07
Jun

Day 453

The Umbrellas: the fine San Francisco band will be releasing their self-titled album on August 5! This is great! Their brand of jangly indiepop, classic-sounding, influenced by The Fairways, #Poundsign#, and the UK bands from the 80s, they are one band to follow. Their album will be out on vinyl and CD and you can preview now a cracking track called “She Buys Herself Flowers”.

Watoo Watoo: a new re-release by the French band is available now on Bandcamp. Their classic “Picture of a Lost Friend” EP is reissued now on a 3″ CD. This is a lovely thing if you missed the original release. The EP has 6 songs of elegant and sometimes jazzy feel. Lovely.

Riel: this duo from Argentina formed by Mora and Germán sounds pretty good. Dreamy, punchy, melodic and throw in some sweet vocals. That’s how I would describe their music in a nutshell. Their latest digital single is called “Blanco & Negro” and it is worth checking out.

Pastel Coast: On July 21 Shelflife Records is releasing the album “Sun” by these French popsters! This is the band’s second album and will be available on CD and vinyl. All 10 songs are available to check out and I urge you to do so. Their happy-go-lucky music, infused with surf melodies, works great.

Señor Kino: not too long ago I recommended this wonderful Mexican band when they released their single “Aurora Boreal”. Now the band is releasing an album also titled “Aurora Boreal” that contains 10 songs. This is a really good effort and hopefully they get a bit of a buzz with it. It is really refreshing to see many good Mexican bands appearing in the pop panorama. The album is only available digitally.

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The Irish name Muineachán derives from a diminutive plural form of the Irish word muine meaning “brake” (a thickly overgrown area) or sometimes “hillock”. Patrick Weston Joyce interpreted this as “a place full of little hills or brakes”] Monaghan County Council’s preferred interpretation is “land of the little hills”, a reference to the numerous drumlins in the area.

Yup, today we are heading to Monaghan town in Ireland to find out details about the band The Storm who released a 7″ and appeared on a couple of compilations in the late 80s!

One thing that is worth mentioning since the start of the post is that there was another band called The Storm in Ireland at the same time. They were from Dublin and appeared on a compilation called “Swimming Out of the Pool”. That’s not the same band we’ll be talking about today according to Irishrock.org. Discogs has it as the same band.

Irishrock.org, that great resource for bands from Ireland tells us some more details about the band. To start they give us the year they were formed, 1987. We know the band members too, Anthony “Swifty” Swift (vocals), Marty Smith (drums), Tony Fanthorpe (guitar, backing vocals) and Keith Corbett (bass and keyboards). The band members had previously been in a band called The Vision Fades. Marty Smith was actually the last one to join that band, it happened when the lead singer, Shaun, who was his brother, left for London. When Marty joined the band thought it was good time to change their name to The Storm.

I wonder if in the internet days they would think The Storm is a good name. Quite difficult to google!

Anyhow, as mentioned the band released a 7″. That was in 1989 and on the fine label Danceline Records (DLS 004). This 7″ included just two songs, “Raging Soul” on the A side and “Meltdown” on the B side. I don’t know much about this record but I know that Aidan Foley and the band produced both songs. They were recorded in Dublin at Sun Studios. The art was created by David Pollock.

When it comes to compilations they first were featured on the “Nationwide” (DLP 1002) compilation from 1989 where they appear with the song “Twilight Town”.

One thing that is worth noting is that it seems this song was already released on a self-released tape titled “Thee Sacred Rights of Pride” from 1988 that included the tracks “Twilight Town”, “Mother Box” and “Left Me Up to a Higher Ground”. The only other info about this tape is that it was recorded in Dublin.

Then I stumble upon something unexpected. A Facebook page! What info can we find there? That the drum kit Marty Smith used was a Pearl Export? That the guitar combo used by Tony was a Laney LC-30? That the bass combo by Keith was a Carlsbro Cobra 90?

The band played at the Baggot Inn in Dublin back in the day as well at The Venue in Derry.

One thing I discover is that the 7″ was also released on tape. The cassette version even had two extra songs, “Lost on the Highway” and “God-Zone”. Interesting. I had no clue. This is sort of rare, no? Usually there’s 7″ and 12″, but 7″ and cassette?

And that’s it. No much more info. So, we know then in total the band recorded 7 songs. Is that it? Or are there more recordings by them? How come just one 7″? And what did they do after the band split? Who remembers The Storm from Monaghan town?!

Edit: August 5th, 2021, Keith Corbett was in the K2Project, The Flicker Effect and Empire of Hurt.

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Listen
The Storm – Twilight Town

04
Jun

Day 450.

Kelly Slusher: I remember long long time ago when Kelly Slusher released a beautiful album on Elefant Records. Since then I’ve checked her music on and off. Today I am glad to have stumbled upon “Someday”, her latest song on Bandcamp. It is a pretty pop song. A classic pop song. Perfect for any mix tape you are doing. Bright and happy-go-lucky melodies with smart lyrics.

Pop Crimes: the Paris-based label Howlin’ Banana Records always have some nice music. One of their latest is a two-song 7″ by Pop Crimes. This record is available now for pre-orders and will be out on June 4. The songs included are “Up to the Moon” and “There Were Smiles”. You can preview the first one.

Moon Museum: now we head to San Francisco and we check this project that makes some terrific dreampop. Formed by Ryan Joseph, Olivia Barchard, Ian Zazueta and Aaron Hazen, they have just released a new digital single, “Contraptions”, which I totally recommend.

The Servants: now I want to share a different version of “She’s Always Hiding”. This is cool. The original way the song sounded is this one, recorded in 1985 in Wapping, produced by Adrian Borland. This is amazing really. And it will be included as a B-side on the “She’s Always Hiding” reissue on Optic Nerve Recordings.

Remember Fun: and another oldie but goodie. As you know Firestation released a new retrospective by the Scottish band Remember Fun. What is cool is that just recently the band found old super 8 footage and made a video with it for their classic song “Train Journeys”!

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I stumbled upon the 1983 video for “Wasted on Me” on Youtube and got terribly curious about the band behind it, Stormboy’s.

The video has not many views and no comments. I am not familiar also with the imagery, what town is that? There is an iconic bridge I am sure, but need my UK friends to help with that. Is it Newcastle?

The video does show two guys and the details added to the video confirms that the band was formed by Brereton Preen and David Athey. Now, on Discogs we see a different name, Ian Lightfoot for Brereton. I guess that was the name he used to use for the band?

They appear on Discogs because this song was released as a 7″. It was on the A side and on the B side. The B side was a remix though. There is an address for the band, they were based in Whitley Bay. I believe these days David lives in Orlando, Florida.

The record was released in 1984 by the label Guardian Records N’ Tapes (GRC 360). This label was headquartered in Durham, England. It doesn’t exist anymore.

Other details that are important is that the record was produced by Terry Gavaghan, who was thee owner of Guardian Studios. I guess he also owned the label?

Other musicians were involved in the song. Deborah Home did backing vocals, Gary Tawse played bass and Ian Telford the drums.

There are no compilation appearances listed.

Not much more info on the web…. so yes, any help will be appreciated!

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Listen
Stormboy’s – Wasted on Me

03
Jun

Thanks again to Hiroshi for another interview! Not too long ago Hiroshi and me talked about his previous band, The Korova Milk Bar who has just released a new 10″ which you can order from the Blue-Very Label and Sweet Nuthin’ Records. It is a great record that we should all get!
After The Korova Milk Bar Hiroshi went to be in the fantastic Johnny Dee, who got much more attention and got to release many records in the 90s. They got inspiration by the best indiepop from the UK and it clearly shows in their songs, that have perfect taste and many should be considered indiepop classics! So yeah, so excited to do this interview!

++ Hi Hiroshi! Thanks so much for doing a second interview!  This time let’s talk about your most known project, Johnny Dee! My first question has to do with that, why do you think Johnny Dee got more attention compared to The Korova Milk Bar?

G’day, Roque-san! Nice to see you again.

I think that is because so called “Japanese Neo-Aco” stands for Neo Acoustic has penetrated in Japan 1990 onwards. When we were The Korova Milk Bar in late ‘80s, it had not penetrated and only limited space. Also, in case of Johnny Dee, because was able to release on vinyl.

++ How was your town at the time of Johnny Dee? Where there now more pop bands? Perhaps more places to play?

At that time, I lived in Fukuoka, the city in western Japan, and there were some such guitar bands and club scene. Besides us, Instant Cytron, etc. We also played several times in Fukuoka. Originally, since Fukuoka was popular for rock music and great rock bands, so was called “Liverpool in Japan” Therefore there are some places to play in this city.

Fukuoka’s band called “Mentai Rock”:  e.g., Sonhouse, Sheena & the Rokkets, The Roosters, The Rockers, The Mods

++ How did you all meet? How was the recruiting process?

Most of us were ex-The Korova Milk Bar. After that, Tsuyoshi and Sho joined the band as new member. We met through music or friends.

++ What about the other members of Johnny Dee, had they been in other bands previously?

They belonged to other bands. I and guitar, Yusuke had been in the same bands.

Actually Asako Koide-san from Eikoku Ongaku(英国音楽) wrote our family tree in a liner notes inserted in the 10” vinyl of The Korova Milk Bar will be released the end of May in 2021. Please kindly refer to it if you possible!! (sorry, in Japanese though …)

++ What instruments did each of you play in your songs?

Members other than me were able to play most of instruments. I was in charge of the vocal melody and lyrics. When recording, the songs wrote themselves were played by themselves. Tsuyoshi and Yusuke were good at so called “Neo-Aco”. Seiji wrote some anorak songs.

++ How was the creative process for you? Where did you usually practice?

Before the gig, we were in studio, but sadly we lived in different city, so couldn’t practice much.

++ What’s the story behind the band’s name? I suppose you liked Johnny Dee’s fanzines and The Chesterf!elds?

