30
Oct

Sandy. Ugly storm. I’ve spent the last couple of days away from home, away from my records, my books, my computer. Due to work I’ve been staying in a fancy hotel in Manhattan, 5 blocks away from our offices. We have to cover the storm, that’s our duty. I would love to go home right now, but the subway system has been shut down and the bridges won’t open until later today. Yesterday I worked 12 hours.

The hotel lobby is packed with people. Are they feeling cabin fever? There’s families sitting down in couches, on the floor. Everyone with laptops and ipads. They barely talk to each other. There are sirens wailing and it rains intermittently. The streets were empty and peaceful. The distant sound of things cracking. The tourists queue at the couple of bodegas still open. All of them have better jackets than the New Yorkers. They were better prepared.

At the hotel a black plush gorilla welcomes me at the room. There’s a kitchenette. There’s a bunch of white towels. We had wi-fi one day, but we have no more. There is no room service. The beds are unmade. The heating is way too high but I don’t have control over that. So I turn on the a/c, see if they cancel each other. Cars are honking.

At work there’s only one elevator working. And the newsroom is empty. We are just a handful cracking some news. But at the same time we are clueless about what’s happening. Always waiting for the major to come with some press release, updating us the state of the city. We see photos of destruction and flooding. We watch a video of an explosion on 14th street. It doesn’t feel that bad around here, but some areas seem to have been battered considerably.

I end up at St. Luke’s hospital. I have an issue on my right eye. My cornea has been scratched. The ER is empty. I don’t know if that’s a dream or a nightmare. ERs are never empty. The wind is blowing hard and you can hear it from the bunker like facilities of the hospital. They test my vision. I get a bunch of different drops on my eye. They numb it. With some tweezers they pull. I get prescribed some ointment that I have to apply directly in the eye. It’s odd. Meanwhile everyone is at home and are silently going through a blackout.

We get free food at work. Tasteless tuna and chicken wraps. Warm cans of diet Coke. Some fruit. That’s for lunch. For dinner some pasta. They arrive in big aluminum trays. I haven’t seen who delivers them. We eat quietly assuming this is not going to get better. At night we drink, but we run out rapidly of beer. The hotel bar closes at midnight.

The days are bleak. There’s not much to do other than finish reading some novels I’ve brought. The pillows are awful and the mattress feels strange. Maybe the bed is too high. The shower is terrible, there’s little pressure of water. And on top of that, it’s so low, it barely reaches my neck. I have to crouch to shampoo my hair. It’s only making me miserable.

I wonder how much longer this will last. On average they say it may take 4 more days to pump out the water from the subway tunnels. From my Miami experience I know these things take time. And perhaps it takes longer here as people are not used to this inclemency of the weather. I want to return home. This has been already ugly.

—————————————————————————–

The first time I even read the name of Twelve Angry Men was on the “Future” section of The Leamington Spa website. I think after that some other guitar pop friends have asked me about them on several emails. They knowing barely nothing about them, and me knowing absolutely nothing. I didn’t have a clue how many records they had released but I think we were all certain that they were British.

A couple of weeks ago I found this blog called “From a Northern Place”. I don’t know who runs it, but it seems this fan owns a nice bunch of obscure and rare records. Sadly there is no write up of the records he posts, but he seems like a reasonable person and only links to one song from the release. The only issue being that he links to a WAV file instead of an MP3, being considerable bigger in size, usually around 40 megs and counting.

In any case, I feel a visit around this blog is really recommended as I’m finally listening to many bands that I only knew by them. So I’m thankful for that, for the work he is putting by scanning in hi-res fashion not only the cover and back cover but also the labels of the record.

Among these posts there is one of Twelve Angry Men. At last I could confirm they had one release, a 7″. And maybe now you call can help me start filling in the blanks. The sleeve artwork in black and white. Some band photos on the cover. On the back more band photos. The A side is “Magdalene”, but the 7″ is titled “… the Heart of Magdalene”. The B side is “Clyde”.  Sleeve design by Steve Godfrey. Photography by Neil Stockwell and Ian Firth.

The back cover has some more information. There is a quote on the top that says: “… he left the land of freedom for the promise of religion”. I wonder what they mean by that. All songs by Paul Flinton. Recorded by Stewart Field at Meadow Farm. If it’s the Meadow Farm studio that I found online, then it’s closed to Ripley, in Derbyshire. Very close to where Indietracks takes place every year.

The release is number 009 on Everbimes Records. They seem to be a record label fro Nottingham. So yes, close to Ripley. It starts making some sense. I can’t find more info on the label, especially as according to Discogs there are 2 labels with the same name. Should I pick one? Probably not.

The band lineup at least at the time of the release was: Nick Smith (v0cals), Paul Lillie (bass), Paul Flinton (guitars & vocals), Chris Zani (mandolin) and Steve Godfrey (drums and percussion). On the B-side, “Clyde”, the cello was played by Vicky Evetts.

So far I’ve only had the chance to hear the B side, and it’s a nice slow jangly song. But I’m very curious about the A side, I would love to have a chance to listen to it. If anyone knows anything else about them, has spare copies, or even an MP3 of “Magdalene” that can share, please share!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Twelve Angry Men – Clyde

24
Oct

This Monday I finally booked train tickets to travel from London to Edinburgh on another Monday. The 19th of November.  Just a day after the Chickfactor shows. The idea being to hang out with my friend Giorgos, head to Glasgow that same day when I arrive, see The Aislers Set, and Tuesday go to Loch Ness to fulfill my childhood dream. Stand outside castle Urquhart and watch the loch and perhaps become hopeful of seeing Nessie.

I would have loved to stay longer in Scotland, but time is of the essence when I travel. American companies are not known for being generous when it comes to vacations. Perhaps I should have skipped the Chickfactor shows. There have been some signals telling me that I may not spend a fantastic time. First it was Alex that wasn’t going to come anymore. That was a hard blow to swallow. And then this week, after getting excited at last, after getting to know some dear friends are coming, some that I haven’t seen in years, I get an email from the organizer telling me that I need permission from the bands if I want to film them with my ridiculous Sony Bloggie camera for my own private archive. Well, after buying 4 tickets, and even going to the shows in NY, paying quite a bunch of money, to support the shows, the bands, and why not Chickfactor, I feel unwelcome. Treated badly. Today when everyone has iphones and similar devices, getting a message like that, just because, is quite infuriating. Especially to me, one that militantly supports and celebrates indiepop and DIY. I guess some people have a different agenda.

On top of that, a couple of days after, Chickfactor puts up a poll, where some people involved with the scene answer if it’s ok about having their stuff uploaded on Spotify or Youtube. Of course it is biased and everyone tends to say it’s not. That bands don’t keep their rights and such. This is quite dumb. Because Spotify and Youtube are two very different services, and if someone has ever used them would know. One involves money whereas the other doesn’t. It’s like talking about pears and apples here. I won’t go in detail on this as it’s pretty obvious.

I can agree with some of the statements only if people film bands and then use it for commercial gain. But if you film as a souvenir of a gig you went, to keep it to yourself, maybe to show some friends, and so, I don’t see any harm. I even see love to the bands, respect and caring. It’s not like one of this little cameras have so much memory to store a whole festival, so one chooses their favourite band, or even your favourite songs to record. It’s a matter of love. Nothing else.

I stressed on emails that I was filming for private use. That it was for me. But the organizer insisted that I asked permission to the band beforehand. That kind of attitude, honestly, makes me very unwelcome. There are ways and there are manners, especially when we are all pushing the car on the same direction, a better indiepop scene. Though maybe I’m naive, and everyone has a personal agenda. I don’t know. I can only feel disappointed.

If I’m not allowed to film. I won’t. I just spend over a 100 dollars for this little camera. It’s not much. But it’s kind of sad as I bought it for this special occasion. I’m sure other people will, with their iphones. The quality won’t be that great, but it’s something. And they will upload it to Youtube. A place where band comments, if any, are very thankful and appreciative to the fan who uploaded.

I don’t want to discredit anyone though, mind you. I believe that these shows are one of a kind, and I’m grateful they are happening. I’m utterly happy to see at last my beloved Would-Be-Goods, to see again Lupe playing with Pipas (3rd time?), and my friend Yoshi and The Aislers Set. I’m glad! It’s something very special to see The Legendary Jim Ruiz Group too. I’m very thankful for that and I think we need more of these. I think there’s been a fantastic work in organizing these, but I hope it’s not forgotten that it’s the fans too that make this possible, that they are the ones paying for the tickets, so a little bit of courtesy wouldn’t hurt.

The moment I arrive that Saturday to Heathrow, when I meet my friends Jennifer and Miguel perhaps for lunch that day, and then go check-in at my hotel in Argyle Street, close to King’s Cross, to be reminded of the mornings and the breakfasts with Alex in that same neighborhood, holding hands and getting lost in one way streets and fenced parks, will be a pleasure. I will feel full of life, even if it’s bleak and damp in London. Because I’m happy there and nothing, absolutely nothing, will change that.

Right now my Oyster card is ready, and I can only look forward to a good weekend of indiepop, filming bands or not. I cheekily wonder if I am allowed to take photos too.

—————————————————————————–

Time for our obscure indiepop band of the week! This time let’s travel north of London, south of Edinburgh. Manchester.

