bonus tracks.

The 10 songs were “Trying to Be Clever”, “Everything That’s You”, “One Final Call”, “Nostalgia”, “Always Never”, “Defenses Down”, “Time and Space”, “Always the Last to Know”, “Happiness” and “The Last Days of August”. All songs were recorded by Johan Angergård at Summersound Studios and mastered at the Cutting Room by Thomas Eberger. The sleeve was designed by Lukas Möllersten.

On this record Kristian god some help from friends. Son Tobias Einestad played trumpet, Julia Lannerheim (Acid House Kings) and Karolina Komstedt (Club 8, Poprace) did backing vocals and Johan Angergård (Labrador head honcho, plus Acid House Kings, Club 8, The Legends, etc) produced the record.

2004 would see their song “Everything That’s You” on the compilation “Labrador Kingsize Vol#2” released by Labrador (LAB052). Then again a bit of silence.

2007 will be the last year we hear from Airliner. The song “Always Never” would appear on the compilation “David Design From Sweden With Love” on Labrador (LAB031). This compilation was compiled by Swiss DJ Olivier Rohrbach and included all sorts of Swedish contemporary music. It was a compilation put together by David Design who ran concept stores in Malmö, Stockholm and Tokyo.

“Before You Went Away” and “Trying to be Clever” would appear on the boxset “A Complete History of Popular Music” which was released by Labrador as it’s 100th release (LAB100) in 2007.

Magnum Music, a label from Taiwan, would put together “A Place in My Heart”, a sampler of Labrador artists. Airliner would contribute “Everything That’s You” in this 2007 release. And that same year, not too far away, the compilation “Olle Eksell Meets Labrador” released in Japan by Rambling Records (RBCS-2241) would include the song “Time and Space”.

I go to Google and first thing I find is a Facebook page. Sadly there is not much on it aside from three photos of Kristian. How come?

Then I find quite a few reviews on the web. But no information about the band. If they played live, if they had more songs, if there were more releases. Or even where is Kristian now? After Airliner and Aerospace, had he been in bands? That is the info I would love to find out.

I have this sort of recollection that he drummed for The Legends. Was that so? And I also stumbled upon a photo he took of Harvey Williams. Was he a photographer as well? Who remembers Airliner?

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Listen
Airliner – The Last Days of August

Day 186. Not much news today, but I have been quite productive on the blog site writing many interviews and asking more bands to participate. This week for sure we have posts Monday through Friday.

Nos Etés Trop Courts: some time ago I shared the “Sunshine Demo EP” by this early 90s shoegaze band from Nantes. Today I want to tell you that the first demo, “Sunset Demo”, is up on Bandcamp. 3 great songs recorded by Gérôme Guibert and Jimmy Arfosea in 1991. On top if it all I promise an interview with the band members later this week!

Foliage: a new album by the San Bernardino project is coming out on October 2nd digitally and November 11 on tape. This self-titled album will be released by  Z Tapes and at the moment we can preview one of the tracks, “Better Man”. The album will have 12 songs.

The Luxembourg Signal: the Californian band is going to be back with a new album on Shelflife Records on October 23rd and that’s great news! The Long Now” will be released on vinyl and CD  and will have 10 songs! Again we can only preview one song, “2.22”, which is terrific! Can’t wait for it.

The Hepburns: and finally we can listen to the new album “Electric Lliedi Land” on Bandcamp! 18 songs that are truly wonderful. One that no one could miss this year. The album is being released on CD and comes with a 16 page booklet (I always like big booklets with info and lyrics) and is out already!

Airiel: lastly in this Monday review, we find a new track from the classic Chicago shoegaze band. It is called “Bloom” and it sounds beautiful, gorgeous. Does this new track mean that the band will be releasing a new record soon? It seems so. The band says they are working on an EP top be released later this year!

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“Paris Rain in July”. That is the song that made me think that I thought would give me a check mark for July, in this silly challenge I am taking on my own. Writing about bands that had written about the months, now I am in July, and of course the next would be August.

So yeah, Chasing Dorotea. From Sweden. They released just one record, an album, back in 2002. It came out on the pre-Labrador Records label Summersound Recordings (SUMMER 007). It was a co-release with Stereo Test Kit Records (STK CD002).

11 songs came on this CD digipak, “The Anchor Song”, “Crackin Up”, “Dreamer”, “Tuva Song”, “In April”, “All I Want”, “A Long Time Ago”, “Paris Rain in July”, “Early Morning Mist”, “Memory” and “Dark Angel”. The producers for the album were Christopher Sander and Mattias Berqvist. Both of them were part of the band of course, Berqvist was the drummer as well as playing tambourine, vocals and handclaps. Sander on the other hand wrote most of the band’s songs and sand as well as played melodica. The other band members was Hugo Waara on bass.

Other people that participated on the record were Tobias Einestad, Sariana Cortes, Andreas Jeppson, Erik Westerberg, Paulo Vidal and César Vidal who wrote the song “Crackin Up”.

The Labrador website has a small little writeup from Christopher Sander. He says: “Me, Hugo and Mattias have been playing music together since we were 11 years old. I have been writing songs for as long. We grew up in a suburb of Stockholm. Have had our share of parties and travels. I write lyrics about girls I like a lot, dreams, childhood and other things I think are important.

Decided in 1998 to make music that sounded like red house painters. Before that I was mostly in to hard rock. All the musicians are from the same music school. I met my sister Tuva on a parkbench in Prague. Recorded a demo in 1999 and nothing happened.

In the beginning of 2001 I wrote twelve songs in a week, recorded them the following week and signed a contract with Summersound the third week. 25 new songs in my pocket, much better, I think, a couple of duets with a girl called Maria.

We rehearse in a suburb called the mid-summer garland together with three of the greatest bands in the world; Caesar’s Palace, The Dandelions and Mano and the Tears.”

I feel this has been translated from Swedish or something. Badly translated. The suburb they mention might be Midsommarkransen in Stockholm.  I don’t understand either when he says he met his sister Tuva in a Prague.

I do know that the Caesar’s Palace band he mentions is the band were César Vidal who wrote the song “Crackin Up”. Was this song from one of his previous bands? He had been in Ceasars and Safari on Pluto as well.

Speaking of people who appeared on the record we know that Andreas Jeppson was in [ingenting]. Tobias Einestad had played trumpet in many recordings for the likes of Acid House Kings, Airliner, or Club 8, so he was well connected with the Labrador people. Don’t know if he had been in any bands.

