04
Mar

Kiddo: used as a friendly way of speaking to a child or young person, especially one you know well: Careful kiddo, stay close to me.

I have remembered a band I used to listen quite a bit back in 2004 and that is Cleveland’s, Ohio, Kiddo.

When I played them again I remembered the songs, especially from their first album, the self-titled “Kiddo” from 2003. There you find the superb boy/girl vocals featuring Christian Doble (also on guitar) and Liz Wittman (on bass). Completing the band was Greg Hyland on drums.

As mentioned the first album came out in 2003, released by Drive-In Records (drive59) and included a bunch of super fun songs. The record had 12 songs: “Woodward Avenue”, “To the Moon”, “New Year’s Resolution Haircut”, “You’re Not Who You Said You Were”, “1992”, “The John Song”, “Amy”, “The Greg Song”, “The Makeout Song”, “Surfin’ Thru”, “The Hell Song” and “Still Not My Girl”.

Worth mentioning is “Woodward Avenue”, which is a location in Detroit. Liz was from Detroit, so no wonder she sings about coney islands, the city’s culinary gem.

It is worth noting that this wasn’t the band’s first release. Previously, in 2002, the band had put out a self-titled EP CDR that had what looks like a dinosaur or some reptile on the artwork. This EP had 5 songs that would end up in the album, “Woodward Avenue”, “The John Song”, “You’re Not Who You Said You Were”, “New Year’s Resolution Haircut” and “Still Not My Girl”.

Lastly in 2004 the band would release “Okay Sweetheart” their second and last album. On Discogs it appears that in 2004 a promo version was put out while the proper record came out in 2007 on Microindie Records (microcd8). I wonder if the dates are correct. In any case the album featured 15 songs, “K-N-O-C-K-O-U-T”, “Mr. Virtuoso’, “This Could Take Forever”, “Julia”, “Otherguys”, “Apple Tree”, “Sunday”, “Annie (Can See)”, “Rocketship”, “I’m Still Alone”, “About You”, “I Won’t Try Again”, “Rollerskating Dream”, “Neverday”, “‘Till My Face Turns Blue”.

Then there’s a bunch of compilation appearances. The first one dating from 2002 when “Woodward Avenue” appeared on “Fundraising for the Field Trip #1” compilation on Boy Arm Records (ARM02CD). This same song would be on “Cleveland / Kansas City” a CD compilation released by Pabst Blue Ribbon (yeah, the beer) in 2003.

In 2004 the band had “This Could Take Forever” on “Boompa Volume 1” released by Boompa Records (BOOM 801) and also this song is on “Microindie Records Sampler II”.

2005 saw the band contribute the song “This Could Take Forever” to “Test Tones Volume 05” released by Clairerecords (fern 046) and to “Music from Radio Free Roscoe, Volume 1” on Decode (DEC101).

The other compilation appearance was on the “Free Audio Flyer! – Free Show!”  a CDR comp put together by Microindie Records for a show that happened in Grand Rapids, Michigan at the UICA Film Theatre.

Other facts we know is that Christian Doble would be on other bands including Belle Ghoul, Child Bite, Copper Thieves and Fawn. Elizabeth Wittman was on Arc Pelt, Friendly Foes and Lettercamp. Greg Hyland was on Dehumidifier Vs. Humidifier and The Twilight.

I keep searching and then I find some live footage on Youtube. Kiddo playing at the Toledo Indiepop Fest from 2007!

I keep looking. It seems Christian moved to Detroit and that’s where he was in Fawn.

Not much more info about Kiddo. At least I cant find more details. The band used to have a website, and I was able to access it through the Internet Archive but there is very little info too.

Where else to look? I guess fans who remember them would be my best bet. So yeah, if anyone out there remembers this fun sounding band let me know! Any details would be great, even stuff like where did they play? Just Cleveland? What venues?

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Listen
Kiddo – New Year’s Resolution Haircut

01
Mar

Thanks again to Mark D for the interview! A week or so ago we were chatting about the superb Fat Tulips and I asked if he was keen on answering a few more questions about other bands he had been in. He said YES! and so here is the second interview with Mark, this time about the fantastic duo Confetti who I had written about on the blog some time ago. Enjoy!

++ Hi Mark! Thanks so much for being up for another interview! How are you? I see Peterborough United is fifth in League One, do you think there’s a chance to get to the Championship?

I think automatic promotion chance has gone but hopefully will make the play offs.

++ This time around I’d love to chat a bit about Confetti. I do have the records but I definitely know less details about the band compared to Fat Tulips. My first question though, is why did you call yourself David in this band?

I wanted to distance myself from the Fat Tulips so used my middle name instead. Simple as that!

++ How did the duo start? Where did you and Julie meet?

I was going out with Julie (aka Virginia) and we just ended up jamming and coming up with tunes. We were both fans of the Young Marble Giants and felt that nobody else had tried to do that restrained choked guitar sound since them so made that our sound.

++ Who chose the name Confetti for the band? Is there a story behind the name?

Can’t remember where name came from – probably Julie came up with it?

++ And why did you decide to be a duo? Why not a full band?

Wasn’t any need – wanted a minimal sound so less band members the better.

++ I have met Julie quite a few times thanks to the fact that she was on The Sunbathers as of late. She was previously in The Artisans too, a fantastic band. Wondering though, was Confetti the first band she was in?

I believe so.

++ And music-wise were you both on the same wavelength? Did you like the same bands? Or were there any disagreements?

No we were very much aligned with musical tastes

++ Something that I am curious about is that both Fat Tulips and Confetti were around the same time. Wondering about how you pick which songs would work on each band? Or perhaps there were some Confetti songs that ended up being played by Fat Tulips and vice versa?

No always kept them separate – all Confetti songs were restrained but could do what I wanted with Fat Tulips.

++ All of your songs were recorded at Sideways Sound in Attenborough. You had used this studio for some Fat Tulips releases as well. Wondering what you like about this studio in particular and if it was the one you liked the most?

Confetti only did two recording sessions ever. The studio was local and cheap and we knew the engineer well!

++ Confetti would find home in the same labels that the Fat Tulips released, Heaven, Sunday, Marineville and Vinyl Japan. Last time we talked about most of them but Marineville Records. Wondering how you started working with Andy Parker and how was your relationship with this label?

Never met Andy personally but did correspondence with him – was simply a case if he asked if we would do a record , we agreed a budget , we recorded it and sent him the tapes and he released it! Very simple!

++ With Confetti you also did quite a few covers. You did Josef K, Au Pairs and the Wedding Present. Were there more covers you used to play perhaps live?

I don’t think so – all bar one song was recorded . That was called Hardly and was set to be the next single but never got recorded.

++ Curious about the photos that appear on the artwork of the 7″s and the compilation. Where do they come from?

Matt from Fat Tulips took them I think – mostly around Nottingham station!

++ The band also appeared on many compilations during its time. You were on the legendary “The Waaaaaah! CD ‘ or the “123456 Road Runner” tape that included tons of terrific bands of the time. Wondering then, in the UK, which bands other than the Heaven bands, did you feel close to. Were there any bands you would have loved to play a gig with that you didn’t?

Heavenly were lovely and we played with them a couple of times. We also liked the band Earwig who we felt were closest to our sound.

++ Then there’s a song, “Who’s Big and Clever Now?” (Live)”, which I believe only appears on the “Teeny Poppers” tape on the French label Anorak Records. Where was this song recorded?

No idea!  Not even aware of that release!

++ Why did you gave the retrospective compilation the name “RetrospectivelE.P.” as it is clearly not an EP?

We just wanted to follow up on all the EP name themes and as it was a retrospective of our short career it kind of made sense

++ This compilation came out in 1994 on Vinyl Japan, the band was over by then. It includes 15 tracks. But I do wonder, if there are any other recordings or unreleased songs by Confetti?

No

++ Confetti didn’t play many gigs. Just five. And four of them were with The Fat Tulips. Do you remember where these five gigs happen?

A couple in Nottingham, and think one in Oxford? Maybe at the Fountain in London as well

++ And the one you played without the Fat Tulips, who did you support or supported you?  

Think was the Artisans?

++ Why was the band so short-lived? What happened? Why did you call it a day?

Me and Julie split up as a relationship and that was it

++ Did you and Julie collaborate ever again? Are you still in touch?

Only spoke to Julie a couple of times briefly after splitting- not spoken in 30 years now.

++ Your bands were quite involved with fanzines, but wondering if you ever got a chance to be featured on the music press?

Don’t believe Confetti ever did

++ Let’s start wrapping the interview. What would you say was the biggest highlight for Confetti?

Still think the first single is a minor classic- the second one was our attempt to be the Marine Girls !

++ And I forgot to ask that last time, what about the biggest highlight for you with the Fat Tulips?

I guess playing with Throw That Beat on tour in Germany

++ One last question, I have visited Nottingham a few times, but just for a day, kind of quickly… but I would love to go and explore more someday. Wondering as a local what you would recommend checking out? Any sights? Record stores? Any local foods or drinks that one shouldn’t miss?

Record shop wise Rough Trade easily the best. Nottingham Castle is great as is Djanogly Gallery at the University

++ Thanks again for everything! Anything else you’d like to add?

