12
Oct

Day 214.

Cindy: here is a great album that will be released on November 20th. Limited to 250 copies, the “Free Advice” album is coming out on 12″ vinyl. It will have 11 songs of superb guitar pop. Right now all the songs area available to preview and the record is also available to pre-order from Tough Love Records in London.

Three Berry Icecream: Blue-Very label from Japan has been putting out some amazing records as of late. I’d love to get them but I find the Japanese prices a bit too much for my budget. But for all of those that can afford them, get them. The latest is an LP by the classic band Three Berry Icecream. I believe this is a selection of 15 songs from previous releases. I’d love to interview them, maybe this is a good time. The LP also come with a CDR with unreleased track as well as a mini-zine!

Gladie: the latest from this Philadelphia pop band are three slices of upbeat guitar pop! My favourite out of the three songs that comprise the “Thank You Card.” EP is the 2nd track, “Sorry When I’m Not”.

Humsikk: the solo project of Rifityza Gestandi from Indonesia has an album out now called “Teenage Sound” on Tarsius Records from Jakarta. The album has 9 songs, all available to check out on Bandcamp, and has lots of great jangly moments. Good stuff.

Juliet et Joe: I am not a fan of much of the work Joe Moore does for Elefant, but this francophile project does sound good! Much much better than anything that he touches and sounds 60s. I think he has found his place here! The album “Marelle” is already out on Elefant Records on 10″ vinyl. This sounds quite good. I am a fan of this!

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The last band I’ll feature from the “Blabbermouth Volume One” compilation tape that the Medway Bands Co-op put together to promote themselves in 1986 will be The Strookas. Other bands that I know appeared on it are The Herbs (who I have featured in the past) and The Hyacinth Girls (who I do owe a post, but I do have much more info about them, so won’t be part of these series of posts).

The two previous bands have proven to be terribly obscure. No information whatsoever on the web. Will it be the same for The Strookas? Let’s see.

The song they contributed to the cassette only compilation was called “What Am I Doing Here on My Own?” and it is catchy, a bit powerpoppy, naive,  and lo-fi. Shambolic too. I like it!

Well it turns out The Strookas are quite well known! So there is plenty of information on the web. That’s good isn’t it?

They seem to have moved more in the punkpop scene than in indiepop from what I gather in the web, even supporting Green Day. The band was formed in 1986 and seems to keep going to this day. They hail from Maidstone in Kent and are formed by David Bloomfield (guitar, backing vocals), Tony O’Rourke (bass guitar) and John Edwards (drums). Before Tony, between 1986 and 1990 Cliff Bailey was the bassist.

The band these days have a Facebook page as well as Bandcamp page with all of their songs!

So yeah, the discography. There is a 1986 4-track demo and a demo in 1987 called “Bathe in Plankton”. What songs were on these? I don’t know yet. Maybe we’ll find out. I do know though that their first proper release was “The Strookas EP” in 1987 on Halibut Records. This probably was the band’s own label. This 7″ EP had four songs. The A side had “Put It On the Shelf” and “What AM I Doing Here on My Own?” while the B side had “Is there Any Reason?” and “Something from a Different Angle”. All songs were produced and engineered by Graham Semark at Red Studios.

In 1990 the band would release the “Summer to Fall” 7″ on Moving Change Records (MCR-001). This also looks like it was their own label as all releases listed are theirs. Who could confirm? Anyhow, three songs on this record. “Summer to Fall” on the A side and “Out of Your Head” and “Cut Me Down” on the B side.

In 1991 the band would go to record their first album “Deaf By Dawn!” at Red Studios between the 14th and the 15th of September. Graham Samark would again be their producer and engineer. 10 songs would be included in the album that would later be released with the same tracklist in Japan by Fixing a Hole Records (fix-24) on CD. Originally it was released by Moving Change Records (MCR002) on vinyl. The songs were “Between the Eyes”, “Up Ahead”, “Living in the Past”, “Wish You Were Here” and “Shake” on the A side, “Dead Pan”, “Some Kind of Wonderful”, “Bambi”, “Head in the Sand” and “My Sister Dolly” on the B side.

In 1992 the band would release a tape album called “Sharron”. The 10 songs in this album were recorded between February 29 and March 1st of that year. Again at Red Studios. The tracks were “Pick the Bones”, “Blue to Green”, “Watch You Down”, “Still Comes Back to You” and “Across My Floor” on the A side and “Recover”, “Freight Train Sleep”, “Syrup” and “Remember This” on the B side.

The band’s second album on CD was “Cumagutza” that was released in Japan by Fixing a Hole Records (Fix-23). The songs on this album were recorded in two weekend sessions in September 1995 and October 1997 at Crimson Music in Kent. Graham Semark is again credited as their producer. This album has more songs than their predecessors, 15 tracks! They were “Just Like Home”, “Canvas”, “Haven”, “All Around You”, “Kill Straker”, “Sourbelly”, “Rake”, “Gatecrashed and Lonely”, “Punished”, “Throw You to the Ground”, “Crumbling”, “King of the Limbo”, “Dumb Electric”, “Beck and Call” and “Live and Breathe”.

In 2006 the band released a compilation called “What You Want to Hear” on Engineer Records (IGN098). This compilation was a collection of unreleased and album tracks from 1991 to 2000. There were 20 songs in total on this CD, “Hey You”, “Too Slow”, “Some Kind of Wonderful”, “Tomorrow World”, “Nothing Happens Here”, “Goatboy”, “Bambi”, “What You Down”, “Best Laid Plans”, “It Makes Me”, “Emmerich”, “My Sister Dolly”, “Different Sound”, “Shake”, “Structure”, “Pointless”, “This Easy Life”, “Syrup”, “Let Me Drive” and “Freight Train Sheep”.

Lastly in 2008 the band released another 20 track compilation, this time on Japan’s Fixing a Hole Records (FIX-25). This compilation was called “Summer to Fall” and had the following tracklist: “Summer to Fall”, “Out of Your Head”, “Cut Me Down” (these first tracks from the 1990 “Summer to Fall EP”), “Put it on the Shelf”, “What Am I Doing Here on my Own?”, “Is There any Reason?” (these 3 tracks recorded in 1987 from “The Strookas EP”), “Something from a Different Angle”, “Chatham Pout”, “Bobby Crush is Innocent”, “What Am I Doing Here on my Own? (demo)”, “Bright Pink Gloss”, “35 Please!”, “16 Hands”, “Indigestion (But it might be Heartburn)”, “Divorce My Car”, “Fuzzbox”, “Washing Up” (all these songs recorded in 1987 for the “Bathe in Plankton” demo), “Put it on the Shelf (demo)”, “Just as I Thought” and “Why Am I a Tsetse Fly?” (from 1986’s first 4-track demo). All songs produced by Graham Semark and The Strookas, and recorded at Red Studios in Kent.