And of course the [ingenting] connection goes further. Mattias Bergqvist and Christopher Sander would be part of this band after the demise of Chasing Dorotea. They would continue releasing with Labrador too. After that we know that Berqvist would be part of First Aid Kit and Little Children. Sander on the other hand would release a few solo records. Hugo Waara would play in records by Belle.

Then on Last.fm there is another small bio where it says that the label people found about Chasing Dorotea in a visit to a mall: “While buying magazines in a mall we noticed some truly wonderful music coming from the speakers. Gentle little songs with sensitive whispery vocals. We asked the boy behind the counter what it was. That boy was songwriter Christopher Sander and the wonderful music was by his very own; Chasing Dorotea.” Interesting!

Okay, so one album. But also two appearances on compilations. The first was on “The Sound of Young Sweden – Volume 3” released by Labrador (LAB034) in 2002. The band would contribute two songs to it, “Dreamer” and “Compassion”. Then in 2005 they would have “The Anchor Song” on the compilation “Records Make Great Pets Vo. 1/Sweden” released by Stereo Test Kit Records in the UK.

I continue looking for any information about the band. I find that the band played a mini-festival for Labrador on May 9, 2003 at Bommens Salonger. Then I think I find who is the Tuva mentioned in the Labrador bio. So the song “The Anchor Song” which is sung by Sander and a girl, well that girl was Tuva Novotny. Novotny a well known actress who has appeared on Hollywood movies like “Eat, Pray, Love”, “Annhilation” or Blind Spot”, among others.

Not much more about them on the web, but quite some interesting stories we’ve found, right? I am sure the band must have lots of anecdotes. And I am also wondering, when did they stop the band and become [ingenting]? Were they tired of singing in English, perhaps? And the classic one, are there more songs recorded by the band?

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Listen
Chasing Dorotea – All I Want

Day 183.

The Apartments: new video by Peter Walsh’s band! It is for the song “What’s Beauty to Do?” that will be included in the album “In and Out of the Light” that is coming out on September 18th on Riley Records! Such a good song!

Fred Fredburger: the Spanish band is back with three new songs, “15 Minutos”, “La Merienda” and “Acústica”. They are only available in digital form which is a bit of a shame.

The Reds, Pinks & Purples: another band that is back (actually never stops releasing music) is this California project by Glenn Donaldson. The latest are two songs, “Upside Down in an Empty Room” and “Mountain Lake Park”.

Jetstream Pony: A new 7″ coming out by one of our favourite bands. Two new songs, “If Not Now, When?” and “Yellow Pills” are to be released by Spinout Productions on September 25th! Sadly it seems it is already sold out. No copy for me.

The Age of Colored Lizards: the Oslo shoegaze band is of course back too! Everyone is back in this review. No new bands! Anyways, the Norwegians come back with a CD release of their 8 song album “Messed Up”! Check it out!

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A song called “June” in their only proper release, the album “Electric Songs” from 1999. Okay, I can cross out this month in this silly challenge of mine.

Aquadays, the superb Gothenburg, Sweden, band. The band that formed in 1993. A band whose members who at the beginning had been living in Alingsås and were in Somersault. And then in the 2000s some of these same members were going to be in The Electric Pop Group.

And yes, I did catch The Electric Pop Group play live. Here in NYC of all places. I met with Martin Aamot then. Shortly. But it was great. We had been in touch since they released their first self-titled album. At that time, maybe around 2006 I didn’t know of the Aquadays connection. I would find out about it some years after. And today I found that he was in a band called Rain who released a 7″ that I had no clue! I really want to listen to it! And have this record!

So, yes, Aquadays was Lisa Sandström on farfisa organ, Martin Aamot on the Fender guitar, Roland synthesizer, rhythm machines and vocals and Klara Albinsson on vocals. I don’t know when they changed their name from Somersault to Aquadays. Maybe it was in 1996. That was the year when Klara left the band. That was also the year the rest of the band members moved to Gothenburg. And it was in Gothenburg that Sarah Assbring would join as vocalist.

Then in 1998, Sarah would leave the band. That was in March. Two months after, in May, Klara, the original vocalist, decided to get back in the band and release an album. By that point the band had already recorded twelve songs. In 1997 they had put together a demo tape called “Spring” with eight of them. These songs had previously appeared on other demo tapes like “Ultramarine” and “Spacious”, but there were some new ones like “Casablanca”, Senseless” and “Daydreamer”.

Finally in 1998 the band would record the album in their own home studio. It seemed at that point that Roger Gunnarsson’s label Dorian Records was to put out the album but in the end was the German label Apricot Records (APRICD 006) that would put them out in 1999.

This album was released on CD and had 10 songs: “Senseless”, “Daydreamer”, “Casablanca”, “June”, “Spacious”, “Sunshine Girl”, “Mother of Pearl”, “Gem”, “Lustre” and “Autumn Swirl”.

What happened to Sarah? She went to sing in the band Sadovaja and of course afterwards would be way more known as El Perro del Mar.

There is actually an old website for the band that you can still access which is great. Here there is a “demography”. The first two tapes are for Somersault, so maybe they would be for a different post. But there are 2 tapes for Aquadays. There is the self-titled 1996 tape that had 7 songs, “June”, “Spacious”, “Lachrymose”, “Mother-of-Pearl”, “Gem”, “Lustre” and “Autumn Swirl”, and the 1997 tape called “Spring” that had 8 songs, “Senseless”, “Daydreamer”, “Casablanca”, “June”, “Spacious”, “Mother of Pearl”, “Lustre” and “Autumn Swirl”. Were the songs that appear twice re-recordings? And what about the ones that didn’t appear on the album? Would be nice to hear them of course. Also it is worth noting that many of these songs were already recorded by Somersault. So the question that is obvious is if the songs sounded much different?

About gigs, I found out on the website that the band played with The Wellmeant at Tre Backar in Stockholm on May 23rd 1997. What about gigs in Gothenburg?

But this was not all of course, the band did appear on a bunch of compilations in the late 90s and in the 2000s.

The earliest one is with the song “June” in 1996. This one came on “A Chance to Shine. A Dorian Records Compilation” (DORIAN 002). I guess this is where the friendship between Aquadays and Dorian started. So why was the album not released by them? Would be good to find out!