Thanks!

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Listen
Confetti – Whatever Became of Alice and Jane

26
Feb

Described as the most hated guy in Göteborg, Alexander Gustafsson used to lead the band Portrait Painters about 15 years ago. In 2009, when he was 22, we saw the band release two digital singles on Bonjour Recordings and after that they just fizzled out.

“Forgive/Forget” (BJR004) was the first song they put out and then came “A Future Crime” (BJR007). As mentioned both came on Bonjour who was the home of two bands familiar to Cloudberry, Bye Bye Bicycle and Bonnie and Clyde.

On Discogs there are some details about the songs worth checking out. “Forgive/Forget” had Adam Bolméus (from Bad Cash Quartet and Hästpojken) on electric and acoustic guitar, as well as in arrangements and co-producing. Kalle Von Hall (from Bad Cash Quartet) played synths and co-produced while Alexander Sand sang and made the music. I supposed Alexander Sand is Alexander Gustafsson.

On “A Future Crime”, the people on the song changed quite a bit. Now we see Jakob Schroeder (from Bye Bye Bicycle) on acoustic guitar, Nils Bengtsson Blomstrand on bass, Viktor Englund on drums, Samuel Petersson  (from Bye Bye Bicycle) on electric guitar and arrangements, Mattias Glavå as the executive producer and André Vikingsson (from Bye Bye Bicycle) who made the music together with Alexander Sand who also wrote the lyrics.

Also make sure you check out the video that was made for “A Future Crime” which is quite fun. The video was shot in Göteborg and Stockholm during June of 2009.

A good find is this 2008 interview with Alexander on the newspaper Borås Tidning. There it mentions that he used to live in the town of Sätila. Also another interesting bit is that “Forgive/Forget” was a song he had written when he was 16 years old. Another good bit of info is that the band’s name came from a song by The Bear Quartet.

We also learn a little bit more about Alexander. He was self-employed at the time as a graphic designer. He was studying art science.

I notice that the band played a few important places like Pustervik in Göteborg, Musikens Hus, or Underjorden where there is some live footage on the web.

Lastly I believe the band had more songs. I have found on the web two more, one called “Yellow Car (Demo)” and another called “The Game“. Not sure how these got their way on the web, maybe they were on the band’s Myspace at one point?

And then, what happened to Alexander? He seemed quite talented. Hope he continued making songs? Anyone knows?

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Listen
Portrait Painters – A Future Crime

20
Feb

Thanks so much to Mark D for the interview! If you love indiepop you most probably know who the Fat Tulips were. A fantastic band that recorded an album and a bunch of singles that sound so fresh still! I am very honoured to have been able to interview Mark D and learn more details from a band I am a big fan! This was amazingly cool!

++ Hi Mark! Thanks so much for being up for this interview! How are you? Are you still involved with music?

Hi and thanks for the interest in my old band –  I haven’t been involved in music for many years now I’m afraid though.

++ I usually have a list of questions I send to bands as I normally know very little or nothing at all about them and I want to cover the basics. I feel, and maybe I am wrong, that I know a bit about the Fat Tulips as I’ve been listening to your music for so long! But I wanted to start with a question, that you already told me the answer, and that’s why the Fat Tulips are not that present on the internet (though you do have a great website)?

The Fat Tulips didn’t exist when the internet really started – we split in the early 90’s and mobile phones weren’t even around much then! All our promotions and activities revolved around the underground fanzine scene – we were pretty well accepted on that scene and most of us got involved in putting on gigs by other bands we liked at the time too.

++ So as I said, I won’t ask the obvious questions, but some very specific ones. When exactly did the Fat Tulips start?

I formed the Fat Tulips around 1987 – I had been in a few bands before and had some songs but they weren’t getting used by the bands I was involved in so started Fat Tulips – originally was just me and I asked my friend Sarah to do some vocals – we recorded “You opened up my eyes” for a flexi I released with my fanzine 2 Pint Take home alongside a track by the Rosehips. That and the two other tracks we recorded later got released on Sunday Records as The early years EP.

++ Did you have a different name then perhaps?

No

++ Did you have any other names as options?

Was a last minute decision on the name based on a kids to series Tales from Fat Tulips Garden.

++ Before starting the Fat Tulips, had you been in other bands before? I know you were in The Pleasureheads, right? But that was around the same time, no?

The Pleasureheads I was in from 1984-6. I left them to go to university but they did continue with a replacement guitarist for a few more years. Prior to that I was in a dodgy goth band called Transmission who played a couple of gigs – the keyboard player in them was Jim Abbiss who went on to become a major record producer (he produced Adele!) and produced the first Pleasure Heads single I was on. 

++ From what I understand the band was originally formed in Peterborough but the band was then based in Nottingham. How did this relocation happen? What made you move there?

I simply moved to Nottingham to study at Trent Poly / University

++ Originally, in Peterboro’ it was Sarah and you. As a duo, you recorded the “You Opened Up My Eyes” demo tape that would later be repressed by Sunday Records as the “Early Years” 7″. I was wondering about that demo, how come it ended up being released by a US label, Sunday Records, many years after its recording. Was it your idea? Or maybe it was Albert who came up with the idea?

Albert simply asked us and we said yes – such a lovely guy and supporter of us we couldn’t say no!

++ “You Opened Up Your Eyes” was also a single track on another flexi, the split single with The Rosehips. How did this record come about? Were you friends with The Rosehips at the time? I know later on they would be on your label!

I was a big Rosehips fan but didn’t know them at that time – just wrote to them and asked them and they sent me a tape! Later became good friends with them and followed them around to gigs quite a lot.

++ And was that the only thing that was recorded by that first version of the Fat Tulips?

Yeah just that.

++ And did Sarah continue making music afterwards? No she was a reluctant singer 

I read that she went to Peru on your website, but is that true? No but reality was too boring! She just wasn’t interested in singing

++ How did the new Fat Tulips in Nottingham come to be? 

I was going to the same gigs as the rest of the band – eventually befriended them and started to going to gigs out of town with them. How did you recruit or find the new members? The rest of the band were all friends with each other – I just persuaded them to have a go at a band rehearsal – I had several songs already written. After one rehearsal we agreed to go in the studio the following month and record our debut single.

++ Had they been in other bands previously?

I don’t think so.

++ Having lived in two different British towns, I was wondering what was your take at the time comparing Peterborough and Nottingham, which town had the best bands? The best music scene? Were there any bands in these towns that you liked?

Nottingham always the better musically- I went to University in Nottingham because of  the Garage – legendary music venue in Nottingham.

++ This second version, with Katie in the band, didn’t last that long, just the superb EP “Where’s Clare Grogan Now?” single. It is clear you were big fans of Altered Images then, but what other bands would you say made an impact on you?

I loved loads of types of music but around that time was the classic indie bands like Orange Juice, the Fall, Wedding Present, Pastels C86 scene

++ Speaking of impact, you released a covers single, “The Tulip Explodes!”, with three songs by The Teardrop Explodes. Was that your idea?

Kind of a joint decision between me and Sheggs.

++ If you have had the chance to do another covers single, what other band would you have liked to cover?

I would have loved to have done Orange Juice or the Au Pairs – although did do It’s obvious cover by another band Confetti.

++ Maybe there’s a chance to do a Heaven Records interview later on, but I wanted to know if Heaven Records was originally a vehicle to release the Fat Tulips or was it always thought of as a full-fledged label that was going to help/release other bands?

No was just a vehicle to release our own single at first – just made friends with Vicarage Garden and had some extra cash from our records to allow us to support other bands – never in it for the money but it kind of expanded to allow us to help other bands we liked  – a very much punk rock label of love

++ Maybe it is too obvious, but I want to confirm, the song “Amelia” that was on the Spindly Killer Fish flexi, was it about Amelia Fletcher?!

Of course – is just a list of Amelia Fletcher song titles and references 😂

++ “Four Songs for Simon” and “Albie”. I am terribly curious, were Simon and Albie real persons or not really? What about Sarah from “Sarah”?

Simon was a friend who we used to put bands in with and he used to slag off bands that weren’t in true indie spirit and short changing fans with 2 track singles so we called it 4 songs for Simon to shut him up!

Albie is about Albert at Sunday Records and was written by Sheggs.

Sarah was about my friend Sarah from Twa Toots who I was briefly in a band called Sundress with.

++ I’ve never been to Hull, but my British friends don’t usually have great things to say about Hull (even though I know there are many great bands that came from there). You must have liked it though as the name “Ferensway” from your single was taken from a street from that city. What did you like about it? Just the name?

Sheggs write the lyrics for that and I wrote the music – she would just give me a sheet of lyrics and leave me to write the music- worked well like that as she was a more prolific lyricist than songwriter. Believe she just liked the name Ferensway!

++ I was always curious about the “Nostalgia” 12″. The artwork is totally different from your other releases. Why was that? And also wondering who is the girl that is on the front cover? A friend of the band? A

hnnie was the girl in the cover and was Sheggis sister from Glasgow. Just liked the photo and it got used. Sheggs did that cover – no reason it was different really!