When it comes to compilations we see that the band appeared on a few. On “The Unknown 10” cassette comp from 1990 and released by Rain Tapes (R15) they had two songs, “Nothing Happen” and “Find Your Own Way Home”. That same year and also on Rain Tapes’ “The Unknown Eleven” (R17) they appear with two songs, “Out of Your Head” and “Cut Me Down”.

The comp tape “The Unknown Twelve” from 1991 released by Rain Tapes also included two songs, “Too Slow” and “Summer to Fall” .

In 1992 the band contributed three songs, “Up Ahead”, “Living in the Past” and “Wish You See Here” on a French tape compilation called “Are You Still Ready to Follow Your Leader? Vol. 2” by the label Acts of Defiance. Rain Tapes would also put them in “The Unknown 14” compilation with two songs, “Between the Eyes” and “Living in the Past”.

In 1993 they would appear on two compilations as well, both on cassette. “International Compilation – Volume 3” on Rain Tapes included the songs “Pick the Bones” and “Blue to Green”. Again that year they would have a song, “Pick the Bones”, on a French compilation, this one was called “Revanche Tome 3” out on Violence Productions (VIOL004). This one came alongside the Violence fanzine issue #9. If you know French or still want to have a look/listen. You can find more info at Violence Fanzine blog.

And in 1994, the band would appear on a CD compilation called “The Best Punk Rock in England, Son” released by Snuffy Smile (SMILE 002) in Japan. They would have the track “It Makes Me”.

After a little more digging I return back to the Facebook page I mentioned earlier. The last post dates from March 15 this year. From it I get that band members David Bloomfield and John Edwards went to be in a band called Tonota 80.

Another place we can find the band is on Soundcloud. Here there is a cool interview with Mike Brill on Radio Kent from 1987! There are also rare and related songs like The Andy Pandys’ mid 80s song (but recorded in 1999) “Barbara Dickson”. The Andy Pandy’s featured two of The Strookas and a member of The Claim.

The Kent Band Archive page has some gigs listed like one on July 9th 1988 at The Railway in Sheerness supporting Planet Mushroom. Then we know that they toured France for two weeks in 1993. There is even a video of them playing the songs “Bambi” and “Syrup” in February 1993 in Annecy, Frnace.

Let’s keep looking. The Dentists’ gigography page has two gigs listed alongside The Strookas. The first dates from September 16, 1988, when The Dentists, Cud and The Raw Herbs played at the Medway Arts Centre in Chatham. The second one is also in Chatham but at a different venue, Victoria’s. It dates from December 21 of 1988.

And that’s it. Some good info here, right? What else can you share with us? Did they play alongside other well known indiepop bands like The Dentists or The Raw Herbs? Who remember them?

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Listen
The Strookas – What Am I Doing Here on My Own?

09
Oct

Day 211. Can I tell you that the Verandan 7″ is now at the pressing plant? 🙂 More info coming soon!

Flowerbed: there’s, on Bandcamp, a new song by this Denton dreampop project and sounds gorgeous. The song is called “Everything” and we can only hope that it gets released sometime! Good work by these Texans!

Firestations: “Automatic Tendencies” will be the band’s comeback since the 2018 album “The Year Dot”. This time around the band is going to be releasing a CDR for this 6 song EP on Lost Map Records on November 6th. Right now we can preview the 2nd track of the EP, “Small Island”, which is very nice!

The Telephone Numbers: some classic sounding indiepop here! Jangly and bathed in sunlight, that’s how we can describe “Leviathan” a superb track by the band led by Thomas Rubenstein from San Frnacisco! Looking forward to hearing more by this project!

Agent BlĂĄ: “Lay in My Arms” is the newest song by the Gothenburg combo and again it is great. I like this band a lot. I am waiting for a new record. When? Let me know when!

Neutrals: the new 7″ by the San Francisco Bay area band is going to be part of the Slumberland Singles Series and will contain two songs, “Personal Computing” and “In the Future”. As a designer I have trouble with the hierarchy of the sleeve, where it looks like the band is actually called “Personal Computing” but I will let that slip, the song sounds really really good, the melody and lyrics are really catchy! I have to get this one!

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I have to return to the “Blabbermouth Volume One” compilation tape that the Medway Bands Co-op put together to promote themselves in 1986. Songs from these tape appeared on Youtube in 2016 but only now I am discovering them. This is the second I am posting after the great On Margate Sands’ “Charlie”. So yeah, quite exciting!

This band has even a more enigmatic name, Crystal Tips & Alistair. Wow. Really. Who were behind this Medway band? The song that is uploaded in Youtube is called “Lesley Cocaina” and it is a very fine slice of indiepop. You wonder how this song was not properly released. It is so so good!! Great guitars, great melodies. You start to wonder if the band recorded more tracks because I want to hear them!

What I did figure out was that the band named themselves after a British cartoon that the BBC produced in the 70s. Crystal Tipps and Alistair is a British cartoon produced for the BBC.The title characters are a girl and her dog who are joined by their friends Birdie and Butterfly. There are 50 five-minute episodes and a 20-minute Christmas special, all first shown between 1971 and 1974.[3] It was created by Hilary Hayton and Graham McCallum. Michael Grafton-Robinson, a BBC producer went independent setting up Q3 of London to produce the series.The animation was done by Richard Taylor Cartoons, who were also contracted to make the Charley Says and the Protect and Survive public information films for the Central Office of Information.

And again there is no more information anywhere. As much as I try different keywords in Google I can’t find anything about the band. So yeah, I need all the help I can get to try to track them and find out more about this band!

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Listen
Crystal Tips & Alistair – Lesley Cocaina

07
Oct

Day 209.

Salt Lake Alley: this is amazing news! I was sharing the other day the song “Going Down” by our Swedish friends. This song is actually the third single from their upcoming album “The Way it Feels”. The news today is that there’s a video where we join Gustav and Mikael (with a great Snoopy shirt) on some nice footage of them walking around town and playing live. Top stuff!

The Sensitive/To Die: each of these bands contribute a song to this split put together by Let’s Kiss a Secret Records from Jakarta. The Sensitive gives us “Do Everything Or Else Yourself” while To Die presents us with “No Reflection on Life”. Sadly I am only a fan of The Sensitive, or maybe that’s a good thing?

Attic Salt: some great punkpop/powerpop here on Jump Start Records from Philadelphia. The album “Get Wise” is already out on both vinyl and CD and it sounds really good! There are 10 songs of catchy bouncy effervescent pop!