The information about this band is scarce. I think it was Stephan who asked me about this band and so I looked around online. First finding some tracks on Youtube and then some entries on Discogs. I got hooked instantly to the song “Plenty” on Youtube. I immediately bought a copy of the “Plenty” mini-album. And now I’m recommending it to you. Still I need to manage to get all their other releases, especially their 7″. You know I’m a sucker for them.

First release was the “Cherish” single. With “Ordinary” on the B side. This is their only 7″ single as far as I know. The artwork is very simple. Mostly text over white background. On the back cover, a rose and the tracklist. It makes it clear there that they hailed from Wythenshawe.

Historically within Cheshire, in 1931 Wythenshawe was transferred to the City of Manchester, which had begun building a massive housing estate there in the 1920s to resolve the problem of its inner city slums. With an area of approximately 11 square miles (28 km2), Wythenshawe has often been referred to as one of the largest council housing estates in Europe, although a significant proportion of the estate is now privately owned housing.

This record was released on 1986 and put out by Lo-Type Records. Catalog number LYT001.

After this release there are two more listed on Discogs though there are no dates for them. One is the “Plenty” mini-album, and the other one is “Soundtrack of The Film”. Both being 12″s. The mini album was also released on Lo-Type Records (catalog LYT005) and included the songs  “Plenty”, “Finchley Bitch”, “Yellow Flame”, “Going Home”, “The Last American Socialist” and “Wilderness”. The record was distributed by Probe Plus.

The other release, “Soundtrack of the Film” was released by Big Terry Records (catalog FB001) and had the songs “Plenty”, “Emily Street”, “Rachel” and “Plenty (remix)”.

It seems there were more releases though according to the Phoenix Hairpins blog. They list a 12″ called “Weird Scenes Inside The Cyprus” and the “Wrecked” LP.  They also mention that Chris Yets (trumpets & vocals) is now a painter and part of the Stuckist movement.

From what I’ve heard on Youtube mostly, I can tell that they started as a post-punk band, it’s pretty clear on their first 7″. But as they evolved, they got janglier as you can see on “Plenty” or “Wilderness” for example. And you’d be surprised how nice these songs are. And it seems they evolved later a bit into Madchester in the early 1990s. I do wonder how I have never heard about them until recently. And these songs have been up there in Youtube since 2010! So, yeah, always living under a rock.

Then on Amazon.com I found this bit: The “POORS OF REIGN” were an indie band of the late 80’s early 90’s and consisted of: Eamonn Marrinan (Bass), Carl Mansell (Drums), Brainy (Vocals/Guitar), Darren Bullows (Vocals/Guitar, Chris Yates(Vocals/Trumpets) and Kevin Marrinan (Allsorts).

It also lists “Wrecked” as a 27 song CD. 27 songs! Really?

Also found this flyer on the Manchester District Music Archive. What a great lineup, Frankie Sidebottom, Man from Delmonte, Poors of Reign and The Woodentops. Gone to Earth too. But I don’t know them. They were playing at the International 2 on the 1st of December of 1987. A Tuesday.

It doesn’t seem that hard to track down their releases and for a very affordable price. Though I should save so I can have extra money in the UK. But we’ll see. I’d listen to the mini-album when it arrives and see how much I love it. The songs I heard on it already are really good. But, if you have spare copies, if you know anything else about this obscure Manchester band, their whereabouts or some anecdotes from back in the day, just scroll down a bit longer, and share with us on the comments section!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Poors of Reign – Plenty

20
Oct

Outpatient: a patient who is not hospitalized overnight but who visits a hospital, clinic, or associated facility for diagnosis or treatment.

It’s Cloudberry news week at the blog. Next week I’ll tell another indiepop-related story, those that I know at least my friends Jennifer and Cristóbal like. I do enjoy them a lot too, and it feels good to make my memory work putting some of those experiences in writing. Though to tell the truth, I would love to write a novel, add some little fiction here and there. An indiepop novel. Though I must admit I have doubts about my English, if it’s cut to impress any publishing imprint out there. But anyways, let’s stop elucidating and move on because even though there are not many surprises, I have dates, facts and plenty of exciting facts for the upcoming weeks and months for Cloudberry.

As most of you know The Spook School 7″ is out since October 10th, but maybe many of you don’t know that the band put together a fun video for the A side, “Here We Go”, pasting together lots of small clips Naomi filmed on her phone during their travels to France and London, as well as images from their time in their homeland Scotland. If you haven’t seen it yet, please do so here: http://www.youtube.com/watch?v=0eEVPHnHW7g

The other news has to do with the release date of the Strange Idols retrospective CD. That’s coming out on the 25th of October. So yes, next week! I hope you have already read the interview just below this post. I know, it’s long, but it’s great. One of the best interviews published in this blog for sure. And all members answered. So you get a point of view from all of them. Anyhow, the CDs are already at Cloudberry HQ since yesterday and today I started posting pre-orders.
I’ve been carrying the CD today on my pre-historic, cambric, cd-player, and it sounds fab. And it looks great as well. I feel I want to build just a shelf for the Cloudberry Cake releases. They look so nice altogether.

Then this week I’m sending to press the Nixon 7″ at last. And it seems the next Cake Kitchen release will be somehow related to Nixon too. But I can’t say anymore until it’s a bit more concrete. But you can make your own conjectures.

The fanzine is almost done. At last I got all the interviews and they’ve been nicely placed and styled. It will include interviews with Nixon, Caucus, Alpaca Sports, Bonne Idée, Youngfuck and The Spook School. The only thing I’m missing at the moment is my brainy editorial and a quick check throughout the whole zine if I find any typos. The CD tracklist is ready too and it looks like this:

a1. Go Violets – Runner
a2. The Spook School – Are You Who You Think You Are?
a3. Caucus – Party
b1. Pale Spectres – Better than Love
b2. Youngfuck – Högt

A very international lineup, right? We have Australia, Scotland, Japan, France and Sweden.

And last but not least, you can also preview a new track from an upcoming release! It’s a new 7″ by Germany’s Tripping the Light Fantastic with artwork by the lovely Karin Soderquist. You can download and enjoy “Heavy Heart” here too.

—————————————————————————–

And now let’s try to recover a band from the past. An obscure one like we always like: The Outpatients.

The first time I heard them was through that great blog The Jangle Pop Boutique. Whatever happened to it. I don’t know. But plenty of great gems were posted there as Youtube video (sans the video, just sound). It was great as it featured obscure bands, a little description, and no download links. True to my ideals.

The song that was posted on the blog was “Dog Eared Love”, a pretty pretty jangle pop gem, that one wonders how the hell you haven’t heard it before. And why it wasn’t ever properly released?! If the world was just a fair place…

Some time later I found “Pearl” on Youtube. And I was smitten. Another perfect jangly song. Instead of making things easier, it only made me more curious, the mystery of who were The Outpatients grew on me. I noticed that the guitar player had commented on one of the videos and immediately sent a message.  He was nice to reply the first time.  He said:
“Hi and thank you for your message.  Jinkers, 1980’s, such a long time ago.  However, yes, I would be delighted to help. I may have toooo much information for you.  I had a habit of recording things like the fella from the Rolling Stones, I belive he had the order they made at the chipper after their first rehearsal! Let me know what kind of stuff you need. “

Sadly after sending my overwhelming amount of questions he never got back to me.

Finglas/Glasnevin, Dublin. Never been there. Never been to Ireland period. But that’s where The Outpatients were from. It strikes me a bit as there are not that many Irish indiepop bands. I can think of Hey Paulette from the top of my head.

According to the Irish Rock Discography site, the band was active from 1987 to 1990 and was formed by Ronan, Pat, Greg O’Beirne (who was the one I got in touch with), and Noel.

There’s also a small bio there:
Finglas area quartet who recorded some demo tapes in 1987-88 described as “infectious tunes” by Hot Press. They appeared on Danceline’s Swimming Out of the Pool compilation in 1988 , had a single on Danceline in 1989 and split in 1990.

Greg O’Beirne later in Film (1991-93), Saltmine (1993-94) and The Ferromones (1994-97). Roadie Paul O’Brien later fromed Groov’in Statues.

They also list a discography:

– First demo tape (1988): there were four songs included: “Pearl”, “The Wildest Woman in Glasnevin” and “Rock Steady Freddy”.
– Second demo tape (1989): three songs on this one: “Pearl”, “Corner Shop” and “Dog Eared Love”
– Two tracks on the “Swimming Out of the Pool” compilation (1988). This was released by Danceline Records (catalog DLP 1001). The songs included were “Pearl” and “The Wildest Woman in Glasnevin”
– And an elusive 7″, that supposedly has “Pearl” on the A side, but no one knows what’s on the B side. It might have been released or might have not. If it was, it was on Danceline Records as well, catalog number CLS005 and would have been out on 1989. No idea if there was a picture sleeve for it.

And that’s more or less about it. There are some more MP3s to listen and also some comments from the band members on this blog post by the Dublin Opinion. But aside from that, there is no more information about The Outpatients, more importantly, we have no clue if they ever actually released that 7″!

If you know anything else about them, please, leave a comment! And if anyone has a spare copy of the “Swimming out of the Pool” comp, let me know too!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
The Outpatients – Pearl

11
Oct

I remember the fist time I arrived to London. I passed hastily through all the passport controls and customs. The officers didn’t ask many questions and they seemed not to care much. At the arrivals terminal I found a bench, and sitting down next to a loud Indian lady talking on her cellphone, facing a Money Exchange store, I waited patiently for Jennifer.