Exactly. Named after the writer of Melody Maker magazine. He’s sung by The Chesterfields, right?

++ Did you ever meet them?

Yes we did. We’ve done a gig with The Chesterfields and TV Personalities in Fukuoka in ‘90s. Then we played TVP’s “Part Time Punks”. Although I changed to the title “Part Time Mods”.  The Chesterfields members were so bright people and nice guys.

++ Who would you say were influences in the sound of the band?

It’s a lot of bands. About Johnny Dee, The Smiths, Orange Juice, Aztec Camera, The Go-Betweens, Friends Again, Lotus Eaters, EBTG, Max Eider, Prefab Sprout Andy Pawlak, and The Hit Parade. Of course, we were influenced the other obscure UK bands.

++ And I also was wondering, do you prefer English or Japanese for your songs? What comes easiest?

I believe English is more suitable for such sounds. Because it made from the UK and US.

And either languages are very difficult for us.

++ Your first releases came out on the fine label Vinyl Japan. How did you end up signing with this label? And how was working with them?

I gave them our demo cassette tape. They immediately liked it and released a 7” single.

At an event of Vinyl Japan, we did two gigs those days. One is TVP’s & The Chesterfields, the other one is Saturn V and Carousel. So, two years ago, played with The Monochrome Set and The Catenary Wires. At this time, we had Mayumi Ikemizu, Three Berry Icecream (ex-Bridge) play accordion and chorus. It was very fun. We all were very nervous though. (lol)

++ Your first release was the “Motorbike Loves You… EP” that came out on vinyl and CD. I guess this is a question I ask often, but do you have a preferred format for music?

I absolutely prefer vinyl. Such as old vinyl coating, flip back, and the smell of record jacket particularly. In a nutshell, we were definite a vinyl geek.

++ I enjoy this record a lot. All the songs are wonderful. You produced the record yourselves. How was that experience? And where were these songs recorded?

That’s right. It’s self-produced. Recorded at members home and mixed by the members.

We didn’t have enough time because the release date was approaching.

++ I feel the song “Goodbye My Favourite Girl” is like a 2nd part of The Hit Parade’s “My Favourite Girl”. Is that what you were trying to do?

Bingo! I was listening to The Hit Parade well and was keen on their sound.

++ Oh and who took care of the art for your records on Vinyl Japan? They all look so cool, bold, very pop!

It’s Seiji and I. We had a lot of cool records, so influenced by them.

By the way, regarding “Motorbike loves you”, I was inspired from BAUHAUS “Telegram Sam” and The Flatmates “Happy all the time” with Twiggy.

++ It only made sense that you would release a split CD with The Chesterf!elds in 1994. That must have been exciting. I have two questions about this release which is on my wishlist for years…. one is that you thank Psycha-Go-Go. Who were there? And second there’s a song called “I Wanna Bang on the Drums”. I am right to think you were into The Stone Roses then?

First of all, Psycha-Go-Go are Seiji’s band who were members Johnny Dee and The Korova Milk Bar. My brother also was this band. Secondly, of course I pretty loved The Stone Roses, but probably aimed anorak sound like The Vaselines. In terms of lyric, I quoted from Tot Taylor. I believe you are super maniac because even I forgot about this song.

++ Then you released the wonderful album “Love Compilation”. I love how you keep showing your love for your heroes. Like in this record you have a song “Why I Like Max Eider” for example. I have to ask what other musical heroes you have. If we were to do a top 5?

It’s David Bowie, Paul Weller, Ian McCulloch, Morrissey and Roddy Frame.

++ You covered The Go-Betweens on this record too, “Bachelor Kisses”. Such a beautiful song. I wonder did Johnny Dee also do other covers normally? Maybe when playing live?

We covered in live such as ‘Falling and Laughing” Orange Juice. “Start a War” The Pale Fountains, As mentioned earlier, “Part Time Punks (Mods)” TV’s, and “Big Pink Cake” Razorcuts. Two years ago, when we were at live with The Monochrome Set, played ”Alphaville” intro~”My face on fire” Felt.

++ One thing that always confused me is the title of the album, why “compilation”, is it in any way a compilation?

Good question! Because it’s not total album. Songs with different tunes are mixed in the album. Thus, It’s a compilation. I wish I could release a total album someday.

++ Many years after, in 2001, Sofa Records from Hong Kong, released the “1995 Unreleased EP”. Why did those song remained unreleased until then? And how come a label from Hong Kong picked this release up?

I’m not sure, but Bruno-san, Sofa Records offered us about this. They are so maniac label like you and was very kind. Speaking of which, we provide our unreleased song to Shelflife Records in US.

++ Also one thing I notice is that in this EP Johnny Dee is just you and Tsuyoshi. How come the band were just two people at this point?

I don’t remember well, but because the other member moved the other city.

++ And lastly two songs showed up in 2019, on a new 7″ released by the Blue-Very label. These songs were “Hey, Gentle Girl” and “The Blue Girl from North Town”. These were previously released songs, right? How come it was decided to re-release them and on vinyl?

You are quite observant. As for “Gentle Girl”, I wanted to release as a second single in those days. So, released 7” with “Blue Girl” like the most at Johnny Dee’s numbers.

++ I am familiar with most of the compilations you appeared on but one called “Future Chic” released by Automatic Kiss Records. Do you have any info about this label or this release?

This is our the first recording. Automatic Kiss is an indie label in Fukuoka I live. They were exploring local and international bands. Label owner, Habu was friends of mine. After that, he moved to Germany. They were involved in obscure label, Leamington Spa.

++ Are there more unreleased songs by the band?

Not so much.

++ I think my favourite song of yours might as well be “Motorbike Loves You’”, wondering if you could tell me what inspired this song? What’s the story behind it?

What I remember is that regarding guitar, maybe inspired by Johnny Mar, Rody Frame and Paddy McAloon. Bass sounds like obviously Andy Rourke. Girls chorus melody inspired by Tracy Thorn. About song title probably inspired by “The Girl on a Motorcycle”.

++ If you were to choose your favorite Johnny Dee song, which one would that be and why?

It’s ”Motorbike loves you” or “Hey, Gentle Girl” . We may not be able to make more than these two songs anymore.

++ What about gigs? Did you play many?

I think we’ve played about 5 times. Two of them, we did support acts for international bands.

e.g., Saturn V & Carousel, TV’s & The Chesterfields

++ And what were the best gigs you remember? Any anecdotes you can share?

Unfortunately, It’s nothing. We don’t have much fun memories because we were always so nervous.

++ When and why did Johnny Dee stop making music? Did you continue making music with other projects?

We were offered from two major labels, but it didn’t work well. After that, I formed The Palm Songwriters with Seiji (ex -Psycha-Go-Go). Tsuyoshi formed 101 Dalmatians.

I and Tsuyoshi also formed Johnny Johnny and released 12” by the Bananafish records.

++ What about the rest of the band, had they been in other bands afterwards?

Tsuyoshi, Sho and Seiji had been in some other bands.

++ And then there’s been some reunions, right?

In terms of Johnny Dee, had just one gig in Tokyo two years ago by Vinyl Japan.

++ Was there any interest from radio? What about TV appearances?

I’ve appeared on radio, but I was not keen on either.

++ What about the press? Did they give you any attention?

There were some interview on magazines.

++ What about from fanzines?

We had some interviews from fanzines. In those days, there were many indie fanzines in Japan. Especially “Eikoku Ongaku” (英国音楽) in ‘80s was the most important fanzine in Japan. I believe, thanks to “Eikoku Ongaku”, Japanese NW indie scene has accelerated and transformed obviously.

++ Looking back in retrospective, what would you say was the biggest highlight for the band?

That is the release of 1st single, “Motorbike Loves You”.

++ You were telling me that aside from music you like fashion. Was wondering if you ever considered or worked in that industry? And if you were, what sort of thing would you like to do?

I’ve never worked in the apparel industry. I’ve been working at international IT company.

I love the new wave fashion anyway, but I’ve never ever thought of working in the at Apparel industry. I think it’s just better as hobbies. Like we used to imitate Punk from Johnny Rotten, Mods from Paul Weller, Ska from Jerry Dammers, Goth from Robert Smith and ‘50s used fashion of Morrissey.

++ And one random question about Japanese culture, here in the West many people are fans of manga and anime. Are you too? Do you have any favourites?

Unfortunately I’m not interested in anime, but I’m keen on “Attack on Titan(Shingeki no Kyojin) and “Kingdom” nowadays. I absolutely recommend this two anime !

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Listen
Johnny Dee – Motorbike Loves You

02
Jun

Day 448. A difficult weekend, my phone died. It feels very strange not to have one. So used to it. Like you lose a limb. Hopefully I should have a replacement phone by the time I am publishing this. Hopefully. Then add all the apps and set up anything that needs setting up. I probably lost a lot of information and files. But well, what can you do. Tough luck.

The Suede Crocodiles: One of the best indiepop songs ever is “Stop the Rain” by The Suede Crocodiles. Who can’t argue that. The Glasgow band that was fronted by Kevin McDermott has now a Bandcamp page. Also on this same page you can find all other projects and recordings by Kevin which is great as I was unaware of them. So there’s lots of listening here. Would be a good idea to do a Suede Crocodiles interview, right? Should try soon!

Robert Scott: The Bats’ Robert Scott also has a Bandcamp now. In there we find both albums by The Magick Heads (which are wonderful!) as well as other recordings. But there’s also a new record called “Level 4” which is a collaboration between him and Dallas Henley. It is a bit different to what one is used but quite enjoyable, especially for a rainy day like today.

Lazy Eye: the Pelambang, Indonesia, band has been making some pretty tunes in the last few years. I can’t remember when was the last time I recommended them. Probably last January? Well, today is also a good time. I found out they have a new song called “Polaris” which is really pretty. Dreamy, poppy, chiming, good all around.