Fixtures: this Brooklyn band is new to me. They are releasing an EP called “Weak Automatic” on December 4th on tape. The EP will have 6 songs and at this moment we can preview the opening track, “Five Ft One, Six Ft Ten” which sounds pretty good!

Nevver: here is a cool single by a Madrid trio called “Nada Me Importa”. It is a digital single on Elefant Records.  There’s also a video for the song.

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I have discovered a Youtube account called AGMP where there are a lot of indiepop treasures. I will try to make everyone’s easier and pick the good bands and songs among all the other stuff that is not indiepop in the channel.

It is really great as a lot of it is quite obscure as the Gleesome Threesome band. The band that I want tom show you today, On Margate Sands, is probably even much more obscure!

The song I’ve listened is called “Charlie” and it is terrific. It was released on a tape compilation called “Blabbermouth Volume One”. It seems this tape was put together by the Medway Bands Co-op to promote bands in the area. How cool is that!

So I start looking for the band. One thing I notice is that their name seems to come from a poem by T.S. Eliot called “The Waste Land”. The line in said poem says, “On Margate Sands/I Can connect/Nothing with nothing”.

Sadly I can’t seem to find any other information about them like the band members names, if they had been in other bands, if they actually had any releases or maybe more recordings. I really would like to know. This tape seems to have many more wonderful tracks, and I’ll share with you more in future posts. Terrific and exciting finds indeed!

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Listen
On Margate Sands – Charlie

05
Oct

Day 207.

Dayflower: our good friends from Leicester, the fantastic Dayflower, are back with a terrific new song called “Stuck To You”. It has quickly became a favourite of mine of their whole repertoire. I just wonder if I’ll ever get to catch them live, playing this song, playing the songs of the 7″ we released. Things are so unclear these days. But I do think this song can make you happy, give you a smile. at least during the 3:55 minutes it lasts. Really lovely.

The Haywains: more news from friends of us! Here is “The Haywains Have Left The Building!” a 30 song album that includes a full gig from 1993 in Nottingham plus a few more live versions from different gigs. I really hope this gets released in physical format. So so good!

The Chickpea Darlings: Huw from The Spanish Amanda and Jo Darling, with Ivan on the beats, have a new album called “Bitter Lemon”. Three or four years in the making, the album includes some great pop songs like “Ugly Pop Stars” or “1988”. Do give it a listen!

Vacance: now we head to Bordeaux to discover this new band that will be releasing an album on the very good Melotron Recordings from Thessaloniki in Greece. The album will be released on CD, 11 songs, out on October 23/ We can preview just one song at the moment, “Bord de Mer”, which is very nice!

Dreams of Empire: this great shoegaze duo have been on the blog many times, and I don’t mind recommending them again, their song “Space Invader” is ace. This song is the opening track of the upcoming “Encapsulation” album that will be released on CD on November 6!

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Now that the challenge is over I want to get some bands that for some reason or another haven’t been featured on the blog. Bands who have songs and records that are favourite of mine and that I actually know very little about them. That is the case of Hearts on Fire who released an album and two 12″ maxis on Midnight Music. And they left a song that is a true favourite of mine, “(You Promised Me a) Camera”.

When it comes to their discography they started releasing music in 1985. That year an EP and an album was released. I am guessing the EP came first, so I’ll start there. Before that I want to say that I only own the album, and maybe this is good time for me to get copies of their EPs.

Their first EP was titled “You May Now Know” (DONG 15). It was produced by David Ros and included four songs. On the A side we find “You May Not Know” and “Four Corners (Of My Soul)” while on the B side “Persuade You Again” and “Love on Trial (Acoustic Version)”.

The band’s album as released that same year and was called “Dreams of Leaving”. It has a very cool artwork, of a caravel (?) or a galleon (?) over colorful waves. Yeah, I don’t know much about ships. Maybe someone can help me and tell me what kind of vessel it is. In any case it was also released by Midnight Music (CHIME 00.12S), the label Nick Ralph used to run back in the 80s and early 90s. Now Cherry Red owns their catalogue of course.

The album had 11 songs. The A side had “(You Promised Me a) Camera”, “Flamingo Affair”, “Hidden Heart”, “Love on Trial” and “This Sultry Day”. The B side had “Zero Ours”, “You May Not Know”, “Fire One”, “Everything to Me”, “Shall We Be Dancing?” and “Seasons”. Again the album was produced and engineered by David Ros and was recorded at the well-known Alaska Studios in London.

On this record jacket we also find the band members:
Mitch Beam – guitars
Billy Finn – guitars
Mike Edmonds – bass
A. F. Tolson – percussion
Syn D’Cody – vocals

The Midnight Rambler (from The Essence) played organ, Jeremy Hirsch the trumpet and Louis Vause (Hackney Five-O) the piano. The photos for the sleeve were taken by Andrew Springham. The sleeve is credited to Johnny Jeane for Blue in the Afternoon.

Lastly in 1986 the band would release their EP “You Promised Me a Camera” (DONG 25). Four songs again, “(You Promised Me A) Camera” and “Starting Line” on the A side and “Heaven” and “Because You Care” on the flipside.  It was a 12″ on Midnight Music of course.

That same year their song “Everything to Me” would be included in the “Between Today and Tomorrow” (CHIME 00.17L) compilation released by Midnight Music.

What else we know about them? Mike Edmonds seems to have continued playing bass oon his own band, Mike Edmonds Bass-ic Requirement. And I know that Syn O’Cody did backing vocals on another Midnight Music release, on Sudden Afternoon’s “Acid Rain” EP from 1986.

Some copies of the album came with an insert. That insert reads: “Mitch and Mike were school chums…Mitch didn’t know whether to play with his dinky or his fire engine. Mike asked Billy if he played guitar — after all, it was the hope & anchor…and he wore Roger McGuinn sunglasses. They were introduced to Syn at a Brixton rodeo. Even cowgirls sing the blues…They wrote songs in a house full of aardvarks. Mitch didn’t know whether to play with the band. They twisted his arm, but he could still play guitar. They needed a drummer — luckily there was a fresh delivery from Canada — A. F. Tolson was on it. An aardvark introduced them to the midnight rumbler. They made a record in Alaska with Dave. Here it is…”

I google them a lot with no results. It feels like they just disappeared from the face of the Earth. I would think they would be involved in other bands. I do feel that the band was ahead of the curve. Their music if released a year or two after would have gotten more attention. C86 tape hadn’t been released when they put out their jangly album.

The last piece of news I found, thanks to a comment on Youtube is that Syn was living (at least 6 years ago) in France in a town called Nontron.

Who remembers this terrific band?! I would love to know more, and I think they duly deserve a reissue!

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Listen
Hearts on Fire – (You Promised Me A) Camera

02
Oct

Day 204.