She had just moved to the UK. And I was going to attend my first pop festival outside the US. February of 2010. My motive to go to the UK wasn’t exclusively to see an amazing lineup of pop bands, but to see K as well. After my Stockholm visit the whole situation wasn’t clear anymore. I was sure there was something, but nothing had happened. Perhaps I was idealizing the time I had spent with her. I was probably clinging to a letter she wrote me the day I was leaving, promising to read it only upon arriving to US. A letter written in Swedish, which I halfway understood, and shyly had to ask a friend to complete the translation. A letter that gave me hope. A letter that made me decide that I wanted to see her again as soon as possible.

Jennifer showed up. She was holding a big piece of paper, “Welcome Roque”. It was heart-warming. She was a bit late, but how could I ever complain with such greeting. Always after leaving the baggage claim area, and heading to exit the airport, I see all these people waiting for someone, with signs, Mr. This, Mrs. That. Some are really nice. I secretly wish my name was there, somewhere. I check them all rapidly with the corner or my eye, but no one is every picking me up. This was the exception. The only time I’ve ever been received with such warmth.

I got for the first time an Oyster card. She made me buy an expensive 35 pound sort of pass. On my second visit I learned that this was a bad deal. But anyhow, for this one time, it worked. While waiting for the train, I got a crash course on the zone system. I couldn’t believe there wasn’t a single price for the rides. It seemed a little bit too chaotic to be doing maths with different prices every time you wanted to go somewhere. Eventually the Piccadilly line train arrived, and for the first time I was riding the tube. That tube whose map I had studied in a Graphic Design History class back in university, that tube that was bound to Cockfosters and I couldn’t stop grinning.

The ride was pleasing. I can only compare it to the ride Alex and me took from Barajas Airport to Sol in Madrid. There was new sort of excitement. It was like life was a box of chocolates just waiting to be opened and devoured. I immediately felt at home. I always feel at home in London. I understood why Jennifer moved to London, why she loved it this much. Since that time, I dream of following her footsteps, as the one American friend that actually made it happen. I nag and nag my bosses here in New York to at some point, whenever there’s an opening, to transfer me to our bureau there. Crossing fingers, as I do think they will consider it.

We rode the train to Green Park. Of course, outside there was a park. We walked around looking for a place to have lunch. All the restaurants seemed kind of classy, juxtaposed on the ground floors of magnificent buildings. Nothing like the cheap looking buildings of Miami. These seemed made of proper concrete, grayish and stone like cold, brick-built and not that flimsy way that we have here in America for constructing houses with wood and plaster. They all looked expensive.

I had a sandwich at a café. And a beer. No one asked me for ID or being over 18. Probably because I haven’t shaved since leaving my house the day before. It was a nice lunch with Jennifer, talking about expectations, dreams, and the whole indiepop gossip that keeps the world going. She then explained me how to get to Walthamstow where I was staying for the first couple of days with Mr. STSC and K. It didn’t sound too difficult. She recommended me buying an A-Z guide for London streets just in case. I didn’t. I did invest in an umbrella though on my way there.

As usual the poor British people have issues when trying to charge a “swipe” card. It seems it doesn’t fit in their brains that cards have a magnetic stripe. So used they are to their chip little thing and inserting it to some sort of machine reader. Took around 10 minutes for the waitress to charge me. Despite that, as expected I was nice and left her a tip.

When I finally got to Blackhorse Station it was pouring. First day in London and I get to see English rain. The fantastic weather of the British isles. Wet, damp, and a bit cold. I was wearing winter clothes for the first time since I moved back to Miami from Texas in 2005. The walk down the road, crossing a couple of pubs and grocery store was a bit painful. My heart was speeding. As soon as I arrived and was welcomed to the apartment, I learned that K had been waiting for me but had left already. My pulse slowed down. It will all wait until the Betsey Trotwood gig that night. A night were I was told to shut up a thousand times. A night where The Pines dedicated me “Please Don’t Get Married Without Asking Me”. A night were my romance with London had just started.

—————————————————————————–

A pilgrim (from the Latin peregrinus) is a traveler (literally one who has come from afar) who is on a journey to a holy place. Typically, this is a physical journeying (often on foot) to some place of special significance to the adherent of a particular religious belief system. In the spiritual literature of Christianity, the concept of pilgrim and pilgrimage may refer to the experience of life in the world (considered as a period of exile) or to the inner path of the spiritual aspirant from a state of wretchedness to a state of beatitude.

This was a band that I discovered in the Myspace days. I actually wrote them to do an interview and they agreed. Sadly I never got the answers. I wonder if I could check those emails we exchanged, but with Myspace mail system it would take hours in the best of cases, I think it would be impossible. Myspace is a piece of crap. It’s a shame as I exchanged so many great emails with friends and bands there, emails that I would have liked to store, like those ones when I asked bands to release a record with Cloudberry.

Some months later on Ebay I would win some Woosh fanzines and there was a little piece written about this band:

“And  from Hartlepool, of all places, came a wonderful demo tape from The Pilgrims, two days too late to appear on the flexis with this issue. But hopefully in the near future you’ll be able to hear the delightful “Chemically Yours” on one of our floppy discs.
Four tracks ‘Waiting (For Yesterday)’,  ‘Girl from the Outerzone’, ‘Eloquent Silence’ and ‘Chemically Yours’, the latter being the track that clearly stands out for me. A Crazy mixture of mixed up vocals and guitars, ‘Chemically Yours’ brings back memories of the superb Fire Engines.
It’s likely coming from Hartlepool, The Pilgrims will disintegrate into nothing, but not if Woosh has its way.
Contact: Patrick Han”

I’ve already heard two of those songs on Myspace, “Chemically Yours” and “Waiting for Yesterday”. Also on the same social network I had the chance to listen to two other songs that I assume are from a later period: “Don’t Do Today” and “359 Miles”.

“Chemically Yours” as far as I know was their only song that had some sort of release. It appeared on the tape compilation “Something’s Burning in Paradise”. It was the opening track of this tape released by Subtle Records that included classic bands like Another Sunny Day, The Mayfields or James Dean Driving Experience to name a few.

Remember how Woosh used to say that they would release a flexi by The Pilgrims. Well they did, kind of. On issue number 4 of the fanzine, Woosh included a split flexi by Eye Pilgrims and Choo Choo Train. You guessed it. The Pilgrims were now called Eye Pilgrims. And in this release they included a song called “Wall of Sand”.

Many years later, some of the members of the band formed The Factory Owners that released a 3″ CDR on Unpopular Records. I couldn’t find any information about this release sadly. I guess I came in too late to the party.

And that’s about all I could find about The Pilgrims. If I remember correctly, I used to be in touch with Patrick from the band, but I could be wrong. That was back in the day. Those days were many 80s band were excited to join Myspace and share their songs. Oh how many great bands I’ve found there. I should revisit my friend list and try to feature some of those great bands in the upcoming weeks!

If anyone knows anything else about The Pilgrims, or has some more songs that could be shared, please get in touch. There’s a lovely comment box just below the MP3 link!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
The Pilgrims – Chemically Yours

03
Oct

Not a bad week in Cloudberry-land. Boxes of every size and envelopes of all kind of colours have been arriving at home. Records, books, and especially Cloudberry release parts have been showing up.  Today I even met the UPS deliveryman at last. He joked about all these boxes he has always been leaving at my door, he wondered what kind of hoarder I was. Today he brought a box full of inserts for The Spook School. Three inserts for your price. The usual Cloudberry catalog insert, a lyrics sheet and a story written by our Scottish friends.

The fanzine is shaping up nicely. I received the song that Caucus will contribute for the CD compilation and it is great! Now just missing one song and we are done. For the printed zine, I’m still missing the editorial piece, which I’ve been struggling a bit as I really want to write something positive and not some tearjerker about what I’ve been through in the recent months. I’ll come along I know. And also missing some interview answers from a couple of bands. The rest is done, and it feels great. After a little more than a year I’ll have a new fanzine.

While I find myself listening to The Stone Roses, which is a bit odd, I get an email from Nixon. The mixes are ready and the 7″ is moving forward. I should receive them shortly, and well, send it to press at last! These coming months are going to be the busiest for Cloudberry! So many releases coming out! I feel quite refreshed about the indiepop scene these days I must say, like back in 2007! I’ve started socializing again, making new friends, expanding this network of indiepop fans, and meeting new people all over. I have noticed that there is actually many young people that like indiepop, new people, new blood. This used to worry me a bit, thinking there wasn’t a new generation coming up, that will step up, but I think there will be.

On the Starke Adolf front, I’ve made some progress. Not as much I would have liked to, but I’ve got a couple of replies from bands, and some have already provided me songs. I’ll have to keep pestering the rest. The Meta Band, The Happy Birthdays and Aerospace are in. There are some other bands that have confirmed that they’ll be in, but until I haven’t received their songs I won’t announce it. But now I should start working on the artwork for this release!!

This past weekend my mum left New York too, and that means, that I’ll miss her a bit sure, but it mostly means I’ll have more time too to work on things.

Shamelessly though, I did buy the new Pro Evolution Soccer for the XBOX and that’s keeping me away from working on indiepop stuff for the past few days. It’s quite addictive. When I was a kid I wasn’t supposed to play much videogames, but that was ok, I enjoyed playing footie or basketball. I wasn’t supposed to stay late either. Though I did on Sundays watching the football highlights show. I do both things nowadays.