++ And speaking of artwork, was it you who made the cool drawings on your demo tapes of the indiepop girl, 7″s singles, or in the Heaven Records art, or the one I’m using here on my blog? Was there an inspiration at all where you got the idea of how to draw them?

Sheggs and our friend Theo did the artwork between them. I have no idea if the inspiration there but was tongue in cheek piss take of the twee indie pop scene.

++ You seemed to be more of a singles or EPs kind of band, but you did record a wonderful album, “Starfish”. I wonder was it any different for you to make the album compared to all your other records? Was it more difficult? More demanding?

Yeah the album recording pushed the demise of the band – was exhausting for all of us but we had a contract we had to finish it .

+ How did you end up working with and how was the relationship with Vinyl Japan? You had mostly worked with your own label, Heaven Records, and suddenly you were with a biggish indie label from Japan.

I had known Tetsuya at Vinyl Japan for several years before we signed with them – he started out buying 300 advance copies of our singles from Heaven records – they obviously sold in Japan so he signed us up.

++ Was there any chance to play in Japan?

Yes we had a contract to play there but split up before it happened annoyingly.

++ Another thing I have to ask is about the amazing German tour you did alongside another favourite band of mine, Throw That Beat in the Garbagecan. That must have been fantastic! I know you cover a lot of it on your website, but I am curious about your impressions about Germany. Like how would you compare the gigs to the ones in the UK?

Germany was great fun and we loved touring with Throw That Beat. Was a last minute decision to tour but so glad we did – we loved Germany.

++ And what was your favourite gig in Germany and why? Also did you get to do any sight-seeing at all? Was there any city you liked best? Any good foods you tried? What about the beer?

Very little sight seeing as we just turned up did rehearsal, slept and left for next town the next morning. No favourite places .

We did a gig in Belgium that was very strange though and they had very unusual beers there we tried!

++ And you drove there, all the way from the UK, and even took the good ol’ Peter Hahndorf in your car. I wonder, it must have taken so many hours, days to get there. How did you manage these roadtrips? Rented a van? Had to have a bunch of mixtapes or something to make it more bearable? Switch drivers every couple of hours? What were the logistics for this?

Yeah we just rented a van , me and Matt shared the driving so wasn’t too bad. Matt really annoyed everyone playing 2 unlimited tapes 😂.

++ What about gigs in the UK? Did you play all over? What was the farthest from Nottingham you got to play in the UK? And what was the town you always liked to play again?

We rarely played live at all – but we used to play in Deptford a few times for our friend Dave and supported Heavenly a couple of times. Not many folk in the uk liked us at the time!

++ Did the Fat Tulips got the chance to be on TV or radio at all?

No although the track “So Unbelievable” was used on an American kids to show called The adventures of Pete and Pete!

++ Also there are no promo videos from the band, right? Why was that?

No – never had the time or money or opportunity

++ When and why did you decide to call it a day? I know you broke up while still at the top, which is great, but still, don’t you think there was more for the Fat Tulips to say?

I didn’t make the decision to split – was more the rest of the band that felt they had had enough. I would have happily carried on. You can’t force folk to do things they don’t want to do though. I just told them I respected their decision but if we did split I said we would never reform in any circumstances. All accepted the terms and moved on but stayed friends.

++ Are there any unreleased songs by the Fat Tulips? Or has everything being put out?

Only one professional recorded song unreleased “Human Timebomb”. Was planned to be a flexidisc release on Vinyl Japan but never happened. They still have the master tape I believe. Was a great track and recording though so a bit of a shame

++ These days you are most known as an artist, I wonder though how did your time in music, being in many bands and doing fanzines and a label, had helped in any way your artistic career?

Not sure about that – my involvement with band sleeves was limited- just threw them together to be honest without a lot of thought! Sheggs and Theo probably had more involvement with them and I left them to it. Loved doing the fanzines though – done pre-computer age with old school typewriter and blue and scissors! Guess that helped a little!

++ Aside from music and art, are there any other hobbies you have? Maybe a fan of footie? Nottingham Forest or Notts County?

Neither of those two teams – still like football and support Peterborough United – don’t get to matches very often though. Visiting galleries and exhibitions mainly but do love Just the Tonic comedy club

++ Anything else you’d like to add?

Thanks for your interest and support!

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Listen
Fat Tulips – So Unbelievable

19
Feb

I am not sure how to classify the Mousetrap Conspiracy. I have only heard one song, “The Skies” from 1987. It had appeared on the LP compilation “Underground Resistance Volume 2″ released by Reaction Records (UNREST 2) along a bunch of bands I have never heard before.

The record is categorized on Discogs in the Rock genre and the styles are goth rock and gothic metal. Maybe this is goth? I feel it is more post-punk sounding, as I can see some great pop hooks in the chorus. It is a catchy song though somewhat dark-ish. I found it good and interesting, and thought sharing it.

I have no clue where the band was from. Well, from the UK for sure. The aforementioned compilation is British. But that’s not all. The band released another song in those late 80s. It was on a compilation 7” that was released by Fantastic Records (FAN002) called “Welcome to the West”.

This label hailed from Exeter, Devon. So I wonder if there’s a chance the band also hailed from this area. On this record the band contributed the song “Girls Stroll at 8”. The other bands in the record were Colonial Club, Fairly Perfect People and Jive Turkey.

Then my suppositions prove to be right. There is an address on the back of the sleeve. It says the band hailed from Plymouth in Devon. We also finda. name, that of Dave Martin. Probably a member of the band.

I may be wrong, the name is not uncommon you know, but there is a Dave Martin in the Plymouth area that is in a jazz band these days called Jabbo Five. Could it be the same Dave?

The only other interesting bit is that the band supported Pulp on July 4th of 1986 at the legendary Tropic Club in Bristol.

And that’s it. Would be interesting to find out what happened with them and listen to more songs, wonder how they sounded like!

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Listen
Mousetrap Conspiracy – The Skies

12
Feb

I wrote years ago about the Swedish band Little Big Adventure on the blog. That was Magnus Lindroos moniker and the one he used to release his very fine “Saltsjö-Duvnäs” CDR EP.

Magnus had been in other bands too of course. He was in Penny Century and one called The Paper Merchants which I know nothing at all to be honest.

So here I am looking on the web if I can find any information about it.

The one thing that I find is a song called “The Lovers (In the Face Of)” which is very nice.

From what I understand it was released in 2012 by the blog Eardrums. Can I find this release?

So far no luck. I do see that there was another song released called “I Don’t Care”. Was it part of the same release? I see it in Rateyourmusic as a 2009 release. I also notice that it is a Swedish band but probably another with the same name? I see the band members listed but I don’t see Magnus Lindroos. It is quite a coincidence of two bands in Sweden, in around the same period, with the same name.

I keep searching. I see that Magnus DJed at Club King Kong on 2012. That’s a long time ago.

But that’s it. Maybe it would be good to get in touch with Magnus someday if possible and learn more about his projects. That’d be cool!

EDIT:
Our friend Jonathan Rieger has just told me that he saw the band play at Cosy Den festival in Stockholm in 2009. He bought a CD album then by the band called “A Friend of Mine”. Didn’t know that existed! The tracklist for the album is as follows: “Better”, “I Can’t Walk With You into Doom”, “I Don’t Care”, “Wedding Picture”, “East Coast”, “The Lovers”, “Death will Come”, “The Kids at  the Club” and “Bourgeoisie Beheaders”. It has a label too, one called Den Manskliga Motsvarigheten, and the catalog was MOTCD01. Probably the band’s own label.

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Listen
The Paper Merchants – The Lovers (In The Face Of)

05
Feb

First things first. We have a new release! It is coming out on February 15 and it is a 10″! It is by the superb band Blind Terry from Sweden. It includes 6 songs that have never been released and finally see the light now! It is limited to 250 copies and it is a beauty if I may say so. You can preorder now on our website, www.cloudberryrecords.com and also on our Bandcamp! Enjoy!

So I return to the Blue House Records Bandcamp. After discovering the Tender Lugers, I know there are more goodies in there.

The goodies have names. And the first one I really like is called As Is. They have a collection of songs called “Heavy Big Pop” which sounds really interesting to me. 17 tracks in total, recorded in the 80s.

I learn that the band was formed by James Partridge on guitar and vocals, Paul Read on drums and vocals, Steve Mears on bass and vocals and Paul Taylor on guitar.

The band had stopped playing in 1989, on Thursday 16th of March of that year in Felixstowe. Where is that?

Felixstowe is a port town in Suffolk, England. The estimated population in 2017 was 24,521. The Port of Felixstowe is the largest container port in the United Kingdom. Felixstowe is approximately 116 km northeast of London.

The songs on this collection are: “Take it From Me”, “Wherever You Go”, “Badlands”, “Hey! Judas!”, “World Full of Eyes”, “I Don’t Want To See You Again”, “Too Tough to Die”, “Say it Again”, “Faith”, “Storm Warning”, “Church of Comedies”, “Under Two Flags”, “Big Love”, “The Big Adventure”, “Black Sun”, “Wade into the Water” and “(If You’ve Seen the Light) Tell Me”.

One nice thing is that there are copies of this release on CD still available.