Salt Lake Alley: really wow! What a beautiful song our friends Gustav and Mikael have made! It is called “Going Down” and it does indeed sound very Sarah-esque. This song will be part of their upcoming album “The Way it Feels” that will be released on October 30. This is already shaping up as one of my favourite albums this year. Can’t wait to hear it whole!

The Blanche Hudson Weekend: now available on CD is a retrospective album, a best of, by The Blanche Hudson Weekend! It has 25 songs!! And it comes in cool DVD packaging. It is called “Standing on the Lift to the Scaffold: 2009-2013”, and I think I really need this. Now.

Nuevos Dolores: “Octubre” is the latest song by this Madrid project. It is a feel-good jangly track. I don’t know much about this classic sounding band, but this is quite nice.

Grape: this is a great find! I like Grape, the band from Mark Barber, ex-Chesterfields, that released on Vinyl Japan. Just a few days ago the video for “Baby in a Plastic Bag” appeared on Youtube! How great! This song is also known because it featured PJ Harvey on vocals.

The Migraine Aura: just discovered this interesting project from Tacoma, Washington. They have 5 songs out now on their “Debut EP” cassette and they are fine jangly ones! The band is formed by AJ Dudick, Lucas Norton, James Knoeri and Cody Ouimet.

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This was quite a discovery. The other day I saw someone post the song “Was Never” by the Gleesome Threesome on the Twee Lovers Club Facebook page. And I was terribly curious!

Turns out this song was released in 1987 as the A side of a 7″ on Rodmersham Records. The B side was “Chantelle”. I had never heard of this band or this label.

Surely the label was their own, so a self-release, definitely. But the other details about this release on the Youtube description do shed some light on why this band is so rare. 300 copies were pressed and the band hand-made the sleeves. Now, most of the copies were lost on their way to the distributor. That is bad. Even worst, only 5 copies are known to exist. Out of tbose 5 copies, one is in Japan, in the hands of a collector, and the other 4 are with the band members.

On Discogs the hand-made sleeved do not appear.  We do know that the catalog number was RODMER 001. We also know that Record Mirror said about the single “Probably the finest song ever recorded”, while Melody Maker said “Imagine the Beach Boys Party Album meets Jonathan Richman and you’ll get the idea” . So the magazines must have gotten a copy of the 7″, right? So at least 2 more copies were in circulation at some point?

We also see three names, Lawrence, Anthony and Adrian. No last names though. The person who posted this track on Facebook is called Adrian Gibson. Okay, that may or may not be a coincidence.

And that’s it really. As obscure as it gets. Where in the UK where they from? Did they appear on compilations? Any other recordings? Would be great to find out!

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Listen
Gleesome Threesome – Was Never

30
Sep

Day 202.

Primal Scream: ok ok this is an oldie, but it has just appeared on Youtube!! My friend Richard from The Suncharms shared with me the first ever Primal Scream television appearance! It dates from January 1987 on the Channel 4 program “Down the Line”.

Family Mart: the Austin, Texas, combo has a new song up on Soundcloud and it is really good! It has a good title as well, “My Anarcha-Feminist Crush” and I must say it sounds great. I’m hooked. Somehow it reminds me to Aerospace, a favourite of mine.

Margarita Quebrada: now we go to Valencia to check out this post-punky band that reminds me of the great Barcelona band El Ăšltimo Vecino. Margarita Quebrada sounds a bit more lofi though, more DIY if you want. Their latest release is “Luces” a 5 song EP that is available on Bandcamp.

Plush Palace: Cuties from California. That’s how Diz, Viggy and Eric describe themselves. They have recorded 4 twee crash pop songs and put them up on Bandcamp, perhaps these are their first ever songs? The self-titled EP has “First Date”, “Stairs”, “Fake Fucking Liar” and “Cluelessness” and I have to say they are good fun!

Lunatics on Pogosticks: new song by this Melbourne band that I know nothing about really! The song is called “Don’t Need Sunshine” and is the first one they publish since September 2017!

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Witch-hazels or witch hazels are a genus of flowering plants in the family Hamamelidaceae, with four species in North America, and one each in Japan and China . The North American species are occasionally called winterbloom. The name witch in witch-hazel has its origins in Middle English wiche, from the Old English wice, meaning “pliant” or “bendable”, and is not related to the word witch meaning a practitioner of magic. Jacob George Strutt’s 1822 book, Sylva Britannica attests that “Wych Hazel” was used in England as a synonym for wych elm, Ulmus glabra; The use of the twigs as divining rods, just as hazel twigs were used in England, may also have, by folk etymology, influenced the “witch” part of the name.

Witch Hazel hailed from Kent, Ohio. At some point in the late 90s they would change their name to The Witch Hazel Sound though they also called themselves The Witch Hazel Sound with Strings. I prefer the shorter name myself. So I’ll use that while I investigate this great band whose song I like the most is actually the first one they released on vinyl, “Just Don’t Try”. And yes, this 7″ I do have it!

As I was saying the first release was a 7″ in 1993. Released on their own Bubblegum Smile Records (this label would later release in the year 2000 a compilation called Tape Op, more on that later), this record had just two songs, “Just Don’t Try” on the A side and “Plain” on the B side. Both songs were recorded at Uneven Tracks in Kent, Ohio, and mixed at Electro-Sound Recording Studios in the same city. The credits include Mike Crooker on bass, keyboards, guitar and string arrangements, Brian Barris on drums, Kevin Coral on guitar, percussion and keyboards, Ray Carmen on tambourine and Mark F. on vocals. We also know that Greg D. Feezel was the engineer, Gerard Dominick (from the bands In Fear of Roses and Indian Rope Burn) coordinated the sleeve which was designed by Kevin Coral and Mike Crooker, Feezel, Coral and Crooker mixed the songs and The Sampo Quartet helped with the strings. The producers were Mike and Kevin.

That same year the band would release another song, “Cough Syrup”, that would be included in a split 7″ with The Mommyheads. It was released by Sonic Swirl Records (SWIRL 002). This song was produced by Kevin and Mole and was mixed at Electro-Sound Studio as well.

Then we have to fast forward a bit. 1995. That year they release the “Beeswax EP” on Go Go Records (GGO 005). This 7″ would include three songs. The A side would have “There’s Always Vanilla (Requiem for Baby Blue)” and “Now (Fear Stalks the Cape)” while the AA side had “Secrets of the Spider World”.  The band at this point had Mike Zee (also called Mike Split) as the bassist. Interestingly enough Mike Crooker doesn’t seem part of the band anymore though he did produce “Now (Fear Stalks the Cape)”. Or maybe Mike Crooker started calling himself Mike Zee or Split?