And after the Jesus and Mary Chain gig, I haven’t really been out aside from getting some beers at the bar with friends. This Friday I’m considering going to the Raveonettes, just because I had a very nice experience when I saw them in Fort Lauderdale back in 2003 or 2004. I don’t own any of their records or know their songs, but that time they put such a good show, and their fuzzy guitars sounded really good to me. And then Saturday perhaps Mondo? It’s been months since I’ve been there. Should try to get early, that’s when Maz plays the good songs. And then Monday Jens Lekman? Same with Raveonettes, I don’t know his songs, or own his records, but everyone says he is really good live. So why not. Taken by Trees will be opening, and I don’t really know them either, just know that Victoria from The Concretes fronts them, and she is always a nice sight. To be honest, Im just waiting for the Saint Etienne gig on the 26. But in the meantime, why not go out and enjoy what New York has to offer.

I don’t know if I’ve mentioned this before on the blog, but also taking advantage of New York, me and some friends have a sort of food club on Saturday lunch hour. The idea is to try different foods from different countries all the time. Stuff we’ve never had before you know. We’ve visited so many restaurants, most of them real hole in the wall in all kind of neighborhoods here. This weekend we’ll head out to Flushing for some Taiwanese cuisine. If any New Yorkers are reading this and want to join, please be my guest. Just get in touch!

Lastly, and I don’t know if you agree, I feel one of those indiepop chronicles I like to write have been missing on the blog. I’ll try to get one of those next week. Now let’s move to the obscure band of the week!

—————————————————————————–

hoverchair: A chair that levitates.

Why did they name the band The Hoverchairs? Who knows, maybe only them. I do like the name even if the meaning is kind of dumb. But it’s catchy. I believe I discovered them through Twee.net many years ago, and eventually found them on Myspace. I remember writing them if they’d be up for an interview but I believe I never heard back from them.  It’s a shame, if you head to their Myspace you can listen to 10 songs!! 10 fantastic jangly pop tunes, classic and timeless. The songs being:

– Shut Your Dirty Mouth (their anthem song, repeating “hey hey we are The Hoverchairs”)
– Saturday
– Hide and Seek
– Heaven She Said
– Blue Sunshine
– Another Angel
– Dangerman
– Atlanta
– Yellow Yellow
– Get Up Get Down

From these 10 songs only “Hide and Seek” was properly released. It was the A side of their one and only 7″ single released 1989 by Tempest Records (catalog TROY 7). The B side for this single was  “Two Pints And It Rains “.

About the sleeve, there’s a little note on 45cat. Someone writes:
“The cover was deliberately ‘Smithsian’, as the band were fans. The ‘cover star’ wasn’t a band member, but a friend named Shaun Niland – buy him a pint if you see him!”

The band has a little note too on their old Myspace, I assume written around the time they joined this dead social network in 2007. It reads:
“OK so it’s not exactly current but Steve Lamacq having played ‘Two Pints And It Rains’ as his lost 45 on Radio 6 recently prompted me to re-evaluate my teenage / early 20s and you know what, it ain’t all bad……. ”

The only other valuable information to be found there is this:
Members: Stinky – Vocals and Guitar; Shaun – Guitar; Zico – Bass; Jaz – Drums, B.Vox
Influences: Wedding Present, Jethro Tull, Motown, INXS!!!!!

The question remains, where did the other songs came from. From demo tapes? I tracked one down, “Blue Sunshine”. This one appeared on a tape compilation called “Just Another… Compilation” on  Flippin Ace Recording Co. On this compilation many great indiepop bands appear like The Ammonites, The Sainsburys, The Cudgels, The Sedgwicks, Strawberry Story and more!

On the Myspace pictures section, they have many tape covers, and even some designs that look like vinyl labels. On one of these, it shows a supposed single (or maybe it does exist?) where “Saturday” is the A side and there are two more songs on the flipside, “Why Don’t You Like Me?” and “I Can’t Sleep at Night”.  These songs penned by C.P. Henry. Will that be Stinky?

The band remains mysterious to me. But their songs resonate. They are great I think, the kind of indiepop I like, jangly, earnest, and chiming. Whatever happened to them after the demise of The Hoverchairs? where were they from (Scunthorpe I think??!)? if they had more songs? if they had more releases? if they contributed to more tape compilations? what they are doing now? etc, and etc, so many questions I’d like to ask. If you know anything about them, if you want to help me fill in the blanks, please do!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
The Hoverchairs – Blue Sunshine

26
Sep

Yesterday evening was quite nice, as they always are when Ed Shelflife is in town. Started with some beers at The Pony Bar in Hell’s Kitchen, I had a filling pumpkin stout, followed by Indonesian food for dinner (beef rendang as usual for me) and ended walking through Times Square to reach Rockefeller center. Also, as usual, we talked indiepop for the entire time. This is a feat for me, you won’t believe me, but I don’t usually like talking about music much. But with Ed it’s easy. We share our label dreams, our future plans, and then the inevitable gossip about the people involved in the scene.

Of course I can’t tell you what he is putting out next, that’s not my business, but there are some really exciting releases in the horizon that are still unannounced. It’s impressive though that by the end of the year he would have released 13 records just in 2012. That’s quite something. Especially now that it’s harder and harder to put out records as people, well I don’t want to sound like I’m complaining, don’t buy music anymore. I believe by the end of the year, Cloudberry will have released, 2 Cloudberry Cake Kitchen releases, the 3″ CD by Tiny Fireflies, the new fanzine, and hopefully 4 7″ singles. That’s 8 releases. 5 releases short. Tough. I joked with him about the end of year Twee.net polls, we already know who is going to win, that one label whose releases are sold out within weeks. Who knows how they do it. Must be a Copperfield trick.

But I can tell you about some of the upcoming Cloudberry releases though. These weeks I’ve been working hard on the label, and even on the blog, with a renewed excitement, and with plenty of ideas, and a revamped love for indiepop. Most of you do know that the next 7″ is the Spook School one that has “Here We Go” on the A side and “Cameraman” on the flipside. That’s coming out on October 10th. The Spook School also are showcased on the upcoming zine with an interview and a song on the CD compilation. Talking about this zine, it also contains interviews with Youngfuck, Earth First, Caucus, Nixon and  Alpaca Sports. Yes, you read that right, Alpaca Sports are joining the label and will release a 7″ pretty soon. I’m very excited about that. As I write these lines they are finishing the songs that will appear on the A side. The B side will include that fabulous soon-to-be-classic “She’ll Come Back for Indian Summer”.

I’m calling this one the Emerald fanzine. As usual the color ink of the fanzine changes. I think the next one will be orange. This zine will come with a CD like always, it’s aptly titled “Exposed on the Cliffs of the Heart “. The heart being my favourite topic, and not from a biochemical, physiological, point of view. The cover is graced by the beautiful and one of the few movie-crushes I’ve ever had, Irene Jacob as Veronique, from Kieslowski’s masterpiece The Double Life of Veronique. The CD will include songs by Youngfuck, The Spook School, Caucus and two new exciting bands that are yet to make a splash in the scene, but I’m sure they will in the not so distant future! Hopefully by the end of the week there will be more information online about the zine, and perhaps a pre-order button.

Also by mid October the Strange Idols compilation will be out. It includes all the songs ever released plus many unreleased tracks, among them the 4th single that sadly never came out. There are in total 13 songs, and they are all brilliant. I’m very happy with this release and I hope that those people that missed them when they were around get the chance to enjoy one of the best contemporary jangle pop bands. And those who did know them and were lucky enough to see them live, well, to rediscover them, and enjoy all these new tracks that you haven’t heard before. This CD is pure indiepop bliss. It will definitely charm any indiepop fan out there. I feel so happy because I really wanted to release that 4th single back in the day, and now at last I can do it. I was a big fan of theirs since I discovered them late in 2005 I think.

And there are some news too on the 7” end. There are two new bands that will join the Cloudberry family soon like Alpaca Sports. From London, UK, the band Flowers, who will start touring with The Pains of Being Pure at Heart shortly, all over Europe. And from Hamburg, Germany, Tripping The Light Fantastic, a quite popular band in their country but sadly not yet abroad. The quality of both singles is amazing. So please support the label so I can release these records as soon as possible.

There, that was a breakdown of what’s in the pipeline for Cloudberry. It’s going to be busy, it’s going to be exciting, it’s going to be fun and rewarding. I can’t wait for all of them to be out. And now I have to start working on a new Cloudberry Cake Kitchen collection. I have a couple of ideas, a couple of bands that I would like to do a deluxe collection of their songs. We’ll see, I’ve also gotten some nice suggestions by friends and readers alike.

But this is not the only stuff that’s keeping me busy. I’ve retaken the amazing project that is The Sound of Starke Adolf compilations. I’m working now hard on volume 2, seeking down these swedes, that are so difficult to get in touch with. I persevere, I’ll keep bugging them until I got their songs, and everything else I need to make a quality release as volume 1 was.

There is one thing that I need to stop doing though. I have to stop buying so many records. As of late I’m winning so much on eBay and it’s just dumb. I shouldn’t be spending this much, but I’m not sure what has happened but eBay sellers are listing every single item I have saved in my four different usernames’ saved searches! That’s 400 saved search items. I’m nuts. But I tell you, it makes this heart happy and forgetful.