Río Arga: I love this Spanish band from Pamplona. They make terrific songs. And it is great news they are releasing a new album called “Piscina y Lagos”. Sadly it is coming out on a label that has been problematic for me. But you may have had better communication, better experience with Caballito Records. I guess in the end what matters is the music, and that’s why I keep recommending them, because they are favourites for sure. The album is coming out on 12″ vinyl on June 9 and will include 8 songs. You can preview two songs now on Bandcamp.

The Umbrella Puzzles: and we finish today’s review with Ryan Marquez’s lovely project. Here he presents us 4 acoustic recordings, an acoustic session he has called “All Our Friends”. This set was recorded for Alternatrip’s All Our Friends Online Music Festival on May 29. The songs are very nice, as usual, influenced by the BMX Bandits, right? And a cover of The Steinbecks!

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We return to Sweden, to the CDR days of early 2000s. Great times. Great memories. A period I miss a lot. And I am sure many of you do too.

The Winston Solution was a band from Göteborg. There is not much information on the web, but there are a few things we can say about the band. We can say that the band started in 1999 by Erik Jonsson and Jonas Lundvall. They previously had been in a band called Odd Man Out.

Their home studio was called PlayNow. It was there that they recorded their songs. As far as I know there were three demo CDs released. The first one dates from 2001 and was called “Nine Wrong Songs”. The songs on this CDR were “I Know I’m Wrong”, “Read Between the Lines”, “The Magic of a Shy Conversation”, “Empty Streets and City Lights”, “The Look in Your Eyes”, “The Story Ends When the Paper is Full”, “Sister” and “Is this Real?”.

The 2nd CDR was called “Good Things Will Come to Those Who Can’t Wait”. This one was released in 2005. I don’t know the track list for this one. I know the name of some of the songs, “It’s Easier to Say”, “Jenny Fame” and “Left Hand Writing”.

The third one was called “The Diplomat EP”. Again, don’t know the tracklist but songs names were “I Don’t Know What I Would Have Done Without You” or “Make a Plan to Love Me”. I think it was released in 2008 but I could totally be wrong.

On Discogs they only appear listed on a compilation CD called “CD 7 2008” released by Groove (GROOVE0807). On this comp they appear with the song “History Book”.

The only other detail I could find was that the band played at the Malmö festival “We and You” in 2003 that was organized by Revolution 9, a fanzine from that time.

I don’t know if this actually covers well everything they released. There might have been more CDRs. There were definitely more songs, having a look at Last.fm tracks, I see some that I don’t know where they were released like “Your Boyfriend Does Not Understand”, “Photographs from a Broken Planet”, “Consider Me in Love”, “Nothing is Natural Only Impossible”, and many more.

I know that Jonas Lundvall was later in a project of his own called Klifton Filente.

So yeah, who remembers them? Whatever happened to them?

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Listen
The Winston Solution – It’s Easier to Stay

01
Jun

Thanks so much to Nick, Linda and Maria for the interview!! I wrote about the Manchester 80s band Magic Roundabout on the blog a month ago. I was surprised that there was a 7″ out and an album announced for later this year of a rather obscure band! I didn’t know any details about the band and was surprised by the quality of their songs. They were so good! How come they are obscure? I didn’t undertand. Anyhow, I was lucky that Nick got in touch and organized this interview. It feels great to know more about them now and can’t wait for their album!

++ Hi Nick! Thanks so much for being up for this interview! How are you? Are you still involved with music?

Nick- I’m fine thanks. Yes, I’m still involved in music though at the moment interest in Magic Roundabout is taking up most of my time.

Linda- Yes.

++ Let’s go back in time. What are your first music memories? Do you remember what was your first instrument? How did you learn to play it? What sort of music did you listen to at home while growing up?

Nick- Gosh, first musical memories? I guess listening to BBC children’s radio at weekends in the 1970s, songs like Puff the Magic Dragon and My Old Man’s a Dustbin Man by Lonnie Donnigan, similar to most people my age in the UK probably. I consider myself a non-musician but my first instrument was the tuba. I heard a lot of my mum’s 60s pop growing up, Rubber Soul/ Sgt Pepper, Terry by Twinkle, Jenny Artichoke by Kaleidoscope that sort of thing.

Linda- I used to get up at 6am aged 3 and play records. Doris Day children’s album and whatever my family had. The Carpenters, Burt Bacharach. When I was 6 I got into watching a Beatles cartoon. I got a guitar when I was10 years old. When I started big school at 11 I got classical guitar lessons. I joined a choir aged 13 and learned to sing harmonies. I played and sang with my best friend Joanne in her bedroom mainly The Beatles songs and sometimes songs from musicals I was learning at school. 

++ Had you been in other bands before the Magic Roundabout? If so, how did all of these bands sound? Are there any recordings?

Nick- no Magic Roundabout was my first band. Me & Paul imagined that we were in a band from probably about 1984/5.

Linda- Yes I was singing in a punk band called Xon Mombasa we did mainly covers of Sex Pistols, The Stranglers and a few original songs. I sang and played regularly at folk clubs from age 15.

++ Where were you from originally?

Nick- I’m from Salford.

Linda- I am originally from Horwich near Bolton.

++ How was Manchester at the time of Magic Roundabout? Were there any bands that you liked? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

Nick- Manchester in 1986 & 1987 was as pretty grim. There were loads of bands that we liked back then like J&MC, Shop Assistants, My Bloody Valentine with Dave Conway singing, The Pastels. We were massive VU fans. It was a bit of an in-between time in Manchester then, Joy Division were from a different generation & rave hadn’t really happened yet.

We loved The Fall. We liked King Of The Slums & Dub Sex both great under rated Manchester bands.

I remember buying singles from Picadilly Records & LPs from Affleck’s Palace. The main venues we saw bands at were the Hacienda, The Boardwalk, The International and the University but there were lots of little gigs in odd places back then as well.

Linda- Manchester was great I bought from Piccadilly Records but also a local record shop in Horwich. I’d buy a 45″ most weeks. Usually goth music, punk stuff. I loved the International and The Boardwalk live bands were high on my agenda.

Maria- The Fall, The Chameleons, Inspiral Carpets. Piccadilly records, Eastern Block records. The Boardwalk was a great place to check out new bands.

++ How did you all meet? How was the recruiting process?

Nick- I’ve been friends with Paul since school. Paul met Linda on the bus told her he had an imaginary band & that’s how the band started off. I think I first met Nicola & Maria when we all went to see The Shop Assistants supporting J&MC in Blackburn, a year later we played our first gig. Karrie joined the band in summer 87.

Linda-  I was on the bus going to Art College in Bolton and met Paul. Paul said he and Nick wanted to form a band. I offered to be in the band as Paul and Nick were new to playing. It took a while for us to get our sound. But we got recording a few months later.

Maria- For me I think it was something to do with Bolton Art college? all a blur I’m afraid.

++ What instruments did each of you play in your songs?

Nick- We were supposed to be, Linda- vocals & guitar, Paul- bass, Nick- drums, Nicola & Maria- tambourines, when Karrie joined, she played violin & guitar. We swapped instruments around live & in the studio on some stuff, so on side two of the LP it’s actually me & Maria playing guitars and Linda & Paul playing bass & drums.

Linda- I sang, played guitar but we did swap around on live gigs.

++ How was the creative process for you? Where did you usually practice?

Nick- It was pretty quick, I’d write the lyric, Linda & Paul would work out some music and we’d play & practice it. We probably had about 20 or so songs but we must have got bored with playing them pretty quick. Up, one of our best songs I think we only played live once or twice because we were busy moving on to something else, which seems a bit daft looking back.

We rehearsed at The Boardwalk from late 86 & because of that we got in there to see loads of great gigs for free. I think we stopped rehearsing by summer of 87 pretty much.

Linda- Nick usually had written lyrics so I would write the chord progressions and melodies. Paul would write the basslines then we’d thrash it out and arrange it a bit more.

++ What’s the story behind the band’s name?

Linda-  I remember watching the children’s TV show but I don’t remember why we stuck with it?

++ Who would you say were influences in the sound of the band?

Nick- We were all massive Velvet Underground fans, I still think White Light/ White Heat is maybe the best LP in the world. But Shop Assistants, early J&MC, a lot of C86 as well. We’d been big Bauhaus fan & Cocteau Twins fans.

Linda- I liked a wide variety of bands at the time. The Velvet Underground was high on the list as was Jesus and Mary chain. 

++ I was really surprised to see you being released after all these years, out of the blue. From what I understand Ian Masters from Pale Saints shared your demo to Third Man Records. Were you friends with Ian? Or was it just a surprise all around?

Nick- I think Ian approached us after a gig we played in Leeds supporting Loop, I’m not sure we swapped any tapes then but we’ll have swapped addresses and I’ve been friends with Ian ever since. I suppose Ian has always from time to time suggested we should do something about releasing the recordings. Ian did a great version of Carol in Your Eyes around 2019 which I think maybe got us thinking, but the impetus behind putting the LP together probably came after I retired as a nurse about a year ago and had more time to try and put things together. The LP was originally going to be released on Ian’s Onkonomiyaki label but we were having some problems with the mastering stage. Ian’s friend Warren DeFever is a mastering engineer at Third Man which is how Third Man got involved. Ian very graciously encouraged us to go with Third Man to get a wider exposure for the music. It was Dave Buick at Third Man who had the idea of the single which we wouldn’t have had the money to do ourselves.

Linda- Nick was mainly friends with Ian and had kept in touch. I have worked with Nick so knew about their friendship.

++ You released a 7″ earlier this year with two songs. And the plans now is to release an album worth of songs. I’m wondering if between both releases all your recordings will see the light of day?