And then there’s more. There is a collection of demos called “Where Four Seas Meet” that has 21 songs. These are “Love is Here”, “I Feel For You”, “Be My Evangeline”, “(I Want To) Move (In With You)”, “Away From You”, “Time to Cry”, “Love Me”, “Forbidden”, “We Could Be Happy”, “I Can’t Trust Myself”, “Almost Summer”, “Drop It”, “Incredible”, “Boomerang”, “Round & Around”, “Take a Little While”, “If You Gotta Go, Go Tomorrow”, “Better than the Rest”, “Heart is Blue”, “Why Can’t I Touch It?” and “The Prettiest Girl in the World”.

Then something that confuses me. I read the band had their last hurray in 1989. But I see that the first seven songs were recorded in February of 1990. At Hammer Hi Tech Studios and produced by Martin Hawkes and James Harding. So that doesn’t make sense chronologically, right?

The songs “Forbidden” and ” We Could Be Happy” were recorded in 1989 in Westerfield. While the rest of tracks up to “Heart is Blue” were recorded on April 1990 also on Westerfield. “Why Can’t I Touch it?” was recorded in May 1990, live, in Christchurch Park in Ipswich. It is a cover of The Buzzcocks. The last track was never finished but it was rescued and mixed in 2001.

On this recordings the band had changed a bit, James Partridge was still on the band, but the rest had changed, we see Malcolm Hawkes on drums and vocals, Ross Geraghty on bass and vocals and Shane Kirk on guitar and vocals.

Then I find something great, live footage. As Is playing live at the Colchester Arts Centre in May 22nd 1990. The song available is “Away From You“. Then another video, 20+ minutes worth, of them playing at the Ipswich Corn Exchange on May 21, 1988. The songs played in this video are “Cry (Most of)”, “Faith”, “Under Two Flags”, “Wherever You Go”, “I Don’t Want to See You Again” and “Badlands (most of)”. And lastly another full gig, almost an hour worth, of the band playing in Grimsby on September 13, 1988. That time they played “Take it From Me”, “Wherever You Go”, “Your Way”, “Shadows”, “Fire Away”, “Faith”, “Badlands”, “Church of Comedies”, “I Don’t Want to See You Again”, “Real Life”, “I Don’t Mind” and “Wade into the Water”.

Another find is this Soundcloud by James Partridge where he shares more tracks of him. Just not sure to which bands they belong to. I know he also recorded as Partridge-Read with Paul Read.

Steve Mears and Shane Kirk had been in Gods Kitchen

And that’s all there is about them. But hopefully we’ll find more information soon. Songs sound great!

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Listen
As Is – Big Love

29
Jan

Went back to that flyer for The Timebox from November 1986. That flyer helped me discover the band Call Dr Bunny. There are many bands on there that I have never heard but also that I can’t find any recordings on the web. For example Escape From Burma who played with The Chesterf!elds on November 24th. On Discogs there is a demo tape listed that is categorized as indiepop. I am so curious.

On the other hand sometimes I am lucky, and I have found a trove of recordings by a band called Tender Lugers. They played on December 2nd  at The Timebox supporting The Pop Icons and The Psylons. I haven’t heard these bands either.

It is on Bandcamp, on an account set up by Blue House Records, that I find 31 tracks by Tender Lugers. It is a collection called “Closer to God“.

This collection includes the band’s releases. I notice on Discogs that the band released three records as well as appearing on 2 compilations.

The first release is the “Johnny Orgy” 12″ released in 1986 by Kick! Records (KIK 1). This EP had six songs, three on each side. “Get it While You Can”, “You’re So Cruel” and “Roadfucker” on the A side and “That’s Really Something”, “Licks” and “She Wants it Now”. This one was produced by James Partridge.

The music of the band can be indiepop at points but it can get rockier. I like the indiepop tracks a lot. They are nice. So yeah, listen with open mind, skip the ones you don’t like, enjoy the ones you do.

“Enjoy Yourself” is the band’s second EP. It came out in 1987 again on Kick! Records (KIK 2). This was probably the band’s own label. The songs on the record were “Enjoy Yourself” and “If I Were You” on the A side and “Teenage Cream” and “Closer to God” on the B side. This record was produed by Pete Dee.

Lastly the 12″ EP “Ugly Boy” came out on Rare Lad (R.L. 1) in 1988. “Junkie Fag Hag” and “I Wish I Was Lovely” appear on the A side and “What Good Will it Do” and “Why Should I?” are on the B side. This record was produced by Andy Boyce, Tracey Kelly and the band. Tracey Kelly also provided backing vocals while Andy Boyce played keyboards and backing vocals. The record was recorded at The Lodge, Clare, Suffolk.

On compilations they had “Don’t Talk About It” on the tape “Vicrub” which was released by the Venue for Ipswich Campaign (RUB001) in 1989. Then in 2011 their song “Junkie Fag Hag” was on the double CD comp “The Ugly Truth About Ipswich 1981-2011” released by Antigen Records and Corndog Records (Antigen 41, CORN 017).

On Bandcamp the collection is much larger. It includes the aforementioned songs but also “The Best Thing”, “Don’t Talk About It”, “C’mon Baby”, “Ramblin’ Man”, “I Wish I Was Lovely”, “Why Should I?”, “Candy Fuck Pig”, “Honestly Baby”, “My Best Friend”, “Country Honey” and “Dogshit Blues” from the band’s first demo from July 1987 that was produced by James Partridge.

Then tracks 12 to 17, “I Can’t Wait (For my Daddy to Die)”, “Thank God (He Didn’t Take Too Long)”, “Guts”, “Roadfucker”, “Dirty Muscle” and “She Wants it Now”, are from a demo recorded on 16-track in 1986 also produced by Partridge.

Then something interesting to me. Tracks 32 and 35 were a Peel Session. You can’t stream these songs unless you download the whole thing. The session dates from September 16, 1986 and was produced by Dale Griffin. The songs were “Johnny Joanne”, “Enjoy Yourself”, “A Little Protection” and “Teenage Cream”.

I try to find any names that may be in connection with the band. I find that of Bruce MacGregor from the band EMF. It seems he was part of The Suckers and The Blowers but also of Tender Lugers.

Another thing I notice on the web is that the band played at Dingwalls with Hurrah! and The Jack Rubies.

And that’s it…

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Listen
Tender Lugers – The Best Thing

22
Jan

First post I am writing since returning from my holidays. To get back into blogging I need to go back to my “origins”, to the time I remember with nostalgia, when I was discovering indiepop, those early 2000s.

A time where Swedish pop reigned supreme. Lots of great bands and labels. Mostly lo-fi bedroom pop which we found through the peer-to-peer program Soulseek. We made friends, we became fans. It was a good time.

There was a label called Bedroom Records then. I’ve written about some bands on it like Thehelpmeplease, Happy Go Lucky or Agent Simple. These were mainly guitar pop bands, today’s band Back in Judy’s Shack, it was more of an eletronic pop one.

On this label most, if not all, of its releases were CDRs. That was the format of the day. Very limited copies but we still would get physical releases with artwork.

Back in Judy’s Shack self-released mini-album came out in 2005 with the catalog number BED021. It had 7 songs, “Winter Days”, “Burning Cold”, “Breath”, “The Puff, The Drag, The Whiff”, “Silence”, “The Forest” and “What Are You Doing for the Rest of Your Life”.

The songs had been written, produced, mixed, arranged and played by Johan Cederberg and Josefine Jinder.

Johan would be in other projects like Montauk and HNNY, as well as playing solo, while Josefine is more known as Little Jinder. She was also part of the fantastic Your Place or Mine, a band I hope I can interview someday (it is one of my favourite bands of that period).

Sam Carlshamre from Corduroy Utd. and the fantastic Jämna Plågor, who also contributed trombone to a song of Your Place or Mine, played trombone in the song “Burning Cold”. Andreas Wallgren, also known as [brus], wrote and sang the song “Breath”.

The art of the CD is credited to Helga Bärnarp.

This CDR would be repressed 3 years later, in 2008, by the US label Series Two (ST015). Same tracklist. 300 copies. Just different artwork.

The band would also appear on two compilations. On “Series Two Compilation Vol. 23” (ST51) from 2009 the band had “The Puff, The Drag, The Whiff” and on “Series Two Records Christmas Special” (ST89) of the same year they had “Footsteps in the Snow”.

Then they split of course and released more music with different projects I already mentioned. I wonder though where are they now? I’d be curious to know what their thoughts are looking back to those days of Back in Judy’s Shack. And of course, who wouldn’t, I am curious about the band’s name. Was Judy a real person?

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Listen
Back in Judy’s Shack – The Puff, The Drag, The Whiff

18
Jan

Thanks so much to Carol Samways for the interview! This interview has taken quite a bit to happen, so very happy to finally publish it. I wrote about the Southampton band Whirlpool Heart many years ago. And finally I get to find out some more details about them!

++ Hi Carol! Thanks so much for being up for this interview! How are you? Are you still involved with music?

Regretfully I have been struggling with my mental health, & ADHD, over recent years, which has prevented me from pursuing my love of music. Prior to that I was getting together with a couple of other musicians, one a guitarist & one a singer, and working with them. On the rare occasion I am well now I am still very much inspired to sing, & want to get together with others to do so.