————————————————————————————————————————————————

Let’s go all the way to Australia for the band of the week: Dreaming Genies. I’ve been looking for so long, after a tip of a friend (or was it because it was listed on Twee.net?), for their 1994 CD “Joan”. Still I haven’t had luck. I think because this was released in Japan, and it’s not very common for Japanese indiepop fans to be selling their collections. Or even to list items on eBay. Not common. Luckily some weeks ago, Heinz (again!), uploaded one of the tracks from the CD, and well, I fell in love with it.

The song is called “Sheperd song” and it’s just a wonderful blast of indiepop-punk, a la Eggplant, a la Juniper Moon, that I got hooked to it immediately. The band that I get reminded me the most is The Sorayas from Sweden though, do you remember them? I actually been looking to contact them so I can include them in one of The Starke Adolf comps. But ok, that’s another story. Let’s get back to the Dreaming Genies, let’s wake them up.

The band seems to have been formed in 1992 in Canberra, Australia’s capital. I try to recollect all my indiepop knowledge, and I can’t think of other bands coming from there. I can think of plenty from Melbourne, Perth or Sydney, but not Canberra.

The site of Canberra was selected for the location of the nation’s capital in 1908 as a compromise between rivals Sydney and Melbourne, Australia’s two largest cities. The word “Canberra” is popularly claimed to derive from the word Kambera or Canberry and mean “meeting place” in the old Ngunnawal language of the local Ngabri people

The band was formed by  Mark Broomhead on guitars, Alex Castro on drums, Jeff Smith on bass, Heath Stephens on bass, and Tania Zadoroznyj on guitars and vocals. And aside from this Joan CD they had also released two other CDs: “Wistaria” and “Pretty Hell”.

The little I know about “Wistaria” is that it was an EP and was released in 1993. The name of the album probably comes from Wisteria (also spelled Wistaria or Wysteria) is a genus of flowering plants in the pea family, Fabaceae, that includes ten species of woody climbing vines native to the Eastern United States and to China, Korea, and Japan. Some species are popular ornamental plants, especially in China and Japan. An aquatic flowering plant with the common name wisteria or ‘water wisteria’ is in fact Hygrophila difformis, in the family Acanthaceae.

From “Pretty Hell” I could find one song on Youtube. It’s called “Breathe” and it’s said to be the 2nd song from this EP. The vocals are really nice, sounding like The Popguns, and the music it’s a bit rockier than the “Sheperd Song”. A sound that reminds me of The Heart Throbs. Not as engaging as the other one but still pretty enjoyable.

Let me figure out first where the word genie comes from:

The jinn (Arabic: جن‎ ǧinn, singular جني ǧinnī; also spelled djinn), or genies, are supernatural spirits mentioned in the Quran and Islamic mythology who inhabit an unseen world in dimensions beyond the visible universe of humans. Together, the jinn, humans and angels make up the three sentient creations of God. The Quran mentions that the jinn are made of a smokeless and “scorching fire”, and they have the physical property of weight. Like human beings, the jinn can also be good, evil, or neutrally benevolent.

The word genie in English is derived from Latin genius, meant a sort of tutelary or guardian spirit thought to be assigned to each person at their birth. English borrowed the French descendant of this word, génie; its earliest written attestation in English, in 1655, is a plural spelled “genyes.” The French translators of The Book of One Thousand and One Nights used génie as a translation of jinnī because it was similar to the Arabic word in sound and in meaning. This use was also adopted in English and has since become dominant.

So the Dreaming Genies. I found the names of other songs, but sadly I haven’t been able to listen to them, maybe some of you could help me: “Joan”, “Mina’s Story”, “Man with Backpack”, “Skeleton Man”, “Flowers”, “Thursday Night” and “Cyren”.

Going back to the “Joan” CD. It was released in Japan by a label called Behavior Saviour, and it was catalog BS009. This label seems to have been closely linked with a band called Tricycle Popstar, which I barely know and I guess could be reviewed on the blog sometime soon. Most of the releases on the label are by this band and in different formats from tapes to flexis. There were two CD compilations two, on both of them They Go Boom were included. On one of them Bulldozer Crash was included. We start seeing familiar faces.

And that’s all there is. All I could find about them. I wonder, are the rest of their songs as catchy and fun as this one? Some Japanese fan that I read (well, thru google translate), was saying the rest of the songs are more power pop style, and this “Sheperd Song” was anorak-sound. Was he right? Also whatever happened to them, the band? Were they involved with other bands before or after Dreaming Genies? Where are they now? And has anyone have a spare copy of this CD? So many questions, hope someone can help!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Dreaming Genies – Sheperd Song

21
Sep

After a couple more of those bright silver Sapporo tall cans Elisabeth showed up with some friends. The Echo didn’t feel as lonely and immediately headed with her to the bar. I was surprised how good her English was now, she had picked a new accent in Oxnard and talked smack like a true American. The Dane that found her place in California. I gave her one of the free drink tickets I got and ordered some liquor. I continued with my Japanese spree.

We ran to the dancefloor as soon as we heard the first seconds of”Bigmouth Strikes Again”. Without any struggle we found ourselves in the middle of the crowd, in the middle of Guadalajara,  in the middle of the fiesta. Liz had joined us already and also another friend of Eli whose name I forgot! She was dancing and dancing waving her long hair all over the place. Some ‘naco’ kid, with his shirt half open, started dancing close to this nameless girl and doing his Latin moves all over the place. Hugging her, holding her hands, dancing way too close. He reminded me the Magneto kids. I’d love an early 90s Latin retro party.

“Heaven Knows I’m Miserable Now” struck me. Got reminded of some things that I was trying to bury. Break-ups are never easy, even if you go through them many times, and they are a very common experience for the common folk. I grabbed the nameless girl, took her from the gold chained Chicano, and made her dance with me. Cheer up. Let’s have fun. It was close to 2 am and the DJ announced that this was going to be the last song. “There’s a Light That Never Goes Out”. He thanked everyone for coming and started dancing again with perfectly practiced Moz moves. I was told that this DJ actually plays in a Smiths tribute band, and of course, he plays to be Morrissey.

The song was quite a surprise, the DJ would mix the original Smiths song with Mikel Erentxun’s Spanish version. It was quite a treat. I was dancing happily, singing along, both in English and Spanish. Until the song was over. Until the night was over. I hugged the girl, and namelessly kissed her bye. I headed towards the bar, find Liz and Elisabeth, find a ride back to my host’s place. It was my last night in LA and I was told not to walk from the Echo to Silver Lake, that it was a very rough neighborhood.

The whole bunch of Eli’s friends and me walked towards a parking lot, a couple of blocks away of the venue. We hanged out there a bit. There was a big plush bear tied to one of the light posts. It had black tape on it’s eyes and mouth. Bear bondage. I rescued it, as I was the tallest I was asked to take him down. It was all wet though, maybe from the rain from the night before. We left it on top of someone’s car. I wonder what the reaction of the car owner had been. Goodbye to everyone and the night was over.

I woke up terribly late on Monday. There was no time for breakfast. Chris from Silver Screen was coming around to pick me up around noon to go get some nice lunch not too far from where I was staying. He showed up on time on a big black pickup. I met his wife, the sweet vocalist of Indonesian band Mocca. Do you remember them? They had some very nice releases a couple of years back. They rapidly filled me in how they met, how they fell in love. Long distance didn’t matter. That felt reassuring after what I’ve been through.

We talked and talked over beer and bloody marys. I devoured a fantastic salmon burger and a mountain of fries. We went through the early days of Silver Screen, the labels that Chris approached, the bands he loved, his new album that is waiting forever to be released, the 3″CD we did, the 7″ I have offered him and more. Talked about his Indonesian experience, his wedding, the great Indonesian cuisine, how people are so friendly there. It was fantastic to meet one of the most talented indiepop one-man band around at last. And I hope to see you again my friend.

After lunch I met with Marion for some more Los Angeles sightseeing, the last hours of my stay in California’s biggest city. We drove to Rodeo Drive, walked around that posh area; Beverly Hills, where I took photographs for a Russian couple; Bel Air, where I didn’t see the Fresh Prince; and eventually ended up driving next to the beach. We saw Malibu first and then we stopped at Venice Beach were we walked along pot doctors, crazy weightlifters, and tennis enthusiasts. Then headed for some happy hour cheap seafood, shrimp, fish and squid. My favourite.

The drive to the airport was short and mostly quiet. I was missing traveling with a partner, and pondering how much more rewarding it is. The sunset was happening and the orange sun was bleaching the houses and shops on the way. I found excitement again in music, in collecting, in talking about it, in sharing that with friends and fans alike. I enjoyed being alone in the mornings in a foreign place, walking on empty streets, holding no one’s hand. I would always miss her smile when I turn around, poking her nose, and waiting for her to pick her candies. I won’t deny that. There’s a special place for her in my heart. And when the sun was disappearing behind the last buildings I could see on the horizon, I decided to move on.

————————————————————————————————————————————————

I have news for the few Cloudberry fans out there. On October 10th The Spook School’s 7″ will be out! You can’t miss it. It’s one of the finest indiepop debuts in years, sounding so fresh, they’ve already become a favourite at all indiepop festivals! Also you can pre-order the Strange Idols’ Idolatry retrospective CD. That’s coming out very soon, hopefully by the end of October. So yes. Plenty of news. Also I’m working again on the fanzine and have some interviews lined up for the blog. So not all is bad, now I have much more time to work on the music I love.