That same year the band would release their first album, “Landlocked”, on Flydaddy Records (FLY014) on CD and vinyl. Both versions had twelve songs, “Gone Tomorrow”, “Chinese Apples”, “Secrets of the Spider World”, “Honey Stick”, “Blonde on Blonde”, “Lemon Grove Kids”, “Rosewater Crescent”, “Autumnal Void”, “Pink Grapefruit Cocktail”, “Peking Opera Blues”, “Hideous Sun Demo” and “Do You Dig Worms?”. For some reason I find these song titles very colorful. All songs were engineered and mixed by Scott Bennett who had been a keyboardist in Brian Wilson’s band.

In 1997 the band contributed the song “Farewell to Cheyenne”, an Ennio Morricone cover, to the compilation 7″ “The Toastier Leper Camp Co. EP” released by Ptolemaic Terrascope (POT 22). They shared the 7″ with Roy Montgomery, Tangle Edge and Silver Apples. I believe Ptolemaic Terrascope was a magazine and this was their 22nd issue from January 1997.

1998. The release of the mini-album “It’s All True”. At this point they change their name to The Witch Hazel Sound with Strings. Why? I suppose they added strings. But is that reason enough? In any case the mini-album had 6 songs, “The Libertine Revisited”, “Fontaine”, “Pacific/Atlantic”, “The Secret Grave Girl”, “Hawthorne” and “Frank’s Dream”. It was released by Camera Obscura (CAMO12CD) in Australia (?!). That same year SpinART records would include the song “Just Don’t Try” on the compilation “LemonLime Volume Two… A Pop Compilation” (Spart 40) under the name Witch Hazel.

The year 2000 would see them participating in three compilations. The first would be on “Popular World” released by Sky Blue Records (001) with the song “Fritz Lang in America”. Here they used the name The Witch Hazel Sound. Now they added the Sound again. And so they would add the Sound one more time for the song “Stephanie Said” included in their own Bubblegum Smile Records release “Tape Op”. Lastly on Camera Obscura’s double CD comp “The Serotonin Ronin II Compilation” they would have their songs “Hawthorne” and “Sketches of the Insane”.

In the year 2001 the band would release their last album “This World, Then the Fireworks…”. This record was to be released by Hidden Agenda Records (AHA!028) and would include 12 songs: “Music Becomes Vibration”, “2 or 3 Things I Know About Her”, “Fireworks”, “Providence”, “Blue City”, “Sun Horse Moon Horse”, “The Guild of Splinters”, “Kiss Tomorrow”, “Halo of Brass”, “Kiss Me Monster”, “Ballad of Constance Money” and “The Boy With Green Hair”. It is worth noting that 3 years later, in 2004, this album was to be re-released in France by Euro Visions (EURO 006). This new version with new artwork would include three more songs, “For Isabelle Huppert”, “Black Friday” and “The Man Who Invented California”.

“Music Becomes Vibration” would be included in the 2001 compilation “Parasol’s Sweet Sixteen, Volume Four”.  That same year “The Man Who Invented California” was included on Dreamy Records’ “A Wish on a Star” (rem017CD).

In 2002 the band would contribute to “Dream Magazine 3” the song “To Isabelle Huppert” and also “2 or 3 Things I Know About Her” to the CD comp “Parasol’s Sweet Sixteen, Volume Five” by Parasol Records.

“Music Becomes Vibration” would appear on another compilation in 2003. This one was called “Carnivals, Cotton Candy, And You” and was released by Orange Sky Records and Dionysus Records (OS2208). “2 or 3 Things I Know About Her” would be on the 2005 comp “Monster CD No. 10” released by Rock & Folk (RF10) and “Just Don’t Try” would show up on 2010’s “Tiny Idols Volume III” released by Snowglobe Records (SG12).

So that is all for releases. What about other involvement with bands. We know Mike Crooker was on Elliptical and Indian Rope Burn, Ray Carmen was on Librarians with Hickeys as well as releasing under his own name, Kevin Coral has done a lot of production work as well as being in the band Future Children.

What more can we find? We know that the band started in 1992. Then I find this Bandcamp where it just lists a first ever compilation of the best songs of Witch Hazel covering the period from 1993 to 2001. There is no more information about it, and if it was ever released. It looks that this Bandcamp was put together as a cassette label by Kevin Coral and Jason Richardson, former band mates in the last edition of The Witch Hazel Sound.

So I look for Jason Richardson. He has a website. He seems to be a screenplay writer these days.

The book Alternative Rock by Dave Thompson mentions them too. Here he mentions that the band was formed from the ashes of Second Skin, a gothic synth-drum machine band that had Kevin Coral and Mike Split. It also mentions that Kevin Coral would put together his own recording studio, Waterloo Sound.

And that’s it! Not much more info, but that was quite interesting, wasn’t it? Who remembers them?

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Listen
Witch Hazel – Just Don’t Try

28
Sep

Day 200.

The Very Most: it has been a while since we heard from Jeremy Jensen’s band but the wait is over. The Very Most will be releasing “Needs Help” on October 9th. This album is quite interesting as it has many indiepop names, like Mel from Hermit Crabs, Cristina Quesada or Kristine from Tiny Fireflies, collaborate in different songs. Also it is worth noting that the CD release is on Kocliko Records, a label we are big fans of.

Topographies: now a shoegaze album that will be released on December 4th. The album is called “Ideal Form” and it is by the San Francisco band Topographies. At this moment we can only preview one of the tracks, “Rose of Sharon”, out of 8 songs that will be on the vinyl LP.

Tapeworms: on the French label Howlin Banana Records they have some news, they are releasing Tapeworms album “Funtastic”! Well, it is actually out since Sept. 25, and the 10 songs are out now on vinyl.

Grazer: “How Many Times” is the latest song by the Melbourne four-piece formed by Matt, Mollie, Nic and Adie and it is a great song. Don’t know much about this, but one important fact is that the song will be included in the upcoming album bu the band.

Pop at Summer: I had recommend not too long ago the song “Summer is Coming!” by the Indonesian combo! It is a great song, and well, now there is a video the band has made for it! And it is great as well! It feels very summery indeed! For us in the northern hemisphere, summer is over, but for those in the south it is indeed coming. So yeah, share this lovely video/song away!

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My friend Jessel asked me to try to find any information about the Leicester band Why Dad, Why? I guess he asked me because I had released a 3″CD back in 2007 by the band Scottish Polis Inspectors. It turns out both bands shared a member, Richard Shops.

In my defense I didn’t know this. Back in 2007 I wasn’t running the blog and I didn’t have this interest to tell the story of indiepop in a blog or anything. I mean, I was interested and was curious, but many times I forgot to ask the right questions. With Scottish Polis Inspectors something like that happened. They had previously released a wonderful EP titled “Gina McKee” in 2005 that was only available through them.