++ Let’s go back in time. What are your first music memories? Do you remember what was your first instrument? How did you learn to play it? What sort of music did you listen to at home while growing up?

My first music memories are listening to my parents records at home, jumping around to “ Sugar Sugar “, and dancing to their Bill Haley and the Comets album, in particular “ Rock Around the Clock “ & “ Shake Rattle and Roll “ ( happy days ) , the theme tune to “ White Horses “ and other black & white tv programs from my young childhood, such as “ Champion the Wonder Horse “ & “ Casey Jones “ ! , hearing songs on the radio, and the little records I had : ‘ The Owl & The Pussy Cat ‘/ ‘ Run Rabbit Run ‘, ‘ The Ink is Black The Page is White ‘ / ‘ Me & You & a Dog named Boo ‘ ( my favourite ) , & an instrumental interpretation of ‘ Peter and the Wolf ‘ ! . My first instrument was always my voice, as I sang & made up little songs at a very young age, but my first non vocal instrument was the recorder ! Which I learnt at school, at home, and using music books, when I was at First School. Growing up at home I listened to popular & easy listening music of the 60’s & 70’s played on the radio. Radio 2’s Breakfast Show, hosted by Terry Wogan, as the radio was always on in the kitchen in the mornings when I was having breakfast before going to school. I particularly loved “ Penny Lane “, ‘ The Carpenters ‘ ( “ Mr Post Man “ featured strongly from the radio in my childhood, and I remember singing along to it as I left the kitchen on my way to get ready to leave for school ), other ‘ Beatles ‘ tracks , Smokey Robinson, Neil Diamond ( also in my parents record collection ) of which ‘ Forever in Blue Jeans ‘ was a particular favourite of mine, which I always felt joyfully compelled to sing along to 😊 , along with David Dundes’s ‘ Blue Jeans ‘ ( not that I knew the singers name until hearing it on the radio in recent years ), Mary Hopkin ‘ Those were the days ‘ ( which had come out in the year I was born ! 😊 & I have a particular love of ), ‘ The Byrds’ ‘ Hey Mr Tambourine Man ‘, ‘ The Electric Light Orchestra ‘ in particular ‘ Mr Blue Skies ‘ 😊 The Kinks ‘ ( ‘ Waterloo Sunset ‘ / ‘ You Really Got Me Going ‘) Carole King ( I think my parents had the Tapestry album, but if not I certainly bought it myself in my late teens ) , James Taylor, ‘ Steve Harley and the Cockney Rebels ‘, ‘ The Moody Blues ‘ , ‘ Procol Harum ‘, Mott the Hoople ‘ , Squeeze’ , Billy Joel ( in particular ‘“ Just the Way You Are “ which I fell in Love with and “ She’s Always a Women “ ), Joan Armatrading ( swooning over “ Love and Affection “ ), Lynn Anderson ( “ I Beg Your Pardon “ ), ‘ The Doors ‘ ( “ Light My Fire” ), ‘ Elvis Castello & The Attractions’ , ‘. ‘ The Police ‘ , David Cassidy, David Essex, ( & watching ‘ The Partridge Family ‘ ) The Osmonds, The Jacksons and ‘ Abba ‘ ! I also loved ( & still do )the music of ‘ The Monkees ‘ loving to watch their tv shows. My Mum & Dad’s record collection included the ‘ Isley Brothers ‘ ( who’s music I really got into in my late teens, at ‘ Riverside ‘ 😊 ) ‘ Del Shannon ‘ ( one of my Mum’s records from her teenage years, which was one of her and my favourites, which I used to sing along to ) , Bobby Vee , ( featuring another favourite of mine, ‘ Rubber Ball ‘ ), Connie Francis, Paul Anchor, ‘ The Three Degrees ‘, ‘ Jimmy Cliff’ ( who’s music I rediscovered later. in my teens – ‘ I Can See Clearly ‘ helping me through some emotional times ) , ‘ The Detroit Spinners’ , ‘ The Three Degrees ‘ , ‘ Matt Monroe ‘ , ‘ Paul Robeson ‘, ‘ Caruso ‘ , ‘ John Denver ‘ ( who’s music touched me deeply & I loved ), ‘ Glen Campbell ‘ ( who’s songs will always remind me of my Mum, because it was one of his album’s in particular she used to listen to a lot and I loved, & still do ) , Barry Manilow was another favourite of my Mum’s. Also in my parents record collection were Roberta Flack ‘ , ‘ The New Seekers ‘ ( featuring one of my favourite ever songs ‘ Morningtown Ride ‘ ), Nat King Cole, Simon and Garfunkel, Johnny Cash, Dolly Parton, Joan Baez and Bob Dylan ( the later three particular being favourites of my Dad’s ) , Val Doonican, soundtracks of musicals, such as ‘ South Pacific’ & ‘ The King and I ‘ , along with the Top of the Pops albums of each year throughout the ‘70’s, into the ‘80’s with their scantily clad glamour model covers ! , Salsa music, and Christmas albums of Vera Lynn ( which I loved. Always heralded the coming of Christmas as my Mum would have it on while writing her Christmas cards. Filled me with Christmas joy, and I sung along to ) and Carol’s from a couple of Cathedrals.

My Dad was a dedicated watcher of ‘ Top of The Pops ‘ so I grew up watching that as well.

I also enjoyed going to the theatre to see Musicals with my Mum & Dad as a child, and the music from ballets, of which we saw a few. After the records I was given when very young I was given the soundtrack of the film ‘ Oliver ‘ ( songs of which I loved, & again I would sing along to ) , the soundtrack of Disney’s ‘ The Aristo Cats ‘ ( which I loved, singing along to “ Everybody wants to be a Cat ! “ ) , & ‘ Mary Poppins ‘. I also loved the theme tune music for ‘ Little House on the Prairie ‘ and ‘ The Walton’s ‘ !

I also enjoyed the music of ‘ The Amazing Darts ‘ ( which was played at the holiday camp evenings we went to, as well as watching on ‘ Top of the Pops ‘ ) . The music of Elvis Presley was also a big part of my life in the ‘70’s & I loved watching his films when I was a child & in my teens.

I also remember “ I love the sound of breaking glass “ by Nick Lowe, on the radio, and Bill Withers’ “ Lovely Day “ which I love 💗 ,. I’ve loved ‘ , ‘ Blondie ‘ since hearing “ Heart of Glass “ being played through our wall from our neighbour’s eldest daughter ! Debbie Harry was my greatest female idol, later followed by Chrissie Hynde, & Kate Bush. The first record my Dad bought me when I was a teenager was by ‘ Musical Youth ‘( which would not have been my choice ! ) . The first cassette tape I bought ( for the brand new cassette player I bought from selling my dolls ) was “ Grease “ having loved the film when it came out when I was 9.

In my middle school years there was also the Two Tone scene, and my love of the music by ‘ The Selector ‘, ‘ The Body Snatchers ‘ & ‘ The Beat ‘ remained with me for life.

My favourite at family weddings was always “ The Twist “ , and at Middle School discos Madness’ “ Baggy Trousers “, & Abbas “ Dancing Queen ‘“ always got me up dancing.

I also liked music from other decades, the 20’s, 30’s, 40’s, 50’s, & ‘60’s. I loved/love ‘ Someone to Watch over Me’ , ‘ Smoke gets in my eyes’ , ( two songs that have always touched me deeply ) & ‘ At Last ‘ in particular Etta James’ version, what a Voice ! & The Glen Miller Band.

In my first year of Secondary School I bought the obligatory ‘ Rio ‘ tape as dictated by my peers, I never felt comfortable with that & never again bought any music I wasn’t drawn to myself, as I tended away from the more Commercialised music of the ‘80’s.

At 12 I was introduced to the music of my Mum’s teenage years, from attending the musical “ Rock-A-Billy Son of Heaven “ , finding the songs in the sound track prior to the show particularly engaging, & finding a love of Billy Fury in particular.