Then in 1998 they contributed the song “Casablanca” to “Yearbook 98″, a 12” compilation on Clair de Leon! (CDL! 001), a label that would later become the more known Clairerecords. That same year they would appear on Earwax Records’ “Wax001 – An International Indie Compilation” (WAX001) with the track “Daydreamer” and also on the US compilation “Pure Spun Sugar” (CF-017, AmPop 201), a co-release between Candy Floss and the American Pop Project, with the track “Gem”.

In 2000 the band contributed “Sunshine Girl” to the Japanese label Trolley Bus Music Tour’s compilation CD “Trolley Bus Music Tour” (TB-001). Then Apricot Records, who had released their album, would include their song “Sunshine Girl” to “Small But Sweet” (APRICD010) compilation. This compilation would be re-released in Japan by Quattro Disc that same year.

The US compilation “Just for a Day” (DAY01) released by the label of the same name would have them with their song “Senseless” also in the year 2000.

In 2002 the band had their song “Casablanca” on “Working Titles” a compilation CD by Factory Girl Records (QTY:008) and then on the classic Serbian compilation CD “A View of Our Dreams” (OaBCD001) released by Nikola’s On a Balcony label they would appear with the track “Sunshine Girl”.

The only other appearance that I know is on the “Airpop” CD and LP compilation released by Apricot (APRICD002). There they would contribute the songs “Senseless” and “June”.

Digging the website I find reviews of their album. One that mentions them being a mix of Savage Garden (?) and Orange Cake Mix. Then an interview with Pennyblackmusic. This one is good. Here Martin mentions he discovered indiepop in 1992. Before that he had been in a band called Divine that were more inspired by Depeche Mode or Ultravox. After discovering indiepop he would form Rain. Now I want to listen to this band more!

So that’s where I lose the trail. There is not much written about them. Other than the few reviews and their own website. I have many questions as you might have notice. Maybe it is good time to reconnect with Martin. Find out whatever happened to Aquadays. I’d be very interested. What about you?

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Listen
Aquadays – Sunshine Girl

Day 181.

Optic Sevens 3.0: now you can pre-order the new series of 7″ reissues by Optic Nerve. The new series include 7″s by Chin Chin, Girls at Our Best, The Servants, East Village, The Nivens, The Siddeleys, Beat Happening, Camper Van Beethoven, The Desert Wolves, Weeping Messerchmitts, The Clouds and The House of Love. This is not to be missed!

The Catherines: our Hamburg friends have a new CD out! It is a 4 song EP titled “Okay Then…” that jangles a lot! I would love to get a copy of course, especially as the CD version comes with an extra track, so 5 for CD, 4 for the digital EP. And who’s on the front cover photo? Is that Heiko?

Weedipus: Lets head to Barnsley in the UK to check out the “Demo Tape EP” which is actually out on CD! The four songs included, “Honest”, “Broken Boy”, “Places to Go” and “We Both Know”, are amazing! Fuzzy, poppy, dreamy and with great vocals. Definitely a band to keep an eye!

Todavía: I have recommended this Los Angeles band in the past and so it is no surprise I will do it again now that they are releasing a cassette album titled “Orange Faint of Sky” on October 2nd! The album will include 11 tracks and you can preview 4 of them now on Bandcamp!

Pastel Coast: I think it is a great idea to finish this quick review of new indiepop in the world with the video for “Rendezvous”! The song is included in the second album by the French band Pastel Coast. It is summery and feel good, and I believe that’s what we all need now!

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For May I thought of the band Fantastic June from Indonesia who recorded a song called “May”. Of course!

After making this decision I noticed I had written a short piece about them some time ago, recommending their latest release “Dancing With Flowers” which is available on Bandcamp. This one dates from 2020 and includes 10 songs, “High”, “Maybe”, “Smile”, “Blue”, “Rain”, “The Winner”, “What Do You Want”, “Nothing in this World”, “Merindu Waktu” and “Bad”. As always all these songs were written and performed by Ridwan Yuniardhika, the force behind this project.

He got help from some friends of course like Ganesha Mahendra (electric guitar on “Maybe”), Anzarra Djahran (keyboards on “Maybe”) and Carryna Pratiwi (backing vocals on “The Winner” and “Bad”). Carryna also did the beautiful art that we see on the cover. But what about the song “May” you say?

The Bandung based project started in 2004. It was in early 2005 that the band would release a free CD demo (which songs were on this one? we need to find out!) and those were his first recordings. Later, in 2007, the band would release an EP called “An”. It is on this one that the song “May” was included.

I am looking at the band’s website. Here you can purchase both album and EP. This is great news. Do they ship to the US? I need to find out. What about Europe? The websites that you are taken to to buy the CDs seem to be in Indonesian which is not helpful for me that I don’t know the language. Maybe some Indonesian friends will help.

The “An” EP was released according to the website not in 2005, as the bio says, but in 2007. Maybe there was a previous release in 2005? Maybe CDR? Can’t say. This EP had 6 songs, “May”, “Fool”, “I’ll be There, Alexia”, “Lost Without You”, “Love Ship” and a hidden track.

Looking in Youtube I found some live performances of the band. First one dates from December 31, 2010. Just in time for New Year’s. Here they play live at “New Year’s Honour”, in Yogyakarta, the song “May“. Then a video of Ridwan and friends playing the song “Bad” at a recording studio perhaps? And also “May” at a different studio or rehearsal space.

The band also has a Facebook page. In it I find out that they performed at a festival called Euphormatics in the city of Semarang. I also stumble upon a WordPress blog by Ridwan, in Indonesian though. I notice he is a fan of SS Lazio. Also a Soundcloud for other sort of music he makes under the name of Weggy Johnsy. Not really indiepop, but have a listen.

Lastly it is worth mentioning that the song “May” appeared on the compilation “Series Two Compilation Vol. 7” in 2008. You know I was never a fan of this label, but the band makes good music and I need to cover the whole discography.

I keep googling, trying to find anything else by the band. For example what happened to the project between the EP and the album. It was at least 13 years in between! I see an article on Vice Indonesia from April this year. Here they recommend his album. That must be an important showcase for Fantastic June I guess.

SEA INDIE which I mentioned too in my last post, included them in their first compilation, like 9 years ago. The band contributed a remixed version of “May”, “May (Lucky Misu Lo Fi Remix)”.

And that’s it really. Now the big question for me is, how do I get the records? Has Ridwan been in any indiepop bands? Other pop projects? What happened in that interval between EP and album? What is the future for Fantastic June? Answers are welcome.

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Fantastic June – May

Day 179.

I have to tell you a story that happened to me last week.