Nick- There are some recordings that aren’t on the single or LP. But their quality is too poor to do anything with, stuff recorded onto a 1980s boombox, live gigs & practice recordings, a couple of rubbish demos, some 4 track home recordings from 1988 before we split up.

Linda- We have some poor recordings of other songs which I’m not sure will be put out.

++ A video was released to promote “Sneaky Feelin'”. Where was that footage taken from?

Nick- We made the video in April 1987 in Stockport. The details of how we ended up doing the video are a bit vague but it was essentially a scam. A film crew would film a pretty rubbish video of an aspiring band & would expect that band to pay £800 for a copy of the video & some promotion that wouldn’t happen. £800 was an amazing sum of money then.  A couple of years later I met one of the film crew and he said we were the only band that got out of there with a copy of a video and didn’t pay for it. We were pretty fast talkers then & asking £800 from us was a laugh. We thought we’d lost the video cassette long ago, but Paul found it in his attic about a week before the single was due out.

Linda- Nick mentioned Stockport but I seem to recall we were out towards Glossop way in some out of the way place.

++ Do tell me where did you record the 7″? Who produced the songs? 

Nick- Sneaky Feelin & the tracks on side one of the LP were all recorded at the Kitchen, which was a studio in a converted flat in Charles Bury Cresent in Hulme in Manchester. The guy that ran the Kitchen & engineered was called Jamie, a lovely, friendly guy. I guess we produced it ourselves. The second side of the LP was recorded at the Mill in Aston, Manchester which was Clint Boon’s studio, we’d become friendly with Clint (Inspiral Carpets) & his studio was a bit cheaper & had more amps & organs in it.

Linda- we recorded at The Kitchen in Hulme with Jamie.

++ Was it the same place and producer for the album?

Linda- Yeah apart from Alice’s Paper plane.

++ The 7″ has a fun photo of you all. Wondering where was it taken? Looks like a playground?

Nick- A park in Bolton, I think. We were lucky that Linda & Karrie were into photography.

Linda- Queens Park Bolton. Karrie took the picture. Nick was on some springy seat in a children’s playground.

++ The B side of the 7″ is “Song for Gerard Langley”. I suppose it is Gerard Langley of The Blue Aeroplanes. Why did you dedicate the song ton him?

Nick- We played our first gig supporting the Blue Aeroplanes & they were really nice & encouraging to us, we’d never heard their music before that gig & they were brilliant. Spitting Out Miracles is a great LP. Gerald was one of the characters in Alice’s Paperplane who’s poetry Alice admires, and of course he is also Gerald Langley in real life.

Linda- We did one of first gigs at The Boardwalk supporting The Blue Aeroplanes.

++ So when is the album coming out? Are there any details you can share? Name? How many songs?

Linda-  Summer 2021

++ Where do the songs of the 7″ and album come from? Various demo tapes? Is there a chance that we could do a demography?

Nick- Maybe, at a later date, we’re still having some lost songs reappear.

++ How come there were no releases of yours back then? Were there any interest from labels? Did you consider self-releasing?

Nick- I’m not sure we sent many demos to labels, we used the early demos to get gigs mainly, initially we were recording tracks for flexi-discs that ended up not happening. A think we recorded Carol In Your Eyes for a proposed single. We had no money or know how to self-release then.

Linda- We didn’t seem to chase any record companies. It was a rollercoaster at the time.

++ Back in the day one song did get released, “She’s a Waterfall Part 1” and “She’s a Waterfall Part 2” I’ve never heard these songs. Are they the same? Similar? Why the name with two parts?

Nick- Two different versions of the same song. I’m not sure why they’re called parts 1 & 2 on the tape.

Linda- We had a slow version and a faster one.

++ And how did you end up on this compilation put together by Mark Webber from Pulp?

Nick- We became friendly with Mark Webber, he promoted gigs in Sheffield & possibly ran the Pulp fanclub at that point. He may even still been at school then. He put us on a lot at his Take Two/ Cosmic Joy nights. We were all pretty young then, I’d just turned 19 when the band split up.

++ I believe another song was released too, “Talk About You” on “Piranhas in the Canal”. This was a compilation put together by the St. Helens Musicians Collective. Were you part of that collective? Or how did you end up there?

Nick- Not us.

++ I think my favourite song of yours might as well be “Sneaky Feelin’”, wondering if you could tell me what inspired this song? What’s the story behind it?

Nick- Oh, I can’t remember! It had been pointed out to us that all our songs till then were verse/ chorus, verse/chorus, so that was the first song we tried to stretch ourselves a bit.

++ If you were to choose your favourite Magic Roundabout song, which one would that be and why?

Nick- I like them all really. But Carol In My Eyes & Up are the best songs for me. I love Alice’s Paperplane, I don’t think many bands had a song like that up their sleeves back then.

Linda-  Up I suppose. It’s about the death of Andy Warhol I feel the sadness in the recording. I loved Warhol’s art and ideas.

Maria– I like them all really Song for Gerard Langley in particular, love the flow and story to it, takes you somewhere else for sure.

++ What about gigs? Did you play many?

Nick- A handful really, we played mainly Manchester, Birmingham & Bristol. There are flyers I’ve seen for gigs I don’t remember.

Linda-  We played Manchester, Sheffield, Chesterfield, Leeds, Stockport, Bristol and Birmingham. Maybe more?

++ And what were the best gigs you remember? Any anecdotes you can share?

Nick- I think my favourite gig was at the Asylum in Manchester, I’d helped put together the bill with Spacemen 3 headlining & it was the first time we played Alice’s Paperplane. Pete Kember was always nice to us. When we asked him what he thought of our set, he said it was great but that we should change our name. We were “oh no Pete, no!”

Linda- The first gig seemed to stick with me lots of claps and cheers.

Maria- Playing a long side Spacemen 3

++ And were there any bad ones?

Nick- Plenty.

Linda- A few haha.

++ When and why did Magic Roundabout stop making music?

Nick- I guess the old creative differences, it didn’t help that we decided to live in a band house together, we were all still teenagers and not very skilled at living with each other.

Linda- We lived in a band house for a while and that drove us apart really. I played in many bands and am still doing music full time when not in Lockdown. I’ve played most types of music I also play electric bass.

++ Were you involved in any other bands afterwards?

Nick- I’ve spent the last few years in a half imaginary psych-noise band called Te Hee Objects.

Linda- No not really. Nick and I have written and worked together. Paul and Karrie have written and recorded electronically. Nicola and Maria don’t play now.

++ Has there been any Magic Roundabout reunions?

Nick- We recently reconnected with Nicola & Maria.

Linda- Not really but we are all in touch.

++ Was there any interest from radio? TV?

Nick- haha, none.

++ What about from fanzines?

Nick- Just stuff in fanzines. I know of stuff in Candyfloss, So Naive & Step Inside My Pepperpot, but there’s probably more, Nicola & Maria send a lot of tapes & letters to fanzines then as did I.

Linda- We were interviewed by Uncut magazine recently.

++ Looking back in retrospective, what would you say was the biggest highlight for the band?

Nick- I think for me if you’re in a band you have to feel your band is the best in the world. Otherwise, why would you bother? Clearly, we were not the best band in the world, but at the time it felt like it to me.

Linda- Just being in the band was a huge deal.

++ Aside from music, what other hobbies do you have?

Linda- I like painting, Keeping fit and attending the gym. Learning German. Doing Reiki healing and crystal healing.

++ I have visited Manchester once, but it was too short and didn’t get to see much. I hope to return. Would like to ask a local, what would you suggest them doing here, like what are the sights one shouldn’t miss? Or the traditional food or drinks that you love that I should try?

Nick- This is such a wonderful question! Coming from Manchester it’s impossible to imagine why anybody would want to visit Manchester if they didn’t have to. Albert Square is nice I suppose. Food would have to be chips or something potato, and beer, just lots of it is the Manchester way:)

Linda-  Afflecks Palace is great, loads of funky retro clothes and other things to look at and buy. Just an interesting place to visit. Mr Thomas’s Chop House authentic British food made without packets or jars. Real food

Maria- Walk up the little hill that leads to the Bell Tower in Heaton Park for it’s far-reaching views. Maybe go to a gig at The Ruby Lounge…great sound there. Cafe Pop is wonderful for it’s thick white buttered toast with marmite or peanut butter, they do the best cup of tea to.

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Listen
Magic Roundabout – Sneaky Feelin’

31
May

Day 446

Kevin Robertson: Aberdeen’s The Vapur Trails are a band that have been featured here in the past. Well, one of their members, Kevin Robertson, has gone solo this time around to release “Sundowns End”! It is out now on the fine Subjangle Records on limited edition CD. It includes 11 jangle popsongs, all of which are available to preview. It is definitely a good way to start this week, such a bright and shiny record.

Foreign Correspondent: another band that we like a lot here are the Australians Foreign Correspondent. On even better news they are now working with a label we love, Kocliko Records, from Spain. One of our favourite labels! So it is quite obvious what the result was going to be, right? A wonderful album titled “A Quizzical Look”! it is very limited, to 100 copies and it is expected to start shipping on June 23. You can preview two songs, “The First One” and “Crying In your Sports Car” and understand why I praise the.

Hanemoon: Jigsaw Records is now releasing the second album by the German band! Great news! The first album was really nice, and Hans’ last band, The Seaside Stars, was pretty good as well. If you like jangle pop this is for you. “Last Thing I Heard” is the name of this 12 song album that jangles like any Scottish pop bands that come to mind!

Neilson Family: Jigsaw Records have more new releases. “Be Normal” is the 2nd album by the Neilson family. I don’t know much about them, first time i am listening to them. Jigsaw compares them to Kincaid or the Mendoza Line. The record has 12 songs like my fave, the straight up poppy track “Golden Handcuffs”, and other quieter or midtempo jangle songs. Enjoyable!