Then when I was 13 I was totally mesmerised by ‘ The Kids from Fame ‘ ! buying all their albums & going to see them in concert ( I can’t claim this was the first concert I went to as I also have vague recollections of seeing a glam rock children’s band who’s members were in animal costumes ! doing ‘ Tiger Feet ‘ at Southampton Guildhall ! ) . During my Secondary School years I loved ‘ Stay Cats ‘ “ The First Picture of You “ by the Lotus Eaters, songs by Matt Bianco, Depeche Mode, The Cars, Crowded House 💗 , Roxey Music, ‘ The Bangles ‘, ‘Roman Holiday ‘, ‘ Coast to Coast’, ‘ The Bluebells’, ‘ The Style Council ‘, ‘ Dexy’s Midnight Runners’, ‘ OMD ‘, ‘ Fun Boy Three ‘ , ‘ Hall & Oats ‘ , Kirsty McCall, Billy Bragg, ‘ Bronski Beat ‘ ( being totally blown away by “ Small Town Boy “ ), ‘ Sade ‘, ‘ Tracey Chapman ‘ ( won over as soon as I heard “ Fast Car “ ) ‘ Tasman Archer ‘ ( “ Sleeping Satellite “ ), ‘ The House Martin’s ‘, ‘ Yazoo ‘ , ‘ Altered Images ‘ , Cindy Lauper, Lionel Richie, ‘ The Belle Stars ‘ , Godley and Creme’s “ Under your thumb “, ‘ The Pogues ‘ ( who’s music I later loved skipping & swinging around to at various Hammy Nights ), Alison Moyet , ‘ Wings ‘, Paul McCartney, Madonna’s “ Border Line “ album, but not so much her later stuff, & ‘ The Thompson Twins’. I also loved Giorgio Moroda & Phil Oakey’s “ Electric Dreams” 💗( which still touches my heart as profoundly as the first time I heard it ) , ‘ Aha ‘, Michelle Shocked, and ‘ The Beautiful South ‘……….I also got in to Jazz, particularly Sarah Vaughn, Ella Fitzgerald, Nat King Cole, Louie Armstrong, Duke Ellington,and the music of Bill Evans ( introduced to me by my Dad ) . I loved Ray Charle’s ‘ Hit the Road Jack ‘ ( from a young age, hearing it on the radio ) and ‘ What’I Say ‘, ……‘ Martha and the Vandellas ‘ ( “ Jimmy Mack “ ) , ‘ The Velvelettes ‘ ( “ Needle in a Haystack “ ) , Be-Bop, & Swing, and Georgie Fame’s “ Yeah Yeah “, Peggy Lee ( “ Fever “ ) , Louis Jordan’s “ There Ain’t Nobody Here but us chickens “ ! 😁 “ The Girl from Impanema “ , & other Latin American music, Sam Cooke, ‘ The Drifters ‘, Brenda Lee, Connie Francis, Frank Sinatra, Bobby Darrin, Buddy Holly , Dione Warwick, Gladys Knight & The Pips , ‘ , Ben E King, Marvin Gaye, Van Morrison ( “ Brown Eyed Girl “ ), & Don McLean ( “Vincent “ ).

It was Jazz, and the great artists Sarah Vaughan, Ella Fitzgerald, and later Aretha Franklin who really inspired me to be a singer seriously.

I fell in lust with ‘ Scriti Politi ‘ who’s music caught me unawares one morning when I was listening to the radio on my headphones.‘ 💗 From there I moved on to ‘ UB40 ‘ ( my first London gig was to see them at Brixton Academy, despite my Mum’s fears, despite it being several years after the Uprising. It was also my first encounter with Brixton, I loved that the fruit & veg stalls were still open at 9 O’clock at night ! & I was swept away by the beauty and atmosphere on going into the Academy) . By this time I was listening to Ranking Miss P on Radio 1, totally immersed myself in reggae, and obviously Bob Marley, using his songs to audition for the College play whilst at 6 th Form College. At 6th Form College I was introduced to ‘ Everything But The Girl’s ‘ “ Eden “ album, Carmel ‘ Talking Heads ‘ “ And She Was “ , ‘ The Mighty Wah ! ‘ , and was re-introduced to Georgie Fame’s music , from music played by the Upper Sixth students in our art studio. I’ve also always loved Boogie Woogie piano. In 1986 I wanted to experience the Jazz music scene as depicted by the film “ Absolute Beginners “, walking out from the vibrance of that film into a dark, damp, Southampton town centre, on a Friday night, to find a barren emptiness, absolutely nothing was happening at all ! I was then introduced to more great music at 6th Form Discos, from ‘ The Clash ‘ ( “ Rock the Casbah “ ) ‘ The Cure ‘ ( “ Love Cats “💗 which encapsulated the music style that I most enjoyed ), ‘ Lloyd Cole and The Commotions ‘ ( “ Lost Week- End “ ) ‘ Aztec Camera ‘ ( “ Oblivious “ 😊 ) ‘ Echo and The Bunnymen ‘ , ‘ The B52s ( “ Love Shack “ ) ‘ Siouxisie and The Banshees ‘, name a few, so loving the vibrance and energy of the songs/ music bands. I also re-visited my love of 50’s & 60’s music, becoming more aware of motown, and enjoying the music of Nina Simone, Richie Valance ( “ La Bamba “ ) ( who’s life story film left me in tears, as did “ The Buddy Holly Story “, & “ The Glen Miller Story “ ) and back to Jazz with Humphrey Littleton & Helen Shapiro.

Not long after “ Absolute Beginners “ I saw “ Pretty in Pink “ which introduced me to ‘ The Psychedelic Furs ‘ 😊 . From 6th Form College I was introduced to the wonders of Southampton’s alternative night life scene, starting with Riverside, where I loved to dance to Aretha Franklin’s “ Say a Little Prayer “ , Chris Montez’s “ The More I See You “, Mel Torme’s “ Comin’ Home Baby “ , Jackie Wilson, ‘ The Jackson Five’, and Northern Soul. I’d just started going to “ Alternative Night “ at Riverside, favouring the music of DJ Neil, who played Louie Jordan’s “ There Ain’t Nobody Here but us chickens “ 😉, rather than DJ Hammy at the time ! when it was shut down 💔 Then there was “ Stitch Up “ and “ Get Smart “, the local skiffle bands who brought my friend Eileen and I much Joy & excitement 😊, which took me to the early recordings of Elvis at ‘ Sun Records ‘ , ‘ Bobby Darin ‘ , & further back to the Deep Blues of Bessie Smith & Robert Johnson. At this stage I was very much inspired by the works of Duke Ellington, as far as singing was concerned. I also got into Rock-a-Billy music, as my best friend at the time was a Rock-A-Billy, and from there I was also introduced to Psycho-Billy through her sister and her boyfriend. Then “ Fairground Attraction “ took me to my first band audition.

When Riverside was closed down Neil and Hammy moved to ‘ Barbarella’s ‘, the second coolest night club in Southampton ( Riverside was the first ) . When I first went it was for the music of Neil, but when he left I began to Love the music that ‘ Hammy ‘ played, some just because I loved it anyway, such as ‘ ‘ Martha and The Muffins ‘ “ Echo Beach “, ‘ The Doors ‘ ( “ Light My Fire “ ), ‘The Cure ‘, ‘ The Buzzcocks ‘ ( “ Falling in Love With Someone “ ) ,‘ The Inspiral Carpets ‘ , ‘ Susie & the Banshees ‘, and ‘ The Waterboys’ but other’s because I grew in to them from staying, throwing myself around, on the dance floor to the likes of ‘ The Dead Kennedys ‘ and ‘ Husker Du ‘ to avoid feeling awkward standing around the side. I also came to love ‘ Pixies ‘ at this time, as well as ‘ The House of Love ‘, ‘ The Wonder Stuff ’ , ‘ The Levellers ‘, ‘ Blur ‘ , ‘ Carter USM ‘ , ‘ The La’s ‘ , ‘ Ride ‘, ‘ The Happy Mondays’ , ‘ The Sundays’ , ‘ The Darlin Buds ‘, ‘ Kitchens of Distinction ‘ , ‘ The Primitives ‘ , ‘ The The ‘ ( “ Uncertain Smile “ & “ This is The Day “ 💗 ) , ‘ New Model Army ‘ , ‘ New Order ‘ , ‘ The Undertones ‘, ‘ Joy Division ‘ , ‘ The Fall ‘ , ‘ The Stone Roses ‘ , ‘ The Charlatons ‘, ‘ The Violent Femmes ‘ 💗 , ‘ The Jesus and Mary Chain ‘, ‘ The Sundays ‘, ‘ 10,000 Maniacs ‘, tracks by ‘ The Rolling Stones ‘ and David Bowie ( in particular “ Suffragette City “ !

) , more music by “ The Stranglers”, ‘ Teenage Fan Club’ , “ The Mighty Lemon Drops “ , “ The Mission “ , ‘ Dinosaur Junior ‘, REM ‘ ( “ It’s the end of the World ( as we know it “ ) , ‘ Iggy Pop ‘, ‘ The Skatalites ‘, ‘ Toots and the Maytels ‘, the impassioned ‘ Free Nelson Mandela ‘ by Special AKA, being re-introduced to ‘ Echo & The Bunnymen ‘, & the music of ‘ The Kinks ‘. My Star song being The Waterboys’ “ The Whole of the Moon “

……… and the list went on. I was actually at Hammy’s night, at Thursdays ( which replaced ‘ Barberrela’s, and we went to on Wednesdays ! ) when it was announced that Nelson Mandela had been released, and what Celebration we felt that night, dancing to the aforementioned song ! 😊 I was also introduced to further albums by ‘ Everything But the Girl ‘ , ‘ The Marine Girls ‘ & solo ventures by Tracey Thorn & Ben Watt, ‘ Deacon Blue’ & ‘ Prefab Sprout ‘, & ‘ All About Eve ‘ ( Martha’s Harbour ‘ stole my heart ) – The later three through TOTP’s. I got more into the music of Kate Bush ( ‘ Under the Ivy ‘ being my all time favourite Kate Bush song ) , enjoyed the music of ‘ Then Jerico ‘, & ‘ Big Country ‘ & later ‘ The Indigo Girls ‘ 💗Also became more aware of the richness of ‘ World Music ‘ ……… & So I reached the age of 21 ! Grown up, not really, and there was certainly a great array of music I was exposed to & loved over the next 30 plus years ! but I guess I should leave it there for now ! I’m sure there are many that I’ve already missed from the first 21 years !