Also, I’ve putting a lot of time, a lot of effort, to getting the second volume of The Sound of Starke Adolf compilations. Only today I emailed like 15 people! So, hopefully the 20 song CD that I have planned will be ready by the end of the year. Fingers-crossed.

I do want to ask for some tips and suggestions for the next Cloudberry Cake Kitchen release. I’ve been thinking of some bands but there’s nothing concrete yet. Who would you like to see as part of the Kitchen family?!

Oh, and last but not least there was this interesting academic paper written about the blog and the label: http://www.wordsinspace.net/lib-arch-data/2012-fall/?p=232

————————————————————————————————————————————————

The song for today is a recent discovery thanks to a Youtube upload from Heinz! I don’t know exactly, but the song makes me happysad, giddy at some points, and longing for days that won’t come back at some other moments. There’s something about the melancholic lyrics over the happy and bouncy, shambolic beat. It creates that beautiful contradiction that indiepop has.

The band name is Madison and the song is “She’s June”.

Well, there’s plenty of Madison places in the US alone. The Wisconsin capital being the one that most people know about. But the actual origin is that it was a surname, a variant of Mathieson meaning son of Matthew.

And about June, there are two theories of where the name comes from: The first is that the month is named after the Roman goddess Juno, wife of Jupiter and equivalent to the Greek goddess Hera; the second is that the name comes from the Latin word iuniores, meaning “younger ones,” as opposed to maiores (“elders”) for which the preceding month May may be named.

Also June’s birthstones are the Alexandrite, the Moonstone, and the pearl. The meaning is health and longevity. Of course the Alexandrite part makes me cringe.

But about the band, nothing, zip, zero, nada. The only thing I could figure out from the image posted on Youtube is that the song appeared on a tape called Garage-Flowers. On the green sleeve I could recognize The Pearly Gatecrashers on the tracklist. The Honeyloops. Eliminator Jr. And Silvania. My fellow Peruvians! Seeing Silvania and Eliminator Jr. it makes me guess that the tape compilation has some sort of Spanish and Elefant records connection.

I would guess they are English and they sound great!, with those na-na-nas, on the back. Great lyrics, ramshackle guitars, a bit like How Many Beans Make Five, or The Lovelies, but dreamier than them! Me and Dean Martin too? Possibly. A lot like Mary-Go-Round from Sweden without the girl/boy vocals. But that kind of pop! I can’t even imagine what happened to them. As far as I know they never released anything, but if they recorded one song, they must have recorded more. So if anyone knows anything about them, let me know!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Madison – She’s June

14
Sep

A couple of weekends ago I visited Los Angeles. It was Labour day weekend here in the US, meaning it was a 3 day weekend. Monday being the holiday. As my work schedule allows me, I could fly on Monday night and arrive Tuesday morning and not lose a day of work. On every holiday I try to squeeze a trip, like I’ve done previously to visit many North American cities. I love the traveling drill, from airports to trains, from picking up tickets to taking off my belt at the x-ray security check. It just builds up my excitement, and then of course, the destination is the cherry on the cake.

Although I’m a formidable planner (if I may say so), this time I didn’t plan any fun activities in LA. My current mood and a dear friend, who I guess is not that dear, in Santa Barbara that bailed on me, made me go to the other coast of the continental US without any expectations whatsoever. Of course I wanted to see the Hollywood sign, the Chinese Theater and the Walk of Fame, don’t get me wrong, but I didn’t actually have an itinerary unlike all my previous trips this year. Of course I did plan to have one, I did plan to have things lined up, contact friends, and more. I even bought a Los Angeles Lost Planet guide, whose pages I never flipped through until I stepped in Californian ground.

I guess my trips to Spain and the UK set the bar too high for me. And just to think that these experiences might not repeat ever again was a hard blow. And what’s worst I have this same gut feeling for my upcoming trip to Chickfactor, but hell, that’s another story. There’s a couple of months to regroup and get the mood up. I’m positive that this UK trip will be alright. Actually I have started looking into Rochester Castle and Bodiam Castle, two of the places I want to visit this time. Prices, train schedules, and history. I probably will end up going there alone, but that’s fine. I was always a loner.

It was at the last NYC Popfest that I met Marion for the first time. We’ve been good friends online for some time, chatting and emailing about indiepop. She hosts this great club in LA called Hungry Beat and also has a radio show from 3am to 6am on KCRW. A pop activist. The kind of people I like. When she was here, which was just for a day, as she only came to see Comet Gain and Pooh Sticks and then take the plane back to LA, she told me to come and visit LA this year, that it would be fun. She wasn’t the first to invite me though, before also Jackie and Joey from Sweater Girls had been keen in me going and visiting them. So after I came back from Indietracks, bummed to be back at work, needing to look forward to something, I decided to book a flight on Virgin America to Los Angeles.

So I walked all over Sunset Blvd. I saw the pink stars on the sidewalk. Keanu, Britney, William Shatner. The Wedding Present I thought. Sean Connery, Marilyn, Burt Lancaster. Hombres G came to mind. The strip was packed with tourists but also by groups of quinceañeras. The neon lights of the different museums and stores reminded me of my old neighborhood in Miami. Walked to the Chinese Theater and saw James Bond Sean Connery’s hands and feet on the cement. Judy Garland’s too. And Marilyn, where “Gentlemen prefer them blondes” was written. I guess I’m a gentleman.

The Guinness World Record museum, the Madame Tussaud one, and Ripley’s Believe it or Not. Chain-store museums, that you see at every touristy downtown in the US. The culture of capitalism. I wanted to go to the Jim Henson’s museum, but that was closed. Would have loved to see the history of the muppets, Mr Kermit and Miss Piggy, and the Dinosaurs, Baby Sinclair. For lunch we stopped in an In-and-Out Burger, a Californian staple I was told. It was quite alright for a fast food joint. Reminded me of Five Guys. But less expensive. Next door was Hollywood High, with a big mural were Laurence Fishburne was the centerpiece. Cantinflas and mighty Bruce Lee were there too. Excellent students, why didn’t I study there?

But the apotheosis was definitely the visit to Amoeba Records. Then all these non-expectations I had were shattered. Cheap 7″s galore! And box after box my hopes of great finds increased and increased. I definitely didn’t score nothing out-worldly but i grabbed at least 20 7″s and a couple of LPs for a fantastic price. All indiepop, all in bonafide labels. It’s just that they are the lesser known releases, but I don’t care. I love them all. While an auction was taking place at the store, I picked every single 7″ box and found the likes of Lois, Courtney Love, Girlroy, Witching Hour, Le Mans and more. And then a 12″ by The Groovy Little Numbers. And for the first time in a month I was smiling.

That same day I tried for the first time Chiles en nogada, a Mexican dish whose name comes from the Spanish word for the walnut tree, nogal. It consists of poblano chiles filled with picadillo (a mixture usually containing shredded meat, aromatics, fruits and spices) topped with a walnut-based cream sauce, called nogada, and pomegranate seeds, giving it the three colors of the Mexican flag: green for the chili, white for the nut sauce and red for the pomegranate. The walnut used to prepare nogada is a variety called Nuez de Castilla or Castilla Walnut. I have to say I can’t recommend this dish enough. It was glorious.

We bought some Modelo beers that night and enjoyed a quiet time with Jax, the cat, and playing the Loveletter LP Marion found at Amoeba. Talked about music, relationships, cats naturally, and the plans for the next day. I was exhausted that Saturday, I’d been up since 3:30am. So I headed to bed pretty early.

The next day I walked across Hyperion Avenue and over the LA river. Ended up in a Salvadorian/Mexican restaurant for breakfast. I had Huevos Mexicanos of course, in honor of The Hit Parade. Then I walked back to Silver Lake, up the hill and down the slope for The Loft. I must have been the only person walking these huge avenues that mostly looked like freeways. That’s LA. But it wasn’t that terrible, just a 15 minute walk where the only sights were huge houses, big yards and concrete.

The plans were to meet Brian and Yvonne from The Tartans, we were going to head to the Huntington Library. Some issues with our cellphone networks threw these plans to the trash. In the end, I didn’t get to see them, and dear Brian ended up injured. Time to rethink our plans. Alright, let’s go up to Griffith Observatory. From up there, I could see the Hollywood sign. I posed for a couple of pictures. Then in the Observatory, which was free, I got some amazing views of Los Angeles. The spread of civilization, houses, houses and houses, and in the horizon a couple of tall buildings rising. It was such a view. Quite enchanting I thought. Inside the observatory I was perplexed with the Camera Obscura and thought of my days in Glasgow, and then astounded by the Tesla Coil purple rays. That was quite something.

We then met with Joey from Sweater Girls and went to another record store: Wombleton Records. Lots of goodies here, but everything way overpriced. I ended up buying a couple of 7″s and LPs, just for the sake of it. If you have money to burn this is your place, they will stock and have plenty of rare records, but they will price them quite high. I guess they save time for you, no need to look to hard for that rare TVPs 7″s.  Walked to a bar some blocks down, called the York, and got some fries and beers. It’s in this place where Hungry Beat will take place soon. Shame I wasn’t there for the come-back party. By now I was starving, and the rest too. So we drove to Pasadena, to Jackie’s vegan restaurant. It was a nice late lunch/dinner. Catching up about indiepop, their band, festivals, future plans, friends, a bit of gossip here and there, was great. One last stop for me this night, The Smiths night party that was held at the Echo by Michae and his Part Time Punks.