I had ordered that CD and was a true favourite. So when I started the label I asked to release them. I was so chuffed that they said yes that I didn’t ask much about their background. But I do know that the band was formed by Richard Collier as a vocalist and guitarist, Michael Cook on bass and guitar and Andrew Perks on drums. So ok, does this mean that Richard Shops was actually called Richard Collier?

Now let’s fast-track 13 years. A video of a gig of Why Dad, Why? appears on the Youtube channel of the Abbey Park Festival. It is a 1987 gig where the band plays a few songs. We don’t know the names of the songs, maybe one could be “Charity”? I know the last one they played was called “Money & Suit”.

I do know thanks to a flyer of a gig Why Dad, Why? played together with Po! that there were songs named “I Saw Dennis Norden in a Pub” and “Put the Yuppies on the Dole Popwit”, maybe these were played at the gig? I think so!

I keep looking for the other band members. On the Facebook page of the Abbey Park Festival Archive there are some photos. Someone says that the bassist of the band was called Guy Bates. Sadly it seems he passed away.

One thing that was shared on Youtube is a video of Richard Shops playing solo in Leicester as part of the Claws Out Rally Against Clause 28. There are other bands in the video of course, it lasts about an hour, but the opening act is Richard, so that’s super cool to see.

If you want to know a bit more, a little background about this gig, the person who uploaded the video, Nick Lansley, says:

Section 28 of the Local Government Act 1988 caused the controversial addition of an amendment that stated that a local authority “shall not intentionally promote homosexuality or publish material with the intention of promoting homosexuality” or “promote the teaching in any maintained school of the acceptability of homosexuality as a pretended family relationship”. Although I had graduated form Leicester Polytechnic the year before and started work in the south east of England, I often returned to the many friends I had made in Leicester. So I was happy to participate in and film Leicester’s response to the forthcoming Section 28 enactment. This movie documents that rally, which took place in March 1988 in the gardens outside Leicester City Hall.

The only other interesting thing is that between 1983 and 1985 Richard was in a band with indie legend Ruth Miller from Po! This band was called The Soviets. Ruth has actually written about this band on her blog, so read that!

We know from her post that Richard played bass and guitar in the band, and I wish I get a chance to listen to the songs. They are described as fast jangly guitar pop. That sounds like my kind of music! Are there any The Soviets recordings out there? I know there were tape recordings…

Another thing mentioned in the post is that Richard had been previously in bands in the North East. Which bands?

And so tracking and following my detective instincts on Google, I stumble upon 20 recordings by Richard on Bandcamp! These 20 songs make up the album “These Are Our Days”. They are all marked as demos, and they are really lovely. Wow, really.

I notice too that Richard is based in Newcastle, left Leicester long time ago.

This album makes me happy. Of course I’d love to hear songs by Why Dad, Why? on this post, but this is a great discovery. I will send a message now to Richard, maybe we can find out about his many bands starting with Why Dad, Why?!

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Listen
Why Dad, Why? – Money & Suit (live at Abbey Park Festival 1987)

25
Sep

Day 197.

No Wave Charles: From Boston comes this bedroom pop band will be releasing their debut album called “Bulk”. We can’t listen to all of the songs on Bandcamp and it is not available in physical formats, but there are at least two songs to get a taste of the sort of indiepop the band makes. So check out “Self-Obsessed” and “Enforced Suicide”. The album (and perhaps all songs available to preview) is out on October 2nd.

Staring Problem: Modern Tapes from Brooklyn, NY, are releasing the album “Eclipse” by this Chicago band. There are some great guitar pop songs here, some are a bit goth-y, that’s true, but for example “Cheshire Cat” is a very fine song. The record includes 7 songs and all are available to preview on Bandcamp.

Latitude: this San Francisco band makes some wonderful pop music. They are releasing their album “Mystic Hotline” on October 6 on vinyl and will include 10 effervescent songs. We can now preview two of them, “Thursday is the New Sunday” and “Tick Tock”! Good stuff!

Drawing Boards: just discovered this band from Queens, New York. They must be somewhere close to me! They have released a few albums, one in 2018 and another in 2019. They are still available (in vinyl their last one, and tape the first one) For their latest album, “The Message”, we can only preview one song, “UFOs”, which is very nice, whereas for their first self-titled record, you can preview all 12 songs!

The Minettas: Seamus has played all instruments on these two songs and covered two classic songs from Sarah Records, “I’ve Got a Habit” by The Orchids and “Anorak City” by Another Sunny Day. The first one has some vocals it seems but very difficult to listen, while the second one is just instrumental. It is an interesting effort, and the guitars sound cool, just wish the vocals were there or at least more clear.

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And last, to complete this challenge of bands that wrote a song about one of the months of the year I have here Happy Go Lucky from Sweden who in 2004 released the song “From December to Summer”! I did it! Now what could be my next challenge? I did bands that start with each letter of the alphabet, bands from different countries of the world, bands that wrote about a day of the week, now bands that wrote about a month of the year. If you have any ideas let me know!

So Happy Go Lucky. At least we need to go back to 2001. That’s the year when the band started. The the heyday of Swedish indiepop DIY times. Where bands, fanzines, club nights, festivals, everything was exciting! So many good music happened then. And Happy Go Lucky was part of it.

In 2003 the band self-released a CDR called “Friends from Way Back Then” that included 6 songs. I want to think this was their first ever release. The songs on it were “I Need Someone to Die For”, “Whatever Made U Think”, “Trip & Fall”, “I Hope I’ll Never See U Again”, “Out of Tune” and “How Far”. These songs were played, written and recorded by Happy Go Lucky. Yes, Happy Go Lucky was just the one guy. But here on track four, “I Hope I’ll Never See U Again” Carin Hubbe is credited for vocals.

So it was one guy. His name was Jan Lundgren and he was based in Malmö. He even had a website then. And a hotmail. Perhaps that’s how the Italian label Best Kept Secret contacted him that year to release “The Pet Rescue” (LIE 080) cassette. This tape had 3 songs on each side, the A side had “Going Out” and “Upstate”, “U Are a Star” while the B side had “Storee”, “Undone” and “How Far”.

In 2004 the band would release another EP, this time on the very fine Smashing Time label. “Trip & Fall” (SMT 003) had 5 songs, “Trip & Fall”, “Going Out”, “December to Summer”, “I Need Someone to Die For” and “We Stand”. Carin Hubbe would also sing in this release, on the song “We Stand”. The artwork is credited to Nina Canell (who was in bands like Champagne Diamond, Luftfluks, Luftkluster, Obscured by Light, The Brilliant Light, The New Heat).