++ Had you been in other bands before Whirlpool Heart? If so, how did all of these bands sound? Are there any recordings?

I was in a band called “ Rodney and the Plonkers “ ! primarily as the backing singer, but I did get to solo on Fats Domino’s “ Blueberry Hill “. The music was a combination of covers, ‘ The Everly Brothers ‘ , ‘ The Beatles ‘, and ‘ Dire Straits ‘ ( not a band who’s music I enjoyed 😖 ) and their own songs, which I guess would be described as soft rock/ Middle of the road ( not really my cup of tea but I was not part of the decision making or writing in this band. Just did as I was told, or not as the case may be – I wasn’t very good at harmonising & kept singing the lead singers parts ! 🤦🏻‍♀️ much to his annoyance !, so I didn’t last long in that band, but I did get my first experience of gigging, which I loved 😊 ).

I think there were recordings of the band, but I’m not sure if any featured me singing. I was just covering the lead singer’s wife’s maternity leave.

++ Where were you from originally?

Southampton.

++ How was Southampton at the time of Whirlpool Heart? Were there any bands that you liked? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

I was from Southampton.

Back in the day, during the 80’s there was quite a divided cultural scene in Southampton, the main stream culture being that of Casuals ( known as ‘ Kevin’s and Traceys ‘ ) who followed a certain style of dress, sticking to the more commercial music on offer & being closed to other musical styles. Southampton was quite a prejudiced place at the time if you deviated from the norm. I had abuse shouted at me due to the way I dressed a couple of times, and as a girl alone & even in a couple it was not advisable to go to certain pubs ( local pubs & the more mainstream City Centre pubs ) all, usually male, heads would turn towards us as we walked in , and abusive comments would be made. However, for those with more independent thought, there was the underground/alternative scene, which I was so excited to discover in my mid teens. Things did improve, generally, in the ‘90’s , but I relished being part of the minority clique. The minority was made up of lots of different sub cultures, Punks, Goths, Rock-A-Billies, Psycho-Billies, Mods, Indie Kids, Northern Soulers …… a great coming together of like minded people who appreciated music, all united by our draw away from the established ‘ norm ‘ , and I loved it all 😊 . All of societies misfits united, I had found my cultural home. The underground scene in Southampton was low key, but it was vibrant and inclusive, supplemented by the music scene at Portsmouth/Southsea & many trips to London 😊 The places to be were ‘ The Joiners Arms ‘ ( pub and renowned music venue for up & coming bands on the national music circuit, many bands that become massive later in their careers played the Joiners when they were starting out as touring gigging bands )‘ Riverside ‘ ( one of Southampton’s old floating bridges turned into a Night Club ) sadly closed & burnt down before ‘ Whirlpool Heart ‘ though, ‘ Thursdays ‘ ( on a Wednesday ! only ! avoid any other night ! ) which was previously ‘ Barberellas ‘ ( check out ‘ DJ Hammy Club History on Facebook, & DJ Hammy on Cloudmix ) , ‘ Goblets’ ( pub & music venue ), ‘ Bogarts ‘ ( pub where Hammy sometimes DJ’d ), ‘ The Cliff ‘ , ‘ Raffles ‘ ( Night Club ), ‘ Aggie Greys ‘ ( pub/night club ) , ‘ The West Indian Club ‘ , ‘ The Crown & Sceptre ( pub & gigs ), ‘ Southampton Guildhall ‘ ( for bigger bands ), ‘ The Maple Leaf ‘, ‘ Marshall’s ‘ , ‘ The Onslow ‘, ( Blues bands mainly at the time ) , ‘ The Frog and Frigget ‘, ‘ The Canute ‘, ‘ The Albion ‘, ‘The Hobbit ‘ , ‘ The Alexander ‘, all pretty much pubs and music venues back in the day. Southampton Pier had a mini revival, for the Rock-Billy scene, in the 80’s, but this was before ‘ Whirlpool Heart’. There was also ‘ The London Hotel ‘ for a late night hang out. Actually looking back, considering we were the minority we were extensively catered for across the City, don’t think we appreciated that at the time as we always seemed part of such a small scene & felt under provided for in comparison to the mainstream night club nights which were considered ‘ cattle markets ‘ . Those really were the days 😊 considering Southampton applied to be a City of Culture, but it doesn’t have a scene like it used to ( although I’m guessing the young people must have an underground scene & venues of their own, that I’m not aware of ) . Everything seems so commercial and prescribed these days, although ‘ The Joiners ‘ is still standing & a respected music venue after all these years, despite facing many crisis’ over the years. I’m sure there are others that I don’t recollect that Colin & Darren will have contributed to this list.

There was a thriving local music scene at the time of ‘ Whirlpool Heart ‘ with my favourites being ‘ Up Balloon Up ‘( Indie punk ) , & ‘ Space Hopper ‘ ( fronted by our friend Dennis Marfy, who gave it a ‘ Psychedelic Furs ‘ sound ).

‘ Weasels ‘ was the go to second hand record store & there was ‘ HMV ‘ & ‘ Our Price ‘. There was also a little ‘ Virgin Records ‘ store for a while.

++ How did you all meet? How was the recruiting process?

I was introduced to Colin by one of my best friends at the time, Christine Webb, at Barbarella’s, our then favourite night club. When I came to choose to drop out of college, as we were walking home from Barbarella’s one Thursday morning Colin asked me what I was going to do instead. I said I wanted to sing. Colin had been in various bands at that point, and was looking to start up a new band so offered me the opportunity to audition.

If I remember rightly Darren was the boyfriend of a girl Colin worked with at the time, and I first met him when he came along to jam with us. Likewise our second base player, Dan, was the boyfriend of a girl Colin was friends with.

++ How was the creative process for you? Where did you usually practice?

Colin was the main writer. Colin created the music on his guitar & wrote the lyrics initially. We also used a poem from a selection given us by my friend at the time, Jo Lampard, called “ The Lane Green “. Colin encouraged me to contribute with the lyrics, which I came up with listening to his music, “ Flights of Fancy “ being one of mine. Lyrically I just wrote what came in to my head as I listened to Colin’s music, although at times my lyrics would have been influenced by my feelings for Colin, or my appreciation of life & the Seasons ( like the “ November Song “ ) . Colin programmed the drum machine & we did have a drummer, Mark Doncaster, for a short period of time. Darren, & later Dan, came up with the bass lines as we jammed together. I tended to follow Colin’s guitar playing, or the bass line, with the singing.

We mainly practiced in Colin’s room, wherever he was living at the time, although we did use a run down rehearsal room above an old pub for a while when Mark was drumming with us.

++ What’s the story behind the band’s name? There’s a Wild Swans connection, right?

Yes, the ‘ The Wild Swans ‘ was one of Colin’s favourite bands & the name “ Whirlpool Heart “ was his inspiration from their song of the same name. Prior to that we had been called ‘ Insight ‘, again from Colin’s inspiration from his deep regard for ‘ Joy Division ‘, but apparently there was a band of the same name in the USA, so we had to change. Both names were jointly decided on after Colin’s initial suggestions.

++ Who would you say were influences in the sound of the band?

That’s more one for Colin to answer. ‘ Joy Division ‘, ‘ Wild Swans ‘ & ‘ The Chameleons ‘ I guess. Maybe ‘ The House of Love ‘ as well. I was inspired by the jazz greats, Sarah Vaughan, Aretha Franklin, Brenda Lee, Kate Bush, ‘ All About Eve ‘, Tracey Thorn from ‘ Everything But the Girl ‘ , but I can’t claim to sound like any of those singers or have the vocal talent or ability of those that inspired me. I just sang because I liked singing.

++ Also during your time there were some great bands around! Wondering if you had any favourite indiepop bands then? Also any obscure bands that you’d recommend?

My favourites were ‘ Everything But the Girl ‘, ‘ The Cure ‘, ‘ The House of Love ‘, ‘ 10,000 Maniacs ‘ , ‘ Kitchens of Distinction ‘, ‘ The Cranberries ‘, ‘ Cranes ‘, ‘ Buzzcocks ‘, ‘ Even as We Speak ‘ , ‘ Pixies ‘ ,‘ Violent Femmes ‘, ‘ The Go-Betweens ‘, ‘ Aztec Camera’ , ‘ Nirvana ‘, ‘ Catherine Wheel’, ‘ REM ‘ the songs featured on “ This Mortal Coil “, and of course the ‘ The Wild Swans ‘ from Colin.

++ Being in different compilations and all, how come there was never a proper release by your band? There was no labels interested? That’s hard to believe!

There was one record label, a , new at the time, German label called “ Pop Goes On “ ( if I remember rightly ), who were very keen to put a record out of our music, but by the time we went into a recording studio to do the tape we had our new bass player Dan playing with us, and the music was heavier. When they received the tape it was too heavy for them as they were after a more jangly pop sound, and my voice was too low in the mix for their liking. Regretfully I was too stubborn to be willing to record it again, wanting to be true to our sound, but realistically we couldn’t afford to go into a recording studio again, so we lost that opportunity.