Neither Marion or Joey stayed too late. I stayed until the end of the night. Michael was kind enough to give me a couple of drink tickets. I spent them all in those tall Sapporo cans that I always fall for. What’s this Smiths night, you’d ask? Well, they only play Smiths songs and Morrissey songs. The crowd goes wild. I was amazed how much the Moz is loved by Mexicans. And not just regular indie Mexicans, but the gangster type too, the ones they call “cholos” in California. I was surprised by it. I always thought it was the sensitive, whining guys, who loved The Smiths. Not here. Not in LA.

I met with Nick from Catwalk and talked quite a bit about his next album. I look forward to it a lot. And while I was waiting for dear Elisabeth from Leaving Mornington Crescent to arrive, some Mexican girl came to me and asked me about the Cats on Fire t-shirt. I wasn’t really in the mood to be hit, but I went with it. She was obviously not my type, “why someone like you is alone here?”she asked. Of course I had asked me this question before too, where’s my girl?, but I politely replied that I was waiting for my friends to arrive. She instantly picked up my accent and asked me where I was from. She was surprised that I was originally from Peru, “so exotic”, but of course, as a true American, the poor girl thought my country was close to Puerto Rico. “If you feel like it come and join me and my friends at the dancefloor”, and she left.

(to be continued…)

————————————————————————————————————————————————

Talking about Mexico, Mexicans, did you know the word Avocado arrived to English dictionaries through Mexico?

The word “avocado” comes from the Spanish aguacate which in turn comes from the Nahuatl word ahuácatl (testicle, a reference to the shape of the fruit). Avocados were known by the Aztecs as ‘the fertility fruit’. In some countries of South America, such as Argentina, Bolivia, Chile, Peru, and Uruguay, the avocado is known by its Quechua name, palta. In other Spanish-speaking countries it is known by the Mexican name and in Portuguese it is abacate. The fruit is sometimes called an avocado pear or alligator pear (due to its shape and the rough green skin of some cultivars). The Nahuatl ahuacatl can be compounded with other words, as in ahuacamolli, meaning avocado soup or sauce, from which the Spanish word guacamole derives.[8]  The modern English name derives from the Spanish form avocado, “advocate”, which was formed as a folk etymology that substituted (and obscured) the Nahuatl origins of the word. The earliest known written use in English is attested from 1697 as “Avogato Pear”, a term which was later corrupted as “alligator pear”.

True. I call it ‘palta’ myself and I had the best of memories when being a kid climbing the avocado trees and picking as many as you could, passing them to my brother so he could put them in a plastic bag and then take them home, so they could ripe, so we could have some great salad. Avocado with onions and rocoto chili pepper. Add salt. Add lime juice. Fabulous days. I can’t seem to find avocados here as big as the ones in Peru.

It was a couple of days ago that Nana, my dear friend, my big sister, probably trying to cheer me up, sent me a youtube link. A link to a song. She must have known I was going to like it immediately. She doesn’t really send me songs anymore, not since prehistoric times. It was quite a surprise. I was hooked immediately. Why has this song been missing in my life? The song was “I Never Knew” by The Avocados.

This is the long lost single by Dolly Mixture! I wanted to scream. I love, utterly adore, Dolly Mixture. And here I was presented with a song that could have been part of that pretty box set I got some years ago, that could have been part of The Demonstration Tapes. Right? I don’t think I’m hallucinating here. This is really fantastic, spot on Nana! She was telling me that it was a friend of hers and Andreas that was visiting them in Hamburg that showed them this track. Always so humble Nanita. In any case, what a find!

Immediately I checked eBay, Discogs, Musicstack, to see if I could find their 7″. As I expected there was no luck. But even worst, the information about them on the web was almost none. Of course this song was rediscovered through the Messthetics CD series. The Avocados were showcased on “Messthetics #107 DIY London 78-81”.

The 7″ was released on Choo Choo Train Records, catalog number CHUG 03.  Released on 1981.  The band members listed on the sleeve are: bass, flugelhorn – Steve Beresford, drums – Else,  guitar – Dave,  guitar, bass – Oisin  and vocals – Etta. The producer was Captain Strike. The B side of the single is “Television Brought Me Up”, but sadly I have never heard it. So if you want to cheer me up too,  be nice and share it with me.

About Choo Choo Train, there’s a little blurb on Discogs: Small-time label run by Andrew Brenner, mainly to release records by his band, The 49 Americans, and his friends – namely, the I Never Knew 7″, by The Avocados.

But that’s about it. The fun sleeve of some shrimp (?) playing music with a seedless avocado on the middle, way ahead of the indiepop halcyon days to come. Proto-indiepop. Fantastic lyrics, chirpy jangly guitars, and the vocals, so so Debsey! That’s all I seem to find and gather about this fantastic band. There were no other releases or any compilation appearances it seems. Probably they had more songs, but who knows, perhaps they are still in moldy tapes in someone’s cupboard. Anyhow, if you know anything about The Avocados, their songs, their whereabouts, or if you have a spare 7″, please let me know. I’d love to hear their B-side, I’d love to interview them and find out more about their time in the band. This is such a great finding!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
The Avocados – I Never Knew

09
Sep

A swami (Sanskrit: स्वामी Svāmi [sʋáːmi]) sometimes abbreviated “Sw.” is an ascetic or yogi who has been initiated into the religious monastic order founded by Adi Sankara, or to a religious teacher.

“Swami”, when used as a prefix with a monastic name. The term usually refers to men, but can also apply to women who have taken the oath of renunciation and abandoned their social and or worldly status to follow this path. The monastic name is usually a single word without a first and last name.

In the Bengali language, the word, while carrying its original meaning, has a dual meaning of ‘husband’. The word also means ‘husband’ in the Malay language, where it is spelled ‘Suami’.

I don’t drink coffee. “And all those little things they add up”. Black coffee. Soy milk. I learned how to ask. Not American, not a espresso. I never understood exactly what the name was. I would just ask. In Spanish and in English. There wasn’t a chance to do it in Welsh. Not that I speak it, but I felt no one in the places we were in Wales understood it either. “Sip a cup of coffee”. We took fikas at park cafés, ice cream parlours, at pubs. I usually didn’t order anything. Sometimes perhaps a diet coke.

To think those days are over. That’s the hard part. “And I’m still not awake”. I scroll through flashbacks, photos, at Indietracks, the first night when we arrived to Travelodge an hour earlier than we thought. We kept asking train officers to let us take the earlier train, earlier than the ones we were supposed to take with our purchased tickets. After three transfers, after leaving Stansted where I picked her up, taking the Stansted Express from Liverpool Street, we arrived to Alfreton. We took a cab to the Mansfield Travelodge, we checked in and decided to stay in, not head to the festival grounds. It was already 9pm mind you. Instead we ordered some Chinese food thanks to the lovely front desk woman. Minutes after she would show up at our hotel room bringing us plates  and utensils. 10 minutes after a short Chinese man brought our spring rolls and duck in black bean sauce. We ate sitting on the blue carpet. There are no chairs at Travelodge rooms. We devoured our food. And then we watched TV.

Mornings at Mansfield. Heading to the breakfast buffet. Sausages, beans, tomatoes, eggs, and orange juice. And coffee for her. Joining Cris and Madidi. Getting another serving. Not paying, just heading out. “Somewhere in My Heart” by Aztec Camera playing on the background.

“And I’ll always find you”

Introducing her to fellow librarian Bart. Taking pictures of Rose and her. Listening to Rose telling the story about “Alaska” where she was about to move for a guy but never did. Could have been a precaution? We used to fantasize of a life in the remote Unalaska.

The hours on the last seat of the stationary train. Behind the merch tent eating burritos and getting stuffed. The hours on Sunday having fun, joking all around with Matthew and Heather. Buying Secret Shine CDs. The muddy, slippery and dangerous route that ruined my shoes, from Butterley to Indietracks. The pecks. The kisses. Her fingers looking always for mine.

Losing her sunglasses at the taxi. Going to the outlet mall 10 minutes away from the hotel. Shopping at Marc & Spencers. Cocoa at Cadbury’s. A jacket for me at Reebok. Because I was dumb and didn’t pack one and well, it’s English summer after all. Sharing another cab with a random girl one night. Same girl that the next day would sell us ruffle tickets. We didn’t win anything of course. But we supported it.

Getting into Indietracks. Having to call Andy to find us in the Gold-Bears guestlist. I told her I would take care of everything. All tickets, all train tickets were bought months in advance. The cows behind the hotel. The day we left Indietracks in the middle of heavy rain just so she could see and pat the donkeys. The curry at Gopals. Water for her, warm beer for me. And coffee at only one of the food stands.

“I’m late for work”

Indietracks was different this year for me. The gigs were great. Meeting new people, new friends is always a thrill. Seeing old faces. Hugs. Hellos and goodbyes. The community I’ve learned to love. The people that have a similar, if not the same, sensibility as me. Friends that I believe understand. Understand how important our indiepop is. What it means. Which is all good. My third indietracks. The one that I didn’t drink much, the one I didn’t experience with the same passion. But the memories I have, even though not really music related, are intense, big, important and affirming as I could barely explain. At the moment, I don’t feel like going next year. Or to any festival really. Feeling like I need a detox, as strange as that sounds. I know friends are already used to see me at every single indiepop festival. But I need some new things in life. I’ve been dying to travel to Japan for example. I could well do that.