Years ago I became a fan of the great UK band This Final Frame. That was during Myspace days. Even the band was kind enough to send me a self-released CD with all their songs. It was a masterpiece. I always wondered when it would be released properly.

Back in July I started seeing in Facebook some friends sharing that there was going to be a reissue on an unknown label to me, JB Records from California. When I saw it, I was interested immediately, an LP of the band’s songs, that sounded like something I wanted.

I looked for their website or Bandcamp but that didn’t exist. Only a Facebook page. There it said that the album was already sold out. I took my chances and wrote them a message asking that I wanted to get a copy. The person who runs the label told me there were 4 copies left (so how come was it sold out, I don’t know?). She asked me how many copies of these I wanted. I thought that was a strange question, why would I need more than one? Maybe I am innocent I thought, maybe people are buying to later sell these copies. I wanted to think people that like this kind of music care about these things, so yeah, I said the 1 copy. I asked if she needed my paypal information so I could preorder. She said no. That for now just wait until she receives the copies. Ok then. Strange but I was as usual trusting.

Last week I see photos of the records in fans houses or turntables. So I write the label, perhaps they forgot about me. She tells me that the people that have the record are people that live in the area. Again sort of odd, but hey, in times of the pandemic maybe that makes sense. I ask again about paying and paypal, or if they need my address. She says no, but ok, sure give me the address and I’ll let you know about paypal when the record is boxed and ready to ship. Ok.

Suddenly last Thursday I receive a message with a photo of my package, the LP in a regular cardboard mailer. It has my address on it. And I’m told it is $50. And I’m like? WHAT? How come one LP costs $50? A regular LP. That is unheard. I was expecting to pay maximum $30. And that’s quite a lot. See, within the US you can mail records as media mail and that is less than $5 for an LP for postage. So I tell her that, how come is this price, if postage can’t be more than $5, thinking that perhaps it was a mixup with international orders. But no, even more surprising she says that the LP is $50 and the shipping is free.

That sounded to me like a scam and I got very frustrated and sad. I asked friends on Facebook if they knew about what was going on. People were surprised of course but they weren’t aware of the label. Only one friend told me that a 12″ single with two songs that he was interested in was being sold by the same label also for $50. This got me thinking.

In the meantime the label person writes me saying she can sell the record to me for $40. That seemed very dodgy. All of a sudden I get a $10 discount. Still I feel that is not the right price. I feel I am being tricked.

So yeah, sadly I will have to let pass this release. I was excited, but I can’t support a label that is doing things wrong. That’s not the indie way. I have many ideas of what may be going on, but as I am not sure I can’t say. But in any case charging that price for a record is not right.

It is fishy. I was wondering if people that press CDs would do the same. I don’t think it would work. Somehow there is a vinyl hungry people that would be ok with these prices. Well, I am not, and I think it is wrong. And absurd. So yeah, beware.

We labels need to be fair.

And yes, here’s new music from the web!

The Hepburns: great finds over the weekend and I start with a favourite band of mine, one that I was lucky to interview year ago. The Welsh band from Llanelli have recorded a new song called “Hey, Mrs O’Shea” which will be included in the upcoming album “Electric Lliedi Land” that I hope gets released this year! This is wonderful, classic pop, that deserves all the recognition and listens one can have. Truly wonderful!

Stuck on the 90s: Sound As Ever Compilation #2: I just discovered this release which is the second part of a series of compilations released by Popboomerang Records. The first one came out in July and the 2nd volume is to be released on October. They are being really fast! These releases cover the period of 1990 to 1999 in Australia. I wish there was some 80s thrown in there, and I hope at some point that happens, I tried to do that sort of compilations, but with no real help from most of the bands (though I must say some were very helpful and from this effort the Macguffins compilations came through), so maybe a label based in Australia is our best bet! Great stuff!

Fever Hut: a remastered EP from the Leeds band with four songs, “Frida and Diego”, “Beckett Country”, “The Dying of Howard Hughes” and “The End of the Golden Mile”. Wow! Brings back memories, when I put out a Fever Hut 3″ CD with “Frida and Diego” and two more songs. Actually there are a few copies left of that 3″ if anyone is interested. In any case, this EP on Bandcamp is amazing. Classic.

All Ashore: this is terrific news as I love Velodrome 2000, Plouf! and the Parallelograms. This band features band members of those bands. And you can tell when you listen the two songs (“Radio Sunshine” and “17 Again”) to preview on Daytrip Records’ Bandcamp. What are we previewing? The debut album “Stayin’ Afloat”!! 9 songs on a 10″ (it will be available on CD thru Jigsaw Records in the US too). The album is said to come out on November 20, 2020. It sounds like the soundtrack for the summer, but it can be for winter too!

Star Tropics: a few months (or was it weeks? Ive lost the idea of time) I shared some Youtube videos from this terrific Chicago band. These videos were from a home session the band had put for DKFM radio. Two songs were recorded, “The Test of Time” and “Running Scared”, and now the songs are on Bandcamp. I thought why not listen to them again.

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I used to be in touch many years ago with the Singapore’s Bobsy. I remember chatting in gchat quite a few times. I wonder where is he now.

As I am doing this new challenge, writing about bands that titled one of their songs after a month, I couldn’t think of a better one for April than Bobsy. He released just one 7″, back in 1999, that had a song called “The End of April” as the A side.

The B side for this 7″ was “Letting Go”. The 7″ main piece of art was a green crochet texture. This, and the drawings on the labels are credited to Bobsy himself.

This 7″ was co-released by Drive-In Records (DRIVE 31) and Moonscreen Records (SCR 006) and these two songs weren’t the only ones they recorded. I know at least 2 more.

The first was “Find the Lost Years” that was featured on a compilation called “Falling and Laughing” released by Sofa Records (SOFA 1) in 2001. This compilation came along a 40 page fanzine, perhaps with info for each bands. It would be good to find out. This release came out of Hong Kong and included top bands like Gentle Tuesday, The Pristines, Johnny Dee and more.

Then in 2002, on the Italian tape label Best Kept Secret’s compilation “We Are Not Alone (Songs for the Lo-Fi Generation) Volume 6”, the band appeared covering Blueboy’s classic “Chelsea Guitar”.

Lastly in 2003 the band appeared on the CD compilation “Dashboard Teddy Version 1.0”, a compilation released in the Philippines by the label Dorothy Records. On this one the band appeared with “End of April (edit)”.

This same song was featured once again on a digital compilation called “Brilliant Sights of Sounds” by the blog SEA Indie giving Bobsy some new attention on a few blogs around.