That same year the band would contribute a few songs to compilations. “Going Out” appeared on the comp CD “Ă„r Jag Förändrad Eller Ă„r Jag Ny?”. This compilation featured 10 bands from the Malmö’s scene included The Radio Dept.!  The well known Hybris label would include the track “Pet Rescue” in a CDR compilation called “A Hybris Sampler – A Collection of Hybris Artists Summer 04”. It is interesting to me as far as I know Happy Go Lucky didn’t release anything with Hybris. Maybe at some point there was the intention to do so? Then on the Popknst CDR compilation “This is Popkonst and We Love You” the band appears with the song “Going Out”. This is a fantastic compilation by the way, I wish I had a copy, so many great bands. All of this happened in 2004.

2005 was another good year for the band. Now on Bedroom Records they would release the CDR mini-album “The Snowball Parade” (BED022). This EP had 6 songs, “Cuomo”, “The Snowball Parade”, “Going Home”, “Safe Haven #2”, “Homesick” and “Biguela”. The artwork for this cool looking CD is credited to Une EstĂ©tique Nouvelle.

That same year the band would appear with the song “Happy Go Lucky Personality” in the “Our Hearts Beat Out of Tune” compilation released by the magnificent Yellow Mica Recordings (YMR021).

The last time we hear from Jan is in 2008, his song “I Hope I’ll Never See U Again” appeared on the “Series Two Compilation Vol. 9” CDr compilation.

I found an article dating from July 17 2004 in the Sydsvenskan newspaper. Here Jan explains his creative process, which usually starts with an acoustic guitar. It also has some interesting info like that Jan had been once part of the band Ambulance from Jönköping. In Jönköping he had worked for a record store. Happy Go Lucky would start in 2001 when he moved to Malmö to study. And his first gig was in 2003 at the Blekingska nationen in Lund. Don’t know if he performed live again. It may have been his one and only gig.

Another good find is an article from Louder Than Bombs. This one must be from 2004 too. In this article Jan is not the only one interviewed but also Sarah from Action Biker. Here Jan mentions the it was a problem that there is a famous jazz pianist with his same name. That was one of the reasons to not use his name. Then he does mention that he has used more people in gigs, to be a full band. So yes, he did play more gigs. Now the question is where? People that helped him include friends that have been in bands like Piotor, Dialog Cet, Log Cabin and Ed Green.

And that’s it. That’s all I could find about him. Who remembers him? If you have any other info please share!

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Listen
Happy Go Lucky – December to Summer

24
Sep

Thanks so much to Bobsy for the interview! This one came out quick, just two weeks ago I wrote about Bobsy on the blog and almost immediately got back in touch with the Singapore bedroom pop maestro. Here is our conversation!

++ Hi Bobsy Thanks so much for being up for this interview! How are you? Still making music?

I’m good! Still play the guitar, a bit of ukulele, and the piano occasionally, but no new songs or recordings.

++ Let’s go back in time. What are your first music memories? Do you remember what was your first instrument? How did you learn to play it? What sort of music did you listen at home while growing up?

Growing up, my Dad used to play lots of classical music, symphonies and operas. Probably my earliest music memories are of Beethoven, Tchaikovsky, Verdi, Puccini, Chopin, playing in the living room in the evening when he got home from work or on weekend mornings. Not very indiepop I know, but definitely a great music education.

As a child I tried the flute and the piano but didn’t stick with it. Taught myself to play the guitar at 10 when my older brother started lessons. He showed me a few chords, and I took it from there.

++ Had you been in other bands before Bobsy? If so, how did all of these bands sounded like? Are there any recordings?

No other real bands other than Bobsy, just messing about in rehearsal studios with friends. 

++ How was Singapore at the time of Bobsy? Were there any bands that you liked? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

The music scene in Singapore was kinda small back then. There were some good bands around though, my favourite was probably Humpback Oak. There was only one really good record store to speak of, called Da-Da. The rest were mostly mainstream top of the pops stuff.

We used to go to this place called the Substation, which would feature indie and alternative acts. Personally I just didn’t like going to gigs so I seldom did.

++ When and how did the project start? Were there more band members at any point? On Myspace for some reason it mentions you being based in Australia?

I think it must’ve been 1997. I actually lived in the UK from 1994-1998 when I attended university there, and most of the songs were composed and recorded during that period. So any mention of Australia is really way off the mark.

++ How was the creative process for you? Where did you usually practice? How was the infrastructure for Bobsy?

The truth is that Bobsy was just me, my guitar, and a cheap casio keyboard. It was the embodiment of “bedroom pop”. I would write the words, then set them to music.
Never been to a recording studio or used any professional equipment. Everything was recorded on a tape deck and a cheap karaoke machine in an upstairs bedroom in a rented house on a quiet street.

I didn’t have a mixer so I would record the songs part by part in a series of overdubs.

++ What’s the story behind the band’s name? 

Bobsy is made up of my then-girlfriend’s (now my wife) name, and my initials…

++ And who would you say were influences in the sound of the band?

At the time, I really liked Sarah Records, particularly Blueboy, The Sugargliders and The Field Mice, as well as East Village. But I don’t think I set out to sound like those bands. Bobsy sounds the way it does because all I had was an acoustic guitar, a cheap casio keyboard, and my voice.

++ As far as I know you only released one 7″. How come?! Why weren’t there more releases by the band? This 7″ that you released came out on Drive-In Records and Moonscreen Records in 1999. Wondering how did the relationship with these labels start?

I had only recorded 5 or 6 songs at the time, and the best 3 were The End Of April, Letting Go, and Find The Lost Years. I put the songs on about 7 or 8 demo tapes and mailed them to indiepop labels all over the world that I liked. A couple replied, but only Mike Babb at Drive-In agreed to release it, which was nice because I got to be on the same label as Buddha On The Moon and the Lucksmiths, which were two of my favourite bands.

++ Tell me about the 7″. Where was it recorded? Why did you include just two songs?

We couldn’t fit all 3 songs onto one 7″, so we chose the 2 that seemed to go together best.

++ And you being in Singapore and these labels in America, I wonder if you ever met them?

I never did meet Mike (or Eric of Moonscreen). But I am still in contact with Mike on Facebook. I think these days he works as a sound engineer.

++ The artwork for the 7″ has always been a mystery to me. What is the photo of? Your sweater?

The artwork is a photo of a scarf crocheted by my then-girlfriend. The drawings on the record labels were also done by her. The cover was originally in full colour, but that would’ve made it too expensive to print so it ended up just in one colour. (Full colour version attached).

++ You did appear on a few compilations, in Hong Kong, Italy and the Philippines. Later on you appeared on a digital compilation by the blog SEA Indie. It feels like between Asian indiepop fans there was interest in Singapore indiepop, is that right? Wondering what would be your favourite Asian indiepop bands all-time? What about for Singapore?