Talking about these coffee moments, the days when things were good, and being reminded about all this through La Casa Azul’s “La Polinesia Meridional”, with that line “dime si la espuma del cortado te complace” (tell me if the foam on your coffee is good for you), I ended up revisiting another coffee song, aptly titled “Coffee Song” by The Swamis. I don’t know anything about this song. I believe it’s the A-side of a 7″ but that’s about it. “Coffee Song”. By The Swamis. They sound English. Or who knows, maybe Welsh. Not Scottish I’d say. But who can actually know.

The information is non-existent. I’ve never seen this record on eBay or discogs. The first time I heard about it was through Takashi, the Japanese guy that disappeared. He uploaded it to Youtube. These days it is still there, but uploaded by a Peruvian fan. Googling about The Swamis leaves you empty handed.

On Last.fm there’s a photo of some Swamis. But they look like rockers. There’s also a link to two Swamis’ albums there. I can’t tell if it’s the same band. These seem to hail from Baltimore, US., and even though they say their songs were jangly, I can’t really tell if they could have penned this “Coffee Song”. I guess you can tell by yourselves here http://lynnpoint.com/swamis/index.html

But yes, if you actually know anything about this “Coffee Song”, about The Swamis, anything you’d like to share, please do. Maybe try to convince me to go to Indietracks next year. Or something else. A little cheer up can’t do no wrong.

Till next week.

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
The Swamis – Coffee Song

06
Sep

Back in 2003-2004 I fell in love with a handful of songs by mysterious Swedish band called Fibi Frap. I played them often. Very often. On repeat. I burned them on CDs. Took them everywhere on my CD player, the same one I still use daily today. I didn’t know anything about them. I had downloaded these tracks from Soulseek, perhaps from the Twisterella room, or the Picknick room. From some Swedish user most definitely. Those were the days when I was falling for everything indiepop, when I was discovering how beautiful and how life-affirming this music is.

I wouldn’t revisit Fibi Frap until 2010. It was January and things hadn’t worked with K. It was hard to swallow and understand. She had written to me a letter where she called us soulmates. But soulmates wasn’t enough for it. Perhaps it was the long-distance situation. Miami to Stockholm was a long way, though it would turn out that we’d see each other about five times in the year to follow. Then maybe she just didn’t like me, or she wasn’t ready at all. She used to be depressed. Very depressed during those days. She was the first one in my long history of meeting depressive Swedish girls. A history that still follows me, where the worst thing is that I haven’t learned how to deal with them yet. Always ending in drama. Funny, as it’s usually us the “latin” people who are supposed to be more melodramatic and who produce an infinite number of cry-me-a-river soap operas.

There were plenty of songs that coloured my days then, that I identified myself, that I made mine. The Clientele’s “Since K Got Over Me”, St. James Infirmary’s “How Many Times”, Rose Ellinor Dougall’s “I Know We’ll Never” or the Marine Time Keepers’ “When Will You Realise That I Care”, were among them, though the song I heard the most was Fibi Frap’s “Sadeyes”.

“Sadeyes” ended up being my theme song during those dark months, when things were confusing,  and where I wouldn’t assume that this wasn’t meant to be. I nicknamed her “Sadeyes” too. It rapidly became the most played song of mine on Last.fm. It made me smile and look with a bit of a positive outlook the whole situation. It wasn’t me. It was her. The connection, the chemistry, most probably had idealized everything. I wrote extensively about her on the blog, the zine, and various inserts. I was heartbroken. And Cloudberry as a label that believes in unrequited love, continued, stronger than ever. Finding strength where there was pain. Today the story repeats itself. Time to regroup. Hacer de tripas corazón. Time to find Fibi Frap again among my old hard drives, or find the songs again on Soulseek. If I just had the original releases. I can only imagine holding those CD-R EPs whose cover art I’ve never seen, but that I picture as something cute, done with love, and it would mean the world to me.

Saved. Up and down I smile, giggle and enjoy the four tracks on their first CD-R release, the eponymous titled EP. Four playful songs, “Sadeyes”, “Applecoins”, “To Make You Happy” and “Sunny Days”, that were ahead of their time, a mix of Action Biker and The Deirdres, in a bedroom style recordings. They could just be your two best friend playing songs for you, in your living room. There’s closeness and not a single bit of arrogance, ambition or pretentiousness. It’s what it is. Songs straight to the heart. Proper popsongs, no tricks, no cheats. Just make them yours.

As far as I know there’s a book called “Fibi – Frap” by an author called Doe Mena-Berlin. I couldn’t find any relevant information about her/him aside that there are other books by the same author like “Vis – Öä” or “Coco – Dies”. I assume it’s a Swedish author, and that is half Spanish, or with half-Spanish descent, as Mena is a very common last name in Spanish speaking countries. Also the publisher of “Fibi – Frap” was Bra Böcker and the book was out for the first time in 1996 according to Google Books. I don’t believe these are novels though, but most probably volumes of an encyclopaedia, where Fibi is the first entry on the volume and Frap the last. That’s what my instinct tells me. But either Fibi or Frap don’t seem to be Swedish words. There doesn’t seem to be any other hints about the nature of this cryptic name. Can anyone of you solve this mystery?

Fibi Frap were two girls, Madelaine Sillfors and Sarah Andreasson who lived in between Gothenburg and Stockholm, probably one in each city. According to their old myspace, they made “happy and sad casio serenades about love”. And listed a long list of influences: Manga, picknix, Boris Vian, Paul Auster, Maurice Blanchot, Magnetic Fields, Will Oldham, Morrissey, Computer Vikings, Oski, Lifli, Brendan Perry, Neil Young and the guys, The Cure, Alma Cogan, Nina Simone and looove. They had good taste. And these serenades about love that they used to write were a clear example of that.

They started the band neither in Stockholm or Gothenburg, but in Kiruna in 2001. Kiruna being the northernmost city in Sweden, situated in the province of Lapland. Population 18,148 in 2010. I might guess both Madelaine and Sarah were originally from there and were good friends, or just perhaps were going to school there and met randomly. During their stint in Kiruna they recorded their first EP, the “Fibi Frap EP” in 2002. After this release they moved to Gothenburg and Stockholm and they gigged extensively in Sweden, playing the hip clubs of the time like the mighty Starke Adolf in GBG and Lava in STHLM. Other clubs that saw them were Debaser (Stockholm), Club monsters of Indie, Popaganda (festival) and on Meths Salonger (Gothenburg) They also appeared on radio, in shows like P3 Demo or P3 Pop, one of my favourite radio shows during those years, where Hanna Fahl would even play some of our own Plastilina releases! On P3 Pop they played live too, in the studio, in March 2003. I wonder if anyone has those recordings!

In 2002 they also contributed the song “Sunny Days” on the compilation “Alltid hela tiden: Utökad familj volym ett” (“Always all the time: Extended family volume one”) released on the “Alltid Hela Tiden” label run by Johan Jakobsson, a music journalist that writes for Sonic Magazine and perhaps the biggest fan of Strawberry Fair, who he would later release a delicious EP in 2006, the last time we heard from Jenny!

The next year, in 2003, they contribute “To Make You Happy” for the “Picknick Picks!” compilation tape released by the American label Popgun Recordings that the good Raoulie de la Cruz used to run. This tape, catalog number 055 and that had Argentinean comic strip cult hero Mafalda on the cover, included five songs by five Swedish indiepop bands picked by the Picknick fanzine. It was during those days that I also discovered on soulseek the Picknick room where I used to hang out silently and learn about all these small and fantastic bedroom projects that were appearing every minute in Sweden.

Fast forward to 2004 and they release another EP, “How Fast is Your Heart Beating”, from which I have barely any information other than they were released on the My Secret Garden label, that used to be run by a guy called Martin, who lived with his girlfriend and cats in Gothenburg.

Every year they would make an appearance, so in 2005 they contributed another song to another compilation. The song was the fantastic and catchy “Where’d You Learn to Kiss That Way?” (a nod to the Field Mice?) and the compilation was “This is My Secret Garden”, on the My Secret Garden label (catalog 010).

2006, another obscure release, “Remember Being Born”. Also this same year they showed up in yet another compilation on Rokit Records. The song “Catherine” was included in the “Robots And Electronic Brains – Telephone: Smethwick 2341-2” CD that came for free with the fanzine Robots and Electronic Brains (Cambridge, UK) in it’s 15th number.

And after that they totally disappeared from the face of the Earth. During their brief run they were praised by many bloggers and fanzine writers alike, from Tangents to Le Manchester, but for some reason they never ended up being a household name, a popular band. If only they would have lasted a year or two more, I would have pestered them until we could have made a release on Cloudberry, or help them play at Indietracks or some other Popfest. Their playful songs, their witty lyrics, and the bouncy melodies were always on repeat. I hate myself for not being able to buy their records, those DIY CD-Rs released in those years. They were pretty limited and today must be really impossible to find them.

I tried to get in touch with no luck through the Myspace some years ago, when compiling what would become The Sound of Starke Adolf compilation. I wanted them to contribute a song for me, but never heard from them. How much I would have liked that. I would even dream putting together some sort of compilation of all their songs. That would make me terribly happy, possibly poor, but who cares, this is indiepop!

But if anyone know their whereabouts please do let me know. I would still like to showcase them in the next Starke Adolf, I would love to hear the rest of their songs, I would love to know if they are still making music. And most and for all I would like to thank them for the music.

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Fibi Frap – Sadeyes