We also missed out on being on the same fanzine tape as the “ Manic Street Preachers “ before they became well known.

++ So as there was no proper releases, I’m wondering, how many songs were recorded? Perhaps you did sell some demo tapes?

Only four songs were recorded professionally, but I’ve still got tapes of our own recordings. No, we didn’t sell any demo tapes. Didn’t even think of it, would have just given tapes to those interested.

++ Is it possible to do a demography?

I don’t think so now, after all these years. I certainly couldn’t. I can’t even remember the titles of all the songs we did. I can’t even remember the first song we did. There was “ Too Late Now”, “ The Ghost of S.A.I.F “, “ The Lane Green “, “ Flights of Fancy “, “ Walls Spin Around “, and a handful of other songs, the names of which escape me now. I have got some paperwork at my flat, but I don’t know when I’ll get round to look at it.

++ How do you end up on the Turquoise Trees compilation tape with two songs (“Too Late” & “Walls Spin Around”)? It was released in Bliss Aquamarine, in America!

Was Turquoise Trees one of Steve Genge’s fanzine tapes ? If so, I don’t know how he first came to hear our music, maybe was at one of our gigs.

If not then I expect the fanzine writer that put out Turquoise Trees got the songs from Steve, or corresponded with me & I would have sent them a tape.

++ The other compilation appearance of yours is in the “Seahorses” tape which was released by the Red Roses For Me fanzine. How did this come about? And how was your relationship with fanzines in general? Did you read lots? Was Whirlpool Heart featured on some of them?

We ended up on the “ Seahorses “ tapes due to Steve Genge liking our music, but as I said, I can’t remember how that came about. We did a gig with a Portsmouth band, “ The Windmills “ I think they were called, at The Joiners. Steve may have attended that gig as he lived near Portsmouth, at Porchester. I certainly remember him attending a gig we did at “ The Railway Inn “ in Winchester, and we became friends following his interest in the band.

++ You also participated in the Ambition Records compilation “Bobby Stokes Salutes The Fall Of Manchester” covering Joy Division’s “She’s Lost Control”. Why did you choose to cover this song?

We did two Joy Division covers , “ Insight “ & “ She’s Lost Control “ . We had to do Joy Division as Colin held them in the highest esteem and was profoundly taken with their music. I loved singing those Joy Division songs. The choice of songs would have been Colin’s.

++ Ambition Records was from your hometown, right? Perhaps Mark Pearson from Ambition a regular at your gigs?

Yes, Ambition Records was from our hometown.

No, I’m not sure Mark attended any of our gigs, he hated my voice, finding it monotone, but we became very good friends.

++ I think my favourite song of yours might as well be “Walls Spin Around”, wondering if you could tell me what inspired this song? What’s the story behind it?

That’s one for Colin to answer.

++ If you were to choose your favorite Whirlpool Heart song, which one would that be and why?

I can’t even recall the name of my favourite “ Whirlpool Heart “ song. Of those I can my favourite was “ Flights of Fancy “, probably bias because I wrote the lyrics of my favourite songs.

++ What about gigs? Did you play many?

We played a few gigs.

++ And what were the best gigs you remember? Any anecdotes you can share?

Too long ago to remember our best gigs.

I remember our last ever gig I sang as I was coming down with glandular fever but I thought my voice sounded pretty good on an intake of red wine mixed with dark rum ! Actually thought I sang the best I’d ever sang at a gig that night, but I wrecked my voice & couldn’t talk afterwards. I believe it was at a Birthday celebration for one of Colin’s friend’s.

I also had glandular fever when I sang at the professional recording for “ Pop Goes On “ , which wasn’t ideal.

I remember one of our first gigs, at the “ Joiner’s Arms “ I was so nervous I couldn’t move my legs & one of our friends had to lift me down from the stage at the end.

I preferred doing gigs where there was a stage.

We probably did most of our gigs at the “ Joiner’s “, supporting other bands. We played at a charity All Dayer there, and another fundraising event for one of Colin’s friends.

We also played at a pub in the village of Warsash, where Colin worked at the.

++ And were there any bad ones?

Indeed there were.

At one, I can’t remember if it was our gig at “ The Railway Inn “ in Winchester, I think it was, or the gig at Warsash, the equipment packed up part way through a song, Colin stopped playing but I carried on singing.

We played at an IBM ( where our bass player Dan worked at the time ) event, and the inflatable we were playing under deflated down on to us !

I would say our worst gig was at an outdoor All Dayer in a pub garden in Bevois Valley. I couldn’t hear the instruments on the monitors, so struggled to sing along with them.

There was also a gig when my nerves got the better of me and spoiled my singing.

I remember how difficult it was to sing live without any monitors.

++ When and why did Whirlpool Heart stop making music? Were you involved in any other bands afterwards?

I think we stopped making music in 1995, or 1994.

I think Dan ( our second bass player ) had left the band by then, so Colin & I were back to being a Duo, but as our relationship broke down so did the band, we weren’t really working on the songs any more.

Colin went on to be in another band further down the line, and I believe Darren did too, and I think Darren produced a lot of his own material. I don’t think Dan did. I just went on to working with individual guitarists, as duo’s, but nothing long standing or committed as “ Whirlpool Heart “.

++ Has there been any Whirlpool Heart reunions?

No.

++ Was there any interest from radio? TV?

No.

++ What about the press? Did they give you any attention?

No, only fanzines, we weren’t really that well known.

++ Looking back in retrospective, what would you say was the biggest highlight for the band?

For me it was playing gigs, although I loved working on the music with Colin & the boys as well.

I guess the biggest highlight was being offered the opportunity to put out a record with “ Pop Goes On “.

++ Aside from music, what other hobbies do you have?

I love dancing & gardening when I’m well enough. Also used to read, was into Spiritual development, writing & studying, but since not managing with my mental health I don’t really do anything. I spent most of the earlier years of my son’s life enjoying doing things with him, going out to places, and took up kick boxing with him, but I can’t afford to do those things any more.

++ Never been to Southampton, so I want to know what would you suggest them doing here, like what are the sights one shouldn’t miss? Or the traditional food or drinks that you love that I should try?

I’d say go to the “ Joiner’s Arms “ in St.Mary’s for live music. A venue that hosted many a band that went on to make it big, like “ Oasis “ when they did the national venues in their early days, but still supports local bands.

The Greedy Flea at the Mercantile and Flea, in Bitterne, once a month for Hammy night.

The Art House in the City Centre is also a cool venue to go to, and veggie fare.

For those interested in history I’d recommend the Tudor House Museum, and Southampton Sea City Museum.

In September the “ Music in the City “ event, that hosts a variety of bands at various locations around the town centre for free is a good event, and there are periodically other live events in the City Centre and parks.

For those into art there’s Southampton Art Gallery.

For those into activities there’s the outdoor ski slope at Southampton Sports Centre, for skiing & donutting, or Woodmill for kayaking in their pool or along the River Itchen.

Surrounding areas, a train or bus ride away, are the New Forest, including Exbury Gardens, Beaulieu Palace House, historical Bucklers Hard, river boat rides, riverside walks, forest walks, Lymington Quay and Lido with it’s inflatable obstacle course, open top bus tours, & the New Forest Show, in the Summer.

Historical Portsmouth, with Lord Nelson’s flagship “ The Victory “ and the remains of “ The Mary Rose “.

I’d highly recommend a ferry ride over to the Isle of Wight, where you can visit Queen Victoria’s holiday home “ Osborne House “, see the beautiful thatched village & Chine in Shanklin, and the coloured sands at Alum Bay.

No food & drink traditional to Southampton that I know of. Traditional food of England eaten here though include full English breakfast, fish’n’chips, pie & chips, sausage & mash, ham, egg, & chips, bacon butties, egg roles, Scotch eggs, egg & cress sandwiches, & roast dinners. Best to go to a pub that does home cooked meals, like The Dolphin at St.Denys, The Art House, in town, for vegi/vegan roasts on a Sunday, or go to Colin’s for a traditional roast ! . Traditional puddings include steamed sponges with jam or syrup topping, bread & butter pudding, spotted dick, jam roly poly, rice pudding, semolina pudding, and trifle, blackberry & apple pie ( in blackberry season ), apple pie & custard, and apple or apricot crumble. A lot of our traditional food has virtually died out, so you’d be hard pushed to find some of the foods I’ve referred to as dinning in Southampton has become much more cosmopolitan and chains have taken over a lot of places.

Traditional drink to the area would be Bitter ( by the pint ) or tea ( & biscuits ). I’d also recommend trying out the Real Ales at micro breweries such as the “ Dancing Man “. Other pubs I’d recommend are “ The South Western Arms “ in St.Denys , and “ Overdraft “ drinking establishment, in Shirley, for craft beer & ciders, & DJs certain nights of the week & some ‘ Take Overs “.

++ Anything else you’d like to add?

My favourite Wild Swans song is “ Archangels “, which I absolutely adore.

My son, at the age of 16 ( five years younger than I was ) has now played The Joiners, on the same stage as Ed Sheeran.

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Listen
Whirlpool Heart – Walls Spin Around