The Rightovers: and last band for today is yet another on on Jigsaw Records. This one is a mini-album titled “Kruise Kontrol” and has 7 tracks. The songs are punchy, they have loud guitars and synths, they are poppy and exciting. So definitely a recommended listen. All of these Jigsaw releases are available now.

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Time for obscure pop… okay that’s a bad opening for a post in this blog. Every single band is obscure here. So ok, one more obscure band to keep in mind. One more that I hope to find more information about them!

In the 80s there was a UK label called Wag Records who released three bands, Roxette (not the Swedish band), The River Boys and Chapter One. I am not familiar with any of them, but today I want to check Chapter One as I’ve heard their song “When the Summer Comes” and I really enjoyed it.

The person behind this label was Paul Waghorn. He was also the person behind Chapter One.

There are two releases by the band. The first dates from 1984 and was a sleeveless 7″ single with “I Know That She Knows” on the A side and “Take My Advice” on the B side. On the labels we see that “I Know that She Knows” is credited to Waghorn but also to Creasey. The B side only to Waghorn. Both songs were produced by Mr. Angry. Okay, who is Mr. Angry and who is Creasey? Can we find that out? This was the fourth release on the Wag catalog (WAG4)

Two years later, in June of 1986, the band released the “When the Summer Comes…” 7″. This record came out on Wag Records (WAG5) and had three songs. “When Summer Comes” is on the A side and “Stephanie Powers” and “Girl on the Phone” appear on the B side. Again all songs written by Paul Waghorn. It is good to see that this time the band was able to have a sleeve for the record.

The sleeve has a pencil illustration of a strangely dressed person. We don’t see his face, he is not facing us. We see his back. It looks like he carries an umbrella. He has a hat. Not sure what he is looking at on the floor. Looks like a pail and a bucket in the sand? I can’t tell. The good thing is that the sleeve does give us some more information.

For example that the art was created by Stringell and Casbourne. But there’s more.

The three songs were produced by Ashley Norton at the I.C.C. Studios in Eastbourne (was the band based here or nearby?). And even better we get the band members names:

Paul Waghorn on vocals, guitar and synths, Titch Stringell on drums and backing vocals, John Hall on lead guitar and Darren Rodoham on bass,

The question about Eastbourne may be answered by the compilation “Dodgy Demos for Arty Parties! – An Eastbourne Area Compilation” released by Wag Records (BIG1) in 1985. Here the band appears on the B side with the song “Miss You Miss You” which was recorded at ICC Studios in 1984. So it all looks like the band was from Eastbourne then!

Eastbourne is a town and seaside resort in the non-metropolitan county of East Sussex on the south coast of England, 19 miles (31 km) east of Brighton. Eastbourne is immediately to the east of Beachy Head, the highest chalk sea cliff in Great Britain and part of the larger Eastbourne Downland Estate.

I’d like to visit, especially because Penvensey Castley is close and I like visiting castles.

So back to the other bands on Wag Records. We know that Paul Waghorn was also in Roxette. But couldn’t find any info of any bands he was in after Chapter One. And about the other band members there was no info either.

Also searching for Chapter One doesn’t really help. It is quite difficult.

So yes, looking for help now, anyone remembers this Eastbourne band!?

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Listen
Chapter One – When the Summer Comes

28
May

Day 443

Acid House Kings: this is great news for all indiepop fans around the world. Is there an indiepop fan that doesn’t like the Stockholm based trio? I would say no, everyone likes them. So after such a long time, a more than a decade, of silence, they are back with a wonderful single, “A Little Dancing”! Essential!

The Goon Sax: another good this is that the Brisbane trio will be releasing an album on July 9th titled “Mirror II”. You can already pre-order it. It is available on vinyl and CD and will include 10 songs. One of them is available to preview, the opening track, “In the Stone”, which is a great pop songs with male/female vocals. Still hoping for them to come back to NYC!

Ta Toy Boy: finally! I thought it wasn’t going to be released physically. Or maybe it was a trick for me to write about them many times. First recommending the new album on Youtube, then on Bandcamp and now a third time when you can order a vinyl record of “Endless Life”, their second album. It is out now on Make Me Happy Records.

The Tubs: here’s a cool 7″ released by The Tubs (ex-Joanna Gruesome) on Prefect Records and Trouble in Mind. This 7″ will have four songs, “Illusion”, “Names”, “Two Person Love” and “Crystal Ball”. I don’t know how they all sound, but “Two Person Love” sounds great. Looks like something worth getting.

Lentillas de Colores: our friends from León, Spain, are back with a new split EP with the band Microfilme. There is a physical release of “Cuentos de las Cuatro Estaciones” limited to 100 CDs. The record was released last week and there are still copies available, so don’t miss this one out.

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This post will terribly short. I am sure of it.

You have to consider a band called Welcome, in the internet days, is impossible to track down. Now consider that they probably didn’t release any records. On top of that, I only know one song. It is called “Swim”. And it sounds great indeed. But that doesn’t matter.

My friend David from Barcelona, a great archaeologist when it comers to Swedish indiepop, put up on Youtube this song. “Swim”. A lo-fi, poppy song. From what I understand it came from a demo tape titled “Jukebox Classics”. Okay, that is also a terrible name to Google. How will I find any information.

Oh, yes, the band is Swedish if it wasn’t obvious. The tape dates from 1994. A good time for Swedish indiepop. The first wave of indiepop bands. They were making a splash. And some would become big.

The sleeve of the tape shows a man. Probably not a band member. I am pretty sure the band members were younger than the guy on the photo. Maybe it is someone famous. But I can’t tell who is it.

I search on Discogs. No luck. On Popfakta. No luck. Musikon. No luck.

Where else could we find any information? Who were the members? Or at least where in Sweden where they from. There’s nothing, no clues. I am hoping some reader remembers them and can shed some light. I hope so.

EDIT: Found out that this was Roger Gunnarsson’s first band which he formed with his childhood friend Carl-Magnus. The photo of the sleeve was taken by his brother Tommy.

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Listen
Welcome – Swim

27
May

Thanks so much to Will and J.D. for making this interview happen! I wrote about the Brooklyn, 80s band The Few a few months ago, and as it happens sometimes J.D. and Will got in touch with me! This was great of course! I wanted to learn more about the band, and on top of it all, they had been a band in the same city I live in these days. So yeah, the band released just one record back in 1986, but didn’t know their story. So join me in learning a little bit more about The Few!

++ Hi Will and J.D.! Thanks so much for being up for this interview! How are you? Are you still involved with music?

Will: Doing well, thank you. And thank you for featuring us on Cloudberry. It was a really nice surprise to see us and other bands from way back when on there. Yes, I’m still involved in music. I have been lucky enough to be able to build a pretty nice home studio and I still write and record. It’s amazing what you can do these days, how far technology has progressed since when we were doing our thing. But I’ve always loved the recording/engineering aspect of music. Went to school for it the early 90’s. It’s just a matter these days of finding the time and learning the ins and outs of computer based music production. I wouldn’t call my self a computer wiz by any means lol. One of these days I’ll release something but I find I’ve grown more particular in what I feel is a finished piece these days. Also wearing the musician, engineer, producer hats all at once can be a challenge. Also I suffer from G.A.S (gear acquisition syndrome.) I love buying new toys. Thankfully I have a very supportive wife.

++ Let’s go back in time. What are your first music memories? Do you remember what was your first instrument? How did you learn to play it? What sort of music did you listen to at home while growing up?

Will: Well I have always been in love with music since as long as I can remember. I used to tape songs off of AM radio when I was a kid. I also secretly joined one of those music clubs that they used to have where they would send you like 12 free cassettes and then you’d be obligated to buy more in the future. I think I did that 3 or 4 times until mom caught on. Now AM radio back then was Motown, early 70’s rock, Pop, etc. If you listen to any one of those Billboard Compilations from 1966 to like 1978 that’s kind of what I was brought up on. Lots of different music that I still listen to. I was also fortunate to be exposed to my parents stuff. Sinatra, Bennet, My Fair Lady, West Side Story, and classical as well. One of my earliest memories was my mom playing Schubert’s Unfinished for me. So I have a love for classical as well. I’ve run the gauntlet from Alice Cooper Killer to Scott Joplin, to Mike Oldfield Tubular Bells. And of course I’ve always loved the Beatles. I literally woke up one day and I wanted to play the Piano. We had one in the house and my mom could play a bit and I had maybe a year of lessons when I was like 10. I got bored with it quickly and stopped. I started playing guitar at 12 or so trying to figure out CCR’s Proud Mary. I somehow ended up with a Tel-Star Electric Guitar and some really horrible amp and the rest is not history lol. Then in 1977 I got a Fender Tele for my 15th birthday and the rest is STILL not history! I am 99% a self taught player. What I used to do was tape a rhythm track on a cassette an just play over it endlessly. I still recommend this to whoever is starting out. Except you can skip the cassette player these days. After a point I always had a guitar in my hands. Used to drive my friends nuts. I did have a few lessons early on.

++ Had you been in other bands before the The Few? If so, how did all of these bands sound? Are there any recordings?

Will: Yeah I was in 2 bands before the Few. The first was a garage band in Flatbush, Brooklyn. It started out as a 5 piece band but the lead singer, well he really wasn’t good at singing but he was a high school friend of mine. Unfortunately I received the honor of telling him he was out on a Subway platform on the way home one day. What added to the discomfort was that I was newest member of the band. Telling band members that you’re moving on is never an easy thing. The other guitarist left shortly afterwards but I’d hook up with him in the next band which was a 3 piece. He switched to bass and his girlfriend was on keys. She was a classically trained pianist so the results were a bit weird. But I liked it a lot. I like music that’s a bit off kilter, quirky. Yes I have recordings of almost everything that I have done or been involved with. It goes back to my love for recording. We did a few gigs with each band. The turning point for me at this time was that I bought a Teac/Tascam 144 multitrack. Cost me $1100.00 at the time but my god there was never a better investment.