I keep looking and found a Myspace. Here there is a small bio that says that Bobsy was a two-piece based in Australia. How come? Wasn’t Bobsy just Bob from Singapore? Maybe when the band started in 1998 he was based in Australia and it was a two-piece? This is quite confusing.

This Myspace also has two songs on the playlist that I’ve never heard of, “Strawberry Window” and “Smoky Town”. These don’t play of course. I wonder anyone has them? How did they sound?

Sadly that’s it really. I can’t seem to find any other info. No posts with details of any other releases or projects. No interviews. No videos on Youtube. There is quite nothing. At least there was that one 7″ that he recorded. But of course, I would love to find more. Was there really a connection with Australia? Anyone remembers Bobsy?

EDIT: My friend Vernon just pointed me to a Soundcloud with lots of songs: “Smoky Town”, “Chelsea Guitar”, “What We Had Hoped”, “Marine Parade”, “Find the Lost Years”, “The End of April”, “Letting Go” and “Strawberry Window”. Perhaps all the recorded output?

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Bobsy – The End of April

Day 176. Happy Friday! And also a nice break for us in the US, a 3 day weekend!

Oldfield Youth Club: this Hampton, UK, band features members of the great 80s pop band Last Party (I should feature them of course sometime soon!). They have released last month an EP called “The Glue/Splinters/Kids at the Summer Festivals” which actually has those three songs!

Chavales: this fun sounding electronic pop band from Spain is going to release their album “Tu Foto en el Techo” on September 18th on Elefant Records. It is coming out on a 10″ and at the moment we can preview 5 songs (out of 9) on Bandcamp.

Kindsight: now a band from Copenhagen formed by Nina, Søren, Anders and Johannes. They have just the one song on Bandcamp and it is called “Who Are You” and I have to say it is very nice. The band has already signed to Rama Lama Records and so I hope they put out some records out! Or at least more songs!

Scot Sprite: this solo project of Elise Cook from Exeter in the UK sounds great. Her latest song is called “It’s Summer and I Don’t Feel Like Smiling” and it is great. Catchy, with some cool guitar hooks!

The Slow Painters: some old-school jangle pop from the Oslo band, that after 16 years of forming is releasing their first album. The self-titled album is available now on LP format from Keepsecretrecords. 10 songs!

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Starlet, another great Swedish band from the late 90s and early 2000s. They wrote a song for March and it was called “Late March”. So yes this will cover my challenge. This song would not appear in their albums but on two compilations. The first one was on “The Sound of Young Sweden – Volume 3” released in 2002 by Labrador (LAB034) where they also contributed the song “I Want a Girl for My Birthday”. And the second one was on the US based label Secret Crush Records compilation CD “Stamp Collecting (For Beginners)” (SCRT01) in 2003.

I believe their first ever release was on a 1995 tape compilation called “Vermilion” that was released by Bliss Aquamarine (BLISS 011) with the song “Boom! Boom! Love”.

This first album came out in 1997 and it was called “From the One You Left Behind”. It was released by the US based label Parasol Records (PAR 027). It was released on both LP and CD with the same tracklisting. The A side had “Pin-Up”, “Love-Story of the Year”, “Wendy”, “Au-Pair” and “Afraid” while the B side had “Girlfriend”, “It Could Happen”, “As You Leave”, “Boom! Boom! Love!” and “Astrid”. 3 of these songs were recorded in 1995 at Beagle Studio and produced Martin Sventorp and the band, the rest were recorded at Studion in 1996 and were prorduced by Jörgen Stridh and the band. The art is credited to Lukas Möllersten, and among the credits we find that Anna Lundbom played flute on “Pin-up” and “Love-Story of the Year” and Per Ingvarsson played cello on “Wendy”.

In 1999 the band would release a 7″ on Parasol with two tracks, “Diary & Herself” on the A side and “Long Lost Love” on the B side. The art is again credited to Lukas Möllersten and the photography to H Mårtensson. The engineer for these two songs recorded in the summer of 1999 was Jörgen Andersson.

The Malmö band would return with a new album in 2000. It was called “Stay On My Side” and would be released on LP and CD by Parasol (PAR 054) in the US and on CD by Labrador (LAB013) in Sweden, Inane (INANE03) in Spain and Philter Records (PRPH-2020) in Japan. The 10 songs were recorded and mixed at Emmy Studio in Kristianstad in July and August of 1999 with Jörgen Andersson as the engineer. The songs were “I’m Home”, “Homewater”, “At Least in my Heart”, “In the Disco” and “Internal Affairs” on the A side and “Scent of You”, “Diary and Herself”, “Silver Sportscar”, “Moving On” and “Friends” on the flipside. Art again by Lukas Möllersten and the photography throughout the booklet is credited to first names, many of them. Here I believe is the first release where the band members’ names appear, Anders Baeck on drums, guitar and percussion, Henrik Mårtensson on guitar, bass and vocals, Joakim Ödlund on guitar and Jonas Färm on vocals, guitar, bass and vocals. It is also worth mentioning that the Japanese CD had a bonus track, “Long Lost Love”.

That same year, 2000, the band would contribute “Diary & Herself” to the compilation “Parasol’s Sweet Sixteen Volume 1” (PAR-PROMO 001). They would also give away another song to Parasol the next year, 2001, on their compilation “Parasol’s Sweet Sixteen Volume 4” (PAR-PROMO 004). This song was called “When Sun Falls On My Feet”.

In 2002 Labrador would promote the band with a CDR that had two songs, “When Sun Falls On My Feet” and “Stop and Let it Go”. Not sure how many copies of these were made or who the label sent to them. Seems rare. But it makes sense, the band would release their third and last album that year, “When Sun Falls On My Feet”. This release would be out on Parasol Records (PAR 073) in the US, Philter Records (PRPH-2046) in Japan, Labrador (LAB021) in Sweden and interestingly enough on Rostok Records (RRCD-307) in Ukraine. All were CD releases.

The album would include 10 songs, “Malmö”, “With Sand in My Eyes”, “When the Sun Falls on My Feet”, “Make that Stone Beat Like a Heart Again”, “Not Alone”, “Sunshine”, “To Sleep This Evil Day Away”, “And How it Breaks”, “Christine” and “Stop and Let it Go”. Obviously the Japanese version had an extra song, “Orbit”. The album was mixed and recorded at Emmy Studio and mastered by Thomas Eberger at Cutting Room. The engineer was Jörgen Andersson who contributed on some keyboards as well. Other guest musician was Linda Bykvist (from The Bustups) who played trumpet.