I think back then the Asian indiepop scene was just really starting to grow and there were not many indiepop bands who were known outside of their own countries. So I guess the fact that a band from Singapore had a single released on an American label was something special.

My all-time favourite Asian band would probably be Moscow Olympics from the Philippines. And still Humpback Oak for Singapore.

++ On Soundcloud there are a bunch of other songs that weren’t released. Were they intended for releases perhaps?

The cover of What We Had Hoped was supposed to be for Drive-In 50, a tribute to The Sugargliders, which sadly never did get released.
Strawberry Window likewise was meant for a proposed tribute to East Village that didn’t get past the idea stage.
Marine Parade and Find The Lost Years would probably have been on a 7″ single.

++ Included are covers of “Chelsea Guitar” and “Strawberry Window”. Why did you pick these two songs? Did you use to cover any other songs?

Chelsea Guitar is my favourite Blueboy song… As you can see I covered the bands I loved. Other covers – The Mayfields, Northern Picture Library, Anything Box (?!).

++ Are there still unreleased songs by the band? Or everything was released?

There are 3 demos that aren’t on the Soundcloud page, and alternate versions of Find The Lost Years and The End Of April. And I think they’ll remain unreleased.

++ I think my favourite song of yours might as well be “The End of April” though I must say it is very hard to pick just one, wondering if you could tell me what inspired this song? What’s the story behind it?

It’s a song about being away from home and apart from someone you love, and looking forward to the day when you’re together again. True story.

++ If you were to choose your favorite Bobsy song, which one would that be and why?

The End Of April – because of the story behind it and because it probably encapsulates the entire story of Bobsy in one song.

++ What about gigs? Did you play many? 

We never played a live gig, mainly because we never had the opportunity to. But to be honest, I don’t think I was prepared to play live even if there had been a chance to.

++ When and why did Bobsy stop making music? Were you involved in any other bands afterwards?

We never got to release more records because most of the other songs were still work in progress, and I never did get around to finishing them. I came back to Singapore in 1998, started work, got married, had a family…

++ Was there any interest from radio? TV?

I think The End Of April did get some airplay on US college radio… definitely not on TV

++ What about the press? Did they give you any attention?

Maybe a couple of blog reviews, the Sofa fanzine, that’s about it!

++ What about from fanzines?

Vernon did a nice interview back in 2010 for a local Singaporean fanzine called Trigger, which I’ve attached for your reading pleasure.

++ Looking back in retrospective, what would you say was the biggest highlight for the band?

Just getting our songs released on a 7″ record was a dream come true… and knowing that there are people out there who heard our music and liked it too.

++ Aside from music, what other hobbies do you have?

These days my main hobby is collecting, restoring and repairing watches.

++ Never been to Singapore, so would like to hear from some locals for some recommendations by a local, like sights one shouldn’t miss? Food and drinks one should try?

Must-see places in Singapore are Gardens by the Bay, Unesco-listed Botanic Gardens, and the Zoo. Singapore is a food lover’s paradise… there is a long list of local delights that are all not to be missed. We have what we call Hawker Centres where there are rows of stalls selling different food and drinks. You’d need to stay for at least a month to try everything!

++ Anything else you’d like to add?

It’s really nice to know that there are people out there who heard my music and liked it. I still have copies of the 7″ single if anyone’s interested!

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Listen
Bobsy – The End of April

23
Sep

Day 195.

The Crooner: perhaps the best news of the week is the release of “Heaven Airlines+”!! The album released by the enthusiastic Greek label Make Me Happy looks gorgeous. The A side of the 12″ contains the original “Heaven Airlines CD” whil;e the B side it includes songs that were included in the Japanese release of the album plus other songs that appeared on compilations during the time around the world, including favourite so many favourite songs of mine. This is an album NO ONE SHOULD MISS!! It is available now on Bandcamp.

Low Key Crush: Melbourne continues to be one of the centers of the international pop underground, it is really impressive how many bands and good songs come out from there. Now the duo Low Key Crush has a new song called “Been Waiting” that sounds ace. We are just wondering when is a release coming out?!

The Harriets: this fun Japanese girl group has made a lovely video for their song “Eeenie, Meenie, Miney, Moe”! The song is being released as a CD+fanzine and you can find it in their own website. Really nice!

Nos Miran: another cool video released lately was the one for “Quien TĂş Quieres Que Sea” by this Spanish pop combo! This song is actually a digital single that confirms all the good things we heard on their “Todo se Repite” album.

The Silent Love: last August the Jakarta based label Tarsius Records released a 14 song album by this great Indonesian project. It is called “Decade” and it is a great jingle jangly pop record!

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Anyone remember the Swedish band Lothar? They put an album out on Quince Records from Japan called “Montgolfier” (QRCP-65) in 2008 and then they sort of went silent. I am trying to find out more information about them of course. Tag along?

The album had 11 songs in total, “Malone”, “Whizz”, “Nesebar”, “Montgolfier”, “Carol is Knitting”, “By November”, “Coq Au Vin”, “Cars and Cranes”, “Raincoat” and “Our Days Will Pass”. Okay, so you see they have a song about November. This counts towards this silly challenge I have about finding bands that wrote a song about a month. Only missing December now.

But I actually remembered this band because I used to have a poster in bright pink from a gig in Hamburg. I think the lineup was Sad Days for Puppets and Lothar. I think they were to play the Grüner Jäger. Maybe someone remembers this?

I do own the CD and I can look for some more information about the band and the release.

The band was formed by Erik Bromö on guitar, Mats Ingemansson on drums, Daniel Leopold on guitar, Olov Lindberg on bass, Mattias Person on guitar and tambourine, Nathaly Salas on vocals and Daniel Stridh on guitar. Nathaly also wrote all the lyrics.

We know that the album was recorded and mixed in Traxton Recording by Mats Ingemasson between 2007 and 2008. It was mastered at Cosmos Mastering by Christofer Stannow.

The art for the CD was created by Erik Bromö and the photos by Teo Leff.  They mention being fans of My Bloody Valentine, JAMC and Sarah Records.

A few blogs picked reviewed them like The Janglebox or The Blog That Celebrates Itself, but they don’t add any details. They just review the music. I am in search of info, details. The music I know that I like it.

I look in Musikon.se and Popfakta, websites that usually have info on Swedish bands. No luck.  I know that Traxton Recording, where they made the album is located in Stockholm, in lovely Söder. Did the band hail from Stockholm then?

What I do think I found is a website for Erik Bromö. He is a painter, an illustrator, and he does make beautiful pieces. I would love to have a 7″ with one of his pieces, right? And is Nathaly working in communications?

I would love to know more of course. Who remembers them?

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Listen
Lothar – Malone