J.D.: No bands for me, other than playing the trumpet in high school, an instrument I played live a few times (sometimes not so well, sometimes okay). Will may have a version of Grownup that’s got trumpet on it (sung by Clay, the drummer, since I couldn’t sing and play trumpet at the same time).

++ What about the other members?

Will: Well we all keep in touch to some point. And I love them all. There is a bond that in my opinion will never go away. It’s like any group of people with a common goal. You bond. These guys are my brothers for life. Clay, as you know, moved to Sweden in ’87 I think. Has a wonderful career and family and is the best drummer in the world. J.D well he’s an accomplished writer and still cranking out the tunes. We send each other material on a constant basis. He was always the most prolific of us all. Jon, well I know him the longest. It was he and I that started the Few back in ’82. But I’ve known him since ’74. Damn good bass player and singer. Just not great at reaching out. I’ve been trying to get these guys down here (I live in Florida now) to do some work but it hasn’t panned out yet. Hopefully we’ll be able to work something out soon.

++ Where were you from originally?

Will: Brooklyn, born and bred.

++ How was Brooklyn at the time of The Few? Were there any bands that you liked? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

Will: We’d do the Bleecker street thing. Plus CBGBs. We played there a lot as well. We’d go out to support other bands that we knew. But pretty much kept to ourselves. Brooklyn in the early 80’s, well it wasn’t the safest place to grow up. But we were good. Our first rehearsal space was my 12 floor apartment in Clinton Hill. I almost got evicted. For example on the 4th of July we’d blast Hendrix Star Spangled Banner out of the window. We actually wrote a song about it. It’s called “Mrs Charles.” She wanted to kill us. And the last thing you wanted to happen was getting caught in the elevator with her. She lived 2 floors up. We then moved to Jon’s Dad’s house basement. We did some renovations. Carpets on the wall and stuff. And the we ran into another neighbor called Dougie who actually used to throw handfuls of dirt through the basement window to make us shut up. It didn’t work.

J.D.: Brooklyn was very different. In terms of clubs, I think they came about more towards the late 80s (like Lauterbachs). I also got held up at gunpoint twice, but that’s another story (actually two stories).

++ One thing I suppose is that Brooklyn wasn’t what it was now, that is sort of the center of the independent music scene, Manhattan was?

Will: I’ve been out of Brooklyn since 2003. At the time there were some cool clubs in Brooklyn and I remember playing some of them but yeah it was all lower Manhattan. Brooklyn has blossomed. You know that 12 floor apt I just mentioned? Yeah well it‘s worth half a mil. now unfortunately I don’t own it.

J.D.: Everything was in Manhattan in terms of where people hung out. The Bleecker Street strip was, as already noted, the dominant place.

++ How did you all meet? How was the recruiting process?

Will: Here’s the wonderful thing. I knew Jon from ’74 he was the older brother of my friend Jim who I met the same year. Jon eventually started playing bass and was in another band. I was doing the same. For some reason which I cant remember we hooked up and started playing and recording music on my 4 track. Jon had gone to Purchase and although this is a bit hazy to me, you’re dead on that JD went there as well. Don’t remember why but JD moved to Brooklyn. And now we had 2 guitars and a bass. We did a lot of work using a drum machine before Clay made his appearance. As a matter of fact we had a drummer named Kevin Teschner in the early days but Clay always fit us best.

J.D.: Jon went to Purchase for a while, dated somebody who was a good friend of mine, and that led to me meeting Jon and Will. We had another drummer for a while, but he had real issues keeping time, and eventually Clay (whom I knew from Purchase) became our guy.

++ How was the creative process for you? Where did you usually practice?

Will: Most of the time we’d come up our individual songs and then bring them to the rest of the band members to flesh out the parts. It was pretty democratic. But there were times when certain songs or ideas were vetoed by the other band members to the displeasure of the writer. Sometimes we sat down and would try to write together as well. As for practice is was in the places mentioned above.

++ What’s the story behind the band’s name?

Will: Hazy on this as well but what I remember was that there was this actor named Charles Rocket, think he was on SNL for a season and he happened to be Jon’s cousin I think. He supposedly came up with the name. After we split up another band adopted that name.

++ Who would you say were influences in the sound of the band?

Will: Well we all brought our own from what we were exposed to or grew up with or liked. We were kind of all over the place. Everything was fair game. But to me we never really sounded like anyone else that I had heard. For the most part I don’t think we consciously tried to sound like anyone else. One or Two influences that I can remember would probably be Elvis Costello and also The Pretenders. But just on certain songs.

J.D.: I shared some musical influences with these guys (we all loved The Band and Neil Young), but I also was a big Elvis Costello, Graham Parker guy. Living in the city we were exposed to a lot of different sounds, and funk and hip-hop made a real impression on me.

++ And what about NYC bands? Which are your favourite bands from your city? And if there are any that you would recommend me as obscure bands that deserve my attention?

Will: I think we were closest to a band called Urban Blight. Some of their members did the horns on “Where’s the Fire” and keyboards on “Grown Up.”

++ You released just one 12″, back in 1986. One thing that caught my attentions is that it had no label. So it was self-released, right? How did you raise the money for the record? Was it hard?

Will: Yeah it was self released and as I remember it cost about 3k from recording to mastering which was a hefty sum back then. It wasn’t hard to raise the money. I asked my mom to co-sign a loan and after a bit of convincing she agreed. After that it was just a matter of everyone getting their payments to me so I could get to the bank on time to repay it.

++ Also wondering why you did a 12″, wondering as perhaps a 7″ may have been cheaper?

Will: I can’t remember why we made that decision but I don’t think 7” was very popular at the time.

++ Who came up with the illustration on the front of the sleeve, what does it mean?

Will: That would be Clay and believe it or not I think he “borrowed” it from a Boy Scout Manual or some such. What it meant to us was 4 band members (the vertical lines) bonded by the music (the horizontal line.) Besides it was pretty simple and recognizable so we thought that helped as well.

J.D.: My memory is different from Will’s: Marianne Geist (I think that’s her name) was the wife of the photographer, and I thought she came up with both the concept and the finished design.

++ What about the band photo on the back, where was it taken?

Will: It was somewhere in Manhattan a school or office setting as I remember although I might be wrong. I remember we all partook of some, uh what we liked to call the “creative edge” in the bathroom before the shoot. Probably why we’re laughing so hard.

++ The four songs on the record were recorded at New Breed Studios by Robin Danar. What do you remember of those sessions? How was working with Robin? How long did it get to finish the songs?

Will: Well I always loved being in the studio and as I remember it we were well rehearsed and ready to go. I believe that Robin came to our practice space before hand and we ran through our stuff and he picked the songs that he thought we should record. There might have been a bit of a debate about that but in the end we normally listened to his advise. We were pretty efficient in the studio. We didn’t screw around and were focused. I think it took about a month with us being in the studio a couple of times a week. Robin was easy to work with and very professional. I remember one major disagreement we had with him about how tame Grown Up was turning out to be. Specifically the keyboard riff. We didn’t like it. He did. As you can tell by the track he won that argument. We also did some cool stuff like mic-ing my amp in the bathroom for the lead on My Romance. From what I hear Robin is very successful now.

++ Was this your first time in a recording studio by the way? Or did you have previous experience?

Will: We had been in the Studio at least twice before this. We had done two other Ep’s with 4 songs each that we mainly used to get gigs in the city. They were never put on vinyl though. I can’t remember the name of the studios. We had also done recording sessions in our rehearsal space with the Teac 4 track. We rented drum mics and did a couple of compilation tapes with 20-30 songs on it. I might be wrong but I think we did another 4 song EP after this as well with a different drummer…actually yeah we did. In ’91 I think.

++ Was there any interest from any labels to put out your music?

Will: No. We did send our stuff to them but they politely declined. I still have the rejection letters lol.

J.D.: No, but a couple of young advertising execs saw us at CBGBs and for the blink of an eye we were considered for a media campaign. We even wrote and recorded a jingle for Miller Beer that I still think would have sold a lot of beer.

++ And how come there were no more releases?

Will: In 87 we were doing pretty well. We were finalists in a battle of the bands that was sponsored by WPLJ which was a major rock station back then and we had been played on the radio in the days leading up to that which was cool. Nothing like hearing your songs on the radio. We lost the final to Urban Blight I think. It was held at “My Father’s Place” In Roslyn, LI. We were giging regularly and I think we were as tight as we’d every be. We used to rehearse 4 nights a week for 4 or 5 hours a night. And then Clay dropped the bombshell that he was moving to Sweden. After that we auditioned drummers and hooked up with a few but it was never really the same so we broke up and just used to get together and record stuff for most of ’88 and ’89. By that time I had acquired a Tascam 8 track Reel to Reel. We got the bug again around 1990 and auditioned drummers and Jim Harris became our drummer. We gigged some more for a year or 2 and made the last EP in the studio. We broke up for good after that. Although we were the band did an off Broadway play that JD had written called “Famine Street.”

++ There are no compilation appearances either, right?

Will: Well in 1999 before the Sweden thing we did have a reunion at The Bitter End I believe and did like three sets. That was fun. In fact I remember that being what started the ball rolling on the going to Sweden.

++ Aside from the four songs on the 12″, are there still many unreleased songs?

Will: Yeah there’s a ton of them.

++ I think my favourite song of yours might as well be “Grownup”, wondering if you could tell me what inspired this song? What’s the story behind it?

Will: I’ll leave that to JD since it’s his song.

J.D.: We were in our mid-20s and playing in a band, but everybody had to work to make ends meet. I had just started teaching high school in Brooklyn, a place called Sarah J. Hale that was one of the toughest schools in the city and it was a very sobering experience for somebody who was hoping to get a record deal. I ended up learning a lot from it, but at the time the line that said “It’s so hard to be a grownup” was very heart-felt.