That same year their song “Stop and Let It Go (demo)” would appear on the CD compilation “Try a Little Happiness” that came alongside that legendary fanzine by my friend Jörgen Svensson. But that wasn’t all, their tracks “When Sun Falls On My Feet” and “I’m Home” would be featured in the Labrador compilation “Labrador Kingsize Vol# 1” (LAB020.

In 2003 they would appear on “Today’s Best Music” a CD compilation released in Greece by Ποπ + Ροκ, a monthly music magazine. They would contribute the song “Christine”. They would also get some love in France, on the compilation “I am A Victim of this Song” released by Baka-Poi another fanzine. The song they would give away would be “When the Sun Fall on my Feet”.

In 2007 Labrador would release their CD boxset “A Complete History of Popular Music” (LAB100). The songs that the band would contribute would be the same as the last Labrador compilation, “I’m Home” and “When Sun Falls on My Feet”.

Then a compilation I had no clue about but looks amazing! “Olle Eksell Meets Labrador” was a CD comp released in 2007 by Rambling Records in Japan (RBCS-2241). The band appears here with the track “The Sun and the Rainfall”. I love Olle Eksell I must say so I am very curious about this one.

Then that same year in Taiwan’s Magnum Music’s “A Place in My Heart” (MAGCD35) the band would contribute the song “And How it Breaks”.

Ok now we know quite a bit about their releases. Where are they know you may ask. Well, to be fair they all have been in many bands. Important bands. For example Henrik had been in Pallers, Poprace and The Legends. Joakim had been in Acid House Kings, Poprace, Double Dan, Ambassadeurs and in Poppyfields (I really want to hear their tape!). Jonas was in the first album by The Legends. Anders had been in The Bustups.

But yeah, that sounds like bands from the past. What about today? What are they doing now. That is a fair question. Also I haven’t been able to find any info about gigs. Did they play many? Outside of Sweden? What about unreleased tracks?

Labdrador though has some fun and interesting details on their website. Their is a bio that says: Recognized as part of the »Åhus Scene« that was designated by the Swedish pop press as “the Mecca of Swedish wimp pop”, Starlet comes from the same region as Club 8, Acid House Kings, Pop Race, and the Leslies. And, lead vocalist Jonas Farm’s hometown, Malmö, has been chosen as »the pop-town of year 2000« by the nation’s Swedish Radio. Jonas Farm describes his contribution to the album’s songwriting this way: “When I learned to play the guitar, about 1992, I tried really hard to make songs that sounded like Popsicles’ »Laquer«, but it didn’t work at all, and I found out that it was a stupid idea trying to sound like another band. Then I got every Beatles-album and made the same mistake. Now I just follow a feeling when I write a song, and subconsciously fragments of my influences of the time trickles through, mixing with me and the sound of me.

The Åhus scene. How was that? Would love to hear more about it. Anecdotes and such…

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Listen
Starlet – I’m Home

Day 174. I continue going to the post office to mail Macguffins CDs. Thanks again to everyone! I hope this trend continues! You know, if I get to sell records it means I can put out more records!!

Grids & Dots: this Sydney pop band sounds great! Their latest song is called “The Great Divide” and I am already a fan. I hope it gets released properly. The band is formed by Carmen Minikus, Daniel Handaru and Pat Hisshion.

Agent Blå: the great Gothenburg band is back with just one song, “Frustrated”. It is great, as usual. I don’t have much more to say, this band continues to release great tunes.

Kodiak Galaxy: another Australian band, this time from Melbourne. This shoegazy dreampop band has just released digitally an album called “A Bad Time for Dreamers”. It has 10 songs and I do think it’d be great if there’s a physical version eventually!

The Infinite Daisy Chains: now to the US, to Washington DC. Ian Dandrige and his wife Kristina Westernik-Dandrige are the people behind the music, and they have just released a new song called “Memory Lane”, a superb dreamy song.

Heavy Sigh: and now to New Jersey. Here we discover this five-piece that is releasing their album “Hard to Care” on October 20th. It seems the album will be released digitally. No physical release. In any case we can preview 1 out of the 10 songs. So yeah, go check out “Downtime, All the Time”!

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I discovered The Beatifics through their 2002 album “The Way We Never Were” on Bus Stop Label (BUS1020). It was actually their third and last album. And it is in this album that they wrote the song “February” thus fulfilling my challenge for the month of February. But let’s see what we can find about this classic Minneapolis band!

This last album included 10 songs, “Sorry Yesterdays”, “After All”, “February”, “The Only One”, “When It’s Whenever”, “Different Stars”, “In the Meantime”, “Between the Lines”, “Pt. 2” and “Outro”.

As I am starting with their latest album, I’ll go backwards. Maybe that make sense, their first album is the one many people consider a true classic. Well then, the 2nd album was called “In the Meantime”. Well, it wasn’t really an album. More of a mini-album or EP. It came out 2001 on The Bus Stop Label (BUS1016). The songs on this record were “In the Meantime”, “Different Stars”, “This Year’s Jessica (Again)”, “Outro” and “Longest Day of Summer”. These songs were recorded at Seedy Underbelly, Third Ear, Wigged Out, Albatross, Salmagundi, City Cabin and at home. The songs were produced by Chris Dorn and Eric Kassel.

We also know that the band members were Paul Novak on bass, Chris Dorn on vocals and guitar, Andy Schultz on guitar and Randy Seals on drums. On this album though they had Jacques Wait (France Has the Bomb, Pink Mink, Rank Strangers, The Twilight Hours, Tina & the Total Babes, The Sycamores, Magnatone) playing bass on a few tracks and Keely Lane (Ol’ Yeller, Trailer Trash) playing drums in a couple.

As I mentioned their first album “How I Learned to Stop Worrying” is a true classic. It came out in 1996 on TRG Records (TRG 89338). It had 9 super songs, “Almost Something There”, “Something/Anything?”, “This Year’s Jessica”, “Without a Doubt”, “Last Thing on My Mind”, “Happy to Be Sad”, “Crazy Lovesick Heart”, “Those Kids” and “Read You Wrong”. On this record we see a lot of guest musicians including Ben Wilinski, Andy Sullivan, JimJim Vandalia, Todd Newman, Jay Bennett, Betsy Stodola, Devin Hill, Hans Buff, Tom Rosenthal and Dan Sarka. Were they part of the Minneapolis scene? And speaking of Minneapolis scene, were they close to Grimsey Records?