++ If you were to choose your favorite The Few song, which one would that be and why?

Will: Tough question as there are not many that I dislike…but I’ll go with one called “Natural Cause.” This was an early JD composition where JD and I do a double lead at the end which really compliment each other.

++ What about gigs? Did you play many?

Will: Yeah. We did. The Bleecker street circuit, CBGBS, places in the East Village, a couple of surrounding colleges like Princeton etc. We used to do some crazy parties for friends as well.

++ And what were the best gigs you remember? Any anecdotes you can share?

Will: Well there was the time Clay and JD almost got arrested right before a gig for smoking a joint outside a Bleecker St. club. When we came on stage JD dedicated that gig to the NYPD. Our first one at “The Other End” in April of ’84 was a favorite of mine. The first time we played CB’s was a milestone for us considering it’s history. Besides they had the coolest dressing rooms with all this band graffiti all over the walls. I’d pay to get my hands on those walls now. But really to me they were all fun. We had a couple of clunkers usually in the early days but normally we were well rehearsed. We used to tape most of them (which I still have) so we could iron out the kinks. We were once featured on this old cable show called Tucci at 2. It was fun being on tv even though it was a low budget show.

J.D.: I think our reunion gig in 1999 was a really good gig. I thought we were all playing at a high level at that point, and it was a lot of fun.

++ And were there any bad ones?

Will: Oh yeah and I wish I could remember the name of this club/hotel on LI. We got an audition to be the house band at this club on LI in the summer of ’84 I think. So we rented a van and drove out to this place only to find that the sign out front was advertising us as a Reggae band. Now we did a couple of Reggae songs but by no means were we a Reggae band. Not quite sure how that happened. We were hired to do 3 long sets. Well we opened the first set with a song called “Factory Boy” which couldn’t have been farther from reggae as you could imagine. Was more of punk kind of thing. The place was packed. By the time we were into like the 3rd song everyone was leaving and I mean everyone. We cleared that room in no time. The only people left in the place were like 2 or 3 friends that had made the trip out there. The owner was pissed and made us play our full 3 sets to practically no one. Then he didn’t want to pay us. He also had agreed to let us stay overnight which made it even worse. Somehow we got paid and slunk out of the place in the morning.

++ When and why did The Few stop making music? Were you involved in any other bands afterwards?

Will: Well I guess it was ’91 when the last incarnation of the Few called it quits. I do remember having discussions about trying again in ’94 but that never panned out. Being in a band is a lot of work and commitment and is a young mans game when you’re trying to be successful. Humping your gear back to your space at 3am starts to lose it’s appeal as you get older. Besides people get married/ have jobs, find different interests and drift apart. The commitment isn’t there any longer. Now honestly I would have continued on but I wanted to do it with these guys. There were other problems as well that will remain within the band. Well Jon was part of a group called Pie Alamo that did some gigging. I went to see them a couple of times and they were pretty good. More of a country type band. One of the best memories I have about that was that I was sitting in the audience once with a friend of mine and they called me up to sing one of my songs that they used to do without telling me they were going to do it. I remember coming off the stage and crowd was really happy and shaking my hand and all. It was a nice moment for me. In ’02 or ’03 I joined JD’s new band called JED for a time but I was going through some rough times personally then so it didn’t turn out too well which I take full responsibility for.

++ What about the rest of the band, had they been in other bands afterwards?

Will: Well you know about Clay he’s been in several since he went to Sweden. JD had JED and John had Pie Alamo.

J.D.: I played with some great musicians in a band called Rocket Time, and then Will played with another band I was in briefly in the early aughts. Now I’m in a bar band that’s a lot of fun (though we haven’t played in a long time thanks to the pandemic).

++ Has there been any The Few reunions? I believe you did one in Sweden, right? And there were even recordings released by The Few as a 6-song EP titled “Will Fisher”. Care telling me about this release?

Will: Just the ones that I have previously mentioned. Like I said I’d like to get these guys down here (Florida) at some point and do some work but we’ll see. “Will Fisher” came about after that reunion gig. It was Clay’s idea to get me over there and do some of my songs. So I agreed and went over there for a month. Clay had a friend over there that was an engineer connected to this studio. Nice place. So I rented it for a month and the house across the street from it in a very rural area of southern Sweden near Malmo. I had agreed to just be the writer and musician and let them produce it. We also used some studio musicians. It was a lot of fun.

++ Was there any interest from radio? TV?

Will: No. Except what I mentioned above. Oh and some college radio stations we did pretty well in that area.

++ What about the press? Did they give you any attention?

Will: No.

++ What about from fanzines?

Will: Nope.

++ Looking back in retrospective, what would you say was the biggest highlight for the band?

Will: Well I loved being in the band. All aspects of it. It’s so much better than being solo. I was always the first one in, last one out guy. I never wanted to stop which annoyed the crap out of the rest of them I think. So the whole thing was a highlight for me. But I guess it would have to be the Battle Of the Bands thing. I believe that was our high water mark.

++ Aside from music, what other hobbies do you have?

Will: Well I work full time so I don’t have a lot of time for hobbies. I do music and read a lot. Play golf sometimes.

++ Well, I live just very close by, in Astoria. But as NYC is so huge, and many indiepop fans visit our city. I want to know what would you suggest them doing here, like what are the sights one shouldn’t miss? Or the traditional food or drinks that you love that I should try?

Will: Well I can tell you this. Go get some real Pizza and Chinese food in Chinatown and enjoy it because boy the stuff they have down here doesn’t even come close. Boy do I miss those things. I also miss the changing of the seasons. As for sights I would have said 48th music store scene but I hear that’s moved and no longer there. Can’t remember where it moved to. I would say the Promenade in Brooklyn Heights is nice gives you a nice view of the city. Soho is always interesting as is Little Italy. Or if you really want to spend some coin go book a room at the Pierre Hotel near Central Park and get some room service!

++ Anything else you’d like to add?

Will: just want say thank you for the opportunity to be able do this interview. It was really fun. And thank you for what you do! Keeping us all informed and aware of one of the best things in life, music! I’m sure it’s hard work. All the best, Roque!

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Listen
The Few – Grownup

26
May

Day 441

No Suits in Miami: one of our favourite Swedish bands is back with a terrific new single, “Buffy”! And no, the song is not about vampire killing! As usual, lovely vocals, jangling guitars, and top melodies. It is always a pleasure to listen to the Lund based band!

The Edible Eyes: another favourite band, formed by ex members of The Blanche Hudson Weekend and The Manhattan Love Suicides is back with a new song too, “Until the Morning Comes Around”. This one is a bit more post punk than indiepop if I could categorize it. It is being released on a split 7″ with the band Sissy Space Echo & the Invisible Collaborators. Preorders are up on Bandcamp.

Answers: now let’s head to Melbourne. There, in Australia, we find this guitar-driven project and their second album, “Fools in Despair”. It is available digitally only it seems and has 7 songs. The guitars chime and the melodies are great. They consider themselves post punk, and that might be right, but they are on the melodic side of the post punk spectrum!

Señor Kino: now we go to Hermosillo, Mexico. There we find the dreampop band Señor Kino and their newest song, “Aurora Boreal”. The song is quite nice and even has a video worth checking out!

Not Even Close: and we round up today’s bands with Sweden’s Not Even Close. Their latest single is “Dödsgest” and is a fine slice of punky pop in Swedish! I don’t know much about the band but previously, earlier this year, they released another single called “Lemons”.

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One single released in 1991 in their own Satyrday Records was all this British band left us. Two songs and one remix. Can we find any othere details about them?

The single came out on 7″ and 12″. The catalog number was SATYR T001. The 7″ didn’t have a sleeve. The 12″ did. The producer was Charlie Francis who had played bass with Toyah. The engineer was Ian Caple. The songs were recorded at Stone Room Studios, in Shepherds Bush, in London. I went once to that area. Many many years ago. It has been such a long time since I’ve been to London. I need to return soon. But, would it be safe to assume the band hailed from London?

The 7″ had “Shooting Air” on the A side and “Oh Yeah!!” on the B side. The 12″ had both of the songs on the A side and we find the “Shooting Air (The Blitz Mix)” on the B side.

Discogs lists a name, a band member, Chris Hill. He is a bassist it says and had been in the band The Buzz in the early 80s in Shrewsbury? Is it the same Chris Hill?

There are two compilation appearances. Both of them have the band contributing the song “Belief”. The first dates from 1991, a compilation CD called “Exposed – New Noise for the Nineties” that came as a freebie with the Exposed magazine. Then in 1992 the band appeared on “Tape Horn”, another compilation from a magazine. This time it was a tape comp given away by Deadline Magazine.

I found the drummer, Ian Davies. He lives in Marseille now. He has a Soundcloud and there he has shared music he has worked on, The Satyrs’ “Shooting Air” and “Believe” included. Other projects of his are Sister Jo Jo, The Gilberts, Texas Martha and the House of Twang and Ochre.

Another member was Stuart Evans. On a website called Famous Welsh it mentions that The Satyrs are progenitors of Britpop. It also says that he was born in 1962 at Llandovery, Wales.

I have three names. I haven’t found any other details. But I hope I get some help eventually. The three songs I’ve heard are very good. Who remembers them?

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Listen
The Satyrs – Shooting Air

25
May

Thanks so much to Wahidah, Daniel, Jared, Spencer and Lucas for the interview. Also thanks to Raphael Ong from Middle Class Cigars Records (their label) for making this interview happen. I discovered the band last year and enjoyed their latest release, “Nature of Things“, quite a bit. Then I started to check out their previous releases and found quite a nice variety of pop sounds in them. Also enjoying their latest forays in the digital world, as their appearance on Audiotree. As I am not that familiar with the current Singaporean scene and didn’t know much about the band, I thought it was a great opportunity to hear from them!

++ Hi guys! Thanks so much for being up for this interview! How are you? You just released a wonderful album called “Nature of Things” which was quite a surprise to me. But I want to go in order, from the band’s early days to today. So let’s go back in time. What are your first music memories? Do you remember what was your first instrument? How did you learn to play it? What sort of music did you listen to at home while growing up?

Wahidah (vocals): My mom used to play cassette tapes of 80s-00s contemporary hits in the kitchen while she cooks, so I grew up listening to that. Eventually, I became angsty and listened to Avril Lavigne and Green Day when I entered elementary school. I first learned to play classical guitar through the internet.

Daniel (guitar): When I was a kid, I was given a cheap mp3 player that already had some songs, and that was the first time I ever heard Blink182. Blew my mind, and started my whole interest in music. I just listened to a lot of pop-punk growing up. It made me want to learn electric guitar, so I just learned from Youtube.

Jared (guitar): My dad used to play the acoustic guitar and sing BeeGees songs to us. I first learned drums through Rock Band 2 on PS3, which I got one Christmas, and I got really good at it. Growing up, I listened to whatever my dad played and unfortunately a lot of mid 2000s Weezer.

Spencer (bass):
I come from a musical family; my mom loves to sing and my dad loves to play guitar, so a lot of family memories around music. I first learned drums through music school and unfortunately from church. Unfortunately, I also listened to a lot Christian rock and hymns growing up…

Lucas (drums): My first musical memory is seeing a band play at church when my parents took us there. I first learned violin through classes in elementary school.  Growing up, I just listened to whatever was on the radio and then eventually I got angsty in my teens and listened to a lot of post-hardcore and emo stuff.

++ Had you been in other bands before Subsonic Eye? If so, how did all of these bands sound? Are there any recordings? 

Right before Subsonic Eye, Daniel, Wahidah and Spencer had a band with a couple of their classmates for a short while, and released one song.
https://soundcloud.com/officialnjce/unlisted-teens-demo

++ I guess with Covid-19 this is a strange question, but prior to it, how was the Singapore scene? Are there any bands that you like? Any good record stores? Or what about the pubs or venues to go check out up and coming bands? 

The Singapore scene is pretty vibrant. There’s a wide variety of bands that can suit every taste. There’s many we love but just to name a few; Forests, Sobs, Saints Amongst Sinners, Cosmic Child, and Coming Up Roses,

++ When and how did the band start? How did you all meet? How was the recruiting process?

It started in 2016. Daniel, Wahidah and Spencer were classmates, and we met Jared and Lucas through mutual friends. It started when Daniel shared demos with Wahidah, where she sang over them, and eventually they had a bunch of songs that needed a full band. Recruiting process was just whoever could play the instrument and that we could get along.

++ How is the creative process for you? Where do you usually practice?

Daniel: I’ll just play around with my guitar until I get a nice string of riffs or chord progressions, then I’ll record that and put some MIDI drums over it. I’ll send it to Wahidah and she’ll record vocals over it. We go back and forth until we’re happy with the demos, then we show them to the band and work on them together. There’s no fixed place we practice at, we just go to whichever jamming studio has available slots.

++ What’s the story behind the band’s name?

Wahidah and Daniel were looking through the Wikipedia page of ‘outer space’ and came across the word ‘Subsonic’. They thought it was cool, but was already taken by another band. So we just added in the word ‘eye’ because illuminati.

++ Who would you say were influences in the sound of the band?

Daniel: Starting out, we were really influenced by bands like Beach Fossils, DIIV, Makthaverskan. But with our new record and sound, a lot of influence from Sonic Youth, Pavement, and Life Without Buildings.

++ I am not that familiar with Singapore indiepop, I know a few bands and that’s it. I was wondering if you would recommend a few bands or songs that you really like.

For indiepop specifically, you can check out our friends Sobs, Saints Amongst Sinners, and this really new young band called Moon Pool.

++ Your first release was the album “Strawberry Feels” which came out on CD and cassette thanks to the label Middle Class Cigars. Who are Middle Class Cigars? How did you end up working with them? How do you like the relationship with the label?

Daniel: There’s a collective called Symmetry Entertainment that brings in bands we love like Slowdive, The Drums, Beach Fossils. I messaged them on Facebook asking if we could open up for the bands they bring in. One of the guys, named Nigel Lopez, got back to me saying he’s actually planning on starting a label called ‘Middle Class Cigars’ and it just took off from there.

++ This first release has a kid on the front cover, a photo. I was wondering who he is? Is it any of you?

It’s a childhood pic of our vocalist Wahidah’s ex-boyfriend.

++ Your second release was another album, and this time only available on tape. It came out in 2018, just a year after the first release. How did you record and write so many songs this quick?

The whole process of writing a demo and then working on it with a full band is very addictive, so we just kept writing and jamming. Not to mention, we were students so we had a lot of free time. Daniel, Wahidah and Spencer were in college for ‘Audio Technology’ so they had free access to a recording studio. So we also rushed to quickly make use of the school’s facilities to record drums before we graduated. But for guitars, bass and vocals, we prefer to record it ourselves at home.

++ The art for this release was created by Karen Claire Yu. How did you end up working with her?

Daniel: I knew Karen from high school but I never knew she painted. When I found out and saw some of her work, I immediately knew I wanted to work with her. Really cool stuff.

++ This tape was very limited, just 50 copies, I expect it impossible to find a copy these days. Are there any plans of re-releasing your sold out records?

Unfortunately not at the moment. We always make very few copies because we’re afraid no one buys them.

++ Your latest release is “Nature of Things”. This sounds a bit more varied than your previous releases. What’s the story of this album? From conception to final product, how did the idea of this album evolve?

Daniel: I was getting tired of having to set-up my effects every time I wanted to write a song, so I just started playing my acoustic guitar more. The raw guitar sound became really attractive to me, along with alternative tunings, so I just decided it would be cool to venture into that new sound. Wahidah’s lyrics and vocals naturally became a lot more raw as well, writing and singing in the most honest way she could rather than worrying about whether it was ‘poppy’ or not. The rest of the band resonated with the new sound immediately, and everyone got to express themselves way more compared to our older sound.

++ What differences or similarities do you see to your previous releases?

A big difference would be the lack of a ‘leading’ instrument in most of the songs. It’s like we’re all playing the same part just in different forms. Similarities would be that we still wanted to retain the sense of form and structure to the song (verse-chorus-verse)

++ And why the name “Nature of Things”?

I got into Buddhism some time in 2020 and I read that the nature of all things is impermanence, which is an underlying subconscious theme in most of the songs. And we started to spend a lot of time in nature rather than more urban areas as well, so it all just made sense to go with ‘Nature of Things’

++ Aside from these albums there are some more songs on Bandcamp called the “Bedroom Sessions”. These were recorded during Covid-19 lockdown, right? How has this pandemic affected the band?

Bedroom Sessions was actually recorded in 2016 and released only on tape. We decided to release it in 2020 to raise funds for an organisation, but we also added more instruments to the recordings. The pandemic luckily didn’t affect us that much (other than not being able to play shows) because we finished working on the songs by the time Singapore’s lockdown kicked in. When the lockdown kicked in, we were just left with mixing, and all the album cover design stuff, which we could work on online.

++ And having released records now on CD, tape and vinyl, what would you say is your favourite format and why?

It’s actually just our label Middle Class Cigars that’s really into those formats. Unfortunately us in the band are all victims of the digital age, and we just listen digitally. It’s mostly for  economic reasons… we’re broke fresh graduates.

++  Are there compilation appearances by the band?

HDT”, off our second full-length was released on Middle Class Cigars’ Christmas compilation “A City Without Snow” in 2016, in the form of “Holiday Depression Triggers”, along with a live video of us performing the song. “Cosmic Realignment” was also included in A Lonely Ghost Burning’s “Alternative Melodies Vol. 6”.

++ I think my favourite song of yours might as well be “Come Around”, wondering if you could tell me what inspired this song? What’s the story behind it?

It’s the frustration over trying to fix something that could not be fixed. Just young and dumb 19 year old relationship problems.

++ If you were to choose your favorite Subsonic Eye song, which one would that be and why?

Right now it would probably be Fruitcake. It’s a blast to play for us, and we get pretty tired because it’s pretty fast.

++ What about gigs? Have you played many?

We’ve played a lot of gigs!

++ And what were the best gigs you remember? Any anecdotes you can share?

Some of the best gigs we remember are the ones organised by our friends. The anecdotes are the same for all of the best shows.. It’s when the crowd is just in sync with us and they’re vibing and having a really good time. As a band that feeds off the energy of the crowd, those are the best times.

Definitely. Technical errors and just sometimes a bad show just happens.

++ Was there any interest from radio?
There was a local radio station that played a lot of local music that made us their band of the month a few years ago but unfortunately they’re not around any more. We do get a lot of airplay in the US and the rest of the world though – I know that we’re on rotation on KEXP pretty often.

++ Looking back in retrospective, so far, what would you say has been the biggest highlight for the band?

Biggest highlight is getting to tour all these different countries with our friends’ bands. Surreal experience.

++ And now, in the near future, what are the plans for the band? Are there new songs? New releases?

Definitely another album. The process is very addictive, even if the album doesn’t do well.

++ Aside from music, what other hobbies do you have?

Riding bicycles, fishing, knitting, and watching professional DOTA 2 matches.

++ Never been to Singapore, I do have many friends there and would love to go. But I’d  love to hear from a local. What are the sights one shouldn’t miss? Are there any food or drinks one should also try?

Check out our local trails to experience our tropical jungle like Chestnut Nature Park, Macritchie Nature Trail, and the rustic island of Pulau Ubin. For food you definitely have to try ‘Salted Egg Chicken’, and for drinks if you’re a coffee person ‘Kopi’, and if you’re a tea person ‘Teh’.

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Listen
Subsonic Eye – Come Around