Anyways, again the band would record in many places including Salmagundi Studios, Synergy Studios, Harper Street, Third Ear Recording, The Ranch and City Cabin. The songs would be mixed at Synergy Studios. The producer was again Chris Dorn with Dave Kent as the engineer.

I’ll return to this album in a bit. Now I have to mention a few other releases by the band and compilation appearances. First there was a 2007 split 7″ with The Deaths on Miniature Record Club. The band would contribute the song “Yeah Yeah” and appear on the B side. Then there is a 7″ on Tallboy Records (TABOY002) sometime in the 2000s. This one included two songs, “Longest Day of Summer” on the A side and “Had to Run Around” on the B side. This last song was a cover of Emitt Rhodes. Another thing I notice is that Keely Lane is the drummer on both songs. Maybe in the end Randy Seals was replaced?

In the compilation department they appeared on at least 11 different records. In 1996 they had “Almost Something There” on the TRG Records compilation CD “Precious Moments: The Big Sound of Now: Volume 2 a TRG Sampler” (TRG 893462). That same year this same song would appear on “The B.L.A.S.T. Modern Rock Program #22” CD compilation on S.I.N. Both of these releases were for promo purposes.

In 1997 the band would have their song “Almost Something There” on 2 compilations, first on “Sam Goody Samples Minnesota” and then on Not Lame Recordings’ comp “The World’s Best Power Pop Compilation… Really!” (NL-0038). That same year, “Happy to be Sad” appeared on Yesterday Girl’s CD compilation “Pop Under the Surface” (YES 001).

1998 would have their track “This Year’s Jessica ’98” on Lazy Cat’s “Somewhere Down the Road” (SCOP-01) CD. In 1999 their song “Rock and Roll Part 3” would be included on the “Teenster” compilation put together by Back of a Car magazine.

In 2001 they would work again with Yesterday Girl. They would contribute their song “Meantime” to the compilation “Pop Greetings Volume Three – Minnesota” (YES 006). That same year their song “Longest Days of Summer” would be on “Hit the Hay Vol. 5” double CD compilation put together by Sound Asleep Records (ZZZ011) and the track “Sorry Yesterday” would show up on “What’s Up Buttercup” (MEOW 05) a compilation by Lazy Cat. Lastly in 2002 Not Lame Recordings’ would include them on a compilation called “Right to Chews” with their song “Superman”.

A new label called Grandma Camp Records would contact the band in 2015 and would eventually release the first album “How I Learned to Stop Worrying” as a 20th anniversary release on vinyl in 2016. There is a bit of a story of how this come together on the blog “Pop Music as Pornography“.  To make it special it would include a 10” vinyl record called “Live on Vin Scelsa’s Idiot’s Delight”. Indeed the 8 songs on this record were recorded at Vin Scelsa’s show on WNEW-FM in New York on April 20, 1997. Here we see the original lineup of the band and they recorded these songs, “Almost Something There”, “Something/Anything?”, “This Year’s Jessica” and “All Your Former Boyfriends” on the A side; “Happy to Be Sad”, “Last Thing On My Mind”, “Longest Days of Summer” and “Junior’s Farm” on the B side. The engineers were David Vanderheyden and Paul Altemus. This release, to my surprise, seems to be available still on the band’s Bandcamp!

From what I understand buying this release also gives you access to rare demos by the pre-Beatifics band The Rockerfellers! Oh! I’d love to hear these. I should order this soon. I just spent quite a bit of money, but I think I can make the effort.

Googling to find any other details I see a ton of reviews of their records. But I am looking for details really. Like where in the world did they play live. What are they up to these days. Are there unreleased tracks by The Beatifics. Where does their name comes from. That sort of details.

In Youtube I find the band playing the song “Those Kids” on February 13, 1998, in Mesa, Arizona! The only other good find on Youtube a video of the band playing 7 minutes at the Hex in Minneapolis. Can’t say when was this recorded though.

On Soundcloud there is a live concert (about 30 min.) of what was “Live in Minnesota“. This was a benefit gig for local musician Dan Boardman and The Beatifics were part of it alongside Stingray Green and Magnatone.

Then I find a book called “The Hopefuls: Chasing a Rock n’ Roll Dream in the Minnesota Music Scene”. This book mentions that a Heath Henjum was part of The Beatifics at some point. I believe he would replace Jacques Wait.

And that is it when it comes to The Beatifics. For sure I learned a lot about them. I must admit I didn’t know their first record touched so many people. I am really impressed by the amount of posts on the internet about this record and the praise it gets. I discovered it much later of course. I wonder if I had listened to it in 1996 I would have written posts about it on the previous blog I used to have.

Now I have to order the re-release of their classic album and of course hope that someone can tell where are The Beatifics now!

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Listen
The Beatifics – Almost Something There

Day 172. Now the CD retrospective by the Macguffins is officially out. Expect it too in a few mailorders around the world. Very excited about it and thankful for everyone’s support!

Now working on a 7″ that should be released this year by a Finnish band. More news soon!

Garfields Birthday: formed in 1995, in Weymouth, the band only released their debut album in 2008. This year though they have released a compilation album called “Typically Stereo” that features lots of unreleased and alternate mixes of their songs. And they are quite a nice surprise! The album is available now as a CD.

Philip Paterson: our Scottish friend who once was part of the fantastic Future World Moves band has been recording again during the pandemic. He has 4 new songs as an EP called “Corona 2020” on Soundcloud. The songs are mostly instrumental but with some lyrics with some very nice guitars.

The Alaskas: their EP “My Mind is a Ballroom” was released back in May and thanks to my friend David I have just discovered it. We know the band released this EP digitally on Denizen Records from Massachusetts and that it has 4 songs. The band is also formed by 4 people, Bobby Pin, Theodor Graham, Paul MarioKartney and Jeffery Tree.

Kammahav: the music project of Christian Gustafsson from Victorian Tin and Tony Jenkins from Plume is back with a terrific song called “Visibility Clock”! It is a very nice digital single that features more musician friends like Stenbit, Erik Bergqvist and Britt K. Jardon.

Blueprints: this band features Mia Schoen and Marc Regueiro-McKelvie. I remember loving Mia’s band Sleepy Township very much and never followed what she went to do afterwards. Would be a good interview I reckon. In any cae this is her latest, a 9 song album released digitally by Glass Halo Music from Melbourne!

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I prepare many of my research on bands time ahead. This is the 2nd or 3rd I am writing since I’ve been working from home. Since the self-isolation. Before it many more posts will be published I am sure. So I wonder if this post will be published before or after the quarantine ends.

As I am trying to make fun my posts I want to challenge myself. Last time I was looking into bands that wrote a song about days of the week. Sure that song may have not been the best of their repertoire, but still, it counts. You could make a fun mix with it. Now I want to do the same but with months. And I have to start with January.

The Swedish band The Charade wrote “Stockholm January 2005” in their first album. It is not my favourite song of theirs, but still counts. I remember playing the a lot back then, especially their song “Dressed in Yellow & Blue”, my favourite song of theirs!

The band only released records in the Northampton, Massachusetts, label Skipping Stones Records and always on CD. Their first album was actually the 2nd release on the label (SKIP002). It was called “The Best is Yet to Come” and had 11 songs. These were “Monday Morning” (which I remember being the single), “What do You See in Me?”, “Night Time Confession”, “Stories Remain Untold”, “Lying on the Couch”, “When Trouble Comes Our Way”, “On the Bar”, “The Saddest Story Ever Told”, “The Sun is Gonna Shine On You… And Me”, “It’s Summer Again” and “Stockholm January 2005”. It was released indeed in 2005. And was re-released in Japan by the fine Quince Records (QRSP-05) that same year with no extra tracks! Strange for a Japanese release. It did come with a sticker and liner notes in Japanese though.

I have the Skipping Stones version. Which checking it I see that the songs were recorded at Stockholm Audiophonic Soundlab between 2004 and 2005. “On the Bar” was recorded in 2003 at the Stockholm International School by Joe Algeri and as well as in the Stockholm Audiophonic Soundlab in 2005. Joe Algeri of course of so many great Aussie bands like The Jangle Band these days!

The lyrics for the songs were written by Magnus Karlsson. The music is credited to him and also to Mikael Matsson. Magnus played the acoustic guitar and the electric guitar. Mikael played the piano, synths, organ, glockenspiel and bass. The vocalist was the great Ingela Matsson.

These names may be familiar to many of you. Ingela had been in the amazing The Shermans, Mikael Matsson had been in Red Sleeping Beauty and The Shermans and Magnus Karlsson had been in Happydeadmen. Swedish indiepop royalty.

A year later the band would release their second album, “A Real Life Drama” (SKIP006). Now there will be 10 songs, “My Song to You”, “A Tough Decision”, “Dressed in Yellow & Blue” (their song for the Swedish football team that was to play the Germany World Cup that year), “September”, “Music Makes Me Sick”, “Stockholm July 2005”, “Rain on Your Parade”, “Sunny Winter Afternoon”, “Love Always Happens so Fast (A Real Life Drama)” and “Faith”. Sure, I could have written this post for my July or September entries. Yes, I noticed. But this is just a small challenge. It doesn’t really matter. In the end what matters are that I really like the bands and that I am curious about finding out more information about them.

Here on this album Ingela and Magnus share the duties writing lyrics. The songs were again recorded at Stockholm Audiophonic Soundlab between 2005 and 2006.

Lastly in 2008 the band would release their third and last album, “Keeping Up Appearances” (SKIP015). Here we find 11 fantastic popsongs, “Keeping Up Appearances”, “The World is Going Under”, “I Used to Live in the 80s”, “What’s a Normal Person?”, “Ballad of Uneasy Rider (I’m a Loaded Gun)”, “Heroes and Villains”, “The Perfect Shade of Grey”, “You Don’t Wanna Know”, “Springtime Fever”, “140bpm Misery Love Song” and “Stockholm April 2007”. Again the lyrics are written by Magnus on some songs and Ingela on others.

This record was produced by Mikael and was recorded at Bodal, Danviksklippan and Nacka Strand between January and December 2007. They were mixed at Stockholm Audiophonic Soundlab in January 2008. The photographs that appear on the CD were credited to Nolan Pelletier, while the design to Christine Jewell from Skipping Stones. The mastering was done by William Knapp also from the label. Oh! and Jan Thornstein Hedin played bank in the song “Ballad of Uneasy Rider (I’m a Loaded Gun)”.

According to Discogs there was a promo CDR that was made in 2005, to promote the first album with three songs, “Monday Morning”, “Nighttime Confession” and “Stories Remain Untold”.

Aside from these releases the band would contribute a few songs to compilations.

In 2005 their song “Monday Morning” appeared on the CD comp “Strom Und Gitarre Folge 1 (Let’s Go Away for a While)” released by Popappeal (PAPP-001). That same year on the Skipping Stones sampler “2005 Sampler” they would contribute “The Sun is Gonna Shine on You… and Me” and “Monday Morning”.

The next year, 2006, the band would have “Stories Remain Untold” on the Book Club Records CD comp “Pop the Question (BCR 2006). Then in 2007 their song “A Tough Decision” is featured on “November Rain” CD released by Filter (FILTER CD 15) and also their song “Music Makes Me Sick” appeared on the “Club King Kong: Med Musiken I Mitten Vol.2 Säsongen 06-07” that was released by Donkeyboys Recordings (DNKYBYS002).

So no, all songs that were on compilations had previously appeared on the albums. I am wondering of course if there are more songs. Unreleased tracks. And I ask myself too what happened to the band members? Did they continue making music? What are they up to? Was the band Small Imperfections the last one that Magnus Karlsson was involved with?

They sort of stopped releasing records the year that indiepop became sort of cool, that there was a bigger scene, more labels, more bands, bigger and better festivals. I wish I had seen them live. Did they play live? Probably, if they were featured on a Club King Kong CD, they must have at least played there.

One thing not to miss is that the band made a video for “Dressed in Yellow and Blue“. What a lovely song!

What I find on the web is many reviews to their records. I guess Skipping Stones and the band did their job in spreading the word. But there are not many details about the band members. Yes we know Ingela and Mikael are married. But aside from that it doesn’t give me more interesting bits. Comparing them to other bands is not interesting to me. One thing though that I find was an interview for Red Sleeping Beauty were Mikael is asked if it was a dream come true to be in a band alongside Magnus from Happydeadmen, and he says it wasn’t! They were friends and wanted to contribute and make some music together!

I am sure many remember them. So do tell, did they play live? Do they have more songs? What are they up to these days? And where can I hear more Ingela’s vocals? I have all The Shermans and The Charade CDs. I miss her voice a lot!

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Listen
The Charade – Dressed in Yellow and Blue